{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,3,15]],"date-time":"2025-03-15T19:41:46Z","timestamp":1742067706741,"version":"3.38.0"},"reference-count":59,"publisher":"Wiley","issue":"2","license":[{"start":{"date-parts":[[2024,12,27]],"date-time":"2024-12-27T00:00:00Z","timestamp":1735257600000},"content-version":"vor","delay-in-days":0,"URL":"http:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["British Journal of Sociology"],"published-print":{"date-parts":[[2025,3]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>In this article we consider the theoretical and methodological implications of Deleuzian fabulation for research on recovery from drugs and alcohol as an alternative way of making and doing methods in sociology. The article draws on data produced as part of an ongoing interdisciplinary research collaboration, begun in 2019, with the visual artist and filmmaker Melanie Manchot, social scientists Nicole Vitellone and Lena Theodoropoulou, and people in recovery from drugs and alcohol engaged in the production of Manchot\u2019s first feature film STEPHEN. This project attends to the methodological practice of filmmaking as a way of thinking with and alongside colleagues from divergent disciplines about the role of methods, concepts and practices for confronting and resisting processes of stigmatisation. Investigating the research participants\u2019 engagement with Manchot\u2019s filmmaking practices in STEPHEN as a way to tell stories otherwise, our goal is to engage the social life of creative methods and in doing so, propose an alternative narrative of recovery. In this investigation, we use the term fabulation as developed by Deleuze. In <jats:italic>Cinema II<\/jats:italic>, Deleuze makes a distinction between the cinema of reality, where storytelling derives from the camera\u2019s objective gaze and a given character\u2019s subjective actions, and cinema verit\u00e9 where the boundaries between fiction and reality are blurred. In cinema verit\u00e9, the camera is not an objective observer but an active producer that keeps reminding the viewer that the on\u2010screen characters are neither fully real, nor fictional. Attending to Deleuze\u2019s description of fabulation as it emerges through this process of challenging the existence of \u2018real\u2019 identities in cinema, and beyond, we investigate the use of cinematic devices and fabulative processes of filmmaking in the production of STEPHEN. In doing so, the article develops a methodological account of the activity of fabulation as a material and embodied practice that resists processes of stigmatisation. Through this interdisciplinary project, we propose a new arts\u2010based research agenda which points to the ways in which fabulation as a minor mode of recovery concerns an engagement with the creation of a people to come.<\/jats:p>","DOI":"10.1111\/1468-4446.13177","type":"journal-article","created":{"date-parts":[[2024,12,28]],"date-time":"2024-12-28T04:34:32Z","timestamp":1735360472000},"page":"423-441","update-policy":"https:\/\/doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":0,"title":["The social life of creative methods: Filmmaking, fabulation and recovery"],"prefix":"10.1111","volume":"76","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-0826-5973","authenticated-orcid":false,"given":"Nicole","family":"Vitellone","sequence":"first","affiliation":[{"name":"AF Warr Senior Lecturer in Sociology Department of Sociology, Social Policy and Criminology University of Liverpool  Liverpool UK"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Lena","family":"Theodoropoulou","sequence":"additional","affiliation":[{"name":"Lecturer in the Sociology of Public Health Department of Public Health Policy and Systems University of Liverpool  Liverpool UK"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Melanie","family":"Manchot","sequence":"additional","affiliation":[{"name":"Artist