{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T04:34:07Z","timestamp":1750221247211,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":31,"publisher":"ACM","license":[{"start":{"date-parts":[[2018,6,28]],"date-time":"2018-06-28T00:00:00Z","timestamp":1530144000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2018,6,28]]},"DOI":"10.1145\/3212721.3212807","type":"proceedings-article","created":{"date-parts":[[2018,8,15]],"date-time":"2018-08-15T12:21:52Z","timestamp":1534335712000},"page":"1-8","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":1,"title":["Posthuman Gesture"],"prefix":"10.1145","author":[{"given":"Ian","family":"Jarvis","sequence":"first","affiliation":[{"name":"York University, Toronto, Canada"}]},{"given":"Doug","family":"Van Nort","sequence":"additional","affiliation":[{"name":"York University, Toronto, Canada"}]}],"member":"320","published-online":{"date-parts":[[2018,6,28]]},"reference":[{"key":"e_1_3_2_1_1_1","doi-asserted-by":"publisher","DOI":"10.1215\/9780822388128"},{"key":"e_1_3_2_1_2_1","volume-title":"Posthumanist performativity: Toward an understanding of how matter comes to matter. Signs, 40(1)","author":"Barad K.","year":"2003","unstructured":"Barad , K. ( 2003 ). Posthumanist performativity: Toward an understanding of how matter comes to matter. Signs, 40(1) . Barad, K. (2003). Posthumanist performativity: Toward an understanding of how matter comes to matter. Signs, 40(1)."},{"key":"e_1_3_2_1_3_1","volume-title":"The Computational Turn: Thinking About The Digital Humanities","author":"Berry D. M.","year":"2011","unstructured":"Berry , D. M. ( 2011 ). The Computational Turn: Thinking About The Digital Humanities . Berry, D. M. (2011). The Computational Turn: Thinking About The Digital Humanities."},{"key":"e_1_3_2_1_4_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771809000296"},{"key":"e_1_3_2_1_5_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-642-31727-9_6"},{"key":"e_1_3_2_1_6_1","doi-asserted-by":"publisher","DOI":"10.5555\/3019193"},{"key":"e_1_3_2_1_7_1","doi-asserted-by":"publisher","DOI":"10.1080\/14794713.2016.1227595"},{"key":"e_1_3_2_1_8_1","volume-title":"Proceedings of the Seventh International Conference on Computational Creativity.","author":"Brown A. R.","year":"2016","unstructured":"Brown , A. R. ( 2016 b). Understanding Musical Practices as Agency Networks . In Proceedings of the Seventh International Conference on Computational Creativity. Brown, A. R. (2016b). Understanding Musical Practices as Agency Networks. In Proceedings of the Seventh International Conference on Computational Creativity."},{"key":"e_1_3_2_1_9_1","volume-title":"Performative Materiality and Theoretical Approaches to Interface, 7(1)","author":"Drucker J.","year":"2013","unstructured":"Drucker , J. ( 2013 ). Performative Materiality and Theoretical Approaches to Interface, 7(1) . Drucker, J. (2013). Performative Materiality and Theoretical Approaches to Interface, 7(1)."},{"key":"e_1_3_2_1_10_1","volume-title":"Proceedings of The Eleventh International Society for Music Information Retrieval Conference (ISMIR","author":"Fiebrink R.","year":"2010","unstructured":"Fiebrink , R. , & Cook , P. R. ( 2010 ). The Wekinator: a system for real-time, interactive machine learning in music . In Proceedings of The Eleventh International Society for Music Information Retrieval Conference (ISMIR 2010). Utrecht. Fiebrink, R., & Cook, P. R. (2010). The Wekinator: a system for real-time, interactive machine learning in music. In Proceedings of The Eleventh International Society for Music Information Retrieval Conference (ISMIR 2010). Utrecht."