{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,19]],"date-time":"2025-06-19T04:19:03Z","timestamp":1750306743882,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":3,"publisher":"ACM","license":[{"start":{"date-parts":[[2014,10,29]],"date-time":"2014-10-29T00:00:00Z","timestamp":1414540800000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"funder":[{"DOI":"10.13039\/501100003725","name":"National Research Foundation of Korea","doi-asserted-by":"publisher","award":["2013R1A2A2A01068687","2014011672"],"award-info":[{"award-number":["2013R1A2A2A01068687","2014011672"]}],"id":[{"id":"10.13039\/501100003725","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2014,10,29]]},"DOI":"10.1145\/2658861.2660591","type":"proceedings-article","created":{"date-parts":[[2014,10,28]],"date-time":"2014-10-28T12:42:27Z","timestamp":1414500147000},"page":"297-300","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":1,"title":["Emotional scene understanding based on acoustic signals using adaptive neuro-fuzzy inference system"],"prefix":"10.1145","author":[{"given":"Taewoong","family":"Kim","sequence":"first","affiliation":[{"name":"Kyungpook National University, Taegu, South Korea"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Minho","family":"Lee","sequence":"additional","affiliation":[{"name":"Kyungpook National University, Taegu, South Korea"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2014,10,29]]},"reference":[{"key":"e_1_3_2_1_1_1","doi-asserted-by":"crossref","unstructured":"COHEN A. J. Music as a source of emotion in film. Music and emotion. Theory and research (2001) 249--272. COHEN A. J. Music as a source of emotion in film. Music and emotion. Theory and research (2001) 249--272.","DOI":"10.1017\/CBO9780511840715.007"},{"key":"e_1_3_2_1_2_1","doi-asserted-by":"crossref","unstructured":"GABRIELSSON A. LINDSTR\u00d6M E. The influence of musical structure on emotional expression. Music and emotion. Theory and research (2001) 223--248. GABRIELSSON A. LINDSTR\u00d6M E. The influence of musical structure on emotional expression. Music and emotion. Theory and research (2001) 223--248.","DOI":"10.1093\/oso\/9780192631886.003.0010"},{"key":"e_1_3_2_1_3_1","doi-asserted-by":"publisher","DOI":"10.1109\/ICSMC.2006.384667"}],"event":{"name":"HAI '14: The Second International Conference on Human-Agent Interaction","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction","University of Tsukuba University of Tsukuba"],"location":"Tsukuba Japan","acronym":"HAI '14"},"container-title":["Proceedings of the second international conference on Human-agent interaction"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2658861.2660591","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/2658861.2660591","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T07:28:18Z","timestamp":1750231698000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2658861.2660591"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2014,10,29]]},"references-count":3,"alternative-id":["10.1145\/2658861.2660591","10.1145\/2658861"],"URL":"https:\/\/doi.org\/10.1145\/2658861.2660591","relation":{},"subject":[],"published":{"date-parts":[[2014,10,29]]},"assertion":[{"value":"2014-10-29","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}