{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,3,22]],"date-time":"2026-03-22T16:27:39Z","timestamp":1774196859098,"version":"3.50.1"},"publisher-location":"New York, NY, USA","reference-count":42,"publisher":"ACM","license":[{"start":{"date-parts":[[2012,10,14]],"date-time":"2012-10-14T00:00:00Z","timestamp":1350172800000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2012,10,14]]},"DOI":"10.1145\/2399016.2399018","type":"proceedings-article","created":{"date-parts":[[2012,11,20]],"date-time":"2012-11-20T15:50:26Z","timestamp":1353426626000},"page":"1-20","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":7,"title":["Digital originals"],"prefix":"10.1145","author":[{"given":"Mark","family":"Blythe","sequence":"first","affiliation":[{"name":"Northumbria University, Newcastle upon Tyne, UK"}]},{"given":"Jo","family":"Briggs","sequence":"additional","affiliation":[{"name":"Northumbria University, Newcastle upon Tyne, UK"}]},{"given":"Patrick","family":"Olivier","sequence":"additional","affiliation":[{"name":"Newcastle University, UK"}]},{"given":"Jonathan","family":"Hook","sequence":"additional","affiliation":[{"name":"Newcastle University, UK"}]}],"member":"320","published-online":{"date-parts":[[2012,10,14]]},"reference":[{"key":"e_1_3_2_1_1_1","unstructured":"Antonelli P. Talk To Me: Design and the Communication Between People and Objects (2011) MoMA.  Antonelli P. Talk To Me: Design and the Communication Between People and Objects (2011) MoMA."},{"key":"e_1_3_2_1_2_1","volume-title":"David Hockney Interview, appeared in the Sunday Times","author":"Appleyard B.","year":"2011","unstructured":"Appleyard , B. David Hockney Interview, appeared in the Sunday Times , 30 Jan 2011 , available: http:\/\/www.bryanappleyard.com\/david-hockney-interview\/. Appleyard, B. David Hockney Interview, appeared in the Sunday Times, 30 Jan 2011, available: http:\/\/www.bryanappleyard.com\/david-hockney-interview\/."},{"key":"e_1_3_2_1_3_1","volume-title":"Creative Graduates Creative Futures","author":"Ball L.","year":"2010","unstructured":"Ball , L. , Pollard , E. and Stanley , N . Creative Graduates Creative Futures . Council for Higher Education in Art and Design, ( 2010 ). http:\/\/www.employment-studies.co.uk\/pdflibrary\/471.pdf. Ball, L., Pollard, E. and Stanley, N. Creative Graduates Creative Futures. Council for Higher Education in Art and Design, (2010). http:\/\/www.employment-studies.co.uk\/pdflibrary\/471.pdf."},{"key":"e_1_3_2_1_4_1","doi-asserted-by":"publisher","DOI":"10.1145\/1518701.1519063"},{"key":"e_1_3_2_1_5_1","unstructured":"Benjamin W. Illuminations. Fontana London 1992.  Benjamin W. Illuminations. Fontana London 1992."},{"key":"e_1_3_2_1_6_1","volume-title":"Berger on Drawing","author":"Berger J.","year":"2005","unstructured":"Berger , J. Berger on Drawing . Occasional Press , Co . Cork. Ireland, 2005 . Berger, J. Berger on Drawing. Occasional Press, Co. Cork. Ireland, 2005."},{"key":"e_1_3_2_1_7_1","volume-title":"Funology: From Usability to Enjoyment","author":"Blythe M.","year":"2003","unstructured":"Blythe , M. , Monk , A. , Overbeeke , K. and Wright , P . Funology: From Usability to Enjoyment . Kluwer , MA USA , 2003 . Blythe, M., Monk, A., Overbeeke, K. and Wright, P. Funology: From Usability to Enjoyment. Kluwer, MA USA, 2003."