},{"key":"e_1_3_2_1_11_1","volume-title":"ICMC.","author":"Fiebrink R.","year":"2010","unstructured":"Fiebrink , R. , Trueman , D. , Britt , N. C. , Nagai , M. , Kaczmarek , K. , Early , M. , ... Cook , P. R. ( 2010 ). Toward Understanding Human-Computer Interaction In Composing The Instrument . In ICMC. Fiebrink, R., Trueman, D., Britt, N. C., Nagai, M., Kaczmarek, K., Early, M., ... Cook, P. R. (2010). Toward Understanding Human-Computer Interaction In Composing The Instrument. In ICMC."},{"key":"e_1_3_2_1_12_1","doi-asserted-by":"publisher","DOI":"10.4324\/9780203863411"},{"key":"e_1_3_2_1_13_1","volume-title":"God\u00f8y, R. I., & Leman, M. (Eds.) Musical Gestures: Sound, Movement and Meaning.","author":"Jensenius A. R.","year":"2010","unstructured":"Jensenius , A. R. , Wanderly , M. M , God\u00f8y , R. I. , & Leman , M. ( 2010 ). Musical Gestures: Concepts and Methods in Research . In God\u00f8y, R. I., & Leman, M. (Eds.) Musical Gestures: Sound, Movement and Meaning. New York : Routledge . Jensenius, A. R., Wanderly, M. M, God\u00f8y, R. I., & Leman, M. (2010). Musical Gestures: Concepts and Methods in Research. In God\u00f8y, R. I., & Leman, M. (Eds.) Musical Gestures: Sound, Movement and Meaning. New York: Routledge."},{"key":"e_1_3_2_1_14_1","volume-title":"An Analysis of Terminology in NIME Proceedings 2001-2013","author":"Jensenius A. R.","year":"2014","unstructured":"Jensenius , A. R. ( 2014 ). To Gesture or Not? An Analysis of Terminology in NIME Proceedings 2001-2013 . Jensenius, A. R. (2014). To Gesture or Not? An Analysis of Terminology in NIME Proceedings 2001-2013."},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.7208\/chicago\/9780226470993.001.0001"},{"key":"e_1_3_2_1_16_1","volume-title":"Proceedings of New Interfaces for Musical Expression","author":"Magnusson T.","year":"2017","unstructured":"Magnusson , T. ( 2017 ). Contextualizing musical organics: an ad-hoc organological classification approach . In Proceedings of New Interfaces for Musical Expression . University of Aalborg. Magnusson, T. (2017). Contextualizing musical organics: an ad-hoc organological classification approach. In Proceedings of New Interfaces for Musical Expression. University of Aalborg."},{"key":"e_1_3_2_1_17_1","volume-title":"God\u00f8y, R. I., & Leman, M. (Eds.) Musical Gestures: Sound, Movement and Meaning.","author":"Leman M.","year":"2010","unstructured":"Leman , M. ( 2010 ). Music, Gesture, and the Formation of Embodied Meaning . In God\u00f8y, R. I., & Leman, M. (Eds.) Musical Gestures: Sound, Movement and Meaning. New York : Routledge Leman, M. (2010). Music, Gesture, and the Formation of Embodied Meaning. In God\u00f8y, R. I., & Leman, M. (Eds.) Musical Gestures: Sound, Movement and Meaning. New York: Routledge"},{"key":"e_1_3_2_1_18_1","volume-title":"The book of five rings","author":"Musashi M.","year":"2005","unstructured":"Musashi , M. and Miyamoto , M . ( 2005 ). The book of five rings . Shambhala Publications . Musashi, M. and Miyamoto, M. (2005). The book of five rings. Shambhala Publications."},{"key":"e_1_3_2_1_19_1","volume-title":"Proceedings of the International Conference on New Interfaces for Musical Expression","author":"Navab N.","year":"2014","unstructured":"Navab , N. , Van Nort , D. , & Wei , S. X ( 2014 ). A Material Computation Perspective on Audio Mosaicing and Gestural Conditioning . Proceedings of the International Conference on New Interfaces for Musical Expression 2014. Navab, N., Van Nort, D., & Wei, S. X (2014). A Material Computation Perspective on Audio Mosaicing and Gestural Conditioning. Proceedings of the International Conference on New Interfaces for Musical Expression 2014."