{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,19]],"date-time":"2025-06-19T04:30:31Z","timestamp":1750307431034,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":26,"publisher":"ACM","license":[{"start":{"date-parts":[[2010,7,26]],"date-time":"2010-07-26T00:00:00Z","timestamp":1280102400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2010,7,26]]},"DOI":"10.1145\/1836786.1836789","type":"proceedings-article","created":{"date-parts":[[2010,7,20]],"date-time":"2010-07-20T15:39:10Z","timestamp":1279640350000},"page":"340-349","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":1,"title":["Learning from weaving for digital fabrication in architecture"],"prefix":"10.1145","author":[{"given":"Rizal","family":"Muslimin","sequence":"first","affiliation":[{"name":"Massachusetts Institute of Technology, Cambridge, Massachusetts"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2010,7,26]]},"reference":[{"key":"e_1_3_2_2_1_1","unstructured":"C. Lasch and B. Aranda Tooling (New York: Princeton Architectural Press 2006).  C. Lasch and B. Aranda Tooling (New York: Princeton Architectural Press 2006)."},{"key":"e_1_3_2_2_2_1","unstructured":"Peter Testa created Weaver algorithm in Maya Extended Language. The main structure of Testa's Carbon Tower is a thousand feet of long helical bands of carbon fiber woven together from the bottom to the top eliminating the need for joints. M. McQuaid Extreme Textiles: Designing for High Performance (Princeton Architectural Press 2005).  Peter Testa created Weaver algorithm in Maya Extended Language. The main structure of Testa's Carbon Tower is a thousand feet of long helical bands of carbon fiber woven together from the bottom to the top eliminating the need for joints. M. McQuaid Extreme Textiles: Designing for High Performance (Princeton Architectural Press 2005)."},{"key":"e_1_3_2_2_3_1","unstructured":"C. Lasch and B. Aranda {1}.  C. Lasch and B. Aranda {1}."},{"key":"e_1_3_2_2_4_1","unstructured":"M. McQuaid Extreme Textiles: Designing for High Performance (Princeton Architectural Press 2005).  M. McQuaid Extreme Textiles: Designing for High Performance (Princeton Architectural Press 2005)."},{"key":"e_1_3_2_2_5_1","unstructured":"Sabin's eBraid tower proposal uses two interconnected braids: an external braided carbon fiber diagrid superstructure and internal conducting braids with the capacity to absorb collect and deliver energy and light. J. Sabin <www.jennysabin.com\/>.  Sabin's eBraid tower proposal uses two interconnected braids: an external braided carbon fiber diagrid superstructure and internal conducting braids with the capacity to absorb collect and deliver energy and light. J. Sabin <www.jennysabin.com\/>."},{"key":"e_1_3_2_2_6_1","unstructured":"P. Oliver ed. Encyclopedia of Vernacular Architecture of the World (Cambridge: Cambridge University Press 1997).  P. Oliver ed. Encyclopedia of Vernacular Architecture of the World (Cambridge: Cambridge University Press 1997)."},{"key":"e_1_3_2_2_7_1","unstructured":"Sch\u00f6n coined the term \"reflection-in-action\" in terms of teaching artistry using case studies from architectural studio education as well as music. D. Sch\u00f6n Educating the Reflective Practitioner: Toward a New Design for Teaching and Learning in the Professions (Jossey-Bass: San Francisco 1990).  Sch\u00f6n coined the term \"reflection-in-action\" in terms of teaching artistry using case studies from architectural studio education as well as music. D. Sch\u00f6n Educating the Reflective Practitioner: Toward a New Design for Teaching and Learning in the Professions (Jossey-Bass: San Francisco 1990)."