{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,19]],"date-time":"2025-06-19T04:07:57Z","timestamp":1750306077373,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":57,"publisher":"ACM","license":[{"start":{"date-parts":[[2017,7,1]],"date-time":"2017-07-01T00:00:00Z","timestamp":1498867200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2017,7]]},"DOI":"10.1145\/3071178.3071314","type":"proceedings-article","created":{"date-parts":[[2017,6,30]],"date-time":"2017-06-30T17:59:28Z","timestamp":1498845568000},"page":"211-218","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":8,"title":["Can you feel it?"],"prefix":"10.1145","author":[{"given":"Marco","family":"Scirea","sequence":"first","affiliation":[{"name":"IT University of Copenhagen, Denmark"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Peter","family":"Eklund","sequence":"additional","affiliation":[{"name":"IT University of Copenhagen, Denmark"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Julian","family":"Togelius","sequence":"additional","affiliation":[{"name":"New York University"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Sebastian","family":"Risi","sequence":"additional","affiliation":[{"name":"IT University of Copenhagen, Denmark"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2017,7]]},"reference":[{"volume-title":"Proceedings of the ICMC. Citeseer.","year":"1999","author":"Abrams Steven","key":"e_1_3_2_1_1_1"},{"key":"e_1_3_2_1_2_1","doi-asserted-by":"publisher","DOI":"10.1109\/TMM.2005.858380"},{"key":"e_1_3_2_1_3_1","unstructured":"C Daniel Batson Laura L Shaw and Kathryn C Oleson. 1992. Differentiating affect mood and emotion: Toward functionally based conceptual distinctions. (1992). C Daniel Batson Laura L Shaw and Kathryn C Oleson. 1992. Differentiating affect mood and emotion: Toward functionally based conceptual distinctions. (1992)."},{"key":"e_1_3_2_1_4_1","doi-asserted-by":"publisher","DOI":"10.1080\/02699930541000057"},{"volume-title":"Proceedings of the International Computer Music Conference. INTERNATIONAL COMPUTER MUSIC ACCOCIATION, 131--131","year":"1994","author":"Biles John","key":"e_1_3_2_1_5_1"},{"key":"e_1_3_2_1_6_1","doi-asserted-by":"publisher","DOI":"10.1145\/982484.982504"},{"key":"e_1_3_2_1_7_1","doi-asserted-by":"crossref","unstructured":"Chris R Brewin. 1989. Cognitive change processes in psychotherapy. Psychological review 96 3 (1989) 379. Chris R Brewin. 1989. Cognitive change processes in psychotherapy. Psychological review 96 3 (1989) 379.","DOI":"10.1037\/0033-295X.96.3.379"},{"volume-title":"Proceedings of the AIIDE 2012 Workshop on Musical Metacreation. 68--72","year":"2012","author":"Brown Daniel","key":"e_1_3_2_1_8_1"},{"volume-title":"Genetic and Evolutionary ComputationfiGECCO","year":"2003","author":"Chafekar Deepti","key":"e_1_3_2_1_9_1"},{"key":"e_1_3_2_1_10_1","unstructured":"Heather Chan and Dan A Ventura. 2008. Automatic composition of themed mood pieces. (2008). Heather Chan and Dan A Ventura. 2008. Automatic composition of themed mood pieces. (2008)."},{"key":"e_1_3_2_1_11_1","doi-asserted-by":"publisher","DOI":"10.1109\/CIG.2016.7860418"},{"volume-title":"Proceedings of Music AL Workshop. Citeseer.","year":"2007","author":"Dahlstedt Palle","key":"e_1_3_2_1_12_1"},{"key":"e_1_3_2_1_13_1","unstructured":"Kalyanmoy Deb. 2001. Multi-objective optimization using evolutionary algorithms. Vol. 16. John Wiley & Sons. Kalyanmoy Deb. 2001. Multi-objective optimization using evolutionary algorithms . Vol. 16. John Wiley & Sons."},{"volume-title":"Evolutionary Multi-Criterion Optimization","author":"Deb Kalyanmoy","key":"e_1_3_2_1_14_1"},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"crossref","unstructured":"Paul Ekman. 1992. An argument for basic emotions. Cognition & emotion 6 3--4 (1992) 169--200. Paul Ekman. 1992. An argument for basic emotions. Cognition & emotion 6 3--4 (1992) 169--200.","DOI":"10.1080\/02699939208411068"},{"key":"e_1_3_2_1_16_1","doi-asserted-by":"publisher","DOI":"10.1145\/1178823.1178887"},{"key":"e_1_3_2_1_17_1","doi-asserted-by":"crossref","unstructured":"Alf Gabrielsson. 2001. Emotion perceived and emotion felt: Same or different? Musicae Scientiae 5 1_suppl (2001) 123--147. Alf Gabrielsson. 