{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,6,24]],"date-time":"2026-06-24T16:44:16Z","timestamp":1782319456285,"version":"3.54.5"},"reference-count":130,"publisher":"Institute of Electrical and Electronics Engineers (IEEE)","issue":"2","license":[{"start":{"date-parts":[[2023,4,1]],"date-time":"2023-04-01T00:00:00Z","timestamp":1680307200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/ieeexplore.ieee.org\/Xplorehelp\/downloads\/license-information\/IEEE.html"},{"start":{"date-parts":[[2023,4,1]],"date-time":"2023-04-01T00:00:00Z","timestamp":1680307200000},"content-version":"stm-asf","delay-in-days":0,"URL":"https:\/\/doi.org\/10.15223\/policy-029"},{"start":{"date-parts":[[2023,4,1]],"date-time":"2023-04-01T00:00:00Z","timestamp":1680307200000},"content-version":"stm-asf","delay-in-days":0,"URL":"https:\/\/doi.org\/10.15223\/policy-037"}],"funder":[{"DOI":"10.13039\/501100004543","name":"China Scholarship Council","doi-asserted-by":"publisher","id":[{"id":"10.13039\/501100004543","id-type":"DOI","asserted-by":"publisher"}]},{"name":"Electronic Engineering and Computer Science Principal Studentship from QMUL"},{"name":"EU ERC H2020 Advanced Fellowship","award":["GA 788960 COSMOS"],"award-info":[{"award-number":["GA 788960 COSMOS"]}]}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["IEEE Trans. Affective Comput."],"published-print":{"date-parts":[[2023,4,1]]},"DOI":"10.1109\/taffc.2021.3093787","type":"journal-article","created":{"date-parts":[[2021,6,30]],"date-time":"2021-06-30T19:58:40Z","timestamp":1625083120000},"page":"1442-1460","source":"Crossref","is-referenced-by-count":24,"title":["Examining Emotion Perception Agreement in Live Music Performance"],"prefix":"10.1109","volume":"14","author":[{"ORCID":"https:\/\/orcid.org\/0000-0001-9371-2557","authenticated-orcid":false,"given":"Simin","family":"Yang","sequence":"first","affiliation":[{"name":"Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London, London, U.K."}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-0893-9277","authenticated-orcid":false,"given":"Courtney N.","family":"Reed","sequence":"additional","affiliation":[{"name":"Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London, London, U.K."}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Elaine","family":"Chew","sequence":"additional","affiliation":[{"name":"CNRS-UMR9912\/STMS, Institute for Research and Coordination in Acoustics\/Music (IRCAM), Paris, France"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-9869-1668","authenticated-orcid":false,"given":"Mathieu","family":"Barthet","sequence":"additional","affiliation":[{"name":"Centre for Digital Music, School of Electronic Engineering and Computer Science, Queen Mary University of London, London, U.K."}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"263","reference":[{"key":"ref57","author":"juslin","year":"2012","journal-title":"Handbook of Music and Emotion: Theory, Research, Applications"},{"key":"ref56","doi-asserted-by":"publisher","DOI":"10.1191\/1478088706qp063oa"},{"key":"ref59","doi-asserted-by":"publisher","DOI":"10.1177\/0305735613484548"},{"key":"ref58","doi-asserted-by":"publisher","DOI":"10.1525\/mp.2010.28.2.135"},{"key":"ref53","doi-asserted-by":"publisher","DOI":"10.1109\/TMM.2013.2265078"},{"key":"ref52","doi-asserted-by":"publisher","DOI":"10.1037\/1040-3590.6.4.284"},{"key":"ref55","doi-asserted-by":"publisher","DOI":"10.1371\/journal.pone.0089642"},{"key":"ref54","article-title":"Affective norms for english words (ANEW): Instruction manual and affective ratings","author":"bradley","year":"1999"},{"key":"ref51","doi-asserted-by":"publisher","DOI":"10.1016\/j.jcm.2016.02.012"},{"key":"ref50","doi-asserted-by":"publisher","DOI":"10.5116\/ijme.4dfb.8dfd"},{"key":"ref46","doi-asserted-by":"publisher","DOI":"10.1145\/3206025.3206037"},{"key":"ref45","doi-asserted-by":"publisher","DOI":"10.3389\/fnbeh.2018.00184"},{"key":"ref48","doi-asserted-by":"publisher","DOI":"10.1177\/0013164404266386"},{"key":"ref47","doi-asserted-by":"publisher","DOI":"10.1037\/0033-2909.86.2.420"},{"key":"ref42","first-page":"462","article-title":"The 