{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,3,22]],"date-time":"2026-03-22T16:28:13Z","timestamp":1774196893681,"version":"3.50.1"},"publisher-location":"New York, NY, USA","reference-count":111,"publisher":"ACM","license":[{"start":{"date-parts":[[2009,8,3]],"date-time":"2009-08-03T00:00:00Z","timestamp":1249257600000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2009,8,3]]},"DOI":"10.1145\/1667239.1667250","type":"proceedings-article","created":{"date-parts":[[2009,12,10]],"date-time":"2009-12-10T15:51:54Z","timestamp":1260460314000},"page":"1-158","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":14,"title":["Creating new interfaces for musical expression"],"prefix":"10.1145","author":[{"given":"Sidney","family":"Fels","sequence":"first","affiliation":[{"name":"University of British Columbia"}]},{"given":"Michael","family":"Lyons","sequence":"additional","affiliation":[{"name":"Ritsumeikan University"}]}],"member":"320","published-online":{"date-parts":[[2009,8,3]]},"reference":[{"key":"e_1_3_2_2_1_1","unstructured":"{Wanderley&Battier 2000} Wanderley M. and Battier M. 2000. Trends in gestural control of music IRCAM."},{"key":"e_1_3_2_2_2_1","doi-asserted-by":"publisher","unstructured":"{Miranda&Wanderley 2006} Miranda E. R. and Wanderley M. M. 2006. New digital musical instruments: control and interaction beyond the keyboard. AR Editions.","DOI":"10.5555\/1201683"},{"key":"e_1_3_2_2_3_1","doi-asserted-by":"publisher","DOI":"10.1162\/014892602320582945"},{"key":"e_1_3_2_2_4_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085152.1085156"},{"key":"e_1_3_2_2_5_1","first-page":"308","volume-title":"Proceedings of the International Computer Music Conference","author":"Vertegaal","year":"1996","unstructured":"{Vertegaal et al. 1996} Vertegaal, R. and Ungvary, T. and Kieslinger, M. 1996. Towards a musician's cockpit: Transducers, feedback and musical function, Proceedings of the International Computer Music Conference, pp. 308--311."},{"key":"e_1_3_2_2_6_1","volume-title":"Trends in gestural control of music, Wanderley","author":"A.","unstructured":"{Mulder, 2000} Mulder, A. 2000. Towards a choice of gestural constraints for instrumental performers. In: Trends in gestural control of music, Wanderley, M. and Battier, M., eds., IRCAM."},{"key":"e_1_3_2_2_7_1","doi-asserted-by":"publisher","DOI":"10.1162\/014892600559182"},{"key":"e_1_3_2_2_8_1","first-page":"313","volume-title":"Proceedings of the 1985 International Computer Music Conference (ICMC'85)","year":"1985","unstructured":"{Waiswicz, 1985} Waiswicz, M. 1985. THE HANDS: A Set of Remote MIDI Controllers. Proceedings of the 1985 International Computer Music Conference (ICMC'85) Vancouver Canada, pp 313 -- 318, San Francisco: ICMA."},{"key":"e_1_3_2_2_10_1","doi-asserted-by":"publisher","DOI":"10.2307\/3679834"},{"issue":"2","key":"e_1_3_2_2_11_1","first-page":"18","article-title":"} Burzik, A. 2002. Practising in Flow---The Secret of the Masters","volume":"24","year":"2002","unstructured":"{Burzik, 2002} Burzik, A. 2002. Practising in Flow---The Secret of the Masters, Stringendo 24(2): 18--21.","journal-title":"Stringendo"},{"key":"e_1_3_2_2_12_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771802002030"},{"key":"e_1_3_2_2_13_1","doi-asserted-by":"publisher","DOI":"10.1076\/jnmr.32.4.429.18853"},{"key":"e_1_3_2_2_14_1","first-page":"68","volume-title":"In: Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop","author":"Rovan","year":"1997","unstructured":"{Rovan et al., 1997} Rovan, J. B., Wanderley, M. M. Dubnov, S. and Depalle, P. 1997. Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance. In: Kansei, The Technology of Emotion. Proceedings of the AIMI International Workshop, A. Camurri, (ed.), Genoa: Associazione di Informatica Musicale Italiana, October 3--4, pp. 68--73."},{"key":"e_1_3_2_2_15_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771802002054"},{"key":"e_1_3_2_2_16_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771802002029"},{"key":"e_1_3_2_2_17_1","doi-asserted-by":"crossref","unstructured":"{Wessel 1979} Wessel D. 1979. Timbre space as a musical control structure Computer music journal 3(2): 45 -- 52.","DOI":"10.2307\/3680283"},{"key":"e_1_3_2_2_18_1","doi-asserted-by":"publisher","DOI":"10.1016\/0953-5438(95)01015-7"},{"key":"e_1_3_2_2_19_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085714.1085742"},{"key":"e_1_3_2_2_20_1","doi-asserted-by":"publisher","DOI":"10.5555\/1142215.1142241"},{"key":"e_1_3_2_2_21_1","doi-asserted-by":"publisher","DOI":"10.1080\/0929821042000317877"},{"key":"e_1_3_2_2_22_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085884.1085885"},{"key":"e_1_3_2_2_23_1","first-page":"101","volume-title":"Open Sound Control: A New Protocol for Communicating with Sound Synthesizers. Proceedings of the International Computer Music Conference","author":"Freed Wright","year":"1997","unstructured":"{Wright and Freed, 1997} Wright, M. and A. Freed 1997. Open Sound Control: A New Protocol for Communicating with Sound Synthesizers. Proceedings of the International Computer Music Conference, Thessaloniki, Hellas, pp. 101--104."},{"key":"e_1_3_2_2_24_1","doi-asserted-by":"publisher","DOI":"10.5555\/76932"},{"key":"e_1_3_2_2_25_1","doi-asserted-by":"publisher","DOI":"10.5555\/265600"},{"key":"e_1_3_2_2_26_1","doi-asserted-by":"publisher","DOI":"10.5555\/229865"},{"key":"e_1_3_2_2_27_1","first-page":"744","article-title":"} McAulay, R. and T. Quatieri. 1986. \"Speech Analysis\/Synthesis Based on a Sinusoidal Representation","year":"1986","unstructured":"{McAulay&Quatieri, 1986} McAulay, R. and T. Quatieri. 1986. \"Speech Analysis\/Synthesis Based on a Sinusoidal Representation.\" IEEE Trans. Acoust. Speech and Sig. Proc. ASSP-34(4): pp. 744--754.","journal-title":"IEEE Trans. Acoust. Speech and Sig. Proc. ASSP-34(4)"},{"key":"e_1_3_2_2_28_1","first-page":"290","volume-title":"International Computer Music Conference","author":"Serra Smith","year":"1987","unstructured":"{Smith and Serra, 1987} Smith, J. and Serra, X. 1987. \"PARSHL: Analysis\/Synthesis Program for Non-Harmonic Sounds Based on a Sinusoidal Representation.\" Proc. International Computer Music Conference, Urbana, pp. 290 -- 297."},{"key":"e_1_3_2_2_29_1","unstructured":"{Dudley 1939} Dudley H. 1939 \"The Vocoder \" Bell Laboratories Record December."},{"issue":"1","key":"e_1_3_2_2_30_1","first-page":"42","article-title":"} Moorer, A. 1978. \"The Use of the Phase Vocoder in Computer Music Applications","volume":"26","year":"1978","unstructured":"{Moorer, 1978} Moorer, A. 1978. \"The Use of the Phase Vocoder in Computer Music Applications.