{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,19]],"date-time":"2025-06-19T04:43:33Z","timestamp":1750308213249,"version":"3.41.0"},"reference-count":6,"publisher":"Association for Computing Machinery (ACM)","issue":"54","license":[{"start":{"date-parts":[[1975,10,1]],"date-time":"1975-10-01T00:00:00Z","timestamp":181353600000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":["SIGART Bull."],"published-print":{"date-parts":[[1975,10]]},"abstract":"<jats:p>Recent developments in computer generation of music have been impressive. Such diverse musical styles as Country and Western music [1] and Victorian Hymns [2] have been successfully simulated. Advanced works have allowed for increased flexibility of stylistic capabilities [3], and have dealt with such complex musical problems as anticipations and delayed resolutions [4]. Despite the increased flexibility and intricacy of these programs, the basic approach has been to restrict the program to a preordained style of composition.<\/jats:p>","DOI":"10.1145\/1045247.1045250","type":"journal-article","created":{"date-parts":[[2007,1,17]],"date-time":"2007-01-17T18:32:02Z","timestamp":1169058722000},"page":"11-12","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["The fourth B"],"prefix":"10.1145","author":[{"given":"Chalda I.","family":"Maloff","sequence":"first","affiliation":[{"name":"Univ. of Texas, Galveston TX"}]},{"given":"Russell W.","family":"Zears","sequence":"additional","affiliation":[{"name":"Univ. of Texas, Galveston TX"}]}],"member":"320","published-online":{"date-parts":[[1975,10]]},"reference":[{"key":"e_1_2_1_1_1","doi-asserted-by":"publisher","DOI":"10.1145\/361254.361265"},{"key":"e_1_2_1_2_1","volume-title":"Music Composed with Computers -- A Historical Survey in H","author":"Hiller L. A.","year":"1970","unstructured":"L. A. Hiller , Music Composed with Computers -- A Historical Survey in H . B. Lincoln, ed., The Computer and Music, Cornell University Press , Ithaca , 1970 , p. 82. L. A. Hiller, Music Composed with Computers -- A Historical Survey in H. B. Lincoln, ed., The Computer and Music, Cornell University Press, Ithaca, 1970, p. 82."},{"key":"e_1_2_1_3_1","volume-title":"La Revue Musicale","author":"Xenakis Y.","year":"1963","unstructured":"Y. Xenakis , Musiques Formalles , La Revue Musicale , Vol. 253- 4 , Editions Richard Masse , Paris , 1963 . Y. Xenakis, Musiques Formalles, La Revue Musicale, Vol. 253-4, Editions Richard Masse, Paris, 1963."},{"key":"e_1_2_1_4_1","volume-title":"Programming a Computer for Musical Composition in G","author":"Hiller L. A.","year":"1967","unstructured":"L. A. Hiller , Programming a Computer for Musical Composition in G . Lefkoff, ed., Papers from the West Virginia University Conference on Computer Applications in Music, McClain Printing Co., 1967 . L. A. Hiller, Programming a Computer for Musical Composition in G. Lefkoff, ed., Papers from the West Virginia University Conference on Computer Applications in Music, McClain Printing Co., 1967."},{"key":"e_1_2_1_5_1","volume-title":"A Statistical Analysis of the Harmonic Practice of the 18th and Early 19th Centuries, unpublished doctoral dissertation","author":"Baker R.","year":"1963","unstructured":"R. Baker , A Statistical Analysis of the Harmonic Practice of the 18th and Early 19th Centuries, unpublished doctoral dissertation , University of Illinois , 1963 . R. Baker, A Statistical Analysis of the Harmonic Practice of the 18th and Early 19th Centuries, unpublished doctoral dissertation, University of Illinois, 1963."},{"key":"e_1_2_1_6_1","volume-title":"Proc. of the 20th National Conference of the ACM","author":"Garbura A. J.","year":"1965","unstructured":"A. J. Garbura , Computer Analysis of Musical Style , Proc. of the 20th National Conference of the ACM , 1965 . A. J. Garbura, Computer Analysis of Musical Style, Proc. of the 20th National Conference of the ACM, 1965."}],"container-title":["ACM SIGART Bulletin"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1045247.1045250","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/1045247.1045250","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T16:31:06Z","timestamp":1750264266000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1045247.1045250"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[1975,10]]},"references-count":6,"journal-issue":{"issue":"54","published-print":{"date-parts":[[1975,10]]}},"alternative-id":["10.1145\/1045247.1045250"],"URL":"https:\/\/doi.org\/10.1145\/1045247.1045250","relation":{},"ISSN":["0163-5719"],"issn-type":[{"type":"print","value":"0163-5719"}],"subject":[],"published":{"date-parts":[[1975,10]]},"assertion":[{"value":"1975-10-01","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}