2007 MIREX audio mood classification task: Lessons learned","author":"hu","year":"2008","journal-title":"Proc 9th Int Conf Music Inf Retrieval"},{"key":"ref41","doi-asserted-by":"publisher","DOI":"10.1109\/ICMEW.2013.6618436"},{"key":"ref44","first-page":"1149","article-title":"A study on cross-cultural and cross-dataset generalizability of music mood regression models","author":"hu","year":"2014","journal-title":"Proc Joint Conf 40th Int Comput Music Conf 11th Sound Music Comput Conf"},{"key":"ref43","first-page":"373","article-title":"Computational modeling of induced emotion using GEMS","author":"aljanaki","year":"2014","journal-title":"Proc 15th Int Soc Music Inf Retrieval Conf"},{"key":"ref49","doi-asserted-by":"publisher","DOI":"10.1037\/\/0021-9010.78.1.98"},{"key":"ref8","doi-asserted-by":"publisher","DOI":"10.3758\/BF03193159"},{"key":"ref7","doi-asserted-by":"publisher","DOI":"10.1525\/mp.2009.26.4.355"},{"key":"ref9","doi-asserted-by":"publisher","DOI":"10.1037\/1528-3542.7.4.774"},{"key":"ref4","doi-asserted-by":"publisher","DOI":"10.1109\/ICME.2004.1394664"},{"key":"ref3","doi-asserted-by":"publisher","DOI":"10.1177\/10298649020050S105"},{"key":"ref6","doi-asserted-by":"publisher","DOI":"10.1080\/02699931.2018.1541312"},{"key":"ref5","doi-asserted-by":"publisher","DOI":"10.1525\/mp.2004.21.4.561"},{"key":"ref100","first-page":"277","article-title":"Musical rhythm: A formal model for determining local boundaries, accents and metre in a melodic surface","author":"cambouropoulos","year":"1996","journal-title":"Proc Joint Int Conf Cogn Systematic Musicology"},{"key":"ref101","doi-asserted-by":"publisher","DOI":"10.1080\/09298215.2017.1316292"},{"key":"ref40","doi-asserted-by":"publisher","DOI":"10.1037\/h0077714"},{"key":"ref35","doi-asserted-by":"publisher","DOI":"10.1371\/journal.pone.0154322"},{"key":"ref34","doi-asserted-by":"publisher","DOI":"10.3389\/fpsyg.2014.01564"},{"key":"ref37","doi-asserted-by":"publisher","DOI":"10.1177\/1029864910393417"},{"key":"ref36","doi-asserted-by":"publisher","DOI":"10.1037\/a0013505"},{"key":"ref31","doi-asserted-by":"publisher","DOI":"10.1080\/09298215.2016.1200631"},{"key":"ref30","article-title":"Emotion-based analysis and classification of audio music","author":"panda","year":"2019"},{"key":"ref33","first-page":"438","article-title":"Identifying listener-informed features for modeling time-varying emotion perception","author":"yang","year":"2019","journal-title":"Proc 14th Int Symp Comput Music Multidisciplinary Res"},{"key":"ref32","doi-asserted-by":"publisher","DOI":"10.1037\/13620-004"},{"key":"ref39","first-page":"15","article-title":"The mood conductor system: Audience and performer interaction using mobile technology and emotion cues","author":"fazekas","year":"2013","journal-title":"Proc 10th Int Symp Comput Music Multidisciplinary Res"},{"key":"ref38","doi-asserted-by":"publisher","DOI":"10.1525\/mp.2020.37.3.240"},{"key":"ref24","doi-asserted-by":"publisher","DOI":"10.1525\/mp.2010.27.3.223"},{"key":"ref23","first-page":"397","article-title":"Mel Cepstrum & Ann Ova: The difficult dialog between MIR and music cognition","author":"aucouturier","year":"2012","journal-title":"Proc Int Soc Music Inf Retrieval"},{"key":"ref26","doi-asserted-by":"publisher","DOI":"10.1145\/2647868.2655019"},{"key":"ref25","doi-asserted-by":"publisher","DOI":"10.1177\/0305735691192002"},{"key":"ref20","doi-asserted-by":"publisher","DOI":"10.1109\/ASPAA.2005.1540234"},{"key":"ref22","article-title":"PKU-AIPL &#x2019;solution for mediaeval 2015 emotion in music task","author":"cai","year":"2015","journal-title":"MediaEval"},{"key":"ref21","article-title":"Dynamic music emotion recognition