{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,14]],"date-time":"2025-10-14T20:03:14Z","timestamp":1760472194000,"version":"3.41.0"},"reference-count":78,"publisher":"Association for Computing Machinery (ACM)","issue":"6","license":[{"start":{"date-parts":[[2013,12,1]],"date-time":"2013-12-01T00:00:00Z","timestamp":1385856000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":["ACM Trans. Comput.-Hum. Interact."],"published-print":{"date-parts":[[2013,12]]},"abstract":"<jats:p>\n            There has been little research on how interactions with tabletop and Tangible User Interfaces (TUIs) by groups of users change over time. In this article, we investigate the challenges and opportunities of a tabletop tangible interface based on constructive building blocks. We describe a long-term lab study of groups of expert musicians improvising with the Reactable, a commercial tabletop TUI for music performance. We examine interaction, focusing on\n            <jats:italic>interface<\/jats:italic>\n            ,\n            <jats:italic>tangible<\/jats:italic>\n            ,\n            <jats:italic>musical,<\/jats:italic>\n            and\n            <jats:italic>social<\/jats:italic>\n            phenomena. Our findings reveal a practice-based learning between peers in situated contexts, and new forms of participation, all of which is facilitated by the Reactable's tangible interface, if compared to traditional musical ensembles. We summarise our findings as a set of design considerations and conclude that construction processes on interactive tabletops support learning by doing and peer learning, which can inform constructivist approaches to learning with technology.\n          <\/jats:p>","DOI":"10.1145\/2530541","type":"journal-article","created":{"date-parts":[[2014,1,14]],"date-time":"2014-01-14T13:39:57Z","timestamp":1389706797000},"page":"1-34","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":30,"title":["Let's jam the reactable"],"prefix":"10.1145","volume":"20","author":[{"given":"Anna","family":"Xamb\u00f3","sequence":"first","affiliation":[{"name":"The Open University, UK"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Eva","family":"Hornecker","sequence":"additional","affiliation":[{"name":"Bauhaus-Universit\u00e4t Weimar, Weimar, Germany"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Paul","family":"Marshall","sequence":"additional","affiliation":[{"name":"University College London, London, UK"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Sergi","family":"Jord\u00e0","sequence":"additional","affiliation":[{"name":"Universitat Pompeu Fabra, Barcelona, Spain"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Chris","family":"Dobbyn","sequence":"additional","affiliation":[{"name":"The Open University, UK"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Robin","family":"Laney","sequence":"additional","affiliation":[{"name":"The Open University, UK"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2013,12]]},"reference":[{"key":"e_1_2_2_1_1","volume-title":"Improvisation: Its Nature And Practice In Music","author":"Bailey D.","year":"1993","unstructured":"D. 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