{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,23]],"date-time":"2025-06-23T16:05:32Z","timestamp":1750694732363,"version":"3.41.0"},"reference-count":49,"publisher":"Association for Computing Machinery (ACM)","issue":"2","license":[{"start":{"date-parts":[[2016,12,30]],"date-time":"2016-12-30T00:00:00Z","timestamp":1483056000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":["Comput. Entertain."],"published-print":{"date-parts":[[2016,12,30]]},"abstract":"<jats:p>Musical duets are a type of creative partnership with a long history of artistic practice. What can they tell us about creative partnerships between a human and a computer? To explore this question, we implemented an activity-based model of duet interaction in software designed to support musical metacreation and investigated the experience of performing with it. The activity-based model allowed for the application of reflexive interactive processes, previously used in dialogic interaction, to a synchronous musical performance context. The experience of improvising with the computational agent was evaluated by expert musicians, who reported that interactions were fun, engaging, and challenging, despite some obvious limitations in the musical sophistication of the software. These findings reinforce the idea that even simple metacreative systems can stimulate creative partnerships and, further, that creative human-machine duet partnerships may well produce, like human-human duet partnerships, more than the sum of their parts.<\/jats:p>","DOI":"10.1145\/2991146","type":"journal-article","created":{"date-parts":[[2017,1,10]],"date-time":"2017-01-10T15:41:17Z","timestamp":1484062877000},"page":"1-17","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":4,"title":["Stimulating Creative Partnerships in Human-Agent Musical Interaction"],"prefix":"10.1145","volume":"14","author":[{"given":"Andrew R.","family":"Brown","sequence":"first","affiliation":[{"name":"Queensland Conservatorium Research Centre, Griffith University, Brisbane, Australia"}]},{"given":"Toby","family":"Gifford","sequence":"additional","affiliation":[{"name":"Queensland Conservatorium Research Centre, Griffith University, Brisbane, Australia"}]},{"given":"Bradley","family":"Voltz","sequence":"additional","affiliation":[{"name":"Queensland Conservatorium Research Centre, Griffith University, Brisbane, Australia"}]}],"member":"320","published-online":{"date-parts":[[2017,1,10]]},"reference":[{"key":"e_1_2_1_1_1","doi-asserted-by":"publisher","DOI":"10.1007\/s00500-004-0385-4"},{"key":"e_1_2_1_2_1","volume-title":"Proceedings of the International Computer Music Conference","author":"Biles J.","year":"1994","unstructured":"J. Biles . 1994 . GenJam: A genetic algorithm for generating jazz solos . In Proceedings of the International Computer Music Conference ( Arhaus, Denmark) (137, ICMA). J. Biles. 1994. GenJam: A genetic algorithm for generating jazz solos. In Proceedings of the International Computer Music Conference (Arhaus, Denmark) (137, ICMA)."},{"volume-title":"Performance, Technology, and Science","author":"Birringer J.","key":"e_1_2_1_3_1","unstructured":"J. Birringer . 2008. Performance, Technology, and Science . New York : PAJ Publications . J. Birringer. 2008. Performance, Technology, and Science. New York: PAJ Publications."},{"key":"e_1_2_1_4_1","doi-asserted-by":"crossref","unstructured":"T.\n      Blackwell\n     and \n      M.\n      Young\n  . \n  2004\n  . Swarm generator. In Applications of Evolutionary Computing Lecture Notes in Computer Science\n  . Vol. \n  3005\n  . \n  Springer 399--408.  T. Blackwell and M. Young. 2004. Swarm generator. 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Examining meaningful engagement: Musicology and virtual music making environments. In Musical Islands: Exploring Connections between Music, Place and Research, E. Mackinlay, B. L. Bartleet, and K. Barney (Eds.). Newcastle upon Tyne: Cambridge Scholars. 297--310."},{"volume-title":"Design Research","author":"Downton P.","key":"e_1_2_1_17_1","unstructured":"P. Downton . 2003. Design Research . Melbourne : RMIT University Press . P. Downton. 2003. Design Research. Melbourne: RMIT University Press."},{"key":"e_1_2_1_18_1","volume-title":"Negotiated Content: Generative Soundscape Composition by Autonomous Musical Agents in Coming Together: Freesound 27--32.","author":"Eigenfeldt A.","year":"2011","unstructured":"A. Eigenfeldt and P. Pasquier . 2011 . Negotiated Content: Generative Soundscape Composition by Autonomous Musical Agents in Coming Together: Freesound 27--32. A. Eigenfeldt and P. Pasquier. 2011. 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