{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,19]],"date-time":"2025-06-19T04:56:12Z","timestamp":1750308972239,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":22,"publisher":"ACM","license":[{"start":{"date-parts":[[2016,10,4]],"date-time":"2016-10-04T00:00:00Z","timestamp":1475539200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2016,10,4]]},"DOI":"10.1145\/2986416.2986451","type":"proceedings-article","created":{"date-parts":[[2016,11,4]],"date-time":"2016-11-04T12:49:08Z","timestamp":1478263748000},"page":"215-221","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":1,"title":["Hybrid Virtual Modeling for Multisensory Interaction Design"],"prefix":"10.1145","author":[{"given":"Edgar","family":"Berdahl","sequence":"first","affiliation":[{"name":"Center Computation & Tech. and School of Music, Louisiana State University"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Andrew","family":"Pfalz","sequence":"additional","affiliation":[{"name":"Center Computation & Tech. and School of Music, Louisiana State University"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Michael","family":"Blandino","sequence":"additional","affiliation":[{"name":"Honors College and CCT and School of Music, Louisiana State University"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2016,10,4]]},"reference":[{"key":"e_1_3_2_1_1_1","first-page":"269","volume-title":"The Missing Link: Modal Synthesis","author":"Adrien J.-M.","year":"1991","unstructured":"J.-M. Adrien . The Missing Link: Modal Synthesis , chapter Representations of Musical Signals, pages 269 -- 297 . MIT Press , Cambridge, MA, USA , 1991 . J.-M. Adrien. The Missing Link: Modal Synthesis, chapter Representations of Musical Signals, pages 269--297. MIT Press, Cambridge, MA, USA, 1991."},{"key":"e_1_3_2_1_2_1","doi-asserted-by":"publisher","DOI":"10.1145\/2677199.2680590"},{"key":"e_1_3_2_1_3_1","volume-title":"Proceedings of the 8th Sound and Music Computing Conference","author":"Berdahl E.","year":"2011","unstructured":"E. Berdahl , J.-L. Florens , and C. Cadoz . Using physical models is necessary to guarantee stable analog haptic feedback for any user and haptic device . In Proceedings of the 8th Sound and Music Computing Conference , Padua, Italy , July 6-9 2011 . E. Berdahl, J.-L. Florens, and C. Cadoz. Using physical models is necessary to guarantee stable analog haptic feedback for any user and haptic device. In Proceedings of the 8th Sound and Music Computing Conference, Padua, Italy, July 6-9 2011."},{"key":"e_1_3_2_1_4_1","doi-asserted-by":"publisher","DOI":"10.1162\/COMJ_a_00166"},{"key":"e_1_3_2_1_5_1","volume-title":"Proc. Linux Audio Conference","author":"Berdahl E.","year":"2012","unstructured":"E. Berdahl and J. Smith III. An introduction to the Synth-A-Modeler compiler: Modular and open-source sound synthesis using physical models . In Proc. Linux Audio Conference , Stanford, CA, USA , April 2012 . E. Berdahl and J. Smith III. An introduction to the Synth-A-Modeler compiler: Modular and open-source sound synthesis using physical models. In Proc. Linux Audio Conference, Stanford, CA, USA, April 2012."},{"key":"e_1_3_2_1_6_1","volume-title":"Proceedings of the International Computer Music Conference","author":"Cadoz C.","year":"2002","unstructured":"C. Cadoz . The physical model as metaphor for musical creation. pico..TERA, a piece entirely generated by a physical model . In Proceedings of the International Computer Music Conference , G\u00f6teborg, Sweden , 2002 . C. Cadoz. The physical model as metaphor for musical creation. pico..TERA, a piece entirely generated by a physical model. In Proceedings of the International Computer Music Conference, G\u00f6teborg, Sweden, 2002."},{"key":"e_1_3_2_1_7_1","doi-asserted-by":"publisher","DOI":"10.2307\/3679813"},{"key":"e_1_3_2_1_8_1","first-page":"235","volume-title":"Proceedings of the International Conference on New Interfaces for Musical Expression","author":"Cadoz C.","year":"2003","unstructured":"C. Cadoz , A. Luciani , J.-L. Florens , and N. Castagn\u00e9 . ACROE - ICA: Artistic creation and computer interactive multisensory simulation force feedback gesture transducers . In Proceedings of the International Conference on New Interfaces for Musical Expression , pages 235 -- 246 , Montreal, Canada , May 22-24 2003 . C. Cadoz, A. Luciani, J.-L. Florens, and N. Castagn\u00e9. ACROE - ICA: Artistic creation and computer interactive multisensory simulation force feedback gesture transducers. In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 235--246, Montreal, Canada, May 22-24 2003."},{"key":"e_1_3_2_1_9_1","volume-title":"Silence: Lectures and Writings","author":"Cage J.","year":"1961","unstructured":"J. Cage . Silence: Lectures and Writings . Wesleyan University Press , Middleton, CT, USA , 1961 . J. Cage. Silence: Lectures and Writings. Wesleyan University Press, Middleton, CT, USA, 1961."