\" Journal of the Audio Engineering Society, 26 (1\/2), pp. 42--45.","journal-title":"Journal of the Audio Engineering Society"},{"key":"e_1_3_2_2_31_1","doi-asserted-by":"crossref","unstructured":"{Moorer 1979} Moorer A. 1979 \"The Use of Linear Prediction of Speech in Computer Music Applications \" Journal of the Audio Engineering Society 27(3):134--140.","DOI":"10.2307\/3680280"},{"key":"e_1_3_2_2_32_1","first-page":"14","volume-title":"A Tutorial,\" Computer Music Journal, 10 (4)","author":"M.","unstructured":"{Dolson, 1986} Dolson, M. 1986, \"The Phase Vocoder: A Tutorial,\" Computer Music Journal, 10 (4), pp. 14--27."},{"key":"e_1_3_2_2_33_1","first-page":"63., pp. 561","article-title":"} Makhoul, J. 1975. \"Linear Prediction: A Tutorial Review","year":"1975","unstructured":"{Makhoul, 1975} Makhoul, J. 1975. \"Linear Prediction: A Tutorial Review,\" Proc. of the IEEE, v 63., pp. 561--580.","journal-title":"Proc. of the IEEE"},{"key":"e_1_3_2_2_34_1","volume-title":"pp. 526--534","author":"J.","unstructured":"{Chowning, 1973} Chowning, J. 1973, \"The Synthesis of Complex Audio Spectra by Means of Frequency Modulation,\" Journal of the Audio Engineering Society 21(7): pp. 526--534."},{"key":"e_1_3_2_2_35_1","unstructured":"{LeBrun 1979} LeBrun M. 1979. \"Digital Waveshaping Synthesis \" Journal of the Audio Engineering Society \"27(4): 250--266."},{"key":"e_1_3_2_2_37_1","doi-asserted-by":"publisher","DOI":"10.5555\/76932.77671"},{"key":"e_1_3_2_2_38_1","first-page":"329","article-title":"} Larouche, J.&J. Meillier 1994. \"Multichannel Excitation\/Filter Modeling of Percussive Sounds with Application to the Piano","year":"1994","unstructured":"{Larouche&Meillier 1994} Larouche, J.&J. Meillier 1994. \"Multichannel Excitation\/Filter Modeling of Percussive Sounds with Application to the Piano,\" IEEE Trans. Speech and Audio, pp. 329--344.","journal-title":"IEEE Trans. Speech and Audio"},{"key":"e_1_3_2_2_39_1","volume-title":"Musical Applications of Digital Waveguides","author":"J.","unstructured":"{Smith, 1987} Smith, J. 1987. Musical Applications of Digital Waveguides. Stanford University Center For Computer Research in Music and Acoustics. Report STAN-M-39."},{"key":"e_1_3_2_2_40_1","first-page":"293","volume-title":"V\u00e4lim\u00e4ki, 1991. \"Transmission Line Modeling and Real-Time Synthesis of String and Wind Instruments,\" Proc. International Computer Music Conference","author":"Karjalainen","year":"1991","unstructured":"{Karjalainen et al. 1991} Karjalainen, M. Laine, U., Laakso, T. and V. V\u00e4lim\u00e4ki, 1991. \"Transmission Line Modeling and Real-Time Synthesis of String and Wind Instruments,\" Proc. International Computer Music Conference, Montreal, pp. 293--296"},{"key":"e_1_3_2_2_41_1","first-page":"297","volume-title":"International Computer Music Conference","year":"1991","unstructured":"{Cook, 1991} Cook, P. 1991. \"TBone: An Interactive Waveguide Brass Instrument Synthesis Workbench for the NeXT Machine,\" Proc. International Computer Music Conference, Montreal, pp. 297--299."},{"key":"e_1_3_2_2_42_1","first-page":"319","volume-title":"International Computer Music Conference","year":"1991","unstructured":"{Cook, 1991b} Cook, P. 1991b. \"LECTOR: An Ecclesiastical Latin Control Language for the SPASM\/singer Instrument,\" Proc. International Computer Music Conference, Montreal, pp. 319--321."