{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,29]],"date-time":"2025-10-29T06:08:06Z","timestamp":1761718086358,"version":"3.41.0"},"reference-count":14,"publisher":"Association for Computing Machinery (ACM)","issue":"1","license":[{"start":{"date-parts":[[2008,6,1]],"date-time":"2008-06-01T00:00:00Z","timestamp":1212278400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"funder":[{"DOI":"10.13039\/501100004965","name":"Sixth Framework Programme","doi-asserted-by":"publisher","award":["IST-033572"],"award-info":[{"award-number":["IST-033572"]}],"id":[{"id":"10.13039\/501100004965","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":["J. Comput. Cult. Herit."],"published-print":{"date-parts":[[2008,6]]},"abstract":"<jats:p>Centers for electronic music creation now face strong difficulties to reperform important works considered as belonging to their repertoire. They realize the fragility of works based on electronic modules, subject to technology changes. Sustainability can be achieved in four different ways that are examined in this article: preservation, emulation, migration and virtualization. We discuss these issues, showing the first steps towards solutions at Ircam in the framework of the European project Caspar.<\/jats:p>","DOI":"10.1145\/1367080.1367086","type":"journal-article","created":{"date-parts":[[2009,1,13]],"date-time":"2009-01-13T13:15:48Z","timestamp":1231852548000},"page":"1-16","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":16,"title":["The preservation, emulation, migration, and virtualization of live electronics for performing arts"],"prefix":"10.1145","volume":"1","author":[{"given":"Alain","family":"Bonardi","sequence":"first","affiliation":[{"name":"IRCAM, Paris, France"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"J\u00e9rome","family":"Barth\u00e9lemy","sequence":"additional","affiliation":[{"name":"IRCAM, Paris, France"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2008,6,18]]},"reference":[{"volume-title":"Proceedings of the 3rd International Conference on WEB Delivery of Music (WEB'03)","author":"Bachimont B.","key":"e_1_2_1_1_1"},{"volume-title":"Proceedings of the International Sound and Music Computing Conference","author":"Bernardini N.","key":"e_1_2_1_2_1"},{"volume-title":"Proceedings of the Electroacoustic Music Studies Network International Conference (EMS'05)","year":"2005","author":"Bosma H.","key":"e_1_2_1_3_1"},{"volume-title":"Proceedings of the International Conference on New Interfaces for Musical Expression","author":"Bottoni P.","key":"e_1_2_1_4_1"},{"volume-title":"Proceedings of the International Computer Music Conference","author":"Bullock J.","key":"e_1_2_1_5_1"},{"volume-title":"Proceedings of the 10th Journ\u00e9es d'Informatique Musicale. AFIM, Montb\u00e9liard.","year":"2003","author":"De Sousa Dias A.","key":"e_1_2_1_6_1"},{"volume-title":"Proceedings of Linux Audio Conference. Karlsruhe, Allemagne.","author":"Graef A.","key":"e_1_2_1_7_1"},{"key":"e_1_2_1_8_1","unstructured":"Longton M. 2004. Record keeping practices of composers: A survey. InterPares 2 Website http:\/\/www.interpares.org.  Longton M. 2004. Record keeping practices of composers: A survey. InterPares 2 Website http:\/\/www.interpares.org."},{"volume-title":"Proceedings of International Computer Music Conference (ICMA'02)","author":"Orlarey Y.","key":"e_1_2_1_9_1"},{"volume-title":"Proceedings of the International Computer Music Conference","year":"2004","author":"Puckette M.","key":"e_1_2_1_10_1"},{"volume-title":"Proceedings of the Journ\u00e9es d'Informatique Musicale. AFIM, Marseille, Gmem.","author":"Risset J.-C.","key":"e_1_2_1_11_1"},{"volume-title":"Proceedings of the IAML-IASA Congress","year":"2006","author":"Roeder J.","key":"e_1_2_1_12_1"},{"key":"e_1_2_1_13_1","first-page":"4","article-title":"Preserving and diffusing","volume":"30","author":"Teruggi D.","year":"2001","journal-title":"J. New Music Resear."},{"key":"e_1_2_1_14_1","unstructured":"Tiffon V. 2005. Les musique mixtes: entre p\u00e9rennit\u00e9 et obsolescence. Revue Musurgia XII\/3 Paris.  Tiffon V. 2005. Les musique mixtes: entre p\u00e9rennit\u00e9 et obsolescence. Revue Musurgia XII\/3 Paris."}],"container-title":["Journal on Computing and Cultural Heritage"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1367080.1367086","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/1367080.1367086","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T13:57:54Z","timestamp":1750255074000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1367080.1367086"}},"subtitle":["An overview of musical and technical issues"],"short-title":[],"issued":{"date-parts":[[2008,6]]},"references-count":14,"journal-issue":{"issue":"1","published-print":{"date-parts":[[2008,6]]}},"alternative-id":["10.1145\/1367080.1367086"],"URL":"https:\/\/doi.org\/10.1145\/1367080.1367086","relation":{},"ISSN":["1556-4673","1556-4711"],"issn-type":[{"type":"print","value":"1556-4673"},{"type":"electronic","value":"1556-4711"}],"subject":[],"published":{"date-parts":[[2008,6]]},"assertion":[{"value":"2006-11-01","order":0,"name":"received","label":"Received","group":{"name":"publication_history","label":"Publication History"}},{"value":"2007-11-01","order":1,"name":"accepted","label":"Accepted","group":{"name":"publication_history","label":"Publication History"}},{"value":"2008-06-18","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}