{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,23]],"date-time":"2026-04-23T18:33:10Z","timestamp":1776969190080,"version":"3.51.4"},"publisher-location":"New York, NY, USA","reference-count":27,"publisher":"ACM","license":[{"start":{"date-parts":[[2016,7,5]],"date-time":"2016-07-05T00:00:00Z","timestamp":1467676800000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2016,7,5]]},"DOI":"10.1145\/2948910.2948925","type":"proceedings-article","created":{"date-parts":[[2016,7,6]],"date-time":"2016-07-06T12:06:20Z","timestamp":1467806780000},"page":"1-8","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":24,"title":["Neural Narratives"],"prefix":"10.1145","author":[{"given":"Daniel","family":"Bisig","sequence":"first","affiliation":[{"name":"Zurich University of the Arts, Zurich, Switzerland"}]},{"given":"Pablo","family":"Palacio","sequence":"additional","affiliation":[{"name":"Instituto Stocos, Madrid, Spain"}]}],"member":"320","published-online":{"date-parts":[[2016,7,5]]},"reference":[{"key":"e_1_3_2_1_1_1","doi-asserted-by":"publisher","DOI":"10.1145\/2790994.2790997"},{"key":"e_1_3_2_1_2_1","first-page":"2","article-title":"Physical modelling for interactive installations and the performing arts","volume":"10","author":"Alaoui S. F.","year":"2014","unstructured":"Alaoui , S. F. , Henry , C. , and Jacquemin , C . Physical modelling for interactive installations and the performing arts . International Jounral of Performance Arts and Digital Media 10 , 2 ( 2014 ), 159--178. Alaoui, S. F., Henry, C., and Jacquemin, C. Physical modelling for interactive installations and the performing arts. International Jounral of Performance Arts and Digital Media 10, 2 (2014), 159--178.","journal-title":"International Jounral of Performance Arts and Digital Media"},{"key":"e_1_3_2_1_3_1","first-page":"2","volume-title":"Proceedings of the International Computer Music Conference","author":"Bahn C.","year":"2001","unstructured":"Bahn , C. , Hahn , T. , and Trueman , D . Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music . Proceedings of the International Computer Music Conference , 2 ( 2001 ), 44--51. Bahn, C., Hahn, T., and Trueman, D. Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music. Proceedings of the International Computer Music Conference, 2 (2001), 44--51."},{"key":"e_1_3_2_1_4_1","first-page":"1","article-title":"Virtual Embodiment and the Materiality of Images. Extensions","author":"Bench H","year":"2004","unstructured":"Bench , H . Virtual Embodiment and the Materiality of Images. Extensions : The Online Journal of Embodied Technology 1 ( 2004 ). Bench, H. Virtual Embodiment and the Materiality of Images. Extensions: The Online Journal of Embodied Technology 1 (2004).","journal-title":"The Online Journal of Embodied Technology"},{"key":"e_1_3_2_1_5_1","doi-asserted-by":"publisher","DOI":"10.1145\/2790994.2791018"},{"key":"e_1_3_2_1_6_1","volume-title":"Proceedings of the Generative Art Conference (Lucca","author":"Bisig D.","year":"2012","unstructured":"Bisig , D. , and Palacio , P . STOCOS - Dance in a Synergistic Environment . In Proceedings of the Generative Art Conference (Lucca , 2012 ). Bisig, D., and Palacio, P. STOCOS - Dance in a Synergistic Environment. In Proceedings of the Generative Art Conference (Lucca, 2012)."},{"key":"e_1_3_2_1_7_1","volume-title":"Proceedings of the Generative Art Conference","author":"Bisig D.","year":"2014","unstructured":"Bisig , D. , and Palacio , P . Phantom Limb Hybrid Embodiments for Dance . In Proceedings of the Generative Art Conference ( Rome , 2014 ), 92--107. Bisig, D., and Palacio, P. Phantom Limb Hybrid Embodiments for Dance. In Proceedings of the Generative Art Conference (Rome, 2014), 92--107."