},{"key":"e_1_3_2_2_43_1","first-page":"273","volume-title":"International Computer Music Conference","year":"1992","unstructured":"{Cook, 1992} Cook, P. 1992. \"A Meta-Wind-Instrument Physical Model, and a MetaController for Real-Time Performance Control,\" Proc. International Computer Music Conference, San Jose, pp. 273--276."},{"key":"e_1_3_2_2_44_1","doi-asserted-by":"publisher","DOI":"10.2307\/3680568"},{"key":"e_1_3_2_2_45_1","volume-title":"M., Schumacher","author":"McIntyre","year":"1983","unstructured":"{McIntyre et al. 1983} McIntyre, M., Schumacher, R. and J. Woodhouse 1983, \"On the Oscillations of Musical Instruments,\" Journal of the Acoustical Society of America, 74(5), pp. 1325--1345."},{"key":"e_1_3_2_2_46_1","doi-asserted-by":"publisher","DOI":"10.5555\/131150.131155"},{"issue":"4044","key":"e_1_3_2_2_47_1","first-page":"591","article-title":"} Gabor, D. (1947)","volume":"159","year":"1947","unstructured":"{Gabor, 1947} Gabor, D. (1947). Acoustical Quanta And The Theory Of Hearing. Nature, 159(4044), 591--594.","journal-title":"Acoustical Quanta And The Theory Of Hearing. Nature"},{"key":"e_1_3_2_2_48_1","volume-title":"Formalized Music: Thought and Mathematics in Composition. Bloomington and","author":"Xenakis Iannis","year":"1971","unstructured":"{Xenakis, 1971} Iannis Xenakis, Formalized Music: Thought and Mathematics in Composition. Bloomington and London: Indiana University Press, 1971."},{"key":"e_1_3_2_2_49_1","doi-asserted-by":"publisher","DOI":"10.2307\/3679938"},{"key":"e_1_3_2_2_50_1","volume-title":"p: 368--371","author":"Verplank B.","year":"2000","unstructured":"{Verplank, 2000} B. Verplank, M. Mathews, R. Shaw, \"Scanned Synthesis\", \"Proceedings of the 2000 International Computer Music Conference\", p: 368--371, Berlin, Zannos editor, ICMA, 2000."},{"key":"e_1_3_2_2_51_1","volume-title":"Proc of the ICMC","author":"Perry STK","year":"1999","unstructured":"STK from Perry Cook's page: http:\/\/www.cs.princeton.edu\/~prc\/NewWork.html#STK Perry R. Cook and Gary P. Scavone, The Synthesis ToolKit (STK), Proc of the ICMC, 1999."},{"key":"e_1_3_2_2_52_1","volume-title":"Barcelona","author":"Scavone G.","year":"2005","unstructured":"G. Scavone and P. Cook, \"RtMIDI, RtAudio, and a Synthesis (STK) Update,\" Proceedings of the International Computer Music Conference, Barcelona, September, 2005."},{"key":"e_1_3_2_2_53_1","first-page":"150","volume-title":"Proceedings of the International Conference on Auditory Display","author":"van den Doel Kees","year":"2001","unstructured":"Kees van den Doel and Dinesh K. Pai, JASS: A Java Audio Synthesis System for Programmers, Proceedings of the International Conference on Auditory Display, pp. 150--154, 2001, Helsinki."},{"key":"e_1_3_2_2_54_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085884.1085915"},{"key":"e_1_3_2_2_55_1","doi-asserted-by":"crossref","unstructured":"{Kimura 2004} Mari Kimura 2004 Performance at NIME-04 Hamamatsu Japan.","DOI":"10.1088\/1126-6708\/2004\/04\/058"},{"key":"e_1_3_2_2_56_1","unstructured":"{Wynnychuk 2004} Jordan Wynnychuk 2004 Performance at NIME-04 Hamamatsu Japan."},{"key":"e_1_3_2_2_57_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085884.1085897"},{"key":"e_1_3_2_2_58_1","unstructured":"{Okamoto 2004} Hisashi Okamoto 2004 Performance at NIME-04 Hamamatsu Japan."