{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,11,27]],"date-time":"2025-11-27T06:33:46Z","timestamp":1764225226606,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":36,"publisher":"ACM","license":[{"start":{"date-parts":[[2014,4,26]],"date-time":"2014-04-26T00:00:00Z","timestamp":1398470400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2014,4,26]]},"DOI":"10.1145\/2556288.2557298","type":"proceedings-article","created":{"date-parts":[[2014,4,28]],"date-time":"2014-04-28T14:18:30Z","timestamp":1398694710000},"page":"1295-1304","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":15,"title":["Coming in from the margins"],"prefix":"10.1145","author":[{"given":"Michaela","family":"Hoare","sequence":"first","affiliation":[{"name":"The University of Nottingham, Nottingham, Nottinghamshire, United Kingdom"}]},{"given":"Steve","family":"Benford","sequence":"additional","affiliation":[{"name":"The University of Nottingham, Nottingham, Nottinghamshire, United Kingdom"}]},{"given":"Rachel","family":"Jones","sequence":"additional","affiliation":[{"name":"Instrata Ltd, Cambridge, United Kingdom"}]},{"given":"Natasa","family":"Milic-Frayling","sequence":"additional","affiliation":[{"name":"Microsoft Research Ltd, Cambridge, United Kingdom"}]}],"member":"320","published-online":{"date-parts":[[2014,4,26]]},"reference":[{"key":"e_1_3_2_2_1_1","doi-asserted-by":"publisher","DOI":"10.1145\/2207676.2208314"},{"key":"e_1_3_2_2_2_1","first-page":"2","article-title":"Fans or friends?: Seeing social media audiences as musicians do, Participations","volume":"9","author":"Baym N","year":"2012","unstructured":"Baym , N . Fans or friends?: Seeing social media audiences as musicians do, Participations : Journal of Audience and Reception Studies , 9 , 2 ( 2012 ), 286--316. Baym, N. Fans or friends?: Seeing social media audiences as musicians do, Participations: Journal of Audience and Reception Studies, 9, 2 (2012), 286--316.","journal-title":"Journal of Audience and Reception Studies"},{"key":"e_1_3_2_2_3_1","doi-asserted-by":"publisher","DOI":"10.1145\/2145204.2145227"},{"key":"e_1_3_2_2_4_1","doi-asserted-by":"publisher","DOI":"10.1177\/1749975508091034"},{"key":"e_1_3_2_2_5_1","doi-asserted-by":"publisher","DOI":"10.1076\/jnmr.32.4.411.18850"},{"key":"e_1_3_2_2_6_1","volume-title":"Tuning In: Challenging Design for Communities through a Field Study of Radio Amateurs. Communities and Technologies","author":"Bogdan C.","year":"2007","unstructured":"Bogdan , C. Bowers , J. Tuning In: Challenging Design for Communities through a Field Study of Radio Amateurs. Communities and Technologies 2007 , Springer London ( 2007), 439--461. Bogdan, C. Bowers, J. Tuning In: Challenging Design for Communities through a Field Study of Radio Amateurs. Communities and Technologies 2007, Springer London (2007), 439--461."},{"key":"e_1_3_2_2_7_1","volume-title":"ECSCW","author":"Brown B.","year":"2001","unstructured":"Brown , B. , Sellen , A. , Geelhoed , E. Music Sharing as a Computer Supported Collaborative Application , ECSCW ( 2001 ), 179--198. Brown, B., Sellen, A., Geelhoed, E. Music Sharing as a Computer Supported Collaborative Application, ECSCW (2001), 179--198."},{"key":"e_1_3_2_2_8_1","doi-asserted-by":"publisher","DOI":"10.1007\/s00779-007-0181-0"},{"key":"e_1_3_2_2_9_1","volume-title":"ISMIR '09","author":"Cunningham S.","year":"2009","unstructured":"Cunningham , S. , Nichols , D. M. Exploring Social Music Behavior: An Investigation of Music Selection at Parties , ISMIR '09 ( 2009 ), 747--75. Cunningham, S., Nichols, D. M. Exploring Social Music Behavior: An Investigation of Music Selection at Parties, ISMIR '09 (2009), 747--75."},{"key":"e_1_3_2_2_10_1","volume-title":"No.","author":"Gaver W. W.","year":"2002","unstructured":"Gaver , W. W. Designing for Homo Ludens, I3 Magazine , No. 12, June 2002 . Gaver, W. W. Designing for Homo Ludens, I3 Magazine, No. 12, June 2002."},{"key":"e_1_3_2_2_11_1","doi-asserted-by":"publisher","DOI":"10.1145\/1358628.1358681"},{"key":"e_1_3_2_2_12_1","doi-asserted-by":"publisher","DOI":"10.1007\/s10606-005-1053-7"},{"key":"e_1_3_2_2_13_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-1-84800-031-5_17"},{"key":"e_1_3_2_2_14_1","volume-title":"Homo Ludens: A Study of the Play-Element in Culture","author":"Huizinga J.","year":"1955","unstructured":"Huizinga , J. Homo Ludens: A Study of the Play-Element in Culture , Boston : The Beacon Press , 1955 . Huizinga, J. Homo Ludens: A Study of the Play-Element in Culture, Boston: The Beacon Press, 1955."