{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,1,18]],"date-time":"2026-01-18T06:52:42Z","timestamp":1768719162629,"version":"3.49.0"},"publisher-location":"New York, NY, USA","reference-count":30,"publisher":"ACM","license":[{"start":{"date-parts":[[2016,5,7]],"date-time":"2016-05-07T00:00:00Z","timestamp":1462579200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2016,5,7]]},"DOI":"10.1145\/2851581.2856479","type":"proceedings-article","created":{"date-parts":[[2016,5,6]],"date-time":"2016-05-06T19:56:09Z","timestamp":1462564569000},"page":"3339-3346","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":6,"title":["Music and HCI"],"prefix":"10.1145","author":[{"given":"Simon","family":"Holland","sequence":"first","affiliation":[{"name":"The Open University, Milton Keynes, Buckinghamshire, United Kingdom"}]},{"given":"Andrew P.","family":"McPherson","sequence":"additional","affiliation":[{"name":"Queen Mary, University of London, London, United Kingdom"}]},{"given":"Wendy E.","family":"Mackay","sequence":"additional","affiliation":[{"name":"INRIA, Paris, France"}]},{"given":"Marcelo M.","family":"Wanderley","sequence":"additional","affiliation":[{"name":"McGill University, Montreal, Canada"}]},{"given":"Michael D.","family":"Gurevich","sequence":"additional","affiliation":[{"name":"University of Michigan, Ann Arbor, MI, USA"}]},{"given":"Tom W.","family":"Mudd","sequence":"additional","affiliation":[{"name":"The Open University, Milton Keynes , United Kingdom"}]},{"given":"Sile","family":"O'Modhrain","sequence":"additional","affiliation":[{"name":"University of Michigan, Ann Arbor, MI, USA"}]},{"given":"Katie L.","family":"Wilkie","sequence":"additional","affiliation":[{"name":"The Open University, Milton Keynes, United Kingdom"}]},{"given":"Joseph W.","family":"Malloch","sequence":"additional","affiliation":[{"name":"INRIA, Paris, France"}]},{"given":"J\u00e9r\u00e9mie","family":"Garcia","sequence":"additional","affiliation":[{"name":"Goldsmiths, University of London, London, United Kingdom"}]},{"given":"Andrew","family":"Johnston","sequence":"additional","affiliation":[{"name":"University of Technology, Sydney, Sydney, NSW, Australia"}]}],"member":"320","published-online":{"date-parts":[[2016,5,7]]},"reference":[{"key":"e_1_3_2_1_1_1","doi-asserted-by":"publisher","DOI":"10.1145\/2466627.2466633"},{"key":"e_1_3_2_1_2_1","doi-asserted-by":"publisher","DOI":"10.1145\/2468356.2468822"},{"key":"e_1_3_2_1_3_1","doi-asserted-by":"publisher","DOI":"10.1076\/jnmr.32.4.411.18850"},{"key":"e_1_3_2_1_4_1","doi-asserted-by":"publisher","DOI":"10.1145\/2207676.2208316"},{"key":"e_1_3_2_1_5_1","first-page":"12","article-title":"Designing for Homo Ludens","author":"Gaver William","year":"2002","unstructured":"William Gaver . Designing for Homo Ludens . I3 Magazine 12 , 2002 . William Gaver. Designing for Homo Ludens. I3 Magazine 12, 2002.","journal-title":"I3 Magazine"},{"key":"e_1_3_2_1_6_1","doi-asserted-by":"publisher","DOI":"10.1145\/2207676.2208579"},{"key":"e_1_3_2_1_7_1","doi-asserted-by":"publisher","DOI":"10.1109\/WHC.2011.5945533"},{"key":"e_1_3_2_1_8_1","doi-asserted-by":"publisher","DOI":"10.1145\/1279740.1279759"},{"key":"e_1_3_2_1_9_1","unstructured":"Oliver Hodl Geraldine Fitzpatrick Simon Holland. Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation ICMC\/SMC Joint Conference: 40th International Computer Music Conference and 11th Sound and Music Computing (ICMC\/SMC 2014). Pages 169- 176. 2014.  Oliver Hodl Geraldine Fitzpatrick Simon Holland. Experimence: Considerations for Composing a Rock Song for Interactive Audience Participation ICMC\/SMC Joint Conference: 40th International Computer Music Conference and 11th Sound and Music Computing (ICMC\/SMC 2014). Pages 169- 176. 2014."},{"key":"e_1_3_2_1_10_1","doi-asserted-by":"publisher","DOI":"10.1145\/1709886.1709892"},{"key":"e_1_3_2_1_11_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-0-85729-433-3_3"},{"key":"e_1_3_2_1_12_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-1-4471-2990-5_1"},{"key":"e_1_3_2_1_13_1","doi-asserted-by":"publisher","DOI":"10.1145\/642611.642654"},{"key":"e_1_3_2_1_14_1","doi-asserted-by":"publisher","DOI":"10.1076\/jnmr.32.4.429.18853"},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.1145\/642611.642616"},{"key":"e_1_3_2_1_16_1","volume-title":"Proceedings of the International Conference on New Interfaces for Musical Expression, 280--283","author":"Johnston Andrew","year":"2011","unstructured":"Andrew Johnston , ' Beyond Evaluation : Linking Practice and Theory in New Musical Interface Design ', in Proceedings of the International Conference on New Interfaces for Musical Expression, 280--283 . 