},{"key":"e_1_3_2_2_59_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085171.1085206"},{"key":"e_1_3_2_2_60_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771802002042"},{"key":"e_1_3_2_2_61_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085714.1085730"},{"key":"e_1_3_2_2_62_1","first-page":"579","volume-title":"Proceedings of the International Computer Music Conference (ICMC 2005)","author":"Jorda","year":"2005","unstructured":"{Jorda et al. 2005} Jorda, S. and Kaltenbrunner, M. and Geiger, G. and Bencina, R. 2005. The reactable*, Proceedings of the International Computer Music Conference (ICMC 2005) pp. 579 -- 582."},{"key":"e_1_3_2_2_63_1","first-page":"151","volume-title":"Proceedings of the Fifth Brazilian Symposium on Computer Music (Belo Horizonte","year":"1998","unstructured":"{Mulder&Fels, 1998} Axel G. E. Mulder and S. Sidney Fels (1998). Sound Sculpting: Performing with Virtual Musical Instruments. Proceedings of the Fifth Brazilian Symposium on Computer Music (Belo Horizonte, Minas Gerais, Brazil, 3--5 August 1998, during the 18th Annual Congress of the Brazilian Computer Society, G. Ramalho (ed.)), pp. 151--164."},{"key":"e_1_3_2_2_64_1","unstructured":"{Horio 2004} Kanta Horio 2004. Performance at NIME-04 Hamamatsu Japan."},{"key":"e_1_3_2_2_65_1","unstructured":"{Fujii 2004} Uriko Fujii 2004. Performance at NIME-04 Hamamatsu Japan."},{"key":"e_1_3_2_2_66_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771802002042"},{"key":"e_1_3_2_2_67_1","volume-title":"Proc. of the 1989 ICMC.","year":"1989","unstructured":"{Mathews&Schloss, 1989} Mathews, M. V. and A. Schloss The Radio Drum as a Synthesizer Controller, Proc. of the 1989 ICMC."},{"key":"e_1_3_2_2_68_1","volume-title":"R. A. et al. Gesture Sensing via Capacitive Moments. Work Project No. 311401-(2099,2399) AT&T Bell Laboratories","author":"Boei","year":"1989","unstructured":"{Boei et al. 1989} Boie, R. A. et al. Gesture Sensing via Capacitive Moments. Work Project No. 311401-(2099,2399) AT&T Bell Laboratories, 1989."},{"key":"e_1_3_2_2_69_1","unstructured":"{Young 1991} Young G. (1991) The Sackbut Blues: University of Toronto Press in Canada and the University of Chicago Press in the USA. Issued also in French under the title: \"Blues pour saqueboute: Hugh Le Caine pionnier de la musique \u00e9lectronique.\" For further information phone +1\/613 991-2983. The National Museum of Science and Technology houses an extensive collection of Le Caine's instruments."},{"key":"e_1_3_2_2_70_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085939.1085941"},{"key":"e_1_3_2_2_71_1","doi-asserted-by":"publisher","DOI":"10.2307\/3681109"},{"key":"e_1_3_2_2_72_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085714.1085764"},{"key":"e_1_3_2_2_73_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085171.1085188"},{"key":"e_1_3_2_2_75_1","doi-asserted-by":"publisher","DOI":"10.1109\/ISWC.2008.4911601"},{"key":"e_1_3_2_2_76_1","doi-asserted-by":"publisher","DOI":"10.5555\/1142215.1142282"},{"key":"e_1_3_2_2_77_1","doi-asserted-by":"publisher","DOI":"10.1109\/72.655042"},{"key":"e_1_3_2_2_78_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085939.1085972"},{"key":"e_1_3_2_2_79_1","first-page":"151","volume-title":"Proceedings of the Fifth Brazilian Symposium on Computer Music (Belo Horizonte","year":"1998","unstructured":"{Mulder&Fels, 1998} Axel G. E. Mulder and S. Sidney Fels (1998). Sound Sculpting: Performing with Virtual Musical Instruments. Proceedings of the Fifth Brazilian Symposium on Computer Music (Belo Horizonte, Minas Gerais, Brazil, 3-5 August 1998, during the 18th Annual Congres of the Brazilian Computer Society, G. Ramalho (ed.)), pp. 151--164."