},{"key":"e_1_3_2_1_10_1","first-page":"169","volume-title":"Proc. 5th Internat'l Conference on Digital Audio effects","author":"Castagne N.","year":"2002","unstructured":"N. Castagne and C. Cadoz . Creating music by means of 'physical thinking': The musician oriented Genesis environment . In Proc. 5th Internat'l Conference on Digital Audio effects , pages 169 -- 174 , Hamburg, Germany , Sept. 2002 . N. Castagne and C. Cadoz. Creating music by means of 'physical thinking': The musician oriented Genesis environment. In Proc. 5th Internat'l Conference on Digital Audio effects, pages 169--174, Hamburg, Germany, Sept. 2002."},{"key":"e_1_3_2_1_11_1","doi-asserted-by":"crossref","DOI":"10.1093\/oso\/9780199290727.001.0001","volume-title":"Open Innovation: Researching a New Paradigm","author":"Chesbrough H.","year":"2006","unstructured":"H. Chesbrough , W. Vanhaverbeke , and J. West . Open Innovation: Researching a New Paradigm . Oxford University Press , New York, NY, USA , 2006 . H. Chesbrough, W. Vanhaverbeke, and J. West. Open Innovation: Researching a New Paradigm. Oxford University Press, New York, NY, USA, 2006."},{"key":"e_1_3_2_1_12_1","doi-asserted-by":"publisher","DOI":"10.1080\/00207178808906161"},{"key":"e_1_3_2_1_13_1","doi-asserted-by":"publisher","DOI":"10.5555\/795683.797561"},{"issue":"2","key":"e_1_3_2_1_14_1","first-page":"27","article-title":"Creation nets: Harnessing the potential of open innovation","volume":"1","author":"Brown J.","year":"2008","unstructured":"J. Hagel III and J. Brown . Creation nets: Harnessing the potential of open innovation . Journal of Service Science , 1 ( 2 ): 27 -- 40 , 2008 . J. Hagel III and J. Brown. Creation nets: Harnessing the potential of open innovation. Journal of Service Science, 1(2):27--40, 2008.","journal-title":"Journal of Service Science"},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.1109\/HAPTICS.2014.6775560"},{"key":"e_1_3_2_1_16_1","doi-asserted-by":"publisher","DOI":"10.1002\/j.2168-9830.2002.tb00713.x"},{"key":"e_1_3_2_1_17_1","volume-title":"Edition Delatour","author":"Orlarey Y.","year":"2009","unstructured":"Y. Orlarey , D. Fober , and S. Letz . New Computational Paradigms for Computer Music, chapter FAUST: An Efficient Functional Approach to DSP Programming . Edition Delatour , Sampzon, France , 2009 . Y. Orlarey, D. Fober, and S. Letz. New Computational Paradigms for Computer Music, chapter FAUST: An Efficient Functional Approach to DSP Programming. Edition Delatour, Sampzon, France, 2009."},{"key":"e_1_3_2_1_18_1","doi-asserted-by":"publisher","DOI":"10.1145\/383259.383268"},{"key":"e_1_3_2_1_19_1","doi-asserted-by":"publisher","DOI":"10.1109\/HAPTICS.2014.6775465"},{"key":"e_1_3_2_1_20_1","first-page":"188","volume-title":"Proceedings of the 2003 Conference on New Interfaces for Musical Expression, NIME '03","author":"Singer E.","year":"2003","unstructured":"E. Singer , K. Larke , and D. Bianciardi . Lemur guitarbot: Midi robotic string instrument . In Proceedings of the 2003 Conference on New Interfaces for Musical Expression, NIME '03 , pages 188 -- 191 , Singapore, Singapore , 2003 . National University of Singapore. E. Singer, K. Larke, and D. Bianciardi. Lemur guitarbot: Midi robotic string instrument. In Proceedings of the 2003 Conference on New Interfaces for Musical Expression, NIME '03, pages 188--191, Singapore, Singapore, 2003. National University of Singapore."},{"key":"e_1_3_2_1_21_1","unstructured":"J. O. Smith. Physical Audio Signal Processing: For Virtual Musical Instruments and Audio effects. W3K Publishing http:\/\/ccrma.stanford.edu\/~jos\/pasp\/ December 2010. J. O. Smith. Physical Audio Signal Processing: For Virtual Musical Instruments and Audio effects. W3K Publishing http:\/\/ccrma.stanford.edu\/~jos\/pasp\/ December 2010."},{"key":"e_1_3_2_1_22_1","first-page":"1","volume-title":"Proc. 2002 Conf. on New Interfaces for Musical Expression","author":"Verplank B.","year":"2002","unstructured":"B. Verplank , M. Gurevich , and M. Mathews . The Plank: Designing a simple haptic controller . In Proc. 2002 Conf. on New Interfaces for Musical Expression , pages 1 -- 4 , Dublin, Ireland , May 24-26 2002 . B. Verplank, M. Gurevich, and M. Mathews. The Plank: Designing a simple haptic controller. In Proc. 2002 Conf. on New Interfaces for Musical Expression, pages 1--4, Dublin, Ireland, May 24-26 2002."}],"event":{"name":"AM '16: Audio Mostly 2016","acronym":"AM '16","location":"Norrk\u00f6ping Sweden"},"container-title":["Proceedings of the Audio Mostly 2016"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2986416.2986451","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/2986416.2986451","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T21:38:37Z","timestamp":1750282717000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/2986416.2986451"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2016,10,4]]},"references-count":22,"alternative-id":["10.1145\/2986416.2986451","10.1145\/2986416"],"URL":"https:\/\/doi.org\/10.1145\/2986416.2986451","relation":{},"subject":[],"published":{"date-parts":[[2016,10,4]]},"assertion":[{"value":"2016-10-04","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}