},{"key":"e_1_3_2_2_15_1","first-page":"2","article-title":"Music and the Internet","volume":"19","author":"Jones S","year":"2000","unstructured":"Jones , S . Music and the Internet , Popular Music Journal , 19 , 2 ( 2000 ), 217--230. Jones, S. Music and the Internet, Popular Music Journal, 19, 2 (2000), 217--230.","journal-title":"Popular Music Journal"},{"key":"e_1_3_2_2_16_1","doi-asserted-by":"publisher","DOI":"10.1145\/1226969.1226998"},{"key":"e_1_3_2_2_17_1","doi-asserted-by":"publisher","DOI":"10.1145\/1868914.1868950"},{"key":"e_1_3_2_2_18_1","volume-title":"Simon and Schuster","author":"Lanier J.","year":"2013","unstructured":"Lanier , J. Who Owns the Future ? Simon and Schuster , London , 2013 . Lanier, J. Who Owns the Future? Simon and Schuster, London, 2013."},{"key":"e_1_3_2_2_19_1","volume-title":"Demos","author":"Leadbeater C.","year":"2004","unstructured":"Leadbeater , C. , Miller , P. , The Pro-Am Revolution : How enthusiasts are changing our economy and society , Demos , 2004 . Leadbeater, C., Miller, P., The Pro-Am Revolution: How enthusiasts are changing our economy and society, Demos, 2004."},{"key":"e_1_3_2_2_20_1","volume-title":"NIME '04","author":"Lee E.","year":"2004","unstructured":"Lee , E. , Marrin Nakra , T. , Borchers , J. You're the conductor : a realistic interactive conducting system for children , NIME '04 ( 2004 ), 68--73. Lee, E., Marrin Nakra, T., Borchers, J. You're the conductor: a realistic interactive conducting system for children, NIME '04 (2004), 68--73."},{"key":"e_1_3_2_2_21_1","volume-title":"Remix: Making Art and Commerce Thrive in the Hybrid Economy","author":"Lessig L.","year":"2010","unstructured":"Lessig , L. Remix: Making Art and Commerce Thrive in the Hybrid Economy , Penguin , London , 2010 . Lessig, L. Remix: Making Art and Commerce Thrive in the Hybrid Economy, Penguin, London, 2010."},{"key":"e_1_3_2_2_22_1","doi-asserted-by":"publisher","DOI":"10.1177\/0163443705050468"},{"key":"e_1_3_2_2_23_1","doi-asserted-by":"publisher","DOI":"10.1145\/2488388.2488454"},{"key":"e_1_3_2_2_24_1","doi-asserted-by":"publisher","DOI":"10.1504\/IJWBC.2007.015867"},{"key":"e_1_3_2_2_25_1","volume-title":"Doing Counselling Research","author":"McLeod J.","year":"1994","unstructured":"McLeod , J. Doing Counselling Research , Sage , 1994 . McLeod, J. Doing Counselling Research, Sage, 1994."},{"key":"e_1_3_2_2_26_1","doi-asserted-by":"publisher","DOI":"10.1145\/1240624.1240682"},{"key":"e_1_3_2_2_27_1","doi-asserted-by":"publisher","DOI":"10.1145\/1978942.1979285"},{"key":"e_1_3_2_2_28_1","doi-asserted-by":"publisher","DOI":"10.1007\/s10606-010-9112-0"},{"key":"e_1_3_2_2_29_1","volume-title":"Hall, J., Grindstaff, L., Lo, M. (Eds.) Handbook of Cultural Sociology.","author":"Prior N.","year":"2010","unstructured":"Prior , N. Rise of the New Amateurs: Popular Music, Digital Technology and the fate of Cultural Production , In Hall, J., Grindstaff, L., Lo, M. (Eds.) Handbook of Cultural Sociology. London : Routledge , 2010 , 398--407. Prior, N. Rise of the New Amateurs: Popular Music, Digital Technology and the fate of Cultural Production, In Hall, J., Grindstaff, L., Lo, M. (Eds.) Handbook of Cultural Sociology. London: Routledge, 2010, 398--407."},{"key":"e_1_3_2_2_30_1","doi-asserted-by":"publisher","DOI":"10.5555\/1769590.1769681"},{"key":"e_1_3_2_2_31_1","doi-asserted-by":"publisher","DOI":"10.1145\/1518701.1518768"},{"key":"e_1_3_2_2_32_1","doi-asserted-by":"publisher","DOI":"10.2307\/1388717"},{"key":"e_1_3_2_2_33_1","doi-asserted-by":"publisher","DOI":"10.1177\/1367549407075916"},{"key":"e_1_3_2_2_34_1","doi-asserted-by":"publisher","DOI":"10.1145\/2470654.2481360"},{"key":"e_1_3_2_2_35_1","doi-asserted-by":"publisher","DOI":"10.1145\/1518701.1518908"},{"key":"e_1_3_2_2_36_1","doi-asserted-by":"publisher","DOI":"10.1145\/1054972.1054999"}],"event":{"name":"CHI '14: CHI Conference on Human Factors in Computing Systems","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"],"location":"Toronto Ontario Canada","acronym":"CHI '14"},"container-title":["Proceedings of the SIGCHI Conference on Human Factors in Computing Systems"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2556288.2557298","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/2556288.2557298","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T06:55:49Z","timestamp":1750229749000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2556288.2557298"}},"subtitle":["amateur musicians in the online age"],"short-title":[],"issued":{"date-parts":[[2014,4,26]]},"references-count":36,"alternative-id":["10.1145\/2556288.2557298","10.1145\/2556288"],"URL":"https:\/\/doi.org\/10.1145\/2556288.2557298","relation":{},"subject":[],"published":{"date-parts":[[2014,4,26]]},"assertion":[{"value":"2014-04-26","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}