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In so doing, it raises questions about narratives of recovery from addiction, and the tensions that emerge between these narratives and the often\u2010ambivalent feelings of the people who tell them. Practices of filmmaking and reenactment generate a collaborative theorization of lived experience\u2014in this case, the multifaceted natures of both addiction and recovery. At the same time, these practices are also attentive to the embodied memories and complex feelings of the film's actors. Further engagement with the filmic materials demonstrates how the film became an active exploration of the ongoing nature of recovery, complicating the therapeutic trajectories of a group of actors struggling to reconcile ambivalent feelings as they attempt to craft new narratives of self.<\/jats:p>","DOI":"10.1111\/maq.12637","type":"journal-article","created":{"date-parts":[[2021,3,31]],"date-time":"2021-03-31T20:00:46Z","timestamp":1617220846000},"page":"190-208","update-policy":"https:\/\/doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":2,"title":["A Second Chance: Reenactment and Recovery Narratives in a Peruvian Drug Rehabilitation Center"],"prefix":"10.1111","volume":"35","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-8995-0867","authenticated-orcid":false,"given":"Sydney M.","family":"Silverstein","sequence":"first","affiliation":[{"name":"Department of Population and Public Health Sciences, Boonshoft School of Medicine Wright State University"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"311","published-online":{"date-parts":[[2021,3,31]]},"reference":[{"volume-title":"Ripping and Running: A Formal Ethnography of Urban Heroin Addicts","year":"1973","author":"Agar M.","key":"e_1_2_8_2_1_1"},{"key":"e_1_2_8_2_2_1","doi-asserted-by":"publisher","DOI":"10.1177\/1363459308101808"},{"key":"e_1_2_8_2_3_1","first-page":"52","volume-title":"Image, Music, Text","author":"Barthes R.","year":"1977"},{"key":"e_1_2_8_2_4_1","doi-asserted-by":"publisher","DOI":"10.1080\/00332747.1971.11023653"},{"volume-title":"Theories of Performance","year":"2008","author":"Bell E.","key":"e_1_2_8_2_5_1"},{"volume-title":"Staying Sober in Mexico City","year":"2010","author":"Brandes S.","key":"e_1_2_8_2_6_1"},{"key":"e_1_2_8_2_7_1","doi-asserted-by":"publisher","DOI":"10.1525\/eth.1991.19.2.02a00040"},{"key":"e_1_2_8_2_8_1","doi-asserted-by":"publisher","DOI":"10.3998\/mpub.269246"},{"key":"e_1_2_8_2_9_1","doi-asserted-by":"publisher","DOI":"10.1515\/9781400836659"},{"key":"e_1_2_8_2_10_1","doi-asserted-by":"publisher","DOI":"10.2307\/1225314"},{"key":"e_1_2_8_2_11_1","doi-asserted-by":"publisher","DOI":"10.3998\/mpub.4845471"},{"key":"e_1_2_8_2_12_1","first-page":"93","article-title":"Interpreting Jeremy Deller's The Battle of Orgreave","volume":"7","author":"Correia A.","year":"2006","journal-title":"Visual Culture in Britain"},{"key":"e_1_2_8_2_13_1","doi-asserted-by":"publisher","DOI":"10.2307\/j.ctvjsf4p9"},{"key":"e_1_2_8_2_14_1","doi-asserted-by":"publisher","DOI":"10.1525\/can.1993.8.2.02a00010"},{"key":"e_1_2_8_2_15_1","doi-asserted-by":"publisher","DOI":"10.1386\/sdf.2.2.149_7"},{"key":"e_1_2_8_2_16_1","first-page":"52","article-title":"Embodied Curation: Materials, Performance and the Generation of Knowledge","volume":"4","author":"Ditzler A.","year":"2016","journal-title":"Visual Methodologies"},{"key":"e_1_2_8_2_17_1","first-page":"157","volume-title":"Raw Histories: Photographs, Anthropology and Museums","author":"Edwards E.","year":"2001"},{"key":"e_1_2_8_2_18_1","doi-asserted-by":"publisher","DOI":"10.1111\/j.1548-1360.2008.00024.x"},{"key":"e_1_2_8_2_19_1","doi-asserted-by":"publisher","DOI":"10.1111\/maq.12208"},{"key":"e_1_2_8_2_20_1","doi-asserted-by":"publisher","DOI":"10.1111\/1467-9655.12161"},{"key":"e_1_2_8_2_21_1","doi-asserted-by":"publisher","DOI":"10.1111\/var.12170"},{"volume-title":"General Ethnography","year":"2011","author":"Haddon A. 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