{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,19]],"date-time":"2025-06-19T04:31:19Z","timestamp":1750307479243,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":2,"publisher":"ACM","license":[{"start":{"date-parts":[[2010,1,22]],"date-time":"2010-01-22T00:00:00Z","timestamp":1264118400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2010,1,22]]},"DOI":"10.1145\/1935701.1935805","type":"proceedings-article","created":{"date-parts":[[2011,2,1]],"date-time":"2011-02-01T15:50:27Z","timestamp":1296575427000},"page":"411-412","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Osciloscopiando"],"prefix":"10.1145","author":[{"given":"Daniela","family":"Steinsapir","sequence":"first","affiliation":[{"name":"Stanford University, Palo Alto, CA, USA"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Paulo","family":"Blikstein","sequence":"additional","affiliation":[{"name":"Stanford University, Palo Alto, CA, USA"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2010,1,22]]},"reference":[{"key":"e_1_3_2_1_1_1","unstructured":"Steinsapir's work takes a variety of different forms each of which incorporates different found objects and technologies. Her work includes: interactive video installations electro-mechanical sculptures digital murals and electronic paintings. By functioning interactively the success and to some degree the very existence of each work depends on both the hardware and software of her works in such a way that physical acts are interpreted visually. Literally translating the physical human gesture into a digital language she draws a conceptual link between mass culture technological mediation and psychological processes.  Steinsapir's work takes a variety of different forms each of which incorporates different found objects and technologies. Her work includes: interactive video installations electro-mechanical sculptures digital murals and electronic paintings. By functioning interactively the success and to some degree the very existence of each work depends on both the hardware and software of her works in such a way that physical acts are interpreted visually. Literally translating the physical human gesture into a digital language she draws a conceptual link between mass culture technological mediation and psychological processes."},{"key":"e_1_3_2_1_2_1","volume-title":"Electrocicando","author":"Osiloscopiando","year":"2009","unstructured":"Osiloscopiando , is part of the series of works, \"Recycling Junk\", a body of work that shows the beauty, harmony, and symmetry of discarded electronics. The recycling junk series was exhibited at Steinsapir's solo show , Electrocicando , 2009 , at the Galeria Ana Maria Mathei, In Santiago , Chile. One of the pieces that was part of the show as well, was Cable a Tierra. It is a video piece that shows the interior of an old oscilloscope. Daniela intensified its elements by means of monochromatic lighting and shadow effects. The video name, Cable a Tierra, comes from the ground wires found on the inside of electric circuits. Continuing the Recycling Junk series and following Cable a Tierra's experimentation, Daniela created, Osiloscopiando , an interactive video-mechanical sculpture. Osiloscopiando, is part of the series of works, \"Recycling Junk\", a body of work that shows the beauty, harmony, and symmetry of discarded electronics. The recycling junk series was exhibited at Steinsapir's solo show, Electrocicando, 2009, at the Galeria Ana Maria Mathei, In Santiago, Chile. One of the pieces that was part of the show as well, was Cable a Tierra. It is a video piece that shows the interior of an old oscilloscope. Daniela intensified its elements by means of monochromatic lighting and shadow effects. The video name, Cable a Tierra, comes from the ground wires found on the inside of electric circuits. Continuing the Recycling Junk series and following Cable a Tierra's experimentation, Daniela created, Osiloscopiando, an interactive video-mechanical sculpture."}],"event":{"name":"TEI'11: Fifth International Conference on Tangible, Embedded, and Embodied Interaction","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"],"location":"Funchal Portugal","acronym":"TEI'11"},"container-title":["Proceedings of the fifth international conference on Tangible, embedded, and embodied interaction"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1935701.1935805","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/1935701.1935805","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T12:08:58Z","timestamp":1750248538000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/1935701.1935805"}},"subtitle":["interactive video-mechanical sculpture."],"short-title":[],"issued":{"date-parts":[[2010,1,22]]},"references-count":2,"alternative-id":["10.1145\/1935701.1935805","10.1145\/1935701"],"URL":"https:\/\/doi.org\/10.1145\/1935701.1935805","relation":{},"subject":[],"published":{"date-parts":[[2010,1,22]]},"assertion":[{"value":"2010-01-22","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}