},{"key":"e_1_3_2_1_20_1","volume-title":"Mumyo--evaluating and exploring the myo armband for musical interaction","author":"Nymoen K.","year":"2015","unstructured":"Nymoen , K. , Haugen , M. R. , & Jensenius , A. R. ( 2015 ). Mumyo--evaluating and exploring the myo armband for musical interaction . Nymoen, K., Haugen, M. R., & Jensenius, A. R. (2015). Mumyo--evaluating and exploring the myo armband for musical interaction."},{"key":"e_1_3_2_1_21_1","volume-title":"Deep listening: A composer's sound practice. IUniverse","author":"Oliveros P.","year":"2005","unstructured":"Oliveros , P. ( 2005 ). Deep listening: A composer's sound practice. IUniverse Oliveros, P. (2005). Deep listening: A composer's sound practice. IUniverse"},{"key":"e_1_3_2_1_22_1","volume-title":"The Oxford Handbook of Computer Music","author":"Paine G.","year":"2009","unstructured":"Paine , G. ( 2009 ). Gesture and Morphology in Laptop Music Performance . In R. T. Dean (Ed.), The Oxford Handbook of Computer Music . Oxford University Press . Paine, G. (2009). Gesture and Morphology in Laptop Music Performance. In R. T. Dean (Ed.), The Oxford Handbook of Computer Music. Oxford University Press."},{"key":"e_1_3_2_1_23_1","doi-asserted-by":"publisher","DOI":"10.1080\/09552360600979430"},{"key":"e_1_3_2_1_24_1","volume-title":"International Computer Music Conference (ICMC) (pp. 1--1).","author":"Schwarz D.","year":"2005","unstructured":"Schwarz , D. ( 2005 ). Current research in concatenative sound synthesis . In International Computer Music Conference (ICMC) (pp. 1--1). Schwarz, D. (2005). Current research in concatenative sound synthesis. In International Computer Music Conference (ICMC) (pp. 1--1)."},{"key":"e_1_3_2_1_25_1","doi-asserted-by":"publisher","DOI":"10.1080\/09298210600696857"},{"key":"e_1_3_2_1_26_1","volume-title":"The sound space as musical instrument: Playing corpus-based concatenative synthesis. New Interfaces for Musical Expression (NIME), 250--253","author":"Schwarz D.","year":"2012","unstructured":"Schwarz , D. ( 2012 ). The sound space as musical instrument: Playing corpus-based concatenative synthesis. New Interfaces for Musical Expression (NIME), 250--253 Schwarz, D. (2012). The sound space as musical instrument: Playing corpus-based concatenative synthesis. New Interfaces for Musical Expression (NIME), 250--253"},{"key":"e_1_3_2_1_27_1","doi-asserted-by":"publisher","DOI":"10.1353\/con.2004.0006"},{"key":"e_1_3_2_1_28_1","doi-asserted-by":"publisher","DOI":"10.5555\/2597613"},{"key":"e_1_3_2_1_29_1","volume-title":"The Landscape of Digital Humanities, 4(1)","author":"Svensson P.","year":"2010","unstructured":"Svensson , P. ( 2010 ). The Landscape of Digital Humanities, 4(1) . Svensson, P. (2010). The Landscape of Digital Humanities, 4(1)."},{"key":"e_1_3_2_1_30_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771809000284"},{"key":"e_1_3_2_1_31_1","doi-asserted-by":"publisher","DOI":"10.1145\/2790994.2791015"}],"event":{"name":"MOCO '18: 5th International Conference on Movement and Computing","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"],"location":"Genoa Italy","acronym":"MOCO '18"},"container-title":["Proceedings of the 5th International Conference on Movement and Computing"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3212721.3212807","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3212721.3212807","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T02:07:43Z","timestamp":1750212463000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3212721.3212807"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2018,6,28]]},"references-count":31,"alternative-id":["10.1145\/3212721.3212807","10.1145\/3212721"],"URL":"https:\/\/doi.org\/10.1145\/3212721.3212807","relation":{},"subject":[],"published":{"date-parts":[[2018,6,28]]},"assertion":[{"value":"2018-06-28","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}