},{"key":"e_1_3_2_1_8_1","first-page":"2","article-title":"The Neural Narratives Project - Multimodal virtual body extensions for Metabody","author":"Bisig D.","year":"2016","unstructured":"Bisig , D. , Palacio , P. , and Romero , M . The Neural Narratives Project - Multimodal virtual body extensions for Metabody . METABODY Journal of Metacultural Critique 2 ( 2016 ). Bisig, D., Palacio, P., and Romero, M. The Neural Narratives Project - Multimodal virtual body extensions for Metabody. METABODY Journal of Metacultural Critique 2 (2016).","journal-title":"METABODY Journal of Metacultural Critique"},{"key":"e_1_3_2_1_9_1","doi-asserted-by":"publisher","DOI":"10.1023\/B:AXIO.0000006792.46360.11"},{"key":"e_1_3_2_1_10_1","volume-title":"Flow: The Psychology of Optimal Experience","author":"Csikszentmihalyi M.","year":"1990","unstructured":"Csikszentmihalyi , M. Flow: The Psychology of Optimal Experience . Harper and Row , New York, USA , 1990 . Csikszentmihalyi, M. Flow: The Psychology of Optimal Experience. Harper and Row, New York, USA, 1990."},{"key":"e_1_3_2_1_11_1","volume-title":"How long does the subject linger on the edge of the volume","author":"Dance Company T. B.","year":"2005","unstructured":"Dance Company , T. B. How long does the subject linger on the edge of the volume , 2005 . Dance Company, T. B. How long does the subject linger on the edge of the volume, 2005."},{"key":"e_1_3_2_1_12_1","doi-asserted-by":"publisher","DOI":"10.1386\/jdsp.1.1.5_1"},{"key":"e_1_3_2_1_13_1","volume-title":"The Body and the Self","author":"Gallagher S.","year":"1995","unstructured":"Gallagher , S. Body schema and intentionality . In The Body and the Self , J. L. Bermudez, A. J. Marcel, and N. M. Eilan, Eds. MIT Press , 1995 , 225--244. Gallagher, S. Body schema and intentionality. In The Body and the Self, J. L. Bermudez, A. J. Marcel, and N. M. Eilan, Eds. MIT Press, 1995, 225--244."},{"key":"e_1_3_2_1_14_1","doi-asserted-by":"publisher","DOI":"10.1108\/01439911011018920"},{"key":"e_1_3_2_1_15_1","first-page":"82","article-title":"The Merger of Media Technologies and the Dancing Body. Visions of Humanity in Cyberculture, Cyberspace, and Science Fiction","volume":"71","author":"G\u00fcnd\u00fcz Z.","year":"2010","unstructured":"G\u00fcnd\u00fcz , Z. Interactive Dance : The Merger of Media Technologies and the Dancing Body. Visions of Humanity in Cyberculture, Cyberspace, and Science Fiction . In Humanity in Cibernetic Environments . 2010 , 71 -- 82 . G\u00fcnd\u00fcz, Z. Interactive Dance: The Merger of Media Technologies and the Dancing Body. Visions of Humanity in Cyberculture, Cyberspace, and Science Fiction. In Humanity in Cibernetic Environments. 2010, 71--82.","journal-title":"Humanity in Cibernetic Environments"},{"key":"e_1_3_2_1_16_1","first-page":"36","article-title":"Sensory-Motor Coupling","volume":"21","author":"Hernandez-Arieta A.","year":"2008","unstructured":"Hernandez-Arieta , A. , Dermitzakis , K. , Damian , D. , Lungarella , M. , Pfeifer , and Rolf . Sensory-Motor Coupling in Rehabilitation Robotics. In Service Robot Applications. InTech , 2008 , 21 -- 36 . Hernandez-Arieta, A., Dermitzakis, K., Damian, D., Lungarella, M., Pfeifer, and Rolf. Sensory-Motor Coupling in Rehabilitation Robotics. In Service Robot Applications. InTech, 2008, 21--36.","journal-title":"Rehabilitation Robotics. In Service Robot Applications. InTech"},{"key":"e_1_3_2_1_17_1","volume-title":"D. Creative Cognition in Choreography. In Proceedings of 2nd International Conference on Computational Creativity","author":"Kirsh","year":"2011","unstructured":"Kirsh , D. Creative Cognition in Choreography. In Proceedings of 2nd International Conference on Computational Creativity ( 2011 ). Kirsh, D. Creative Cognition in Choreography. In Proceedings of 2nd International Conference on Computational Creativity (2011)."},{"key":"e_1_3_2_1_18_1","volume-title":"Technologies, Phenomenology","author":"Kozel S.","year":"2008","unstructured":"Kozel , S. Closer - Performance , Technologies, Phenomenology . MIT Press , Cambridge, USA , 2008 . Kozel, S. Closer - Performance, Technologies, Phenomenology. MIT Press, Cambridge, USA, 2008."