{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,16]],"date-time":"2026-04-16T02:43:13Z","timestamp":1776307393323,"version":"3.50.1"},"publisher-location":"New York, NY, USA","reference-count":35,"publisher":"ACM","license":[{"start":{"date-parts":[[2016,7,5]],"date-time":"2016-07-05T00:00:00Z","timestamp":1467676800000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2016,7,5]]},"DOI":"10.1145\/2948910.2948922","type":"proceedings-article","created":{"date-parts":[[2016,7,6]],"date-time":"2016-07-06T12:06:20Z","timestamp":1467806780000},"page":"1-8","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":20,"title":["Sarka"],"prefix":"10.1145","author":[{"given":"Ilias","family":"Bergstr\u00f6m","sequence":"first","affiliation":[{"name":"Mobile Life @ KTH, Stockholm, Sweden"}]},{"given":"Martin","family":"Jonsson","sequence":"additional","affiliation":[{"name":"S\u00f6dert\u00f6rn University, Huddinge, Sweden"}]}],"member":"320","published-online":{"date-parts":[[2016,7,5]]},"reference":[{"key":"e_1_3_2_1_1_1","unstructured":"Ilias Bergstrom. 2016. Digital craft tools for user innovation without end-user programming -- the Puppeteering concept. (Under Review). Ilias Bergstrom. 2016. Digital craft tools for user innovation without end-user programming -- the Puppeteering concept. (Under Review)."},{"key":"e_1_3_2_1_2_1","volume-title":"Soma: Live musical performance where congruent visual, auditory, and proprioceptive stimuli fuse to form a combined aesthetic narrative. Leonardo.","author":"Bergstrom Ilias","year":"2014"},{"key":"e_1_3_2_1_3_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.ijpsycho.2013.04.013"},{"key":"e_1_3_2_1_4_1","doi-asserted-by":"publisher","DOI":"10.1145\/1690388.1690439"},{"key":"e_1_3_2_1_5_1","doi-asserted-by":"publisher","DOI":"10.1109\/TBME.2005.857673"},{"key":"e_1_3_2_1_6_1","unstructured":"Martin Clayton Rebecca Sager and Udo Will. 2005. In time with the music: the concept of entrainment and its significance for ethnomusicology. Martin Clayton Rebecca Sager and Udo Will. 2005. In time with the music: the concept of entrainment and its significance for ethnomusicology."},{"key":"e_1_3_2_1_7_1","volume-title":"Descartes' error","author":"Damasio Antonio R."},{"key":"e_1_3_2_1_8_1","volume-title":"Proceedings of the Sound and Music Computing Conference, 1698--1706","author":"Elblaus Ludvig","year":"2014"},{"key":"e_1_3_2_1_9_1","unstructured":"Moshe Feldenkrais. 1972. Awareness through movement. Feldenkrais Resources. Moshe Feldenkrais. 1972. Awareness through movement. Feldenkrais Resources."},{"key":"e_1_3_2_1_10_1","doi-asserted-by":"publisher","DOI":"10.1145\/2540930.2540974"},{"key":"e_1_3_2_1_11_1","doi-asserted-by":"publisher","DOI":"10.1145\/2207676.2208538"},{"key":"e_1_3_2_1_12_1","volume-title":"Proc. of the 14th ICAD","author":"Hermann T.","year":"2008"},{"key":"e_1_3_2_1_13_1","volume-title":"Neuhoff","author":"Hermann Thomas","year":"2011"},{"key":"e_1_3_2_1_14_1","doi-asserted-by":"publisher","DOI":"10.1145\/2858036.2858583"},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-1-4419-6114-3_5"},{"key":"e_1_3_2_1_16_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.intcom.2008.10.004"},{"key":"e_1_3_2_1_17_1","volume-title":"Development and Evaluation of Participant-Centred Biofeedback Artworks. Unpublished doctoral exegesis","author":"Khut G."},{"key":"e_1_3_2_1_18_1","unstructured":"G. Kramer B. Walker T. Bonebright etal 2010. Sonification report: Status of the field and research agenda. G. Kramer B. Walker T. Bonebright et al. 2010. Sonification report: Status of the field and research agenda."