},{"key":"e_1_3_2_2_80_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085171.1085173"},{"key":"e_1_3_2_2_81_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085884.1085901"},{"key":"e_1_3_2_2_82_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085152.1085165"},{"key":"e_1_3_2_2_83_1","volume-title":"Proceedings of the 2009 Conference on New interfaces For Musical Expression","year":"2009","unstructured":"{Wang, 2009} Wang, G. 2009. Designing Smule's iPhone Ocarina, In Proceedings of the 2009 Conference on New interfaces For Musical Expression (Pittsburgh, PA, June 4--6, 2009)."},{"key":"e_1_3_2_2_84_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085714.1085770"},{"key":"e_1_3_2_2_85_1","first-page":"2004","article-title":"} Kapur, A., Tzanetakis, G.,&P. F. Driessen, \"Audio-Based Gesture Extraction on the ESitar Controller","volume":"8","author":"Kapur","year":"2004","unstructured":"{Kapur et al. 2004} Kapur, A., Tzanetakis, G.,&P. F. Driessen, \"Audio-Based Gesture Extraction on the ESitar Controller,\" In Proceedings of the Conference on Digital Audio Effects, Naples, Italy, October 5--8, 2004. http:\/\/soundlab.cs.princeton.edu\/research\/controllers\/esitar\/","journal-title":"Proceedings of the Conference on Digital Audio Effects, Naples, Italy"},{"key":"e_1_3_2_2_86_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085171.1085186"},{"key":"e_1_3_2_2_87_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085171.1085183"},{"key":"e_1_3_2_2_88_1","doi-asserted-by":"crossref","unstructured":"{Knapp&Lusted 1990} R. Benjamin Knapp and Hugh Lusted - A Bioelectric Controller for Computer Music Applications Computer Music Journal Volume 14 No. 1 New Performance Interfaces 1 - Spring 1990; pg 42--47.","DOI":"10.2307\/3680115"},{"key":"e_1_3_2_2_89_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085714.1085726"},{"key":"e_1_3_2_2_90_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085884.1085885"},{"key":"e_1_3_2_2_91_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085171.1085200"},{"key":"e_1_3_2_2_92_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085939.1086014"},{"key":"e_1_3_2_2_93_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085171.1085228"},{"key":"e_1_3_2_2_94_1","doi-asserted-by":"crossref","unstructured":"{Blaine&Fels 2003} Tina Blaine and Sidney S. Fels. Collaborative Musical Experiences for Novices. Journal of New Music Research. Volume 32. No. 4. Pages 411--428. Dec. 2003.","DOI":"10.1076\/jnmr.32.4.411.18850"},{"key":"e_1_3_2_2_95_1","doi-asserted-by":"publisher","DOI":"10.1145\/347642.347705"},{"key":"e_1_3_2_2_96_1","doi-asserted-by":"publisher","DOI":"10.1076\/jnmr.28.2.130.3119"},{"key":"e_1_3_2_2_97_1","unstructured":"Hugh Le Caine: Electronic Sackbut: http:\/\/www.sciencetech.technomuses.ca\/english\/collection\/music7.cfm Hugh Le Caine info site: http:\/\/www.hughlecaine.com"},{"key":"e_1_3_2_2_98_1","unstructured":"Michel Waisvisz wikipage: http:\/\/en.wikipedia.org\/wiki\/Michel_Waisvisz 