{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,12,18]],"date-time":"2025-12-18T14:28:09Z","timestamp":1766068089689,"version":"3.28.0"},"reference-count":27,"publisher":"IEEE","license":[{"start":{"date-parts":[[2024,9,30]],"date-time":"2024-09-30T00:00:00Z","timestamp":1727654400000},"content-version":"stm-asf","delay-in-days":0,"URL":"https:\/\/doi.org\/10.15223\/policy-029"},{"start":{"date-parts":[[2024,9,30]],"date-time":"2024-09-30T00:00:00Z","timestamp":1727654400000},"content-version":"stm-asf","delay-in-days":0,"URL":"https:\/\/doi.org\/10.15223\/policy-037"}],"funder":[{"DOI":"10.13039\/501100001782","name":"University of Melbourne","doi-asserted-by":"publisher","id":[{"id":"10.13039\/501100001782","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2024,9,30]]},"DOI":"10.1109\/is262782.2024.10704206","type":"proceedings-article","created":{"date-parts":[[2024,10,7]],"date-time":"2024-10-07T17:42:20Z","timestamp":1728322940000},"page":"1-7","source":"Crossref","is-referenced-by-count":2,"title":["Key Considerations for Duo Singing in Virtual Reality and Videoconferencing: An Exploratory Study with Bigscreen and Zoom"],"prefix":"10.1109","author":[{"given":"Ben","family":"Loveridge","sequence":"first","affiliation":[{"name":"The University of Melbourne,Melbourne,Australia"}]}],"member":"263","reference":[{"key":"ref1","article-title":"Networked Music Performance: State of the Art","volume-title":"Audio Engineering Society Conference: 30th International Conference: Intelligent Audio Environments","author":"G Car\u00f4t","year":"2007"},{"article-title":"The application of Networked Music Performance to access ensemble activity for socially isolated musicians","volume-title":"Proceedings of the Web Audio Conference 2019 - Diversity in Web Audio","author":"Iorwerth","key":"ref2"},{"key":"ref3","doi-asserted-by":"publisher","DOI":"10.1109\/access.2016.2628440"},{"key":"ref4","first-page":"61","article-title":"To the Edge with China: Explorations in Network Performance","volume-title":"ARTECH 2008: Proceedings of the 4th International Conference on Digital Arts","author":"C\u00e1ceres"},{"key":"ref5","article-title":"The Playing Together, Apart Framework: A framework for communication in Networked Music Performance","volume-title":"Journal of Music, Technology and Education","author":"Iorwerth","year":"2021"},{"key":"ref6","doi-asserted-by":"publisher","DOI":"10.1109\/access.2021.3052931"},{"key":"ref7","doi-asserted-by":"crossref","DOI":"10.1007\/s00779-023-01708-1","article-title":"Musical Metaverse: Vision, opportunities, and challenges","volume-title":"Personal and Ubiquitous Computing","author":"Turchet","year":"2023"},{"volume-title":"Harmonizing the Musical Metaverse: Unveiling needs, tools, and challenges from experts point of view","year":"2024","author":"Boem","key":"ref8"},{"key":"ref9","doi-asserted-by":"publisher","DOI":"10.1525\/mp.2006.24.1.49"},{"key":"ref10","article-title":"Exploring the role of latency and orchestra placement on the networked performance of a distributed opera","volume-title":"Undefined","author":"Olmos","year":"2009"},{"volume-title":"The Effects of Latency on Ensemble Performance [Honors Thesis, Stanford University]","year":"2002","author":"Schuett","key":"ref11"},{"issue":"1","key":"ref12","article-title":"Networked Music Performance in Virtual Reality: Current Perspectives","volume-title":"Journal of Network Music and Arts","volume":"2","author":"Loveridge","year":"2020"},{"key":"ref13","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-642-40050-6_21"},{"key":"ref14","doi-asserted-by":"publisher","DOI":"10.1080\/09298215.2010.481361"},{"article-title":"Network music performance-Problems, approaches and perspectives","volume-title":"International School of New Media, Institute of Telematics, University of L\u00fcbeck. Music in the Global Village - Conference","author":"Car\u00f4t","key":"ref15"},{"key":"ref16","doi-asserted-by":"publisher","DOI":"10.1177\/0305735618804038"},{"issue":"2","key":"ref17","first-page":"85","article-title":"Virtual Environments for Creative Work in Collaborative Music-making","volume-title":"Virtual Real.","volume":"10","author":"Schober","year":"2006"},{"key":"ref18","doi-asserted-by":"publisher","DOI":"10.53841\/bpsqmip.2022.1.33.46"},{"key":"ref19","doi-asserted-by":"publisher","DOI":"10.1145\/3491102.3501922"},{"key":"ref20","doi-asserted-by":"publisher","DOI":"10.1089\/1094931041291295"},{"key":"ref21","doi-asserted-by":"publisher","DOI":"10.1080\/14794713.2018.1558807"},{"issue":"1","key":"ref22","article-title":"Nonverbal Overload: A Theoretical Argument for the Causes of Zoom Fatigue","volume-title":"Technology, Mind, and Behavior","volume":"2","author":"Bailenson","year":"2021"},{"key":"ref23","doi-asserted-by":"publisher","DOI":"10.1089\/cyber.2021.0112"},{"issue":"1","key":"ref24","doi-asserted-by":"crossref","first-page":"84","DOI":"10.1177\/1029864915570355","article-title":"When they listen and when they watch: Pianists use of nonverbal audio and visual cues during duet performance","volume":"19","author":"Bishop","year":"2015","journal-title":"Musicae Scientiae"},{"key":"ref25","doi-asserted-by":"crossref","first-page":"e22116","DOI":"10.14742\/apubs.2022.116","article-title":"Its not so scary anymore. Its actually exhilarating: A proof-of-concept study using virtual reality technology for music performance training under pressure","author":"Osborne","year":"2022","journal-title":"ASCILITE Publications"},{"issue":"5","key":"ref26","doi-asserted-by":"crossref","first-page":"e10564","DOI":"10.1371\/journal.pone.0010564","article-title":"First Person Experience of Body Transfer in Virtual Reality","volume":"5","author":"Slater","year":"2010","journal-title":"PLOS ONE"},{"key":"ref27","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642309"}],"event":{"name":"2024 IEEE 5th International Symposium on the Internet of Sounds (IS2)","start":{"date-parts":[[2024,9,30]]},"location":"Erlangen, Germany","end":{"date-parts":[[2024,10,2]]}},"container-title":["2024 IEEE 5th International Symposium on the Internet of Sounds (IS2)"],"original-title":[],"link":[{"URL":"http:\/\/xplorestaging.ieee.org\/ielx8\/10704037\/10704076\/10704206.pdf?arnumber=10704206","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,10,8]],"date-time":"2024-10-08T04:59:38Z","timestamp":1728363578000},"score":1,"resource":{"primary":{"URL":"https:\/\/ieeexplore.ieee.org\/document\/10704206\/"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2024,9,30]]},"references-count":27,"URL":"https:\/\/doi.org\/10.1109\/is262782.2024.10704206","relation":{},"subject":[],"published":{"date-parts":[[2024,9,30]]}}}