{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,3,22]],"date-time":"2026-03-22T05:48:28Z","timestamp":1774158508537,"version":"3.50.1"},"publisher-location":"New York, NY, USA","reference-count":14,"publisher":"ACM","license":[{"start":{"date-parts":[[2013,4,27]],"date-time":"2013-04-27T00:00:00Z","timestamp":1367020800000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2013,4,27]]},"DOI":"10.1145\/2468356.2468493","type":"proceedings-article","created":{"date-parts":[[2013,4,30]],"date-time":"2013-04-30T10:09:35Z","timestamp":1367316575000},"page":"769-774","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Toward a method and toolkit for the design of auditory displays, based on soundtrack composition"],"prefix":"10.1145","author":[{"given":"Doon","family":"MacDonald","sequence":"first","affiliation":[{"name":"Queen Mary, University of London, London, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Tony","family":"Stockman","sequence":"additional","affiliation":[{"name":"Queen Mary, University of London, London, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2013,4,27]]},"reference":[{"key":"e_1_3_2_1_1_1","volume-title":"The CSound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing and Programming","author":"Barrass S.","year":"1998","unstructured":"Barrass, S. Some Golden Rules for Designing Auditory Displays. In The CSound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing and Programming, MIT Press, (1998)."},{"key":"e_1_3_2_1_2_1","volume-title":"Proc. APCHI 2006","author":"Barrass S.","year":"1996","unstructured":"Barrass, S. EarBenders: using stories about listening to design auditory interfaces, Proc. APCHI 2006, ACM Press (1996)."},{"key":"e_1_3_2_1_3_1","volume-title":"Proc. ICAD","author":"Beilharz F.","year":"2009","unstructured":"Beilharz, F., Ferguson, S. An Interface and Framework Design for Interactive Sonification, Proc. ICAD 2009."},{"key":"e_1_3_2_1_4_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-642-12439-6_3"},{"key":"e_1_3_2_1_5_1","volume-title":"Audio Vision-Sound on screen","author":"Chion M.","year":"1994","unstructured":"Chion, M. Audio Vision-Sound on screen, Columbia University Press (1994)."},{"key":"e_1_3_2_1_6_1","doi-asserted-by":"publisher","DOI":"10.1145\/1463160.1463170"},{"key":"e_1_3_2_1_7_1","doi-asserted-by":"publisher","DOI":"10.5555\/1531294.1531320"},{"key":"e_1_3_2_1_8_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.ijhcs.2009.05.008"},{"key":"e_1_3_2_1_9_1","volume-title":"J., Scenario-Based Task Analysis. In The Handbook of Task Analysis for Human-Computer Interaction","author":"Go","year":"2008","unstructured":"Go, k., Carroll, J., Scenario-Based Task Analysis. In The Handbook of Task Analysis for Human-Computer Interaction, Taylor and Francis e-Library (2008), 117134."},{"key":"e_1_3_2_1_10_1","volume-title":"Unheard Melodies: Narrative Film Music","author":"Gorbmann C.","year":"1987","unstructured":"Gorbmann, C. Unheard Melodies: Narrative Film Music, BFI Publishing (1987)."},{"key":"e_1_3_2_1_11_1","volume-title":"Sound for Film and Television","author":"Holmann T.","year":"2010","unstructured":"Holmann, T. Sound for Film and Television, Focal Press (2010)."},{"key":"e_1_3_2_1_12_1","doi-asserted-by":"publisher","DOI":"10.5555\/529229"},{"key":"e_1_3_2_1_13_1","doi-asserted-by":"publisher","DOI":"10.1145\/259963.260483"},{"key":"e_1_3_2_1_14_1","volume-title":"D","author":"Sonnenschein","year":"2002","unstructured":"Sonnenschein, D. Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema, Michael Wiese Productions (2002). Vickers, P. Sonification Abstraite \/ Sonification Concrete: An Aesthetic Perspective Space for Classifying Auditory Displays in the Ars Musica Domain, Proc. ICAD"}],"event":{"name":"CHI '13: CHI Conference on Human Factors in Computing Systems","location":"Paris France","acronym":"CHI '13","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"]},"container-title":["CHI '13 Extended Abstracts on Human Factors in Computing Systems"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2468356.2468493","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/2468356.2468493","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2026,3,22]],"date-time":"2026-03-22T03:42:05Z","timestamp":1774150925000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2468356.2468493"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2013,4,27]]},"references-count":14,"alternative-id":["10.1145\/2468356.2468493","10.1145\/2468356"],"URL":"https:\/\/doi.org\/10.1145\/2468356.2468493","relation":{},"subject":[],"published":{"date-parts":[[2013,4,27]]},"assertion":[{"value":"2013-04-27","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}