{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,19]],"date-time":"2025-06-19T04:33:15Z","timestamp":1750307595280,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":17,"publisher":"ACM","license":[{"start":{"date-parts":[[2010,4,10]],"date-time":"2010-04-10T00:00:00Z","timestamp":1270857600000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2010,4,10]]},"DOI":"10.1145\/1753846.1754228","type":"proceedings-article","created":{"date-parts":[[2010,4,12]],"date-time":"2010-04-12T18:13:40Z","timestamp":1271096020000},"page":"4765-4770","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Counterlines"],"prefix":"10.1145","author":[{"given":"Javier","family":"Sanchez","sequence":"first","affiliation":[{"name":"Stanford University, Stanford, CA, USA"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Jaroslaw","family":"Kapuscinski","sequence":"additional","affiliation":[{"name":"Stanford University, Stanford, CA, USA"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2010,4,10]]},"reference":[{"key":"e_1_3_2_2_1_1","volume-title":"retrieved","author":"Counterpoint","year":"2009","unstructured":"Counterpoint \" , retrieved January 2009 . URL http:\/\/en.wikipedia.org\/wiki\/Counterpoint Counterpoint\", retrieved January 2009. URL http:\/\/en.wikipedia.org\/wiki\/Counterpoint"},{"key":"e_1_3_2_2_2_1","doi-asserted-by":"publisher","DOI":"10.1109\/MCG.2004.1255809"},{"key":"e_1_3_2_2_3_1","first-page":"365","volume-title":"Proc. of the International Computer Music Conference-ICMC","author":"Friberg A.","year":"2002","unstructured":"Friberg , A. , Schoonderwaldt, E. , Juslin P.N. , Bresin R. \" Automatic real-time extraction of musical expression \", in Proc. of the International Computer Music Conference-ICMC , 2002 , pp. 365 -- 367 Friberg, A., Schoonderwaldt, E., Juslin P.N., Bresin R. \"Automatic real-time extraction of musical expression\", in Proc. of the International Computer Music Conference-ICMC, 2002, pp.365--367"},{"key":"e_1_3_2_2_4_1","volume-title":"International Computer Music Conference-ICMC","author":"Foote J.","year":"2001","unstructured":"Foote J. and Cooper, M . \" Visualizing musical structure and rhythm via self-similarity\" in Proc . International Computer Music Conference-ICMC , 2001 . Foote J. and Cooper, M. \"Visualizing musical structure and rhythm via self-similarity\" in Proc. International Computer Music Conference-ICMC, 2001."},{"key":"e_1_3_2_2_5_1","first-page":"328","volume-title":"Science","author":"Hall R.W.","year":"2008","unstructured":"Hall , R.W. \"Geometrical Music Theory\" , in Science , April 2008 , Vol 320 , pp. 328 -- 329 , Hall, R.W. \"Geometrical Music Theory\", in Science, April 2008, Vol 320, pp. 328--329,"},{"key":"e_1_3_2_2_6_1","volume-title":"Something Else Newsletter 1, No. 1","author":"Higgins D.","year":"1966","unstructured":"Higgins , D. \"Synesthesia and Intersenses : Intermedia \", Something Else Newsletter 1, No. 1 , Something Else Press , 1966 . Higgins, D. \"Synesthesia and Intersenses: Intermedia\", Something Else Newsletter 1, No. 1, Something Else Press, 1966."},{"key":"e_1_3_2_2_7_1","volume-title":"Proc. of the 6th International Conference on Music Information Retrieval, ISMIR","author":"Is What You Get","year":"2005","unstructured":"Isaacso, E. \"What you See Is What You Get : on Visualizing Music \", in Proc. of the 6th International Conference on Music Information Retrieval, ISMIR ,, 2005 . Isaacso, E. \"What you See Is What You Get: on Visualizing Music\", in Proc. of the 6th International Conference on Music Information Retrieval, ISMIR,, 2005."},{"key":"e_1_3_2_2_8_1","volume-title":"August","author":"Levin G.","year":"2000","unstructured":"Levin , G. \"Painterly Interfaces for Audiovisual Performance. Thesis\", M.S. Thesis , MIT Media Laboratory , August 2000 . Levin, G. \"Painterly Interfaces for Audiovisual Performance. Thesis\", M.S. Thesis, MIT Media Laboratory, August 2000."},{"key":"e_1_3_2_2_9_1","volume-title":"audiovisual performance with hand silhouette contours in the manual input sessions\" in Proc. of the conference on New interfaces for Musical Expression-NIME","author":"Levin G.","year":"2005","unstructured":"Levin , G. , Lieberman, Z. \" Sounds from shapes : audiovisual performance with hand silhouette contours in the manual input sessions\" in Proc. of the conference on New interfaces for Musical Expression-NIME , 2005 . Levin,G., Lieberman, Z. \"Sounds from shapes: audiovisual performance with hand silhouette contours in the manual input sessions\" in Proc. of the conference on New interfaces for Musical Expression-NIME, 2005."