{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,23]],"date-time":"2026-04-23T18:21:57Z","timestamp":1776968517732,"version":"3.51.4"},"publisher-location":"New York, NY, USA","reference-count":25,"publisher":"ACM","license":[{"start":{"date-parts":[[2015,8,14]],"date-time":"2015-08-14T00:00:00Z","timestamp":1439510400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"funder":[{"name":"Australia Council for the Arts, Arts New South Wales, Creative New Zealand and a University of Technology Sydney Industry and Innovation"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2015,8,14]]},"DOI":"10.1145\/2790994.2791003","type":"proceedings-article","created":{"date-parts":[[2015,8,24]],"date-time":"2015-08-24T14:09:20Z","timestamp":1440425360000},"page":"60-67","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":18,"title":["Conceptualising interaction in live performance"],"prefix":"10.1145","author":[{"given":"Andrew","family":"Johnston","sequence":"first","affiliation":[{"name":"University of Technology Sydney"}]}],"member":"320","published-online":{"date-parts":[[2015,8,14]]},"reference":[{"key":"e_1_3_2_1_1_1","doi-asserted-by":"publisher","DOI":"10.1386\/padm.3.2-3.151_1"},{"key":"e_1_3_2_1_2_1","doi-asserted-by":"publisher","DOI":"10.1145\/169059.169113"},{"key":"e_1_3_2_1_3_1","doi-asserted-by":"publisher","DOI":"10.5555\/1085171.1085228"},{"key":"e_1_3_2_1_4_1","series-title":"Pitt Series in Russian and East","volume-title":"Goddess of Light","author":"Current R.","year":"1997"},{"key":"e_1_3_2_1_5_1","volume-title":"Basics of Grounded Theory Analysis","author":"Glaser B. G.","year":"1992"},{"key":"e_1_3_2_1_6_1","volume-title":"The discovery of grounded theory: strategies for qualitative research","author":"Glaser B. G.","year":"1967"},{"key":"e_1_3_2_1_7_1","volume-title":"Proceedings of New Interfaces for Musical Expression (NIME)","author":"Johnston A.","year":"2013"},{"key":"e_1_3_2_1_8_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.destud.2008.07.005"},{"key":"e_1_3_2_1_9_1","volume-title":"Proceedings of New Interfaces for Musical Expression (NIME)","author":"Johnston A.","year":"2009"},{"key":"e_1_3_2_1_10_1","doi-asserted-by":"publisher","DOI":"10.1162\/0961121043067307"},{"key":"e_1_3_2_1_11_1","doi-asserted-by":"publisher","DOI":"10.1080\/09579139708567069"},{"key":"e_1_3_2_1_12_1","doi-asserted-by":"crossref","DOI":"10.1093\/oso\/9780199256044.001.0001","volume-title":"Reassembling the Social: An Introduction to Actor-Network-Theory","author":"Latour B.","year":"2005"},{"key":"e_1_3_2_1_13_1","volume-title":"The love of technology","author":"Latour B.","year":"1996"},{"key":"e_1_3_2_1_14_1","doi-asserted-by":"publisher","DOI":"10.1093\/musqtl\/85.3.545"},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771802003096"},{"key":"e_1_3_2_1_16_1","doi-asserted-by":"publisher","DOI":"10.2307\/1144967"},{"key":"e_1_3_2_1_17_1","volume-title":"Proceedings of the International Computer Music Conference","author":"Puckette M. S.","year":"1997"},{"key":"e_1_3_2_1_18_1","volume-title":"Masks in Modern Drama","author":"Smith S. V. H.","year":"1984"},{"key":"e_1_3_2_1_19_1","first-page":"2","article-title":"One history of contact improvisation","volume":"32","author":"Stark-Smith N","year":"2006","journal-title":"Contact Quarterly"},{"key":"e_1_3_2_1_20_1","doi-asserted-by":"publisher","DOI":"10.1075\/pc.11.2.06ste"},{"key":"e_1_3_2_1_21_1","doi-asserted-by":"publisher","DOI":"10.1145\/1836786.1836791"},{"key":"e_1_3_2_1_22_1","doi-asserted-by":"publisher","DOI":"10.2307\/1576498"},{"key":"e_1_3_2_1_23_1","volume-title":"Proceedings of Connecticut College Symposium on Arts and Technology","author":"Winkler T.","year":"1997"},{"key":"e_1_3_2_1_24_1","volume-title":"Composing Interactive Music: Techniques and Ideas Using Max","author":"Winkler T.","year":"1998"},{"key":"e_1_3_2_1_25_1","volume-title":"International Computer Music Conference, International Computer Music Association (Thessaloniki","author":"Wright M.","year":"1997"}],"event":{"name":"MOCO '15: Intersecting Art, Meaning, Cognition, Technology","location":"Vancouver British Columbia Canada","acronym":"MOCO '15"},"container-title":["Proceedings of the 2nd International Workshop on Movement and Computing"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2790994.2791003","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/2790994.2791003","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T05:07:47Z","timestamp":1750223267000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2790994.2791003"}},"subtitle":["reflections on 'encoded'"],"short-title":[],"issued":{"date-parts":[[2015,8,14]]},"references-count":25,"alternative-id":["10.1145\/2790994.2791003","10.1145\/2790994"],"URL":"https:\/\/doi.org\/10.1145\/2790994.2791003","relation":{},"subject":[],"published":{"date-parts":[[2015,8,14]]},"assertion":[{"value":"2015-08-14","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}