using state-space models","author":"markov","year":"2014","journal-title":"Proc MediaEval"},{"key":"ref28","doi-asserted-by":"publisher","DOI":"10.1525\/mp.2018.36.2.217"},{"key":"ref27","doi-asserted-by":"publisher","DOI":"10.1109\/TAFFC.2017.2663421"},{"key":"ref29","doi-asserted-by":"publisher","DOI":"10.4018\/jse.2012010101"},{"key":"ref13","doi-asserted-by":"publisher","DOI":"10.1109\/TSA.2005.860344"},{"key":"ref12","doi-asserted-by":"publisher","DOI":"10.1111\/j.1468-2249.2011.00323.x"},{"key":"ref15","doi-asserted-by":"publisher","DOI":"10.1109\/ICMEW.2013.6618357"},{"key":"ref128","doi-asserted-by":"publisher","DOI":"10.1145\/3321509"},{"key":"ref14","first-page":"777","article-title":"Modeling musical emotion dynamics with conditional random fields","author":"schmidt","year":"2011","journal-title":"Proc 12th Int Soc Music Inf Retrieval Conf"},{"key":"ref129","doi-asserted-by":"publisher","DOI":"10.1109\/MMUL.2017.3"},{"key":"ref97","doi-asserted-by":"publisher","DOI":"10.1109\/TAFFC.2018.2820691"},{"key":"ref126","first-page":"809","article-title":"Adaptive time-frequency scattering for periodic modulation recognition in music signals","author":"wang","year":"2019","journal-title":"Proc Int Soc Music Inf Retrieval"},{"key":"ref96","first-page":"442","article-title":"Automatic musical instrument recognition in audiovisual recordings by combining image and audio classification strategies","author":"slizovskaia","year":"2016","journal-title":"Proc 13th Sound Music Comput Conf"},{"key":"ref127","doi-asserted-by":"publisher","DOI":"10.1145\/3273024.3273036"},{"key":"ref11","first-page":"367","article-title":"The role of structure in the musical expression of emotions","author":"gabrielsson","year":"2010","journal-title":"Handbook of Music and Emotion Theory Research Applications (Series in Affective Science)"},{"key":"ref99","first-page":"231","article-title":"Using musical structure to enhance automatic chord transcription","author":"mauch","year":"2009","journal-title":"Proc Int Soc Music Inf Retrieval"},{"key":"ref124","first-page":"9","article-title":"Sparse cepstral, phase codes for guitar playing technique classification","author":"su","year":"2014","journal-title":"Proc Int Soc Music Inf Retrieval"},{"key":"ref10","doi-asserted-by":"publisher","DOI":"10.1371\/journal.pone.0013812"},{"key":"ref98","doi-asserted-by":"publisher","DOI":"10.1145\/2911996.2912021"},{"key":"ref125","first-page":"708","article-title":"Electric guitar playing technique detection in real-world recording based on f0 sequence pattern recognition","author":"chen","year":"2015","journal-title":"Proc Int Soc Music Inf Retrieval"},{"key":"ref17","doi-asserted-by":"publisher","DOI":"10.1121\/1.4892767"},{"key":"ref16","doi-asserted-by":"publisher","DOI":"10.1371\/journal.pone.0173392"},{"key":"ref19","doi-asserted-by":"publisher","DOI":"10.1109\/ICMEW.2013.6618342"},{"key":"ref18","first-page":"228","article-title":"Music emotion recognition: From content-to context-based models","author":"barthet","year":"2012","journal-title":"Proc Int Symp Comput Music Model Retrieval"},{"key":"ref93","first-page":"559","article-title":"A comparison of sound segregation techniques for predominant instrument recognition in musical audio signals","author":"bosch","year":"2012","journal-title":"Proc Int Soc Music Inf Retrieval"},{"key":"ref92","doi-asserted-by":"publisher","DOI":"10.1109\/TASL.2012.2188515"},{"key":"ref95","doi-asserted-by":"publisher","DOI":"10.1109\/TASLP.2016.2632307"},{"key":"ref94","first-page":"438","article-title":"OpenMic-2018: An open data-set for multiple instrument recognition","author":"humphrey","year":"2018","journal-title":"Proc Int Soc Music Inf Retrieval"},{"key":"ref130","doi-asserted-by":"publisher","DOI":"10.1109\/MMUL.2017.20"},{"key":"ref91","first-page":"135","article-title":"Approximate note transcription for the improved identification of