{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,5,29]],"date-time":"2026-05-29T11:35:55Z","timestamp":1780054555128,"version":"3.54.0"},"reference-count":6,"publisher":"IEEE","license":[{"start":{"date-parts":[[2019,3,1]],"date-time":"2019-03-01T00:00:00Z","timestamp":1551398400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/ieeexplore.ieee.org\/Xplorehelp\/downloads\/license-information\/IEEE.html"},{"start":{"date-parts":[[2019,3,1]],"date-time":"2019-03-01T00:00:00Z","timestamp":1551398400000},"content-version":"stm-asf","delay-in-days":0,"URL":"https:\/\/doi.org\/10.15223\/policy-029"},{"start":{"date-parts":[[2019,3,1]],"date-time":"2019-03-01T00:00:00Z","timestamp":1551398400000},"content-version":"stm-asf","delay-in-days":0,"URL":"https:\/\/doi.org\/10.15223\/policy-037"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2019,3]]},"DOI":"10.1109\/vr.2019.8798166","type":"proceedings-article","created":{"date-parts":[[2019,8,15]],"date-time":"2019-08-15T23:26:36Z","timestamp":1565911596000},"page":"1510-1512","source":"Crossref","is-referenced-by-count":11,"title":["Collaborative and Competitive Futures for Virtual Reality Music and Sound"],"prefix":"10.1109","author":[{"given":"Rob","family":"Hamilton","sequence":"first","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"263","reference":[{"key":"ref4","doi-asserted-by":"publisher","DOI":"10.1007\/s40869-018-0066-7"},{"key":"ref3","article-title":"Gesture-based Collaborative Virtual Reality Performance in Carillon","author":"hamilton","year":"2008","journal-title":"Proceedings of the International Computer Music Conference"},{"key":"ref6","article-title":"Stanford Laptop Orchestra (SLORK)","author":"wang","year":"2009","journal-title":"Proceedings of the International Computer Music Association Conference"},{"key":"ref5","first-page":"37","author":"malazita","year":"2018","journal-title":"The Material Undermining of Magical Feminism in BioShock Infinite Burial at Sea"},{"key":"ref2","doi-asserted-by":"publisher","DOI":"10.1109\/VR.2019.8797825"},{"key":"ref1","article-title":"q3osc: Or How I Learned To Stop Worrying And Love The Game","author":"hamilton","year":"2008","journal-title":"Proceedings of the International Computer Music Conference"}],"event":{"name":"2019 IEEE Conference on Virtual Reality and 3D User Interfaces (VR)","location":"Osaka, Japan","start":{"date-parts":[[2019,3,23]]},"end":{"date-parts":[[2019,3,27]]}},"container-title":["2019 IEEE Conference on Virtual Reality and 3D User Interfaces (VR)"],"original-title":[],"link":[{"URL":"http:\/\/xplorestaging.ieee.org\/ielx7\/8787730\/8797678\/08798166.pdf?arnumber=8798166","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2022,7,15]],"date-time":"2022-07-15T03:11:05Z","timestamp":1657854665000},"score":1,"resource":{"primary":{"URL":"https:\/\/ieeexplore.ieee.org\/document\/8798166\/"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2019,3]]},"references-count":6,"URL":"https:\/\/doi.org\/10.1109\/vr.2019.8798166","relation":{},"subject":[],"published":{"date-parts":[[2019,3]]}}}