2011 . Andrew Johnston, 'Beyond Evaluation: Linking Practice and Theory in New Musical Interface Design', in Proceedings of the International Conference on New Interfaces for Musical Expression, 280--283. 2011."},{"key":"e_1_3_2_1_17_1","first-page":"33","article-title":"Instruments and players: Some thoughts on digital lutherie","author":"Jorda S.","year":"2004","unstructured":"S. Jorda . Instruments and players: Some thoughts on digital lutherie . J. New Music Research , 33 , 2004 . S. Jorda. Instruments and players: Some thoughts on digital lutherie. J. New Music Research, 33, 2004.","journal-title":"J. New Music Research"},{"key":"e_1_3_2_1_18_1","first-page":"87","volume-title":"Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)","author":"Kiefer Chris","year":"2008","unstructured":"Chris Kiefer , Nick Collins and Geraldine Fitzpatrick . Hci methodology for evaluating musical controllers: A case study . In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME) , pages 87 - 90 , 2008 . Chris Kiefer, Nick Collins and Geraldine Fitzpatrick. Hci methodology for evaluating musical controllers: A case study. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), pages 87-90, 2008."},{"key":"e_1_3_2_1_19_1","doi-asserted-by":"publisher","DOI":"10.1145\/2212776.2212401"},{"key":"e_1_3_2_1_20_1","doi-asserted-by":"publisher","DOI":"10.1145\/2702613.2706666"},{"key":"e_1_3_2_1_21_1","first-page":"29","volume-title":"Anders Bouwer and Mark Wagy. Should Music Interaction be Easy? In Music and HumanComputer Interaction","author":"McDermott James","year":"2013","unstructured":"James McDermott , Tony Gifford , Anders Bouwer and Mark Wagy. Should Music Interaction be Easy? In Music and HumanComputer Interaction , editors Katie Wilkie, Simon Holland , Paul Mulholland, and Allan Seago, pages 29 - 47 . Springer-Verlag London , 2013 . James McDermott, Tony Gifford, Anders Bouwer and Mark Wagy. Should Music Interaction be Easy? In Music and HumanComputer Interaction, editors Katie Wilkie, Simon Holland, Paul Mulholland, and Allan Seago, pages 29-47. Springer-Verlag London, 2013."},{"key":"e_1_3_2_1_22_1","doi-asserted-by":"publisher","DOI":"10.1162\/COMJ_a_00297"},{"key":"e_1_3_2_1_23_1","volume-title":"INTER-FACE: International Conferences for Live Interfaces","author":"Mudd Tom","year":"2014","unstructured":"Tom Mudd . Nonlinear Dynamical Systems as Enablers of Exploratory Engagement with Musical Instruments . INTER-FACE: International Conferences for Live Interfaces . Lisbon, Portugal , 2014 . Tom Mudd. Nonlinear Dynamical Systems as Enablers of Exploratory Engagement with Musical Instruments. INTER-FACE: International Conferences for Live Interfaces. Lisbon, Portugal, 2014."},{"key":"e_1_3_2_1_24_1","doi-asserted-by":"publisher","DOI":"10.1162\/COMJ_a_00038"},{"key":"e_1_3_2_1_25_1","doi-asserted-by":"publisher","DOI":"10.1145\/634067.634348"},{"key":"e_1_3_2_1_26_1","doi-asserted-by":"publisher","DOI":"10.1145\/1054972.1055074"},{"key":"e_1_3_2_1_27_1","doi-asserted-by":"publisher","DOI":"10.1145\/765891.766044"},{"key":"e_1_3_2_1_28_1","doi-asserted-by":"publisher","DOI":"10.1162\/COMJ_e_00252"},{"key":"e_1_3_2_1_29_1","doi-asserted-by":"publisher","DOI":"10.1162\/COMJ_a_00024"},{"key":"e_1_3_2_1_30_1","volume-title":"INTERFACE: International Conferences for Live Interfaces","author":"Zappi Victor","year":"2014","unstructured":"Victor Zappi and Andrew McPherson Design and Use of a Hackable Digital Instrument . INTERFACE: International Conferences for Live Interfaces . Lisbon, Portugal , 2014 . Victor Zappi and Andrew McPherson Design and Use of a Hackable Digital Instrument. INTERFACE: International Conferences for Live Interfaces. Lisbon, Portugal, 2014."}],"event":{"name":"CHI'16: CHI Conference on Human Factors in Computing Systems","location":"San Jose California USA","acronym":"CHI'16","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"]},"container-title":["Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2851581.2856479","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/2851581.2856479","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T04:54:23Z","timestamp":1750222463000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2851581.2856479"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2016,5,7]]},"references-count":30,"alternative-id":["10.1145\/2851581.2856479","10.1145\/2851581"],"URL":"https:\/\/doi.org\/10.1145\/2851581.2856479","relation":{},"subject":[],"published":{"date-parts":[[2016,5,7]]},"assertion":[{"value":"2016-05-07","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}