difficult chords","author":"mauch","year":"2010","journal-title":"Proc Int Soc Music Inf Retrieval"},{"key":"ref90","first-page":"102","article-title":"MIREX 2013 entry: Vamp plugins from the centre for digital music","author":"cannam","year":"2011","journal-title":"Music Information Retrieval Evaluation eXchange"},{"key":"ref89","first-page":"25","article-title":"LIBXTRACT: A lightweight library for audio feature extraction","author":"bullock","year":"2007","journal-title":"Proc Int Comput Music Assoc"},{"key":"ref86","author":"eerola","year":"2004","journal-title":"MIDI Toolbox MATLAB tools for music research"},{"key":"ref85","first-page":"637","article-title":"music21: A toolkit for computer-aided musicology and symbolic music data","author":"cuthbert","year":"2010","journal-title":"Proc 11th Int Soc Music Inf Retrieval Conf"},{"key":"ref88","doi-asserted-by":"publisher","DOI":"10.1145\/2168752.2168754"},{"key":"ref87","article-title":"FANTASTIC: Feature analysis technology accessing statistics (in a corpus)","author":"m\u00fcllensiefen","year":"2009"},{"key":"ref82","doi-asserted-by":"publisher","DOI":"10.1080\/09298215.2010.522715"},{"key":"ref81","first-page":"600","article-title":"jAudio: A feature extraction library","author":"mckay","year":"2005","journal-title":"Proc 6th Int Conf Music Inf Retrieval"},{"key":"ref84","first-page":"348","article-title":"JSYMBOLIC 2.2: Extracting features from symbolic music for use in musicological and MIR research","author":"mckay","year":"2018","journal-title":"Proc Int Conf Music Inf Retrieval"},{"key":"ref83","doi-asserted-by":"publisher","DOI":"10.1145\/1873951.1874248"},{"key":"ref80","doi-asserted-by":"publisher","DOI":"10.1121\/1.2933513"},{"key":"ref79","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771800003071"},{"key":"ref108","first-page":"54","article-title":"Selection of audio features for music emotion recognition using production music","author":"baume","year":"2014","journal-title":"Proc 53rd Int Conf Semantic Audio Eng Soc"},{"key":"ref78","doi-asserted-by":"publisher","DOI":"10.1145\/2729095.2729097"},{"key":"ref109","doi-asserted-by":"publisher","DOI":"10.1145\/1743384.1743431"},{"key":"ref106","doi-asserted-by":"publisher","DOI":"10.1109\/TASLP.2018.2858538"},{"key":"ref107","doi-asserted-by":"publisher","DOI":"10.1080\/17459737.2016.1263897"},{"key":"ref75","first-page":"237","article-title":"A Matlab toolbox for musical feature extraction from audio","author":"lartillot","year":"2007","journal-title":"Proc 10th Int Conf Digit Audio Effects"},{"key":"ref104","first-page":"621","article-title":"Prediction of multidimensional emotional ratings in music from audio using multivariate regression models","author":"eerola","year":"2009","journal-title":"Proc Int Soc Music Inf Retrieval"},{"key":"ref74","article-title":"Linking signal and semantic representations of musical content for music information retrieval","author":"buccoli","year":"2017"},{"key":"ref105","first-page":"8","article-title":"Tension ribbons: Quantifying and visualising tonal tension","author":"herremans","year":"2016","journal-title":"Proc 2nd Int Conf Technol Music Notation Representation"},{"key":"ref77","doi-asserted-by":"publisher","DOI":"10.25080\/Majora-7b98e3ed-003"},{"key":"ref102","doi-asserted-by":"publisher","DOI":"10.1109\/ICASSP.2018.8461876"},{"key":"ref76","first-page":"493","article-title":"ESSENTIA: An audio analysis library for music information retrieval","author":"bogdanov","year":"2013","journal-title":"Proc 14th Int Soc Music Inf Retrieval Conf"},{"key":"ref103","article-title":"Using SIATECCompress to discover repeated themes and sections in polyphonic music","author":"meredith","year":"2016","journal-title":"Proc Music Inf Retrieval Evalu