{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,8,23]],"date-time":"2025-08-23T05:18:56Z","timestamp":1755926336921,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":23,"publisher":"ACM","license":[{"start":{"date-parts":[[2019,6,13]],"date-time":"2019-06-13T00:00:00Z","timestamp":1560384000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2019,6,13]]},"DOI":"10.1145\/3325480.3325508","type":"proceedings-article","created":{"date-parts":[[2019,6,14]],"date-time":"2019-06-14T12:42:33Z","timestamp":1560516153000},"page":"53-59","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":5,"title":["Mutation"],"prefix":"10.1145","author":[{"given":"Nour","family":"Hammad","sequence":"first","affiliation":[{"name":"University of Calgary, Calgary, Canada"}]},{"given":"Elaheh","family":"Sanoubari","sequence":"additional","affiliation":[{"name":"University of Manitoba, Winnipeg, Canada"}]},{"given":"Patrick","family":"Finn","sequence":"additional","affiliation":[{"name":"University of Calgary, Calgary, Canada"}]},{"given":"Sowmya","family":"Somanath","sequence":"additional","affiliation":[{"name":"OCAD University, Toronto, Canada"}]},{"given":"James E.","family":"Young","sequence":"additional","affiliation":[{"name":"University of Manitoba, Winnipeg, Canada"}]},{"given":"Ehud","family":"Sharlin","sequence":"additional","affiliation":[{"name":"University of Calgary, Calgary, Canada"}]}],"member":"320","published-online":{"date-parts":[[2019,6,13]]},"reference":[{"volume-title":"The Art of Acting","author":"Adler Stella","key":"e_1_3_2_2_1_1","unstructured":"Stella Adler . 2000. The Art of Acting . Hal Leonard Corporation . Stella Adler. 2000. The Art of Acting. Hal Leonard Corporation."},{"key":"e_1_3_2_2_2_1","doi-asserted-by":"publisher","DOI":"10.1145\/572020.572023"},{"key":"e_1_3_2_2_3_1","doi-asserted-by":"publisher","DOI":"10.1145\/3025453.3025629"},{"volume-title":"Respect for Acting","author":"Hagen Uta","key":"e_1_3_2_2_4_1","unstructured":"Uta Hagen . 2009. Respect for Acting . John Wiley & Sons . Uta Hagen. 2009. Respect for Acting. John Wiley & Sons."},{"volume-title":"The Reinvention of Nature","author":"Haraway Donna","key":"e_1_3_2_2_5_1","unstructured":"Donna Haraway . 2013. Simians, Cyborgs, and Women : The Reinvention of Nature . Routledge . Donna Haraway. 2013. Simians, Cyborgs, and Women: The Reinvention of Nature. Routledge."},{"key":"e_1_3_2_2_6_1","unstructured":"Donna Haraway and Ulrike Teubner. 1991. Simians Cyborgs and Women. na.  Donna Haraway and Ulrike Teubner. 1991. Simians Cyborgs and Women. na."},{"volume-title":"Research Methods in Theatre and Performance","author":"Kershaw Baz","key":"e_1_3_2_2_7_1","unstructured":"Baz Kershaw . 2011. Research Methods in Theatre and Performance . Edinburgh University Press . Baz Kershaw. 2011. Research Methods in Theatre and Performance. Edinburgh University Press."},{"key":"e_1_3_2_2_8_1","doi-asserted-by":"publisher","DOI":"10.1145\/3173574.3174057"},{"key":"e_1_3_2_2_9_1","doi-asserted-by":"publisher","DOI":"10.1145\/153571.255960"},{"key":"e_1_3_2_2_10_1","unstructured":"Sanford Meisner and Dennis Longwell. 2012. Sanford Meisner on Acting. Vintage.  Sanford Meisner and Dennis Longwell. 2012. Sanford Meisner on Acting. Vintage."},{"volume-title":"Protocols, Pedagogies, Resistances","author":"Nelson Robin","key":"e_1_3_2_2_11_1","unstructured":"Robin Nelson . 2013. Practice as Research in the Arts: Principles , Protocols, Pedagogies, Resistances . Springer . Robin Nelson. 2013. Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Springer."},{"key":"e_1_3_2_2_12_1","volume-title":"Bracing the Human Body with Supernumerary Robotic Limbs for Physical Assistance and Load Reduction. In 2014 IEEE International Conference on Robotics and Automation (ICRA). IEEE, 141--148","author":"Parietti Federico","year":"2014","unstructured":"Federico Parietti , Kameron Chan , and H Harry Asada . 2014 . Bracing the Human Body with Supernumerary Robotic Limbs for Physical Assistance and Load Reduction. In 2014 IEEE International Conference on Robotics and Automation (ICRA). IEEE, 141--148 . Federico Parietti, Kameron Chan, and H Harry Asada. 