{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,13]],"date-time":"2026-04-13T17:24:29Z","timestamp":1776101069827,"version":"3.50.1"},"reference-count":37,"publisher":"Institute of Electrical and Electronics Engineers (IEEE)","issue":"2","license":[{"start":{"date-parts":[[2019,4,1]],"date-time":"2019-04-01T00:00:00Z","timestamp":1554076800000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/ieeexplore.ieee.org\/Xplorehelp\/downloads\/license-information\/IEEE.html"},{"start":{"date-parts":[[2019,4,1]],"date-time":"2019-04-01T00:00:00Z","timestamp":1554076800000},"content-version":"stm-asf","delay-in-days":0,"URL":"https:\/\/doi.org\/10.15223\/policy-029"},{"start":{"date-parts":[[2019,4,1]],"date-time":"2019-04-01T00:00:00Z","timestamp":1554076800000},"content-version":"stm-asf","delay-in-days":0,"URL":"https:\/\/doi.org\/10.15223\/policy-037"}],"funder":[{"name":"EU H2020 Marie-Curie Individual Fellowship project","award":["749561"],"award-info":[{"award-number":["749561"]}]},{"name":"EU H2020","award":["688382"],"award-info":[{"award-number":["688382"]}]}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["IEEE Trans. Human-Mach. Syst."],"published-print":{"date-parts":[[2019,4]]},"DOI":"10.1109\/thms.2018.2885408","type":"journal-article","created":{"date-parts":[[2018,12,21]],"date-time":"2018-12-21T20:44:58Z","timestamp":1545425098000},"page":"183-193","source":"Crossref","is-referenced-by-count":33,"title":["Co-Design of Musical Haptic Wearables for Electronic Music Performer's Communication"],"prefix":"10.1109","volume":"49","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-0711-8098","authenticated-orcid":false,"given":"Luca","family":"Turchet","sequence":"first","affiliation":[]},{"ORCID":"https:\/\/orcid.org\/0000-0002-9869-1668","authenticated-orcid":false,"given":"Mathieu","family":"Barthet","sequence":"additional","affiliation":[]}],"member":"263","reference":[{"key":"ref33","doi-asserted-by":"publisher","DOI":"10.1109\/TAFFC.2016.2552515"},{"key":"ref32","article-title":"Tactile feedback tool: Approaching the foot pedal problem in live electronic music","author":"michailidis","year":"0","journal-title":"Proc Int Comput Music Conf"},{"key":"ref31","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-642-40050-6_24"},{"key":"ref30","doi-asserted-by":"publisher","DOI":"10.2307\/832236"},{"key":"ref37","doi-asserted-by":"publisher","DOI":"10.1109\/MMUL.2017.19"},{"key":"ref36","first-page":"602","article-title":"An electric music baton system using a haptic interface for visually disabled persons","author":"asakawa","year":"0","journal-title":"Proc IEEE SICE Annu Conf"},{"key":"ref35","article-title":"The tactile modality: A review of tactile sensitivity and human tactile interfaces","author":"myles","year":"2007","journal-title":"Human Research and Engineering Directorate"},{"key":"ref34","doi-asserted-by":"publisher","DOI":"10.1016\/S0960-9822(03)00115-5"},{"key":"ref10","article-title":"Physical and perceptual characterization of a tactile display for a live-electronics notification system","author":"frid","year":"0","journal-title":"Proc of Int Computer Music Conf Sound and Music Computing Conf"},{"key":"ref11","doi-asserted-by":"publisher","DOI":"10.1109\/ACCESS.2018.2872625"},{"key":"ref12","first-page":"538","article-title":"Envisioning smart musical haptic wearables to enhance performers’ creative communication","author":"turchet","year":"0","journal-title":"Proc Int Symp Computer Music Multidisciplinary Research"},{"key":"ref13","doi-asserted-by":"publisher","DOI":"10.1177\/102986490200600103"},{"key":"ref14","doi-asserted-by":"publisher","DOI":"10.1017\/S135577180700180X"},{"key":"ref15","first-page":"33","article-title":"Eyes off the screen! techniques for restoring visual freedom in LEO performance","author":"edwards","year":"0","journal-title":"Proc Symp Laptop Ensembles