Exchange"},{"key":"ref2","doi-asserted-by":"publisher","DOI":"10.1525\/mp.2012.30.3.307"},{"key":"ref1","doi-asserted-by":"publisher","DOI":"10.1111\/1467-8721.00165"},{"key":"ref71","doi-asserted-by":"publisher","DOI":"10.1037\/0022-3514.60.2.229"},{"key":"ref111","doi-asserted-by":"publisher","DOI":"10.1109\/ICASSP.2012.6287822"},{"key":"ref70","doi-asserted-by":"publisher","DOI":"10.1525\/aa.1964.66.suppl_3.02a00090"},{"key":"ref112","doi-asserted-by":"publisher","DOI":"10.1080\/08839514.2015.1016389"},{"key":"ref73","doi-asserted-by":"publisher","DOI":"10.1525\/mp.2012.29.4.387"},{"key":"ref72","doi-asserted-by":"publisher","DOI":"10.3758\/BF03205482"},{"key":"ref110","doi-asserted-by":"publisher","DOI":"10.1007\/s00530-017-0559-4"},{"key":"ref68","doi-asserted-by":"publisher","DOI":"10.1177\/0305735612449896"},{"key":"ref119","article-title":"Effects of musical stimulus habituation and musical training on felt tension","author":"reed","year":"2019"},{"key":"ref67","first-page":"3","article-title":"The role of embodiment in the perception of music","volume":"9","author":"leman","year":"2014","journal-title":"Empiric Musicol Rev"},{"key":"ref117","first-page":"155","article-title":"MedleyDB: A multitrack dataset for annotation-intensive MIR research","author":"bittner","year":"2014","journal-title":"Proc Int Soc Music Inf Retrieval"},{"key":"ref69","first-page":"125","article-title":"Communicating phrasing structure with multi- modal expressive techniques in piano performance","author":"macritchie","year":"2009","journal-title":"Proc 2nd Int Conf Music Commun Sci"},{"key":"ref118","doi-asserted-by":"publisher","DOI":"10.1109\/TMM.2018.2856090"},{"key":"ref64","article-title":"Explaining listener differences in the perception of musical structure","author":"smith","year":"2014"},{"key":"ref115","doi-asserted-by":"publisher","DOI":"10.1109\/ICASSP.2018.8461329"},{"key":"ref63","doi-asserted-by":"publisher","DOI":"10.1017\/S0140525X08005293"},{"key":"ref116","first-page":"186","article-title":"Predicting time-varying musical emotion distributions from multi-track audio","author":"scott","year":"2012","journal-title":"Proc 9th Int Symp Comput Music Model Retrieval"},{"key":"ref66","doi-asserted-by":"publisher","DOI":"10.1177\/2059204317731992"},{"key":"ref113","doi-asserted-by":"publisher","DOI":"10.1109\/MSP.2018.2869928"},{"key":"ref65","doi-asserted-by":"publisher","DOI":"10.1525\/mp.2005.22.4.663"},{"key":"ref114","doi-asserted-by":"publisher","DOI":"10.1561\/9781601988072"},{"key":"ref60","doi-asserted-by":"publisher","DOI":"10.1177\/1029864916631393"},{"key":"ref122","first-page":"809","article-title":"Analysis of expressive musical terms in violin using score-informed and expression-based audio features","author":"li","year":"2015","journal-title":"Proc Proc 16th Int Soc Music Inf Retrieval Conf"},{"key":"ref123","doi-asserted-by":"publisher","DOI":"10.1109\/ICASSP.2019.8683505"},{"key":"ref62","author":"meyer","year":"1956","journal-title":"Emotion and Meaning in Music"},{"key":"ref120","doi-asserted-by":"publisher","DOI":"10.1016\/j.jvoice.2014.06.007"},{"key":"ref61","author":"lakoff","year":"1980","journal-title":"Metaphors We Live By"},{"key":"ref121","doi-asserted-by":"publisher","DOI":"10.3389\/fpsyg.2013.00487"}],"container-title":["IEEE Transactions on Affective Computing"],"original-title":[],"link":[{"URL":"http:\/\/xplorestaging.ieee.org\/ielx7\/5165369\/10138707\/09468946.pdf?arnumber=9468946","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,6,19]],"date-time":"2023-06-19T18:10:17Z","timestamp":1687198217000},"score":1,"resource":{"primary":{"URL":"https:\/\/ieeexplore.ieee.org\/document\/9468946\/"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2023,4,1]]},"references-count":130,"journal-issue":{"issue":"2"},"URL":"https:\/\/doi.org\/10.1109\/taffc.2021.3093787","relation":{},"ISSN":["1949-3045","2371-9850"],"issn-type":[{"value":"1949-3045","type":"electronic"},{"value":"2371-9850","type":"electronic"}],"subject":[],"published":{"date-parts":[[2023,4,1]]}}}