in Residence Centre for Health, Arts, Society and the Environment (CHASE) University of Liverpool  Liverpool UK"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"311","published-online":{"date-parts":[[2024,12,27]]},"reference":[{"volume-title":"Sagar Mitchell and James Kenyon","year":"1901","author":"Arrest of Goudie","key":"e_1_2_9_2_1"},{"volume-title":"Artworlds","year":"1982","author":"Becker H.","key":"e_1_2_9_3_1"},{"key":"e_1_2_9_4_1","doi-asserted-by":"publisher","DOI":"10.7208\/chicago\/9780226125985.001.0001"},{"volume-title":"The two sources of morality and religion","year":"1977","author":"Bergson H.","key":"e_1_2_9_5_1"},{"volume-title":"Pathways from heroin addiction recovery without treatment","year":"1986","author":"Biernacki P.","key":"e_1_2_9_6_1"},{"volume-title":"Dialogues between artistic research and science and technology studies","year":"2020","author":"Borgdorff H.","key":"e_1_2_9_7_1"},{"key":"e_1_2_9_8_1","doi-asserted-by":"publisher","DOI":"10.14426\/cristal.v8isi.267"},{"volume-title":"Glitterworlds: The future politics of a ubiquitous thing","year":"2020","author":"Coleman R.","key":"e_1_2_9_9_1"},{"volume-title":"Cinema II: The time\u2010image","year":"1989","author":"Deleuze G.","key":"e_1_2_9_10_1"},{"volume-title":"Negotiations","year":"1995","author":"Deleuze G.","key":"e_1_2_9_11_1"},{"key":"e_1_2_9_12_1","doi-asserted-by":"publisher","DOI":"10.1177\/0091450919845146"},{"key":"e_1_2_9_13_1","doi-asserted-by":"publisher","DOI":"10.1177\/00380261231174962"},{"key":"e_1_2_9_14_1","doi-asserted-by":"publisher","DOI":"10.1080\/14461242.2020.1789485"},{"volume-title":"Discipline and punish: The birth of the prison","year":"1975","author":"Foucault M.","key":"e_1_2_9_15_1"},{"key":"e_1_2_9_16_1","doi-asserted-by":"publisher","DOI":"10.1111\/1467\u20109566.13180"},{"key":"e_1_2_9_17_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.drugpo.2017.02.005"},{"key":"e_1_2_9_18_1","doi-asserted-by":"publisher","DOI":"10.1177\/0263276412459089"},{"volume-title":"The presentation of self in everyday life","year":"1959","author":"Goffman E.","key":"e_1_2_9_19_1"},{"volume-title":"Stigma: Notes on the management of a spoiled identity","year":"1963","author":"Goffman E.","key":"e_1_2_9_20_1"},{"volume-title":"Frame analaysis: An essay on the organisation of experience","year":"1974","author":"Goffman E.","key":"e_1_2_9_21_1"},{"key":"e_1_2_9_22_1","doi-asserted-by":"publisher","DOI":"10.1111\/1468\u20104446.12037"},{"key":"e_1_2_9_23_1","first-page":"1","article-title":"SF: Science fiction, speculative fabulation, string figures, so far","volume":"3","author":"Haraway D.","year":"2021","journal-title":"Ada: a journal of gender, new media and technology"},{"key":"e_1_2_9_24_1","doi-asserted-by":"publisher","DOI":"10.2979\/sax.2008.\u2010.26.1"},{"key":"e_1_2_9_25_1","doi-asserted-by":"publisher","DOI":"10.1080\/08164649.2024.2315419"},{"key":"e_1_2_9_26_1","doi-asserted-by":"publisher","DOI":"10.14318\/hau7.2.006"},{"volume-title":"The mass ornament: Weimer essays","year":"1995","author":"Krakauer S.","key":"e_1_2_9_27_1"},{"volume-title":"The double life of methods","year":"2011","author":"Law J.","key":"e_1_2_9_28_1"},{"key":"e_1_2_9_29_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.drugpo.2022.103772"},{"volume-title":"uMoya: the sacred return of lost things","year":"2023","author":"Liverpool Biennial","key":"e_1_2_9_30_1"},{"key":"e_1_2_9_31_1","doi-asserted-by":"publisher","DOI":"10.1080\/10508406.2022.2154159"},{"key":"e_1_2_9_32_1","doi-asserted-by":"publisher","DOI":"10.1215\/08992363\u20102144688"},{"volume-title":"Underdogs: Social deviance and queer theory","year":"2019","author":"Love H.","key":"e_1_2_9_33_1"},{"key":"e_1_2_9_34_1","doi-asserted-by":"publisher","DOI":"10.1177\/0263276414559058"},{"key":"e_1_2_9_35_1","first-page":"210","volume-title":"Hope: New philosophies for change","author":"Massumi