},{"key":"e_1_3_2_1_19_1","doi-asserted-by":"publisher","DOI":"10.1145\/2790994.2790998"},{"key":"e_1_3_2_1_20_1","first-page":"19","article-title":"The Stochastic Music of Iannis Xenakis","author":"Luque S","year":"2009","unstructured":"Luque , S . The Stochastic Music of Iannis Xenakis . Leonardo Music Journal 19 ( 2009 ). Luque, S. The Stochastic Music of Iannis Xenakis. Leonardo Music Journal 19 (2009).","journal-title":"Leonardo Music Journal"},{"key":"e_1_3_2_1_21_1","volume-title":"Space","author":"Maletic V.","year":"1987","unstructured":"Maletic , V. Body , Space , Expression : The Development of Rudolf Labans Movement and Dance Concepts. Mouton de Gruyte , 1987 . Maletic, V. Body, Space, Expression: The Development of Rudolf Labans Movement and Dance Concepts. Mouton de Gruyte, 1987."},{"key":"e_1_3_2_1_22_1","volume-title":"Proceedings of the 21st International Symposium of Electronic Art","author":"McCormick J.","year":"2015","unstructured":"McCormick , J. , Hutchison , S. , Vincs , K. , and Vincent , J. B . Emergent Behaviour: Learning From An Artificially Intelligent Performing Software Agent . In Proceedings of the 21st International Symposium of Electronic Art ( 2015 ). McCormick, J., Hutchison, S., Vincs, K., and Vincent, J. B. Emergent Behaviour: Learning From An Artificially Intelligent Performing Software Agent. In Proceedings of the 21st International Symposium of Electronic Art (2015)."},{"key":"e_1_3_2_1_23_1","unstructured":"Obermaier K. Apparition 2004.  Obermaier K. Apparition 2004."},{"key":"e_1_3_2_1_24_1","volume-title":"Proceedings of the Congreso Internacional Espacios Sonoros y Audiovisuales (Madrid","author":"Palacio P.","year":"2014","unstructured":"Palacio , P. , and Bisig , D . Phantom Limb. Connecting Cognitive Neurosciences, Sound Synthesis, Generative Video and Dance . In Proceedings of the Congreso Internacional Espacios Sonoros y Audiovisuales (Madrid , 2014 ). Palacio, P., and Bisig, D. Phantom Limb. Connecting Cognitive Neurosciences, Sound Synthesis, Generative Video and Dance. In Proceedings of the Congreso Internacional Espacios Sonoros y Audiovisuales (Madrid, 2014)."},{"key":"e_1_3_2_1_25_1","doi-asserted-by":"publisher","DOI":"10.1177\/1059712309346317"},{"key":"e_1_3_2_1_26_1","first-page":"1","article-title":"Agents without Agency?","volume":"0","author":"S\u00f8rensenn M. H.","year":"2007","unstructured":"S\u00f8rensenn , M. H. , and Ziemke , T . Agents without Agency? Cognitive Semiotics 0 , 1 ( 2007 ), 102--124. S\u00f8rensenn, M. H., and Ziemke, T. Agents without Agency? Cognitive Semiotics 0, 1 (2007), 102--124.","journal-title":"Cognitive Semiotics"},{"key":"e_1_3_2_1_27_1","first-page":"254","article-title":"In The Externalist Challenge. New Studies on Cognition and Intentionality, R. Schantz","volume":"239","author":"Sterelny K.","year":"2004","unstructured":"Sterelny , K. Externalism , Epistemic Artefacts and The Extended Mind . In The Externalist Challenge. New Studies on Cognition and Intentionality, R. Schantz , Ed. de Gruyter , 2004 , 239 -- 254 . Sterelny, K. Externalism, Epistemic Artefacts and The Extended Mind. In The Externalist Challenge. New Studies on Cognition and Intentionality, R. Schantz, Ed. de Gruyter, 2004, 239--254.","journal-title":"Ed. de Gruyter"}],"event":{"name":"MOCO'16: 3rd International Symposium on Movement and Computing","location":"Thessaloniki GA Greece","acronym":"MOCO'16","sponsor":["University of Macedonia","Aristotle University of Thessaloniki","Universit\u00e9 Paris 8 Universit\u00e9 Paris 8"]},"container-title":["Proceedings of the 3rd International Symposium on Movement and Computing"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2948910.2948925","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/2948910.2948925","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T04:55:46Z","timestamp":1750222546000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2948910.2948925"}},"subtitle":["Dance with Virtual Body Extensions"],"short-title":[],"issued":{"date-parts":[[2016,7,5]]},"references-count":27,"alternative-id":["10.1145\/2948910.2948925","10.1145\/2948910"],"URL":"https:\/\/doi.org\/10.1145\/2948910.2948925","relation":{},"subject":[],"published":{"date-parts":[[2016,7,5]]},"assertion":[{"value":"2016-07-05","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}