{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,19]],"date-time":"2025-06-19T04:37:20Z","timestamp":1750307840231,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":21,"publisher":"ACM","license":[{"start":{"date-parts":[[1988,8,1]],"date-time":"1988-08-01T00:00:00Z","timestamp":586396800000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[1988,8]]},"DOI":"10.1145\/1402242.1402254","type":"proceedings-article","created":{"date-parts":[[2008,8,19]],"date-time":"2008-08-19T12:38:39Z","timestamp":1219149519000},"page":"1-48","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":1,"title":["Designing effective pictures"],"prefix":"10.1145","author":[{"given":"Jock","family":"Mackinlay","sequence":"first","affiliation":[]},{"given":"Steven","family":"Feiner","sequence":"additional","affiliation":[]},{"given":"Jim","family":"Blinn","sequence":"additional","affiliation":[{"name":"Jet Propulsion Laboratory"}]},{"given":"Donald P.","family":"Greenberg","sequence":"additional","affiliation":[{"name":"Cornell University"}]},{"given":"Margaret A.","family":"Hagen","sequence":"additional","affiliation":[{"name":"Boston University"}]}],"member":"320","published-online":{"date-parts":[[1988,8]]},"reference":[{"volume-title":"Museum of Fine Arts","author":"Eglon Hendrik","key":"e_1_3_2_1_1_1","unstructured":"Eglon Hendrik van der Neer (Dutch, 1634--1703), Dutch Interior , 170 0. Courtesy , Museum of Fine Arts , Boston . Eglon Hendrik van der Neer (Dutch, 1634--1703), Dutch Interior, 1700. Courtesy, Museum of Fine Arts, Boston."},{"volume-title":"Museum of Fine Arts","author":"John Singleton Copley","key":"e_1_3_2_1_2_1","unstructured":"John Singleton Copley (American, 1738--1815), Mercy Otis , Detail, 1766. Courtesy , Museum of Fine Arts , Boston . John Singleton Copley (American, 1738--1815), Mercy Otis, Detail, 1766. Courtesy, Museum of Fine Arts, Boston."},{"key":"e_1_3_2_1_3_1","volume-title":"Old Models","author":"William Harnett","year":"1848","unstructured":"William Harnett (American , 1848 --1892) , Old Models , 1892. Courtesy, Museum of Fine Arts, Boston. William Harnett (American, 1848--1892), Old Models, 1892. Courtesy, Museum of Fine Arts, Boston."},{"key":"e_1_3_2_1_4_1","volume-title":"Poor Man's Store","author":"John Frederick Peto","year":"1885","unstructured":"John Frederick Peto (1854--1941) , Poor Man's Store , 1885 . Courtesy, Museum of Fine Arts, Boston . John Frederick Peto (1854--1941), Poor Man's Store, 1885. Courtesy, Museum of Fine Arts, Boston."},{"volume-title":"Museum of Fine Arts","author":"Jan van Huysum","key":"e_1_3_2_1_5_1","unstructured":"Jan van Huysum (Dutch, 1682--1749) , Vase of Flowers, 1730. Courtesy , Museum of Fine Arts , Boston . Jan van Huysum (Dutch, 1682--1749), Vase of Flowers, 1730. Courtesy, Museum of Fine Arts, Boston."},{"key":"e_1_3_2_1_6_1","unstructured":"\"Club.\" Cartoon illustrating affordances.  \"Club.\" Cartoon illustrating affordances."},{"key":"e_1_3_2_1_7_1","unstructured":"\"No Exit.\" Cartoon illustrating affordances.  \"No Exit.\" Cartoon illustrating affordances."},{"key":"e_1_3_2_1_8_1","volume-title":"The Senses Considered As Perceptual Systems","author":"James J.","year":"1966","unstructured":"James J. Gibson , The Senses Considered As Perceptual Systems . Boston : Houghton Mifflin , 1966 . James J. Gibson, The Senses Considered As Perceptual Systems. Boston: Houghton Mifflin, 1966."},{"volume-title":"Museum of Fine Arts","author":"August Toulmouche","key":"e_1_3_2_1_9_1","unstructured":"August Toulmouche (French, 1821--1888), Madame de la Poule , 1865. Courtesy , Museum of Fine Arts , Boston . August Toulmouche (French, 1821--1888), Madame de la Poule, 1865. Courtesy, Museum of Fine Arts, Boston."},{"key":"e_1_3_2_1_10_1","volume-title":"Rouen Cathedral in Full Sunlight","author":"Claude Monet","year":"1840","unstructured":"Claude Monet (French , 1840 --1926) , Rouen Cathedral in Full Sunlight , 1894. Courtesy, Museum of Fine Arts, Boston. Claude Monet (French, 1840--1926), Rouen Cathedral in Full Sunlight, 1894. Courtesy, Museum of Fine Arts, Boston."},{"volume-title":"Early Morning. Courtesy, Museum of Fine Arts","author":"Claude Monet","key":"e_1_3_2_1_11_1","unstructured":"Claude Monet (French, 1840--1926) , Rouen Cathedral: Tour d'Albane , Early Morning. Courtesy, Museum of Fine Arts , Boston . Claude Monet (French, 1840--1926), Rouen Cathedral: Tour d'Albane, Early Morning. Courtesy, Museum of Fine Arts, Boston."