Orchestras"},{"key":"ref16","doi-asserted-by":"publisher","DOI":"10.1109\/ACCESS.2016.2628440"},{"key":"ref17","doi-asserted-by":"crossref","DOI":"10.1007\/978-981-10-0335-6","author":"gabrielli","year":"2016","journal-title":"Wireless Networked Music Performance"},{"key":"ref18","article-title":"PLOrk: The Princeton laptop orchestra, year 1","author":"trueman","year":"0","journal-title":"Proc Int Computer Music Conf"},{"key":"ref19","first-page":"340","article-title":"The Carnegie Mellon laptop orchestra","author":"dannenberg","year":"0","journal-title":"Proc Int Comput Music Conf"},{"key":"ref28","first-page":"158","article-title":"Bootlegging: Multidisciplinary brainstorming with cut-ups","author":"holmquist","year":"0","journal-title":"Proc 10th Anniversary Conf Participatory Design"},{"key":"ref4","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771811000495"},{"key":"ref27","first-page":"251","article-title":"Making the most of Wi-fi: Optimisations for robust wireless live music performance","author":"mitchell","year":"0","journal-title":"Proc Int Conf New Interfaces for Musical Expression"},{"key":"ref3","article-title":"Follow the tactile metronome: Vibrotactile stimulation for tempo synchronization in music performance","author":"giordano","year":"0","journal-title":"Proc Sound and Music Computing Conf"},{"key":"ref6","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-58316-7_7"},{"key":"ref29","doi-asserted-by":"publisher","DOI":"10.1076\/jnmr.32.4.369.18856"},{"key":"ref5","first-page":"516","article-title":"Vibrotactile notification for live electronics performance: A prototype system","author":"schumacher","year":"0","journal-title":"Proc Int Symp Computer Music Multidisciplinary Research"},{"key":"ref8","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-58316-7_5"},{"key":"ref7","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-58316-7_4"},{"key":"ref2","first-page":"226","article-title":"Vibrotactile feedback in digital musical instruments","author":"marshall","year":"0","journal-title":"Proc Int Conf New Interfaces for Musical Expression"},{"key":"ref9","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-58316-7_6"},{"key":"ref1","doi-asserted-by":"crossref","DOI":"10.1007\/978-3-319-58316-7","author":"papetti","year":"2018","journal-title":"Musical Haptics"},{"key":"ref20","doi-asserted-by":"publisher","DOI":"10.1162\/COMJ_a_00053"},{"key":"ref22","first-page":"72","article-title":"Vibrotactile feedback-assisted performance","author":"hayes","year":"0","journal-title":"Proc Int Conf New Interfaces for Musical Expression"},{"key":"ref21","doi-asserted-by":"publisher","DOI":"10.1145\/3123514.3123519"},{"key":"ref24","doi-asserted-by":"publisher","DOI":"10.1007\/s12193-016-0217-8"},{"key":"ref23","doi-asserted-by":"publisher","DOI":"10.1145\/2470654.2470716"},{"key":"ref26","first-page":"1","article-title":"An environment for submillisecond-latency audio and sensor processing on BeagleBone black","author":"mcpherson","year":"0","journal-title":"Proc Audio Eng Soc Conv 138"},{"key":"ref25","article-title":"User-centered design of a tool for interactive computer-generated audiovisuals","author":"correia","year":"0","journal-title":"Proc Int'l Conf Live Interfaces"}],"container-title":["IEEE Transactions on Human-Machine Systems"],"original-title":[],"link":[{"URL":"http:\/\/xplorestaging.ieee.org\/ielx7\/6221037\/8664414\/08585031.pdf?arnumber=8585031","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2022,7,13]],"date-time":"2022-07-13T20:52:07Z","timestamp":1657745527000},"score":1,"resource":{"primary":{"URL":"https:\/\/ieeexplore.ieee.org\/document\/8585031\/"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2019,4]]},"references-count":37,"journal-issue":{"issue":"2"},"URL":"https:\/\/doi.org\/10.1109\/thms.2018.2885408","relation":{},"ISSN":["2168-2291","2168-2305"],"issn-type":[{"value":"2168-2291","type":"print"},{"value":"2168-2305","type":"electronic"}],"subject":[],"published":{"date-parts":[[2019,4]]}}}