{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,23]],"date-time":"2026-04-23T18:24:31Z","timestamp":1776968671334,"version":"3.51.4"},"publisher-location":"New York, NY, USA","reference-count":18,"publisher":"ACM","license":[{"start":{"date-parts":[[2013,9,28]],"date-time":"2013-09-28T00:00:00Z","timestamp":1380326400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2013,9,28]]},"DOI":"10.1145\/2505341.2505346","type":"proceedings-article","created":{"date-parts":[[2013,9,17]],"date-time":"2013-09-17T19:57:05Z","timestamp":1379447825000},"page":"35-46","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":44,"title":["From sonic Pi to overtone"],"prefix":"10.1145","author":[{"given":"Samuel","family":"Aaron","sequence":"first","affiliation":[{"name":"University of Cambridge, Cambridge, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Alan F.","family":"Blackwell","sequence":"additional","affiliation":[{"name":"University of Cambridge, Cambridge, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2013,9,28]]},"reference":[{"key":"e_1_3_2_1_1_1","first-page":"228","volume-title":"Proceedings Of The International Computer Music Conference","author":"Aaron S.","year":"2012","unstructured":"S. Aaron and J. Judge . Snapshots: New Possibilities For Social Digital Music-Making Arising From The Storage Of History . In Proceedings Of The International Computer Music Conference , pages 228 -- 235 , 2012 . S. Aaron and J. Judge. Snapshots: New Possibilities For Social Digital Music-Making Arising From The Storage Of History. In Proceedings Of The International Computer Music Conference, pages 228--235, 2012."},{"key":"e_1_3_2_1_2_1","first-page":"381","volume-title":"International Conference on New Interfaces for Musical Expression","author":"Aaron S.","year":"2011","unstructured":"S. Aaron , A. F. Blackwell , R. Hoadley , and T. Regan . A principled approach to developing new languages for live coding . In International Conference on New Interfaces for Musical Expression , pages 381 -- 386 , 2011 . S. Aaron, A. F. Blackwell, R. Hoadley, and T. Regan. A principled approach to developing new languages for live coding. In International Conference on New Interfaces for Musical Expression, pages 381--386, 2011."},{"key":"e_1_3_2_1_3_1","volume-title":"Sound Design, Signal Processing,and Programming","author":"Boulanger R.","year":"2000","unstructured":"R. Boulanger . The Csound Book: Perspectives in Software Synthesis , Sound Design, Signal Processing,and Programming . The MIT Press , 2000 . ISBN 0262522616. R. Boulanger. The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing,and Programming. The MIT Press, 2000. ISBN 0262522616."},{"key":"e_1_3_2_1_4_1","doi-asserted-by":"publisher","DOI":"10.1080\/07494460802663991"},{"key":"e_1_3_2_1_5_1","doi-asserted-by":"publisher","DOI":"10.1162\/comj.2006.30.2.8"},{"key":"e_1_3_2_1_6_1","doi-asserted-by":"publisher","DOI":"10.1017\/S135577180300030X"},{"key":"e_1_3_2_1_7_1","volume-title":"The Haskell School of Music -- From Signals to Symphonies","author":"Hudak P.","year":"2013","unstructured":"P. Hudak . The Haskell School of Music -- From Signals to Symphonies , volume 4 . ( Version 2.5), 2013 . P. Hudak. The Haskell School of Music -- From Signals to Symphonies, volume 4. (Version 2.5), 2013."},{"key":"e_1_3_2_1_8_1","doi-asserted-by":"publisher","DOI":"10.1017\/S0956796800001805"},{"key":"e_1_3_2_1_9_1","doi-asserted-by":"publisher","DOI":"10.1093\/oxfordhb\/9780199566105.013.0014"},{"key":"e_1_3_2_1_10_1","doi-asserted-by":"publisher","DOI":"10.1126\/science.142.3592.553"},{"key":"e_1_3_2_1_11_1","first-page":"257","volume-title":"International Computer Music Conference","author":"Mccartney J.","year":"1996","unstructured":"J. Mccartney . SuperCollider : a new real time synthesis language . International Computer Music Conference , pages 257 -- 258 , 1996 . J. Mccartney. SuperCollider : a new real time synthesis language. International Computer Music Conference, pages 257--258, 1996."},{"key":"e_1_3_2_1_12_1","doi-asserted-by":"publisher","DOI":"10.1162\/014892602320991383"},{"key":"e_1_3_2_1_13_1","volume-title":"Children, Computers and Powerful Ideas","author":"Papert S.","year":"1993","unstructured":"S. Papert . Mindstorms : Children, Computers and Powerful Ideas . BasicBooks , 1993 . ISBN 9780786723881. URL http:\/\/books.google.co.uk\/books?id=HhIEAgUfGHwC. S. Papert. Mindstorms: Children, Computers and Powerful Ideas. BasicBooks, 1993. ISBN 9780786723881. URL http:\/\/books.google.co.uk\/books?id=HhIEAgUfGHwC."},{"key":"e_1_3_2_1_14_1","first-page":"420","volume-title":"The Patcher. International Computer Music Conference","author":"Puckette M.","year":"1988","unstructured":"M. Puckette . The Patcher. International Computer Music Conference , pages 420 -- 429 , 1988 . URL http:\/\/www.citeulike.org\/group\/12573\/article\/6483577. M. Puckette. The Patcher. International Computer Music Conference, pages 420--429, 1988. URL http:\/\/www.citeulike.org\/group\/12573\/article\/6483577."},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.1145\/1869459.1869526"},{"key":"e_1_3_2_1_16_1","doi-asserted-by":"publisher","DOI":"10.1016\/S1045-926X(05)80012-6"},{"key":"e_1_3_2_1_17_1","volume-title":"Live music programming in Haskell. CoRR, abs\/1303.5: 1--10","author":"Thielemann H.","year":"2013","unstructured":"H. Thielemann . Live music programming in Haskell. CoRR, abs\/1303.5: 1--10 , 2013 . H. Thielemann. Live music programming in Haskell. CoRR, abs\/1303.5: 1--10, 2013."},{"key":"e_1_3_2_1_18_1","volume-title":"The SuperCollider Book","author":"Wilson S.","year":"2011","unstructured":"S. Wilson , D. Cottle , and N. Collins . The SuperCollider Book . The MIT Press , 2011 . ISBN 978-0-262-23269-2. S. Wilson, D. Cottle, and N. Collins. The SuperCollider Book. The MIT Press, 2011. ISBN 978-0-262-23269-2."}],"event":{"name":"ICFP'13: ACM SIGPLAN International Conference on Functional Programming","location":"Boston Massachusetts USA","acronym":"ICFP'13","sponsor":["SIGPLAN ACM Special Interest Group on Programming Languages"]},"container-title":["Proceedings of the first ACM SIGPLAN workshop on Functional art, music, modeling & design"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2505341.2505346","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/2505341.2505346","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T07:28:57Z","timestamp":1750231737000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2505341.2505346"}},"subtitle":["creative musical experiences with domain-specific and functional languages"],"short-title":[],"issued":{"date-parts":[[2013,9,28]]},"references-count":18,"alternative-id":["10.1145\/2505341.2505346","10.1145\/2505341"],"URL":"https:\/\/doi.org\/10.1145\/2505341.2505346","relation":{},"subject":[],"published":{"date-parts":[[2013,9,28]]},"assertion":[{"value":"2013-09-28","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}