},{"key":"e_1_3_2_1_8_1","doi-asserted-by":"publisher","DOI":"10.1145\/1056224.1056225"},{"key":"e_1_3_2_1_9_1","doi-asserted-by":"publisher","DOI":"10.1145\/1413634.1413691"},{"key":"e_1_3_2_1_10_1","volume-title":"No Oil Painting: Digital Originals and Slow Prints (in conjunction with DIS '12)","author":"Briggs J.","year":"2012","unstructured":"Briggs , J. and Blythe , M . No Oil Painting: Digital Originals and Slow Prints (in conjunction with DIS '12) ( 2012 ). http:\/\/www.willodom.com\/slowtechnology\/submissions\/FINAL\/11_JoBriggsMarkBlythe_DIS_MB_JB_camera_ready.pdf Briggs, J. and Blythe, M. No Oil Painting: Digital Originals and Slow Prints (in conjunction with DIS '12) (2012). http:\/\/www.willodom.com\/slowtechnology\/submissions\/FINAL\/11_JoBriggsMarkBlythe_DIS_MB_JB_camera_ready.pdf"},{"key":"e_1_3_2_1_11_1","volume-title":"Constructing grounded theory","author":"Charmaz K.","year":"2006","unstructured":"Charmaz , K. Constructing grounded theory . Sage , London , 2006 . Charmaz, K. Constructing grounded theory. Sage, London, 2006."},{"key":"e_1_3_2_1_12_1","first-page":"283","article-title":"The \"Death Effect\" in Art Prices: A Demand Side Explanation. In: Journal of Cultural Economics. (2000) Vol 24","volume":"4","author":"Ekelund B.","unstructured":"Ekelund , B. , Ressler , R. W. and Watson , J. K . The \"Death Effect\" in Art Prices: A Demand Side Explanation. In: Journal of Cultural Economics. (2000) Vol 24 , Number 4 , 283 -- 300 . Ekelund, B., Ressler, R. W. and Watson, J. K. The \"Death Effect\" in Art Prices: A Demand Side Explanation. In: Journal of Cultural Economics. (2000) Vol 24, Number 4, 283--300.","journal-title":"Number"},{"key":"e_1_3_2_1_13_1","first-page":"100","author":"Fraser A.","year":"2011","unstructured":"Fraser , A. 1% Art . Adbusters. Issue 100 ( 2011 ). Fraser, A. 1% Art. Adbusters. Issue 100 (2011).","journal-title":"Adbusters. Issue"},{"key":"e_1_3_2_1_14_1","volume-title":"David Hockney turns the iPad into an Art Form. The Guardian Tues","author":"Gabbatt A.","year":"2010","unstructured":"Gabbatt , A. David Hockney turns the iPad into an Art Form. The Guardian Tues 11 May 2010 . Gabbatt, A. David Hockney turns the iPad into an Art Form. The Guardian Tues 11 May 2010."},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.1007\/s00779-005-0002-2"},{"key":"e_1_3_2_1_16_1","doi-asserted-by":"publisher","DOI":"10.1145\/1753326.1753640"},{"key":"e_1_3_2_1_17_1","doi-asserted-by":"publisher","DOI":"10.1145\/985921.985947"},{"key":"e_1_3_2_1_18_1","volume-title":"Thames and Hudson","author":"Gayford M.","year":"2007","unstructured":"Gayford , M. A Bigger Message: Conversations with David Hockney . Thames and Hudson , London , 2007 . Gayford, M. A Bigger Message: Conversations with David Hockney. Thames and Hudson, London, 2007."},{"key":"e_1_3_2_1_19_1","volume-title":"Discovery of grounded theory: Strategies for qualitative research","author":"Glaser B. G.","year":"1967","unstructured":"Glaser , B. G. and Strauss , A. L . Discovery of grounded theory: Strategies for qualitative research . Aldine Publishing Company , Chicago, US , 1967 . Glaser, B. G. and Strauss, A. L. Discovery of grounded theory: Strategies for qualitative research. Aldine Publishing Company, Chicago, US, 1967."},{"key":"e_1_3_2_1_20_1","volume-title":"Nine Classic Paintings Revisited","author":"Greenaway P.","year":"2010","unstructured":"Greenaway , P. Nine Classic Paintings Revisited ( 2010 ). http:\/\/www.youtube.com\/watch?v=plWSGEAuD_0. Greenaway, P. Nine Classic Paintings Revisited (2010). http:\/\/www.youtube.com\/watch?v=plWSGEAuD_0."},{"key":"e_1_3_2_1_21_1","volume-title":"Thames and Hudson","author":"Hockney D.","year":"2001","unstructured":"Hockney , D. Secret Knowledge : Rediscovering the Techniques of the Old Masters . Thames and Hudson , London , 2001 . Hockney, D. Secret Knowledge: Rediscovering the Techniques of the Old Masters. Thames and Hudson, London, 2001."