2001. Emotion perceived and emotion felt: Same or different? Musicae Scientiae 5 1_suppl (2001) 123--147.","DOI":"10.1177\/10298649020050S105"},{"key":"e_1_3_2_1_18_1","doi-asserted-by":"publisher","DOI":"10.1121\/1.381843"},{"key":"e_1_3_2_1_19_1","doi-asserted-by":"publisher","DOI":"10.1109\/CEC.2008.4631171"},{"key":"e_1_3_2_1_20_1","doi-asserted-by":"publisher","DOI":"10.5555\/1251972.1252357"},{"key":"e_1_3_2_1_21_1","doi-asserted-by":"publisher","DOI":"10.1109\/ICPR.1988.28447"},{"key":"e_1_3_2_1_22_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.ejor.2007.06.028"},{"key":"e_1_3_2_1_23_1","doi-asserted-by":"publisher","DOI":"10.1037\/1931-3896.2.2.115"},{"key":"e_1_3_2_1_24_1","doi-asserted-by":"publisher","DOI":"10.1177\/0305735607082623"},{"key":"e_1_3_2_1_25_1","doi-asserted-by":"crossref","unstructured":"Carl Georg Lange and William James. 1922. The emotions. Vol. 1. Williams & Wilkins. Carl Georg Lange and William James. 1922. The emotions . Vol. 1. Williams & Wilkins.","DOI":"10.1037\/10735-000"},{"key":"e_1_3_2_1_26_1","unstructured":"Thibault Langlois and Gon\u00e7alo Marques. 2009. A Music Classification Method based on Timbral Features.. In ISMIR. 81--86. Thibault Langlois and Gon\u00e7alo Marques. 2009. A Music Classification Method based on Timbral Features.. In ISMIR . 81--86."},{"key":"e_1_3_2_1_27_1","doi-asserted-by":"crossref","unstructured":"Richard S Lazarus. 1991. Emotion and Adaptation. Oxford University Press. Richard S Lazarus. 1991. Emotion and Adaptation . Oxford University Press.","DOI":"10.1093\/oso\/9780195069945.001.0001"},{"key":"e_1_3_2_1_28_1","doi-asserted-by":"publisher","DOI":"10.1080\/026999300402763"},{"key":"e_1_3_2_1_29_1","doi-asserted-by":"publisher","DOI":"10.1177\/1321103X030200010201"},{"volume-title":"Proceedings of the International Symposium on Music Information Retrieval. 81--7.","year":"2003","author":"Liu Dan","key":"e_1_3_2_1_30_1"},{"volume-title":"Proceedings of the 2nd Australasian Conference on Interactive Entertainment. 105--111","year":"2005","author":"Livingstone Steven R","key":"e_1_3_2_1_31_1"},{"key":"e_1_3_2_1_32_1","doi-asserted-by":"publisher","DOI":"10.1109\/CEC.2015.7257152"},{"key":"e_1_3_2_1_33_1","doi-asserted-by":"publisher","DOI":"10.1002\/mar.10070"},{"key":"e_1_3_2_1_34_1","first-page":"496","article-title":"System for real-time music composition and synthesis. (March 5 1996)","volume":"5","author":"Meier Sidney K","year":"1996","journal-title":"US Patent"},{"key":"e_1_3_2_1_35_1","unstructured":"Leonard B Meyer. 2008. Emotion and meaning in music. University of Chicago Press. Leonard B Meyer. 2008. Emotion and meaning in music . University of Chicago Press."},{"key":"e_1_3_2_1_36_1","doi-asserted-by":"crossref","unstructured":"Eduardo Reck Miranda. 2013. Readings in music and artificial intelligence. Routledge. Eduardo Reck Miranda. 2013. Readings in music and artificial intelligence . Routledge.","DOI":"10.4324\/9780203059746"},{"key":"e_1_3_2_1_37_1","doi-asserted-by":"crossref","unstructured":"Eduardo Reck Miranda and Al Biles. 2007. Evolutionary computer music. Springer. Eduardo Reck Miranda and Al Biles. 2007. Evolutionary computer music . Springer.","DOI":"10.1007\/978-1-84628-600-1"},{"volume-title":"Proceedings of the International Conference on Computational Creativity. 140--149","year":"2010","author":"Monteith Kristine","key":"e_1_3_2_1_38_1"},{"volume-title":"AISB Symposium on Musical Creativity","year":"1999","author":"Papadopoulos George","key":"e_1_3_2_1_39_1"},{"key":"e_1_3_2_1_40_1","doi-asserted-by":"crossref","unstructured":"Jonathan Posner James A Russell and Bradley S Peterson. 2005. The circumplex model of affect: An integrative approach to affective neuroscience cognitive development and psychopathology. Development and psychopathology 17 03 (2005) 715--734. Jonathan Posner James A Russell and Bradley S Peterson. 