B.","year":"2002"},{"key":"e_1_2_9_36_1","doi-asserted-by":"publisher","DOI":"10.1080\/09687630124064"},{"volume-title":"The research event: Towards prospective methodologies in sociology","year":"2022","author":"Michael M.","key":"e_1_2_9_37_1"},{"key":"e_1_2_9_38_1","doi-asserted-by":"publisher","DOI":"10.2307\/1891592"},{"volume-title":"Modernism and the cult of mountains: Music, opera, cinema","year":"2012","author":"Morris C.","key":"e_1_2_9_39_1"},{"key":"e_1_2_9_40_1","doi-asserted-by":"publisher","DOI":"10.1177\/0263276407078712"},{"key":"e_1_2_9_41_1","doi-asserted-by":"publisher","DOI":"10.3109\/09687631003705546"},{"key":"e_1_2_9_42_1","doi-asserted-by":"publisher","DOI":"10.1016\/s0277\u20109536(02)00304\u20100"},{"key":"e_1_2_9_43_1","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/13885.001.0001"},{"key":"e_1_2_9_44_1","doi-asserted-by":"publisher","DOI":"10.4324\/9780429437069"},{"key":"e_1_2_9_45_1","doi-asserted-by":"publisher","DOI":"10.7146\/stse.v15i2.139814"},{"key":"e_1_2_9_46_1","doi-asserted-by":"publisher","DOI":"10.1177\/0263276413486160"},{"key":"e_1_2_9_47_1","doi-asserted-by":"publisher","DOI":"10.4324\/9780203002346"},{"key":"e_1_2_9_48_1","doi-asserted-by":"publisher","DOI":"10.1177\/00380261221109029"},{"volume-title":"Practicing art\/science: Experiments in an emerging field","year":"2019","author":"Sormani P.","key":"e_1_2_9_49_1"},{"key":"e_1_2_9_50_1","first-page":"169","article-title":"The risky truth of fabulation: Deleuze, Bergson and Durkheim on the becomings of religion and art","volume":"14","author":"Stenner P.","year":"2018","journal-title":"Annual Review of Critical Psychology"},{"volume-title":"Melanie Manchot","year":"2023","author":"STEPHEN","key":"e_1_2_9_51_1"},{"key":"e_1_2_9_52_1","doi-asserted-by":"publisher","DOI":"10.1111\/dar.13846"},{"volume-title":"Leni Riefenstahl","year":"1932","author":"The Blue Light","key":"e_1_2_9_53_1"},{"volume-title":"Becoming with care in drug treatment services: The recovery assemblage","year":"2023","author":"Theodoropoulou L.","key":"e_1_2_9_54_1"},{"key":"e_1_2_9_55_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.drugpo.2022.103802"},{"key":"e_1_2_9_56_1","unstructured":"The Recovery Project.Florida Studio Theatre. Retrieved October 2 2024 fromhttps:\/\/www.floridastudiotheatre.org\/support\u2010us\/therecoveryproject\/"},{"key":"e_1_2_9_57_1","doi-asserted-by":"publisher","DOI":"10.1186\/s12954\u2010022\u201000658\u2010w"},{"key":"e_1_2_9_58_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.drugpo.2022.103788"},{"key":"e_1_2_9_59_1","doi-asserted-by":"publisher","DOI":"10.1177\/0038026118777425"},{"key":"e_1_2_9_60_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.drugpo.2022.103618"}],"container-title":["The British Journal of Sociology"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1111\/1468-4446.13177","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,3,15]],"date-time":"2025-03-15T19:01:41Z","timestamp":1742065301000},"score":1,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1111\/1468-4446.13177"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2024,12,27]]},"references-count":59,"journal-issue":{"issue":"2","published-print":{"date-parts":[[2025,3]]}},"alternative-id":["10.1111\/1468-4446.13177"],"URL":"https:\/\/doi.org\/10.1111\/1468-4446.13177","archive":["Portico"],"relation":{},"ISSN":["0007-1315","1468-4446"],"issn-type":[{"type":"print","value":"0007-1315"},{"type":"electronic","value":"1468-4446"}],"subject":[],"published":{"date-parts":[[2024,12,27]]},"assertion":[{"value":"2024-05-15","order":0,"name":"received","label":"Received","group":{"name":"publication_history","label":"Publication History"}},{"value":"2024-12-02","order":2,"name":"accepted","label":"Accepted","group":{"name":"publication_history","label":"Publication History"}},{"value":"2024-12-27","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}