},{"key":"e_1_3_2_1_22_1","volume-title":"Orion","author":"Honor\u00e9 C.","year":"2004","unstructured":"Honor\u00e9 , C. In Praise of Slow: How a Worldwide Movement is Challenging the Cult of Speed . Orion , London , 2004 . Honor\u00e9, C. In Praise of Slow: How a Worldwide Movement is Challenging the Cult of Speed. Orion, London, 2004."},{"key":"e_1_3_2_1_23_1","doi-asserted-by":"publisher","DOI":"10.1145\/642611.642654"},{"key":"e_1_3_2_1_24_1","volume-title":"Thames and Hudson","author":"Hughes R.","year":"1990","unstructured":"Hughes , R. The Shock of the New: Art and the Century of Change . Thames and Hudson , London , 1990 , 422. Hughes, R. The Shock of the New: Art and the Century of Change. Thames and Hudson, London, 1990, 422."},{"key":"e_1_3_2_1_25_1","volume-title":"The Mona Lisa Curse","author":"Hughes R.","year":"2008","unstructured":"Hughes , R. The Mona Lisa Curse ( 2008 ). Director Chang, M. Oxford Film and Television . Hughes, R. The Mona Lisa Curse (2008). Director Chang, M. Oxford Film and Television."},{"key":"e_1_3_2_1_26_1","first-page":"214","article-title":"Making the Match: Human Traces, Forensic Experts and the Public Imagination. In: F. Spufford and J. Uglow. Cultural Babbage: Technology, Time and Invention. Faber","volume":"193","author":"Joseph A.","year":"1996","unstructured":"Joseph , A. and Winter , A . Making the Match: Human Traces, Forensic Experts and the Public Imagination. In: F. Spufford and J. Uglow. Cultural Babbage: Technology, Time and Invention. Faber , London , 1996 , 193 -- 214 . Joseph, A. and Winter, A. Making the Match: Human Traces, Forensic Experts and the Public Imagination. In: F. Spufford and J. Uglow. Cultural Babbage: Technology, Time and Invention. Faber, London, 1996, 193--214.","journal-title":"London"},{"key":"e_1_3_2_1_27_1","volume-title":"Universal Principles of Design","author":"Lidwell W.","year":"2003","unstructured":"Lidwell , W. and Holden , K . Universal Principles of Design . Rockport Publishers , MA , US, 2003 . Lidwell, W. and Holden, K. Universal Principles of Design. Rockport Publishers, MA, US, 2003."},{"key":"e_1_3_2_1_28_1","volume-title":"Creative London-Creative Berlin","author":"McRobbie A.","year":"2004","unstructured":"McRobbie , A. Creative London-Creative Berlin ; Notes on Making a Living in the New Cultural Economy Atelier Europa ( 2004 ), 17. http:\/\/www.ateliereuropa.com\/2.3_essay.php. McRobbie, A. Creative London-Creative Berlin; Notes on Making a Living in the New Cultural Economy Atelier Europa (2004), 17. http:\/\/www.ateliereuropa.com\/2.3_essay.php."},{"key":"e_1_3_2_1_29_1","doi-asserted-by":"publisher","DOI":"10.1145\/1291233.1291358"},{"key":"e_1_3_2_1_30_1","doi-asserted-by":"publisher","DOI":"10.1145\/1952222.1952261"},{"key":"e_1_3_2_1_31_1","volume-title":"The Art of Innovation. NESTA","author":"Oakley K.","year":"2008","unstructured":"Oakley , K. , Sperry , B. and Pratt , A . The Art of Innovation. NESTA ( 2008 ). http:\/\/www.nesta.org.uk\/library\/documents\/Report%2016%20-%20Art%20of%20Innovation%20v11.pdf. Oakley, K., Sperry, B. and Pratt, A. The Art of Innovation. NESTA (2008). http:\/\/www.nesta.org.uk\/library\/documents\/Report%2016%20-%20Art%20of%20Innovation%20v11.pdf."},{"key":"e_1_3_2_1_32_1","volume-title":"Leonardo: A Study in Chronology and Style","author":"Pedretti C.","year":"1973","unstructured":"Pedretti , C. Leonardo: A Study in Chronology and Style . University of California Press , US, 1973 , 135--136. Pedretti, C. Leonardo: A Study in Chronology and Style. University of California Press, US, 1973, 135--136."},{"key":"e_1_3_2_1_33_1","volume-title":"Real World Research","author":"Robson C.","year":"2002","unstructured":"Robson , C. Real World Research . Blackwell , Oxford , 2002 . Robson, C. Real World Research. Blackwell, Oxford, 2002."