2005. The circumplex model of affect: An integrative approach to affective neuroscience cognitive development and psychopathology. Development and psychopathology 17 03 (2005) 715--734.","DOI":"10.1017\/S0954579405050340"},{"volume-title":"Proceedings of the Second Intercollege Computer Music Concerts","year":"1996","author":"Miller","key":"e_1_3_2_1_41_1"},{"key":"e_1_3_2_1_42_1","first-page":"627","article-title":"Real-time music creation system. (May 6 1997)","volume":"5","author":"Rigopulos Alexander P","year":"1997","journal-title":"US Patent"},{"volume-title":"Proceedings of ECAI-98 Workshop on AI\/Alife and Entertainment. Citeseer.","year":"1998","author":"Robertson Judy","key":"e_1_3_2_1_43_1"},{"key":"e_1_3_2_1_44_1","doi-asserted-by":"publisher","DOI":"10.1037\/h0077714"},{"key":"e_1_3_2_1_45_1","doi-asserted-by":"crossref","unstructured":"Klaus R Scherer Angela Schorr and Tom Johnstone. 2001. Appraisal processes in emotion: Theory methods research. Oxford University Press. Klaus R Scherer Angela Schorr and Tom Johnstone. 2001. Appraisal processes in emotion: Theory methods research . Oxford University Press.","DOI":"10.1093\/oso\/9780195130072.001.0001"},{"key":"e_1_3_2_1_46_1","doi-asserted-by":"crossref","unstructured":"Harold Schlosberg. 1954. Three dimensions of emotion. Psychological review 61 2 (1954) 81. Harold Schlosberg. 1954. Three dimensions of emotion. Psychological review 61 2 (1954) 81.","DOI":"10.1037\/h0054570"},{"key":"e_1_3_2_1_47_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-03161-3_68"},{"key":"e_1_3_2_1_48_1","doi-asserted-by":"publisher","DOI":"10.1145\/2636879.2636889"},{"volume-title":"Evolutionary and Biologically Inspired Music, Sound, Art and Design","author":"Scirea Marco","key":"e_1_3_2_1_49_1"},{"key":"e_1_3_2_1_50_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-31008-4_14"},{"key":"e_1_3_2_1_51_1","doi-asserted-by":"publisher","DOI":"10.1007\/BF01830712"},{"key":"e_1_3_2_1_52_1","doi-asserted-by":"crossref","unstructured":"Robert E Thayer. 1989. The Biopsychology of Mood and Arousal. Oxford University Press. Robert E Thayer. 1989. The Biopsychology of Mood and Arousal . Oxford University Press.","DOI":"10.1093\/oso\/9780195068276.001.0001"},{"key":"e_1_3_2_1_53_1","doi-asserted-by":"publisher","DOI":"10.1016\/S0163-6383(98)90055-8"},{"key":"e_1_3_2_1_54_1","unstructured":"Geraint Wiggins Mitch Harris and Alan Smaill. 1990. Representing music for analysis and composition. University of Edinburgh Department of Artificial Intelligence. Geraint Wiggins Mitch Harris and Alan Smaill. 1990. Representing music for analysis and composition . University of Edinburgh Department of Artificial Intelligence."},{"key":"e_1_3_2_1_55_1","unstructured":"Rene Wooller Andrew R Brown Eduardo Miranda Joachim Diederich and Rodney Berry. 2005. A framework for comparison of process in algorithmic music systems. In Generative Arts Practice 2005 --- A Creativity & Cognition Symposium. Rene Wooller Andrew R Brown Eduardo Miranda Joachim Diederich and Rodney Berry. 2005. A framework for comparison of process in algorithmic music systems. In Generative Arts Practice 2005 --- A Creativity & Cognition Symposium ."},{"key":"e_1_3_2_1_56_1","doi-asserted-by":"crossref","unstructured":"Wilhelm Wundt. 1980. Outlines of psychology. Springer. Wilhelm Wundt. 1980. Outlines of psychology . Springer.","DOI":"10.1007\/978-1-4684-8340-6_7"},{"key":"e_1_3_2_1_57_1","doi-asserted-by":"publisher","DOI":"10.1109\/T-AFFC.2011.6"}],"event":{"name":"GECCO '17: Genetic and Evolutionary Computation Conference","sponsor":["SIGEVO ACM Special Interest Group on Genetic and Evolutionary Computation"],"location":"Berlin Germany","acronym":"GECCO '17"},"container-title":["Proceedings of the Genetic and Evolutionary Computation Conference"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3071178.3071314","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3071178.3071314","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T03:30:05Z","timestamp":1750217405000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3071178.3071314"}},"subtitle":["evaluation of affective expression in music generated by MetaCompose"],"short-title":[],"issued":{"date-parts":[[2017,7]]},"references-count":57,"alternative-id":["10.1145\/3071178.3071314","10.1145\/3071178"],"URL":"https:\/\/doi.org\/10.1145\/3071178.3071314","relation":{},"subject":[],"published":{"date-parts":[[2017,7]]},"assertion":[{"value":"2017-07-01","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}