2005 talk at CHI2005: http:\/\/www.chi2005.org\/program\/prog_closing.html"},{"key":"e_1_3_2_2_99_1","unstructured":"Lady's Glove Laetitia Sonami http:\/\/www.sonami.net\/lady_glove2.htm Video: http:\/\/www.sonami.net\/Clips\/VideoPerf_clips\/China-Loose.mov"},{"key":"e_1_3_2_2_100_1","doi-asserted-by":"crossref","unstructured":"{Tarabella 2004} Leonello Tarabella 2004. Performance at NIME-04 Hamamatsu Japan.","DOI":"10.22323\/2.04010305"},{"key":"e_1_3_2_2_101_1","volume-title":"Fels and Kenji Mase. Iamascope: A Graphical Musical Instrument. Computers and Graphics","author":"Sidney","unstructured":"{Fels&Mase, 1999} Sidney S. Fels and Kenji Mase. Iamascope: A Graphical Musical Instrument. Computers and Graphics. Volume 2. No. 23. Pages 277--286. 1999."},{"key":"e_1_3_2_2_102_1","volume-title":"Mouthersizer Video shown at NIME-01 workshop","author":"M. J.","unstructured":"{Lyons, 2001} Lyons, M. J. 2001. Mouthersizer Video shown at NIME-01 workshop, Seattle, WA."},{"key":"e_1_3_2_2_103_1","doi-asserted-by":"publisher","DOI":"10.1145\/634067.634250"},{"key":"e_1_3_2_2_104_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085714.1085742"},{"key":"e_1_3_2_2_105_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085939.1085974"},{"key":"e_1_3_2_2_106_1","doi-asserted-by":"publisher","DOI":"10.5555\/1142215.1142256"},{"key":"e_1_3_2_2_107_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085152.1085154"},{"key":"e_1_3_2_2_108_1","volume-title":"Keynote Talk at the 2007 Conference on New Interfaces for Musical Expression","author":"P.","unstructured":"{Cook, 2007} Cook, P. 2007, Keynote Talk at the 2007 Conference on New Interfaces for Musical Expression, New York, NY."},{"key":"e_1_3_2_2_109_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085884.1085898"},{"key":"e_1_3_2_2_110_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085714.1085771"},{"key":"e_1_3_2_2_111_1","unstructured":"Vienna Vegetable Orchestra http:\/\/www.gemueseorchester.org"},{"key":"e_1_3_2_2_112_1","doi-asserted-by":"publisher","unstructured":"{Igoe 2007} Igoe T. 2007. Making Things Talk O'Reilly.","DOI":"10.5555\/1406583"},{"key":"e_1_3_2_2_113_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085152.1085155"},{"key":"e_1_3_2_2_114_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085884.1085936"}],"event":{"name":"SIGGRAPH09: Special Interest Group on Computer Graphics and Interactive Techniques Conference","location":"New Orleans Louisiana","acronym":"SIGGRAPH09","sponsor":["SIGGRAPH ACM Special Interest Group on Computer Graphics and Interactive Techniques"]},"container-title":["ACM SIGGRAPH 2009 Courses"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1667239.1667250","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/1667239.1667250","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T12:41:07Z","timestamp":1750250467000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1667239.1667250"}},"subtitle":["introduction to NIME"],"short-title":[],"issued":{"date-parts":[[2009,8,3]]},"references-count":111,"alternative-id":["10.1145\/1667239.1667250","10.1145\/1667239"],"URL":"https:\/\/doi.org\/10.1145\/1667239.1667250","relation":{},"subject":[],"published":{"date-parts":[[2009,8,3]]},"assertion":[{"value":"2009-08-03","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}