{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T04:29:25Z","timestamp":1750220965818,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":8,"publisher":"ACM","license":[{"start":{"date-parts":[[2019,6,13]],"date-time":"2019-06-13T00:00:00Z","timestamp":1560384000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2019,6,13]]},"DOI":"10.1145\/3325480.3329175","type":"proceedings-article","created":{"date-parts":[[2019,6,14]],"date-time":"2019-06-14T12:42:33Z","timestamp":1560516153000},"page":"502-507","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":1,"title":["In Fleeting Visions"],"prefix":"10.1145","author":[{"given":"Shlomo","family":"Dubnov","sequence":"first","affiliation":[{"name":"University of California, San Diego, La Jolla, CA, USA"}]}],"member":"320","published-online":{"date-parts":[[2019,6,13]]},"reference":[{"volume-title":"ICMC 1999","author":"Assayag G\u00e9rard","key":"e_1_3_2_1_1_1","unstructured":"G\u00e9rard Assayag , Shlomo Dubnov , and Olivier Delerue . Guessing the Composer's Mind: Applying Universal Prediction to Musical Style . In ICMC 1999 G\u00e9rard Assayag, Shlomo Dubnov, and Olivier Delerue. Guessing the Composer's Mind: Applying Universal Prediction to Musical Style. In ICMC 1999"},{"key":"e_1_3_2_1_2_1","volume-title":"Ian Simon","author":"Donahue Chris","year":"1810","unstructured":"Chris Donahue , Ian Simon , Sander Dieleman : Piano Genie. CoRR abs\/ 1810 .05246 (2018) Chris Donahue, Ian Simon, Sander Dieleman: Piano Genie. CoRR abs\/1810.05246 (2018)"},{"key":"e_1_3_2_1_3_1","doi-asserted-by":"publisher","DOI":"10.1145\/2930672"},{"key":"e_1_3_2_1_4_1","volume-title":"Rethinking Recurrent Latent Variable Model for Music Composition. In 2018 IEEE 20th International Workshop on Multimedia Signal Processing (MMSP), IEEE, 1--6.","author":"Koh Eunjeong Stella","year":"2018","unstructured":"Eunjeong Stella Koh , Shlomo Dubnov , and Dustin Wright . 2018 . Rethinking Recurrent Latent Variable Model for Music Composition. In 2018 IEEE 20th International Workshop on Multimedia Signal Processing (MMSP), IEEE, 1--6. Eunjeong Stella Koh, Shlomo Dubnov, and Dustin Wright. 2018. Rethinking Recurrent Latent Variable Model for Music Composition. In 2018 IEEE 20th International Workshop on Multimedia Signal Processing (MMSP), IEEE, 1--6."},{"volume-title":"ICMC","author":"Scurto Hugo","key":"e_1_3_2_1_5_1","unstructured":"Hugo Scurto and Rebecca Fiebrink . 2016. Grab-and-play mapping: Creative machine learning approaches for musical inclusion and exploration . In ICMC Hugo Scurto and Rebecca Fiebrink. 2016. Grab-and-play mapping: Creative machine learning approaches for musical inclusion and exploration. In ICMC"},{"key":"e_1_3_2_1_6_1","first-page":"4","article-title":"Machine improvisation with variable markov oracle: Toward guided and structured improvisation","volume":"14","author":"Wang I","year":"2016","unstructured":"Cheng- I Wang , Jennifer Hsu , and Shlomo Dubnov . 2016 . Machine improvisation with variable markov oracle: Toward guided and structured improvisation . Computers in Entertainment (CIE) 14 , 3 (2016), 4 . Cheng-I Wang, Jennifer Hsu, and Shlomo Dubnov. 2016. Machine improvisation with variable markov oracle: Toward guided and structured improvisation. Computers in Entertainment (CIE) 14, 3 (2016), 4.","journal-title":"Computers in Entertainment (CIE)"},{"key":"e_1_3_2_1_7_1","volume-title":"Insights into Prokofiev's Compositional Vision","author":"Edward Steven","year":"2007","unstructured":"Moellering, Steven Edward , \" Visions Fugitives : Insights into Prokofiev's Compositional Vision \" ( 2007 ). Student Research, Creative Activity , and Performance - School of Music . 9. http:\/\/digitalcommons.unl.edu\/musicstudent\/9 Moellering, Steven Edward, \"Visions Fugitives: Insights into Prokofiev's Compositional Vision\" (2007). Student Research, Creative Activity, and Performance - School of Music. 9. http:\/\/digitalcommons.unl.edu\/musicstudent\/9"},{"key":"e_1_3_2_1_8_1","volume-title":"EHESS-Ircam","author":"Bonnasse-Gahot L.","year":"2010","unstructured":"L. Bonnasse-Gahot . Donner a\" Omax le sens du rythme : vers une improvisation plus riche avec la machine. Technical report , EHESS-Ircam , 2010 . L. Bonnasse-Gahot. Donner a\" Omax le sens du rythme : vers une improvisation plus riche avec la machine. Technical report, EHESS-Ircam, 2010."}],"event":{"name":"C&C '19: Creativity and Cognition","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"],"location":"San Diego CA USA","acronym":"C&C '19"},"container-title":["Proceedings of the 2019 on Creativity and Cognition"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3325480.3329175","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3325480.3329175","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T23:54:21Z","timestamp":1750204461000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3325480.3329175"}},"subtitle":["Deep Neural Music Fickle Play"],"short-title":[],"issued":{"date-parts":[[2019,6,13]]},"references-count":8,"alternative-id":["10.1145\/3325480.3329175","10.1145\/3325480"],"URL":"https:\/\/doi.org\/10.1145\/3325480.3329175","relation":{},"subject":[],"published":{"date-parts":[[2019,6,13]]},"assertion":[{"value":"2019-06-13","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}