},{"key":"e_1_3_2_2_10_1","volume-title":"Proceedings of the International Conference on Computer Music-ICMC","author":"Levin G.","year":"2006","unstructured":"Levin , G. \"The Table is The Score : An Augmented-Reality Interface for Real-Time, Tangible, Spectrographic Performance \", in Proceedings of the International Conference on Computer Music-ICMC , 2006 . Levin,G. \"The Table is The Score: An Augmented-Reality Interface for Real-Time, Tangible, Spectrographic Performance\", in Proceedings of the International Conference on Computer Music-ICMC, 2006."},{"key":"e_1_3_2_2_11_1","unstructured":"Malinowski S. \"Music animation machine\" 2005. URL http:\/\/www.musanim.com  Malinowski S. \"Music animation machine\" 2005. URL http:\/\/www.musanim.com"},{"key":"e_1_3_2_2_12_1","first-page":"215","volume-title":"Leonardo","author":"Poast M.","year":"2000","unstructured":"Poast , M. \"Color Music : Visual Color Notation for Musical Expression \", in Leonardo , June 2000 , 33(3) pp. 215 -- 221 Poast, M. \"Color Music: Visual Color Notation for Musical Expression\", in Leonardo, June 2000, 33(3) pp. 215--221"},{"key":"e_1_3_2_2_13_1","first-page":"68","volume-title":"Proceedings of the Associazione di Informatica Musicale Italiana Workshop","author":"Rovan J.","year":"1997","unstructured":"Rovan , J. ,Wanderley, M. , Dubnov , S. \" Instrumental gestural mapping strategies as expressivity determinants in computer music performance \", in Proceedings of the Associazione di Informatica Musicale Italiana Workshop , 1997 , pp. 68 -- 73 . Rovan, J.,Wanderley, M. ,Dubnov, S. \"Instrumental gestural mapping strategies as expressivity determinants in computer music performance\", in Proceedings of the Associazione di Informatica Musicale Italiana Workshop, 1997, pp.68--73."},{"key":"e_1_3_2_2_14_1","first-page":"423","volume-title":"Proceedings of the International Computer Music Conference-ICMC","author":"Sapp C","year":"2001","unstructured":"Sapp , C , \"Harmonic Visualizations of Tonal Music\" in Proceedings of the International Computer Music Conference-ICMC , 2001 , pp. 423 -- 430 Sapp, C, \"Harmonic Visualizations of Tonal Music\" in Proceedings of the International Computer Music Conference-ICMC, 2001, pp. 423--430"},{"key":"e_1_3_2_2_15_1","unstructured":"Solis H. \"Improvisatory Music and Painting Interface\" Master Thesis MIT 2004  Solis H. \"Improvisatory Music and Painting Interface\" Master Thesis MIT 2004"},{"key":"e_1_3_2_2_16_1","unstructured":"Smith S.M. Williams G.N.. \"A visualization of music\" in Proceedings of IEEE Visualization 2007.   Smith S.M. Williams G.N.. \"A visualization of music\" in Proceedings of IEEE Visualization 2007."},{"key":"e_1_3_2_2_17_1","unstructured":"Taylor R. Torres D. \"Using Music to Interact with a Virtual Character\" In Proceedings of the 2005 International Conference on New Interfaces for Musical Expression-NIME 2005 pp. 220--223   Taylor R. Torres D. \"Using Music to Interact with a Virtual Character\" In Proceedings of the 2005 International Conference on New Interfaces for Musical Expression-NIME 2005 pp. 220--223"}],"event":{"name":"CHI '10: CHI Conference on Human Factors in Computing Systems","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"],"location":"Atlanta Georgia USA","acronym":"CHI '10"},"container-title":["CHI '10 Extended Abstracts on Human Factors in Computing Systems"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1753846.1754228","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/1753846.1754228","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T12:41:36Z","timestamp":1750250496000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1753846.1754228"}},"subtitle":["a duet for piano and pen display"],"short-title":[],"issued":{"date-parts":[[2010,4,10]]},"references-count":17,"alternative-id":["10.1145\/1753846.1754228","10.1145\/1753846"],"URL":"https:\/\/doi.org\/10.1145\/1753846.1754228","relation":{},"subject":[],"published":{"date-parts":[[2010,4,10]]},"assertion":[{"value":"2010-04-10","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}