2014. Bracing the Human Body with Supernumerary Robotic Limbs for Physical Assistance and Load Reduction. In 2014 IEEE International Conference on Robotics and Automation (ICRA). IEEE, 141--148."},{"key":"e_1_3_2_2_13_1","unstructured":"Moon Ribas and Neil Harbisson. 2019. Cyborg Arts. https:\/\/www.cyborgarts.com\/. (2019).  Moon Ribas and Neil Harbisson. 2019. Cyborg Arts. https:\/\/www.cyborgarts.com\/. (2019)."},{"key":"e_1_3_2_2_14_1","unstructured":"Ken Rinaldo. 2019. http:\/\/www.kenrinaldo.com\/. (2019).  Ken Rinaldo. 2019. http:\/\/www.kenrinaldo.com\/. (2019)."},{"key":"e_1_3_2_2_15_1","doi-asserted-by":"publisher","DOI":"10.1145\/3242587.3242665"},{"key":"e_1_3_2_2_16_1","unstructured":"William Shakespeare. 2008. Oxford UP.  William Shakespeare. 2008. Oxford UP."},{"volume-title":"Creating a Role","author":"Stanislavski Constantin","key":"e_1_3_2_2_17_1","unstructured":"Constantin Stanislavski . 2012. Creating a Role . Routledge . Constantin Stanislavski. 2012. Creating a Role. Routledge."},{"key":"e_1_3_2_2_18_1","doi-asserted-by":"crossref","DOI":"10.4324\/9780203936153","volume-title":"An Actor's Work (trans. Jean Benedetti)","author":"Stanislavski Konstantin","year":"2008","unstructured":"Konstantin Stanislavski . 2008. An Actor's Work (trans. Jean Benedetti) . Abingdon : Routledge ( 2008 ). Konstantin Stanislavski. 2008. An Actor's Work (trans. Jean Benedetti). Abingdon: Routledge (2008)."},{"key":"e_1_3_2_2_19_1","unstructured":"Stelarc. 2019. http:\/\/stelarc.org\/projects.php. (2019).  Stelarc. 2019. http:\/\/stelarc.org\/projects.php. (2019)."},{"key":"e_1_3_2_2_20_1","volume-title":"Supernumerary Arms for Gestural Communication. In Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing Systems. ACM, LBW101","author":"Tran Anthony","year":"2018","unstructured":"Anthony Tran , Sowmya Somanath , and Ehud Sharlin . 2018 a. Supernumerary Arms for Gestural Communication. In Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing Systems. ACM, LBW101 . Anthony Tran, Sowmya Somanath, and Ehud Sharlin. 2018a. Supernumerary Arms for Gestural Communication. In Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing Systems. ACM, LBW101."},{"key":"e_1_3_2_2_21_1","volume-title":"Using Supernumerary Robotic Arms for Background Tasks. In Extended Abstracts of the 2018 GI Conference Graphics Interface. ACM.","author":"Tran Anna","year":"2018","unstructured":"Anna Tran , Sowmya Somanath , and Ehud Sharlin . 2018 b. Using Supernumerary Robotic Arms for Background Tasks. In Extended Abstracts of the 2018 GI Conference Graphics Interface. ACM. Anna Tran, Sowmya Somanath, and Ehud Sharlin. 2018b. Using Supernumerary Robotic Arms for Background Tasks. In Extended Abstracts of the 2018 GI Conference Graphics Interface. ACM."},{"key":"e_1_3_2_2_22_1","unstructured":"Jane Wakefield. 2018. https:\/\/www.bbc.com\/news\/technology-44628872. (2018).  Jane Wakefield. 2018. https:\/\/www.bbc.com\/news\/technology-44628872. (2018)."},{"key":"e_1_3_2_2_23_1","unstructured":"JillianWeise. 2016. The Dawn of the 'Tryborg'. (2016).  JillianWeise. 2016. The Dawn of the 'Tryborg'. (2016)."}],"event":{"name":"C&C '19: Creativity and Cognition","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"],"location":"San Diego CA USA","acronym":"C&C '19"},"container-title":["Proceedings of the 2019 on Creativity and Cognition"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3325480.3325508","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3325480.3325508","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T23:53:11Z","timestamp":1750204391000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3325480.3325508"}},"subtitle":["Leveraging Performing Arts Practices in Cyborg Transitioning"],"short-title":[],"issued":{"date-parts":[[2019,6,13]]},"references-count":23,"alternative-id":["10.1145\/3325480.3325508","10.1145\/3325480"],"URL":"https:\/\/doi.org\/10.1145\/3325480.3325508","relation":{},"subject":[],"published":{"date-parts":[[2019,6,13]]},"assertion":[{"value":"2019-06-13","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}