{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,13]],"date-time":"2026-04-13T12:28:29Z","timestamp":1776083309400,"version":"3.50.1"},"publisher-location":"New York, NY, USA","reference-count":38,"publisher":"ACM","license":[{"start":{"date-parts":[[2017,3,20]],"date-time":"2017-03-20T00:00:00Z","timestamp":1489968000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2017,3,20]]},"DOI":"10.1145\/3024969.3025051","type":"proceedings-article","created":{"date-parts":[[2017,3,20]],"date-time":"2017-03-20T12:34:59Z","timestamp":1490013299000},"page":"775-780","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":4,"title":["We-Coupling!"],"prefix":"10.1145","author":[{"given":"Robb","family":"Mitchell","sequence":"first","affiliation":[{"name":"University of Southern Denmark, Kolding, Denmark"}]},{"given":"Jun","family":"Nishida","sequence":"additional","affiliation":[{"name":"University of Tsukuba, Tsukuba, Japan"}]},{"given":"Enrique","family":"Encinas","sequence":"additional","affiliation":[{"name":"University of Northumbria, Newcastle, United Kingdom"}]},{"given":"Shunichi","family":"Kasahara","sequence":"additional","affiliation":[{"name":"Sony CSL & Tokyo University, Tokyo, Japan"}]}],"member":"320","published-online":{"date-parts":[[2017,3,20]]},"reference":[{"key":"e_1_3_2_1_1_1","doi-asserted-by":"publisher","DOI":"10.1145\/2968219.2971452"},{"key":"e_1_3_2_1_2_1","doi-asserted-by":"publisher","DOI":"10.1080\/00224545.2014.959885"},{"key":"e_1_3_2_1_3_1","doi-asserted-by":"crossref","volume-title":"The social machine: designs for living online","author":"Donath Judith","DOI":"10.7551\/mitpress\/8340.001.0001"},{"key":"e_1_3_2_1_4_1","doi-asserted-by":"crossref","volume-title":"Where The Action Is","author":"Dourish Paul","DOI":"10.7551\/mitpress\/7221.001.0001"},{"key":"e_1_3_2_1_5_1","doi-asserted-by":"publisher","DOI":"10.1145\/2702613.2726962"},{"key":"e_1_3_2_1_6_1","volume-title":"The Peripheral","author":"Gibson William"},{"key":"e_1_3_2_1_7_1","doi-asserted-by":"publisher","DOI":"10.1145\/1124772.1124838"},{"key":"e_1_3_2_1_8_1","doi-asserted-by":"publisher","DOI":"10.1145\/2677199.2680577"},{"key":"e_1_3_2_1_9_1","doi-asserted-by":"publisher","DOI":"10.1145\/1357054.1357089"},{"key":"e_1_3_2_1_10_1","unstructured":"Duncan Jones. 2011. Source Code. Summit Entertainment.  Duncan Jones. 2011. Source Code. Summit Entertainment."},{"key":"e_1_3_2_1_11_1","unstructured":"Spike Jonze. 1999. Being John Malkovich. USA Films.  Spike Jonze. 1999. Being John Malkovich. USA Films."},{"key":"e_1_3_2_1_12_1","volume-title":"Routledge Handbook of New Media in Asia","author":"Hjorth Larissa"},{"key":"e_1_3_2_1_13_1","doi-asserted-by":"publisher","DOI":"10.1007\/s00146-006-0076-z"},{"key":"e_1_3_2_1_14_1","doi-asserted-by":"publisher","DOI":"10.1145\/2858036.2858495"},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.1145\/2821592.2821608"},{"key":"e_1_3_2_1_16_1","doi-asserted-by":"publisher","DOI":"10.1145\/1142405.1142429"},{"key":"e_1_3_2_1_17_1","doi-asserted-by":"crossref","unstructured":"Lara Maister Mel Slater Maria V. Sanchez-Vives M.V. and Manos. 2015. Changing bodies changes minds: owning another body affects social cognition. Trends in cognitive sciences 6--12.  Lara Maister Mel Slater Maria V. Sanchez-Vives M.V. and Manos. 2015. Changing bodies changes minds: owning another body affects social cognition. Trends in cognitive sciences 6--12.","DOI":"10.1016\/j.tics.2014.11.001"},{"key":"e_1_3_2_1_18_1","doi-asserted-by":"publisher","DOI":"10.1145\/2802083.2808392"},{"key":"e_1_3_2_1_19_1","doi-asserted-by":"publisher","DOI":"10.1145\/2793107.2810308"},{"key":"e_1_3_2_1_20_1","volume-title":"Proceedings of SIDeR: Flirting with the Future. 