},{"key":"e_1_3_2_2_8_1","unstructured":"For textiles Semper uses the term \"plaiting\" to mean interwoven objects. He uses the term \"weaving\" to criticize the contemporary practice of industrial weaving as lacking a practical aesthetic and drowning in its excessive resources in comparison to traditional weaving (by the Hindus and Kurds) far simpler and less industrial but with a greater understanding of art. Furthermore Semper stratifies textile art into the following: 1) bands and threads 2) spun yarn 3) twisted yarn 4) the knot 5) the loop stitch 6) plaiting and 7) felt. To analyze structural performance in plain interwoven surfaces this research uses knots and plaiting. The yarn and how it is twisted plays a significant role in further analysis of material performance of interwoven surfaces. G. Semper The Four Elements of Architecture and Other Writings trans. Mallgrave and Herrmann (Cambridge: Cambridge University Press 1989).  For textiles Semper uses the term \"plaiting\" to mean interwoven objects. He uses the term \"weaving\" to criticize the contemporary practice of industrial weaving as lacking a practical aesthetic and drowning in its excessive resources in comparison to traditional weaving (by the Hindus and Kurds) far simpler and less industrial but with a greater understanding of art. Furthermore Semper stratifies textile art into the following: 1) bands and threads 2) spun yarn 3) twisted yarn 4) the knot 5) the loop stitch 6) plaiting and 7) felt. To analyze structural performance in plain interwoven surfaces this research uses knots and plaiting. The yarn and how it is twisted plays a significant role in further analysis of material performance of interwoven surfaces. G. Semper The Four Elements of Architecture and Other Writings trans. Mallgrave and Herrmann (Cambridge: Cambridge University Press 1989)."},{"key":"e_1_3_2_2_9_1","unstructured":"F. Otto Institute for Lightweight Structures (IL) (University of Stuttgart 1969).  F. Otto Institute for Lightweight Structures (IL) (University of Stuttgart 1969)."},{"key":"e_1_3_2_2_10_1","doi-asserted-by":"publisher","DOI":"10.1002\/ad.345"},{"key":"e_1_3_2_2_11_1","unstructured":"Gibson refers to the haptic system as an apparatus by which the individual receives information about both the environment and his body. In addition Gibson warns that what is simple for mechanics is not simple for human mechanoreception---a tactual receptor of mechanical energy in all of its manifestations including vibration---and that biomechanical stimulation is not reducible to physical magnitudes. However information about stress\/strain forces vector direction and coordinates are compatible enough with digital computation enabling it to perform the weaving of the structural configuration but not the total sensory experience of the weaver. J. J. Gibson The Senses Considered as Perceptual System (Boston: Houghton Mifflin 1966).  Gibson refers to the haptic system as an apparatus by which the individual receives information about both the environment and his body. In addition Gibson warns that what is simple for mechanics is not simple for human mechanoreception---a tactual receptor of mechanical energy in all of its manifestations including vibration---and that biomechanical stimulation is not reducible to physical magnitudes. However information about stress\/strain forces vector direction and coordinates are compatible enough with digital computation enabling it to perform the weaving of the structural configuration but not the total sensory experience of the weaver. J. J. Gibson The Senses Considered as Perceptual System (Boston: Houghton Mifflin 1966)."},{"key":"e_1_3_2_2_12_1","unstructured":"J. J. Gibson The Senses Considered as Perceptual System (Boston: Houghton Mifflin 1966).  J. J. Gibson The Senses Considered as Perceptual System (Boston: Houghton Mifflin 1966)."},{"key":"e_1_3_2_2_13_1","unstructured":"G. Semper The Four Elements of Architecture and Other Writings trans. Mallgrave and Herrmann (Cambridge: Cambridge University Press 1989).  G. Semper The Four Elements of Architecture and Other Writings trans. Mallgrave and Herrmann (Cambridge: Cambridge University Press 1989)."},{"key":"e_1_3_2_2_14_1","unstructured":"J. J. Gibson {12}.  J. J. Gibson {12}."},{"key":"e_1_3_2_2_15_1","doi-asserted-by":"crossref","unstructured":"G. Stiny Shape: Talking about Seeing and Doing (Cambridge: MIT Press 2006).   