},{"key":"e_1_3_2_1_12_1","volume-title":"Convention, context and caricature. In M. A. Hagen (ed.), The Perception of Pictures","author":"Caricatures","year":"1980","unstructured":"Caricatures from Perkins, D. N. and Hagen , M. A . Convention, context and caricature. In M. A. Hagen (ed.), The Perception of Pictures , Volume I . New York : Academic Press, 1980 . Caricatures from Perkins, D. N. and Hagen, M. A. Convention, context and caricature. In M. A. Hagen (ed.), The Perception of Pictures, Volume I. New York: Academic Press, 1980."},{"volume-title":"Museum of Fine Arts","author":"Rembrandt van Rijn","key":"e_1_3_2_1_13_1","unstructured":"Rembrandt van Rijn (Dutch, 1606--1696) , Artist in Studio. Courtesy , Museum of Fine Arts , Boston . Rembrandt van Rijn (Dutch, 1606--1696), Artist in Studio. Courtesy, Museum of Fine Arts, Boston."},{"key":"e_1_3_2_1_14_1","doi-asserted-by":"publisher","DOI":"10.2307\/1418115"},{"key":"e_1_3_2_1_15_1","unstructured":"Photograph taken with a 50 mm lens at 18 inches from the near foot M. A. Hagen.  Photograph taken with a 50 mm lens at 18 inches from the near foot M. A. Hagen."},{"key":"e_1_3_2_1_16_1","volume-title":"The Slave Ship, ca","author":"Turner","year":"1840","unstructured":"J. M. W. Turner (English, 1775--1851) , The Slave Ship, ca . 1840 . Courtesy, Museum of Fine Arts, Boston . J. M. W. Turner (English, 1775--1851), The Slave Ship, ca. 1840. Courtesy, Museum of Fine Arts, Boston."},{"volume-title":"Museum of Fine Arts","author":"El Greco","key":"e_1_3_2_1_17_1","unstructured":"El Greco (Greek (Spain), 1541--1614) , Fray Hortensio Felix Paravicino, 1609. Courtesy , Museum of Fine Arts , Boston . El Greco (Greek (Spain), 1541--1614), Fray Hortensio Felix Paravicino, 1609. Courtesy, Museum of Fine Arts, Boston."},{"key":"e_1_3_2_1_18_1","volume-title":"The Old Ring Box","author":"Lilian Westcott Hale","year":"1880","unstructured":"Lilian Westcott Hale (American , 1880 --1963) , The Old Ring Box , 1907. Courtesy, Museum of Fine Arts, Boston. Lilian Westcott Hale (American, 1880--1963), The Old Ring Box, 1907. Courtesy, Museum of Fine Arts, Boston."},{"key":"e_1_3_2_1_19_1","volume-title":"Mrs. Fiske Warren And Her Daughter Rachel","author":"John Singer Sargent","year":"1856","unstructured":"John Singer Sargent (American , 1856 --1925) , Mrs. Fiske Warren And Her Daughter Rachel , Detail , 1903. Courtesy, Museum of Fine Arts, Boston. John Singer Sargent (American, 1856--1925), Mrs. Fiske Warren And Her Daughter Rachel, Detail, 1903. Courtesy, Museum of Fine Arts, Boston."},{"key":"e_1_3_2_1_20_1","volume-title":"Mrs. Fiske Warren And Her Daughter","author":"John Singer Sargent","year":"1856","unstructured":"John Singer Sargent (American , 1856 --1925) , Mrs. Fiske Warren And Her Daughter , Rachel , 1903. Courtesy, Museum of Fine Arts, Boston. John Singer Sargent (American, 1856--1925), Mrs. Fiske Warren And Her Daughter, Rachel, 1903. Courtesy, Museum of Fine Arts, Boston."},{"volume-title":"Museum of Fine Arts","author":"John Singleton Copley","key":"e_1_3_2_1_21_1","unstructured":"John Singleton Copley (American, 1738--1815), Mercy Otis , Detail, 1766. Courtesy , Museum of Fine Arts , Boston . John Singleton Copley (American, 1738--1815), Mercy Otis, Detail, 1766. Courtesy, Museum of Fine Arts, Boston."}],"event":{"name":"SIGGRAPH88: 15th Annual conference on Computer Graphics","sponsor":["SIGGRAPH ACM Special Interest Group on Computer Graphics and Interactive Techniques"],"acronym":"SIGGRAPH88"},"container-title":["ACM SIGGRAPH 88 panel proceedings"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1402242.1402254","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/1402242.1402254","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T13:58:05Z","timestamp":1750255085000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1402242.1402254"}},"subtitle":["is photographic realism the only answer?"],"short-title":[],"issued":{"date-parts":[[1988,8]]},"references-count":21,"alternative-id":["10.1145\/1402242.1402254","10.1145\/1402242"],"URL":"https:\/\/doi.org\/10.1145\/1402242.1402254","relation":{},"subject":[],"published":{"date-parts":[[1988,8]]},"assertion":[{"value":"1988-08-01","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}