},{"key":"e_1_3_2_1_19_1","volume-title":"This is your brain on music","author":"Levitin D. J"},{"key":"e_1_3_2_1_20_1","doi-asserted-by":"publisher","DOI":"10.1177\/1029864909013002061"},{"key":"e_1_3_2_1_21_1","volume-title":"Results of Early Experiments.","author":"Lucier Alvin"},{"key":"e_1_3_2_1_22_1","volume-title":"Wanderley","author":"Miranda E. R.","year":"2006"},{"key":"e_1_3_2_1_23_1","doi-asserted-by":"crossref","unstructured":"B. Nettl. 2000. An ethnomusicologist contemplates universals in musical sound and musical culture. The origins of music: 463--472. B. Nettl. 2000. An ethnomusicologist contemplates universals in musical sound and musical culture. The origins of music: 463--472.","DOI":"10.7551\/mitpress\/5190.003.0032"},{"key":"e_1_3_2_1_24_1","doi-asserted-by":"publisher","DOI":"10.1525\/mp.2009.26.4.335"},{"key":"e_1_3_2_1_25_1","first-page":"3","article-title":"Biofeedback an evidence based approach in clinical practice","volume":"36","author":"Peper E.","year":"2009","journal-title":"Japanese Journal of Biofeedback Research"},{"key":"e_1_3_2_1_26_1","unstructured":"A. Ross. 2007. The rest is noise: Listening to the twentieth century. Farrar Straus & Giroux. A. Ross. 2007. The rest is noise: Listening to the twentieth century. Farrar Straus & Giroux."},{"key":"e_1_3_2_1_27_1","doi-asserted-by":"crossref","unstructured":"V. N Salimpoor M. Benovoy K. Larcher A. Dagher and R. J Zatorre. 2011. Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience. V. N Salimpoor M. Benovoy K. Larcher A. Dagher and R. J Zatorre. 2011. Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience.","DOI":"10.1038\/nn.2726"},{"key":"e_1_3_2_1_28_1","doi-asserted-by":"publisher","DOI":"10.1145\/1979742.1979640"},{"key":"e_1_3_2_1_29_1","doi-asserted-by":"crossref","volume-title":"Body consciousness: A philosophy of mindfulness and somaesthetics","author":"Shusterman Richard","DOI":"10.1017\/CBO9780511802829"},{"key":"e_1_3_2_1_30_1","doi-asserted-by":"publisher","DOI":"10.1145\/2556288.2557152"},{"key":"e_1_3_2_1_31_1","volume-title":"Exploring the musical mind: cognition, emotion, ability, function","author":"Sloboda John A."},{"key":"e_1_3_2_1_32_1","doi-asserted-by":"publisher","DOI":"10.1145\/2317956.2318017"},{"key":"e_1_3_2_1_33_1","volume-title":"Proceedings of the 13th International Conference on Auditory Display","author":"Wallis I.","year":"2007"},{"key":"e_1_3_2_1_34_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771805000932"},{"key":"e_1_3_2_1_35_1","doi-asserted-by":"publisher","DOI":"10.1145\/1240624.1240704"}],"event":{"name":"MOCO'16: 3rd International Symposium on Movement and Computing","location":"Thessaloniki GA Greece","acronym":"MOCO'16","sponsor":["University of Macedonia","Aristotle University of Thessaloniki","Universit\u00e9 Paris 8 Universit\u00e9 Paris 8"]},"container-title":["Proceedings of the 3rd International Symposium on Movement and Computing"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2948910.2948922","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/2948910.2948922","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T04:55:46Z","timestamp":1750222546000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2948910.2948922"}},"subtitle":["Sonification and Somaesthetic Appreciation Design"],"short-title":[],"issued":{"date-parts":[[2016,7,5]]},"references-count":35,"alternative-id":["10.1145\/2948910.2948922","10.1145\/2948910"],"URL":"https:\/\/doi.org\/10.1145\/2948910.2948922","relation":{},"subject":[],"published":{"date-parts":[[2016,7,5]]},"assertion":[{"value":"2016-07-05","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}