56--59","author":"Mitchell Robb","year":"2009"},{"key":"e_1_3_2_1_21_1","doi-asserted-by":"publisher","DOI":"10.1145\/2079216.2079246"},{"key":"e_1_3_2_1_22_1","doi-asserted-by":"publisher","DOI":"10.1145\/1240866.1240937"},{"key":"e_1_3_2_1_23_1","doi-asserted-by":"publisher","DOI":"10.1145\/2702613.2732712"},{"key":"e_1_3_2_1_24_1","doi-asserted-by":"publisher","DOI":"10.1145\/2851581.2890244"},{"key":"e_1_3_2_1_25_1","doi-asserted-by":"publisher","DOI":"10.1145\/2787626.2792656"},{"key":"e_1_3_2_1_26_1","doi-asserted-by":"publisher","DOI":"10.1145\/2782782.2792501"},{"key":"e_1_3_2_1_27_1","volume-title":"2016 XVIII Symposium on Virtual and Augmented Reality (SVR) 81--89","author":"De Oliveira Ellen Collaco"},{"key":"e_1_3_2_1_28_1","unstructured":"Mamoru Oshii. 1995. Ghost In The Shell. Manga Entertainment.  Mamoru Oshii. 1995. Ghost In The Shell. Manga Entertainment."},{"key":"e_1_3_2_1_29_1","doi-asserted-by":"publisher","DOI":"10.1371\/journal.pone.0003832"},{"key":"e_1_3_2_1_30_1","unstructured":"Jennifer Phang. 2015. Advantageous. Netflix.  Jennifer Phang. 2015. Advantageous. Netflix."},{"key":"e_1_3_2_1_31_1","volume-title":"Proceedings of the Participatory Innovation Conference: PIN-C","author":"Raudaskoski Pirkko","year":"2013"},{"key":"e_1_3_2_1_33_1","unstructured":"Singh Tarsem. 2015. Self\/less. Endgame Entertainment.  Singh Tarsem. 2015. Self\/less. Endgame Entertainment."},{"key":"e_1_3_2_1_34_1","unstructured":"Trumbull Douglas. 1983. Brainstorm. MetroGoldwyn-Mayer.  Trumbull Douglas. 1983. Brainstorm. MetroGoldwyn-Mayer."},{"key":"e_1_3_2_1_35_1","doi-asserted-by":"publisher","DOI":"10.1145\/1178477.1178504"},{"key":"e_1_3_2_1_36_1","unstructured":"The Channel Surfers. 2016. www.channelsurfers.wordpress.com. Accessed 28\/10\/2016.  The Channel Surfers. 2016. www.channelsurfers.wordpress.com. Accessed 28\/10\/2016."},{"key":"e_1_3_2_1_37_1","unstructured":"Akira Toriyam. 1988--1995. Dragon Ball Z. Toei Animation. Fuji TV.  Akira Toriyam. 1988--1995. Dragon Ball Z. Toei Animation. Fuji TV."},{"key":"e_1_3_2_1_38_1","unstructured":"Ustinov Peter. 1948. Vice Versa. Two Cities Films.  Ustinov Peter. 1948. Vice Versa. Two Cities Films."},{"key":"e_1_3_2_1_39_1","unstructured":"Miki Yoshikawa. 2012--2016. Yamada-kun and the Seven Witches. Weekly Shonen Magazine. Kondasha  Miki Yoshikawa. 2012--2016. Yamada-kun and the Seven Witches. Weekly Shonen Magazine. Kondasha"}],"event":{"name":"TEI '17: Eleventh International Conference on Tangible, Embedded, and Embodied Interaction","location":"Yokohama Japan","acronym":"TEI '17","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"]},"container-title":["Proceedings of the Eleventh International Conference on Tangible, Embedded, and Embodied Interaction"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3024969.3025051","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3024969.3025051","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T19:05:04Z","timestamp":1750273504000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3024969.3025051"}},"subtitle":["Designing New Forms of Embodied Interpersonal Connection"],"short-title":[],"issued":{"date-parts":[[2017,3,20]]},"references-count":38,"alternative-id":["10.1145\/3024969.3025051","10.1145\/3024969"],"URL":"https:\/\/doi.org\/10.1145\/3024969.3025051","relation":{},"subject":[],"published":{"date-parts":[[2017,3,20]]},"assertion":[{"value":"2017-03-20","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}