G. Stiny Shape: Talking about Seeing and Doing (Cambridge: MIT Press 2006).","DOI":"10.7551\/mitpress\/6201.001.0001"},{"key":"e_1_3_2_2_16_1","doi-asserted-by":"crossref","unstructured":"T. Knight \"Shape Grammar and Color Grammar in Design \" Environment and Planning No. 21 705--735 (1994).  T. Knight \"Shape Grammar and Color Grammar in Design \" Environment and Planning No. 21 705--735 (1994).","DOI":"10.1068\/b210705"},{"key":"e_1_3_2_2_17_1","doi-asserted-by":"crossref","unstructured":"W. J. Mitchell \"Functional Grammars: an Introduction \" Reality and Virtual Reality Association for Computer Aided Design in Architecture (1991).  W. J. Mitchell \"Functional Grammars: an Introduction \" Reality and Virtual Reality Association for Computer Aided Design in Architecture (1991).","DOI":"10.52842\/conf.acadia.1991.167"},{"key":"e_1_3_2_2_18_1","unstructured":"G. W. Flake The Computational Beauty of Nature: Computer Explorations of Fractals Chaos Complex Systems and Adaptation (Cambridge: MIT Press 1998).   G. W. Flake The Computational Beauty of Nature: Computer Explorations of Fractals Chaos Complex Systems and Adaptation (Cambridge: MIT Press 1998)."},{"key":"e_1_3_2_2_19_1","doi-asserted-by":"publisher","DOI":"10.1145\/1400385.1400412"},{"key":"e_1_3_2_2_20_1","doi-asserted-by":"crossref","unstructured":"P. Prusinkiewicz and A. Lindenmayer The Algorithmic Beauty of Plants (Springer-Verlag: New York 1990).   P. Prusinkiewicz and A. Lindenmayer The Algorithmic Beauty of Plants (Springer-Verlag: New York 1990).","DOI":"10.1007\/978-1-4613-8476-2"},{"key":"e_1_3_2_2_21_1","doi-asserted-by":"crossref","unstructured":"A. Killian \"Fabrication of Partially Double-Curved Surfaces out of Flat Sheet Material through a 3D Puzzle Approach \" ACADIA Proceedings (2003).  A. Killian \"Fabrication of Partially Double-Curved Surfaces out of Flat Sheet Material through a 3D Puzzle Approach \" ACADIA Proceedings (2003).","DOI":"10.52842\/conf.acadia.2003.075"},{"key":"e_1_3_2_2_22_1","unstructured":"A. Siza Serpentine Gallery Pavilion 2005 Serpentine Gallery London (2005).  A. Siza Serpentine Gallery Pavilion 2005 Serpentine Gallery London (2005)."},{"key":"e_1_3_2_2_23_1","unstructured":"K. Snelson Kenneth Snelson: The Nature of Structure New York Academy of Sciences New York (1989).  K. Snelson Kenneth Snelson: The Nature of Structure New York Academy of Sciences New York (1989)."},{"issue":"2","key":"e_1_3_2_2_24_1","first-page":"99","article-title":"Tensegrity Structures with 3D Compressed Components: Development, Assembly and Design","volume":"50","author":"Frumar J. A.","year":"2009","journal-title":"Journal of the International Association for Shell and Spatial Structures"},{"issue":"2","key":"e_1_3_2_2_25_1","first-page":"111","article-title":"Innovative Timber Constructions","volume":"50","author":"Weinand Y.","year":"2009","journal-title":"Journal of the International Association for Shell and Spatial Structures"},{"key":"e_1_3_2_2_26_1","unstructured":"Centre Pompidou-Metz Centre Pompidou-Metz (Paris: Editions du Centre Pompidou 2008).  Centre Pompidou-Metz Centre Pompidou-Metz (Paris: Editions du Centre Pompidou 2008)."}],"event":{"name":"SIGGRAPH '10: Special Interest Group on Computer Graphics and Interactive Techniques Conference","sponsor":["SIGGRAPH ACM Special Interest Group on Computer Graphics and Interactive Techniques"],"location":"Los Angeles California","acronym":"SIGGRAPH '10"},"container-title":["ACM SIGGRAPH 2010 Art Gallery"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1836786.1836789","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/1836786.1836789","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T11:39:54Z","timestamp":1750246794000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1836786.1836789"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2010,7,26]]},"references-count":26,"alternative-id":["10.1145\/1836786.1836789","10.1145\/1836786"],"URL":"https:\/\/doi.org\/10.1145\/1836786.1836789","relation":{},"subject":[],"published":{"date-parts":[[2010,7,26]]},"assertion":[{"value":"2010-07-26","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}