{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,28]],"date-time":"2025-10-28T14:57:02Z","timestamp":1761663422604,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":16,"publisher":"ACM","license":[{"start":{"date-parts":[[2015,12,7]],"date-time":"2015-12-07T00:00:00Z","timestamp":1449446400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2015,12,7]]},"DOI":"10.1145\/2838739.2838801","type":"proceedings-article","created":{"date-parts":[[2015,12,10]],"date-time":"2015-12-10T19:49:49Z","timestamp":1449776989000},"page":"284-288","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":4,"title":["Everybody Dance Now"],"prefix":"10.1145","author":[{"given":"Sarah","family":"Webber","sequence":"first","affiliation":[{"name":"Microsoft Research Centre for SocialNUI, University of Melbourne, Australia"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Mitchell","family":"Harrop","sequence":"additional","affiliation":[{"name":"Microsoft Research Centre for SocialNUI, University of Melbourne, Australia"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"John","family":"Downs","sequence":"additional","affiliation":[{"name":"Microsoft Research Centre for SocialNUI, University of Melbourne, Australia"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Travis","family":"Cox","sequence":"additional","affiliation":[{"name":"Microsoft Research Centre for SocialNUI, University of Melbourne, Australia"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Niels","family":"Wouters","sequence":"additional","affiliation":[{"name":"Microsoft Research Centre for SocialNUI, University of Melbourne, Australia and Research[x]Design, Department of Architecture, KU Leuven, Belgium"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Andrew","family":"Vande Moere","sequence":"additional","affiliation":[{"name":"Research[x]Design, Department of Architecture, KU Leuven, Belgium"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2015,12,7]]},"reference":[{"key":"e_1_3_2_1_1_1","doi-asserted-by":"publisher","DOI":"10.1145\/2307798.2307813"},{"key":"e_1_3_2_1_2_1","doi-asserted-by":"publisher","DOI":"10.1145\/1453152.1453156"},{"key":"e_1_3_2_1_3_1","doi-asserted-by":"publisher","DOI":"10.1145\/2702613.2732855"},{"key":"e_1_3_2_1_4_1","doi-asserted-by":"publisher","DOI":"10.1145\/2468356.2479573"},{"key":"e_1_3_2_1_5_1","doi-asserted-by":"publisher","DOI":"10.1145\/2317956.2318072"},{"key":"e_1_3_2_1_6_1","doi-asserted-by":"publisher","DOI":"10.1145\/2702613.2725453"},{"key":"e_1_3_2_1_7_1","doi-asserted-by":"publisher","DOI":"10.1145\/2421076.2421082"},{"key":"e_1_3_2_1_8_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.ijhcs.2014.10.003"},{"key":"e_1_3_2_1_9_1","doi-asserted-by":"publisher","DOI":"10.1145\/2702123.2702187"},{"key":"e_1_3_2_1_10_1","doi-asserted-by":"publisher","DOI":"10.1145\/2379256.2379263"},{"key":"e_1_3_2_1_11_1","first-page":"2","volume":"4","author":"Loke L.","year":"2010","unstructured":"Loke , L. , and Robertson , T. J. Studies of dancers: Moving from experience to interaction design. International Journal of Design 4 , 2 ( 2010 ). Loke, L., and Robertson, T. J. Studies of dancers: Moving from experience to interaction design. International Journal of Design 4, 2 (2010).","journal-title":"International Journal of Design"},{"volume-title":"Taking {A}part: The Politics and Aesthetics of Participation in Experience-Centered Design","author":"McCarthy J. J.","key":"e_1_3_2_1_12_1","unstructured":"McCarthy , J. J. , and Wright , P . Taking {A}part: The Politics and Aesthetics of Participation in Experience-Centered Design . MIT Press . McCarthy, J. J., and Wright, P. Taking {A}part: The Politics and Aesthetics of Participation in Experience-Centered Design. MIT Press."},{"key":"e_1_3_2_1_13_1","doi-asserted-by":"publisher","DOI":"10.1145\/2702123.2702538"},{"key":"e_1_3_2_1_14_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-0-85729-265-0_8"},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.1016\/S0020-7373(78)80042-X"},{"key":"e_1_3_2_1_16_1","doi-asserted-by":"publisher","DOI":"10.1145\/97243.97270"}],"event":{"name":"OzCHI '15: The Annual Meeting of the Australian Special Interest Group for Computer Human Interaction","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction","HFESA Human Factors and Ergonomics Society of Australia Inc."],"location":"Parkville VIC Australia","acronym":"OzCHI '15"},"container-title":["Proceedings of the Annual Meeting of the Australian Special Interest Group for Computer Human Interaction"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2838739.2838801","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/2838739.2838801","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T05:43:32Z","timestamp":1750225412000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2838739.2838801"}},"subtitle":["Tensions between Participation and Performance in Interactive Public Installations"],"short-title":[],"issued":{"date-parts":[[2015,12,7]]},"references-count":16,"alternative-id":["10.1145\/2838739.2838801","10.1145\/2838739"],"URL":"https:\/\/doi.org\/10.1145\/2838739.2838801","relation":{},"subject":[],"published":{"date-parts":[[2015,12,7]]},"assertion":[{"value":"2015-12-07","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}