},{"key":"e_1_3_2_1_34_1","volume-title":"The Autograph Man","author":"Smith Z.","year":"2002","unstructured":"Smith , Z. The Autograph Man . Penguin , London , 2002 . Smith, Z. The Autograph Man. Penguin, London, 2002."},{"key":"e_1_3_2_1_35_1","doi-asserted-by":"publisher","DOI":"10.1145\/1011870.1011894"},{"key":"e_1_3_2_1_36_1","volume-title":"Daily Telegraph Saturday","author":"Telegraph The","year":"2012","unstructured":"Telegraph The . No takers for Damien Hirst's £36,800 skulls . Daily Telegraph Saturday April 28, 2012 . Telegraph The. No takers for Damien Hirst's £36,800 skulls. Daily Telegraph Saturday April 28, 2012."},{"key":"e_1_3_2_1_37_1","volume-title":"The Guardian.","author":"Thorpe V.","year":"2012","unstructured":"Thorpe , V. Damien Hirst Outlines Vision for Gallery . The Guardian. March 10, 2012 . Thorpe, V. Damien Hirst Outlines Vision for Gallery. The Guardian. March 10, 2012."},{"key":"e_1_3_2_1_38_1","volume-title":"Clock of the Long Now","author":"Wikipedia","year":"2012","unstructured":"Wikipedia , Clock of the Long Now , 2012 . http:\/\/en.wikipedia.org\/wiki\/Clock_of_the_Long_Now Wikipedia, Clock of the Long Now, 2012. http:\/\/en.wikipedia.org\/wiki\/Clock_of_the_Long_Now"},{"key":"e_1_3_2_1_39_1","unstructured":"Wikipedia Gicl\u00e9e 2012. http:\/\/en.wikipedia.org\/wiki\/Gicl%C3%A9e  Wikipedia Gicl\u00e9e 2012. http:\/\/en.wikipedia.org\/wiki\/Gicl%C3%A9e"},{"key":"e_1_3_2_1_40_1","volume-title":"Signs of the Artist: Signatures and Self-Expression in American Painting","author":"Wilberding J.","year":"2003","unstructured":"Wilberding , J. Signs of the Artist: Signatures and Self-Expression in American Painting . Yale University Press , London , 2003 . Wilberding, J. Signs of the Artist: Signatures and Self-Expression in American Painting. Yale University Press, London, 2003."},{"key":"e_1_3_2_1_41_1","volume-title":"Napster and Representations of Identity","author":"Woodworth G. M.","year":"2004","unstructured":"Woodworth , G. M. Hackers , Users, and Suits : Napster and Representations of Identity . In : Popular Music and Society ( 2004 ), 27(2), 161--184. Woodworth, G. M. Hackers, Users, and Suits: Napster and Representations of Identity. In: Popular Music and Society (2004), 27(2), 161--184."},{"key":"e_1_3_2_1_42_1","volume-title":"Finger Painting on the Apple iPad from the live model David Kassan","author":"YouTube","year":"2011","unstructured":"YouTube , Finger Painting on the Apple iPad from the live model David Kassan , 2011 . http:\/\/www.youtube.com\/watch?v=5OLP4nbAVA4. YouTube, Finger Painting on the Apple iPad from the live model David Kassan, 2011. http:\/\/www.youtube.com\/watch?v=5OLP4nbAVA4."}],"event":{"name":"NordiCHI '12: Nordic Conference on Human-Computer Interaction","location":"Copenhagen Denmark","acronym":"NordiCHI '12","sponsor":["IT University of Copenhagen","SIGCHI ACM Special Interest Group on Computer-Human Interaction"]},"container-title":["Proceedings of the 7th Nordic Conference on Human-Computer Interaction: Making Sense Through Design"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2399016.2399018","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/2399016.2399018","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T09:34:20Z","timestamp":1750239260000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2399016.2399018"}},"subtitle":["reproduction as a space for design"],"short-title":[],"issued":{"date-parts":[[2012,10,14]]},"references-count":42,"alternative-id":["10.1145\/2399016.2399018","10.1145\/2399016"],"URL":"https:\/\/doi.org\/10.1145\/2399016.2399018","relation":{},"subject":[],"published":{"date-parts":[[2012,10,14]]},"assertion":[{"value":"2012-10-14","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}