{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,9,23]],"date-time":"2026-09-23T05:05:31Z","timestamp":1790139931512,"version":"4.0.1"},"reference-count":51,"publisher":"Wiley","license":[{"start":{"date-parts":[[2026,9,22]],"date-time":"2026-09-22T00:00:00Z","timestamp":1790035200000},"content-version":"vor","delay-in-days":0,"URL":"http:\/\/creativecommons.org\/licenses\/by\/4.0\/"},{"start":{"date-parts":[[2026,9,22]],"date-time":"2026-09-22T00:00:00Z","timestamp":1790035200000},"content-version":"tdm","delay-in-days":0,"URL":"http:\/\/doi.wiley.com\/10.1002\/tdm_license_1.1"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["British Journal of Sociology"],"abstract":"<jats:title>ABSTRACT<\/jats:title>\n                  <jats:p>This article examines how Chinese migrant entrepreneurs in Prato engage with the contested meaning of the Made in Italy production label. As Chinese\u2010run fashion firms have become central to Italy\u2019s fast fashion sector, their growing visibility has raised public concerns about authenticity, national identity, and the perceived erosion of cultural heritage. Drawing on 35 semi\u2010structured interviews and ethnographic fieldwork, the study explores how commercial nationalism shapes both the marginalisation and the legitimisation of migrant\u2010led production. It argues that the controversy surrounding Made in Italy reflects broader struggles over symbolic legitimacy and participation in national production in a globalised economy. The findings show that Chinese entrepreneurs rely on distinct forms of social capital to establish credibility, respond to exclusion, and reinterpret the meaning of national branding. By foregrounding the role of producers, the article contributes to debates on migrant entrepreneurship, nationhood, and the social foundations of economic legitimacy.<\/jats:p>","DOI":"10.1111\/1468-4446.70174","type":"journal-article","created":{"date-parts":[[2026,9,23]],"date-time":"2026-09-23T04:18:31Z","timestamp":1790137111000},"update-policy":"https:\/\/doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":0,"title":["Rebranding the Nation: Migrant Fashion Production and the Contested Politics of \u2018Made in Italy\u2019"],"prefix":"10.1111","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-6531-5789","authenticated-orcid":false,"given":"Yintan","family":"Fan","sequence":"first","affiliation":[{"name":"Department of Sociology and Criminology University of Essex  Colchester UK"},{"name":"Institute for Wenzhou Studies Wenzhou University  Wenzhou Zhejiang China"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"311","published-online":{"date-parts":[[2026,9,22]]},"reference":[{"key":"e_1_2_13_2_1","volume-title":"Imagined Communities: Reflections on the Origin and Spread of Nationalism","author":"Anderson B.","year":"2006"},{"key":"e_1_2_13_3_1","doi-asserted-by":"publisher","DOI":"10.1177\/026327690007002017"},{"key":"e_1_2_13_4_1","doi-asserted-by":"publisher","DOI":"10.1093\/acprof:oso\/9780199752164.001.0001"},{"key":"e_1_2_13_5_1","doi-asserted-by":"publisher","DOI":"10.1093\/icc\/dts030"},{"key":"e_1_2_13_6_1","doi-asserted-by":"publisher","DOI":"10.1080\/00208825.1991.11656551"},{"key":"e_1_2_13_7_1","volume-title":"The Caterpillar and the Butterfly: An Exemplary Case of Development in the Italy of the Industrial Districts","author":"Becattini G.","year":"2001"},{"key":"e_1_2_13_8_1","doi-asserted-by":"publisher","DOI":"10.1093\/ser\/mwr012"},{"key":"e_1_2_13_9_1","doi-asserted-by":"publisher","DOI":"10.1017\/s0003975600007323"},{"key":"e_1_2_13_10_1","volume-title":"Social Capital: Theory and Research. 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