{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,3,30]],"date-time":"2026-03-30T22:19:37Z","timestamp":1774909177794,"version":"3.50.1"},"publisher-location":"New York, NY, USA","reference-count":45,"publisher":"ACM","license":[{"start":{"date-parts":[[2019,9,18]],"date-time":"2019-09-18T00:00:00Z","timestamp":1568764800000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2019,9,18]]},"DOI":"10.1145\/3356590.3356618","type":"proceedings-article","created":{"date-parts":[[2019,12,5]],"date-time":"2019-12-05T14:07:37Z","timestamp":1575554857000},"page":"183-190","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":6,"title":["The Impact of Audio Effects Processing on the Perception of Brightness and Warmth"],"prefix":"10.1145","author":[{"given":"Gary","family":"Bromham","sequence":"first","affiliation":[{"name":"Centre for Digital Music, Queen Mary University of London"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"David","family":"Moffat","sequence":"additional","affiliation":[{"name":"Centre for Digital Music, Queen Mary University of London"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Mathieu","family":"Barthet","sequence":"additional","affiliation":[{"name":"Centre for Digital Music, Queen Mary University of London"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Anne","family":"Danielsen","sequence":"additional","affiliation":[{"name":"RITMO, University of Oslo"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Gy\u00f6rgy","family":"Fazekas","sequence":"additional","affiliation":[{"name":"Centre for Digital Music, Queen Mary University of London"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2019,9,18]]},"reference":[{"key":"e_1_3_2_1_1_1","volume-title":"Making old machines speak: images of technology in recent music. ECHO: a music-centered journal 2, 2","author":"Auner Joseph","year":"2000","unstructured":"Joseph Auner . 2000. Making old machines speak: images of technology in recent music. ECHO: a music-centered journal 2, 2 ( 2000 ), 2. Joseph Auner. 2000. Making old machines speak: images of technology in recent music. ECHO: a music-centered journal 2, 2 (2000), 2."},{"key":"e_1_3_2_1_2_1","volume-title":"From clarinet control to timbre perception. Acta Acustica united with Acustica 96, 4","author":"Barthet Mathieu","year":"2010","unstructured":"Mathieu Barthet , Philippe Guillemain , Richard Kronland-Martinet , and S\u00f8lvi Ystad . 2010. From clarinet control to timbre perception. Acta Acustica united with Acustica 96, 4 ( 2010 ), 678--689. Mathieu Barthet, Philippe Guillemain, Richard Kronland-Martinet, and S\u00f8lvi Ystad. 2010. From clarinet control to timbre perception. Acta Acustica united with Acustica 96, 4 (2010), 678--689."},{"key":"e_1_3_2_1_3_1","volume-title":"Audio Engineering Society Convention 120","author":"Bitzer Joerg","year":"2006","unstructured":"Joerg Bitzer , Denny Schmidt , and Uwe Simmer . 2006 . Parameter estimation of dynamic range compressors: models, procedures and test signals . In Audio Engineering Society Convention 120 . Audio Engineering Society. Joerg Bitzer, Denny Schmidt, and Uwe Simmer. 2006. Parameter estimation of dynamic range compressors: models, procedures and test signals. In Audio Engineering Society Convention 120. Audio Engineering Society."},{"key":"e_1_3_2_1_4_1","volume-title":"Digital Warmth': The Retro in Digital. Journal of the Art of Record Production","author":"Bromham Gary","year":"2020","unstructured":"Gary Bromham , Anne Danielsen , and Gyorgy Fazekas . 2020. ' Digital Warmth': The Retro in Digital. Journal of the Art of Record Production ( In Press) ( 2020 ). Gary Bromham, Anne Danielsen, and Gyorgy Fazekas. 2020. 'Digital Warmth': The Retro in Digital. Journal of the Art of Record Production (In Press) (2020)."},{"key":"e_1_3_2_1_5_1","volume-title":"Audio Engineering Society Convention 145","author":"Bromham Gary","year":"2018","unstructured":"Gary Bromham , Dave Moffat , Mathieu Barthet , and Gy\u00f6rgy Fazekas . 2018 . The impact of compressor ballistics on the perceived style of music . In Audio Engineering Society Convention 145 . Audio Engineering Society. Gary Bromham, Dave Moffat, Mathieu Barthet, and Gy\u00f6rgy Fazekas. 2018. The impact of compressor ballistics on the perceived style of music. In Audio Engineering Society Convention 145. Audio Engineering Society."},{"key":"e_1_3_2_1_6_1","volume-title":"Audio Engineering Society Convention 122","author":"Brookes Tim","year":"2007","unstructured":"Tim Brookes and Duncan Williams . 2007 . Perceptually-motivated audio morphing: Brightness . In Audio Engineering Society Convention 122 . Audio Engineering Society. Tim Brookes and Duncan Williams. 2007. Perceptually-motivated audio morphing: Brightness. In Audio Engineering Society Convention 122. Audio Engineering Society."},{"key":"e_1_3_2_1_7_1","volume-title":"Digital signatures: The impact of digitization on popular music sound","author":"Br\u00f8vig-Hanssen Ragnhild","unstructured":"Ragnhild Br\u00f8vig-Hanssen and Anne Danielsen . 2016. Digital signatures: The impact of digitization on popular music sound . MIT Press . Ragnhild Br\u00f8vig-Hanssen and Anne Danielsen. 2016. Digital signatures: The impact of digitization on popular music sound. MIT Press."},{"key":"e_1_3_2_1_8_1","doi-asserted-by":"publisher","DOI":"10.1109\/TASL.2013.2260154"},{"key":"e_1_3_2_1_9_1","volume-title":"International Computer Music Conference. 11--21","author":"Caetano Marcelo Freitas","year":"2010","unstructured":"Marcelo Freitas Caetano and Xavier Rodet . 2010 . Automatic timbral morphing of musical instrument sounds by high-level descriptors . In International Computer Music Conference. 11--21 . Marcelo Freitas Caetano and Xavier Rodet. 2010. Automatic timbral morphing of musical instrument sounds by high-level descriptors. In International Computer Music Conference. 11--21."},{"key":"e_1_3_2_1_10_1","doi-asserted-by":"publisher","DOI":"10.1145\/1873951.1874248"},{"key":"e_1_3_2_1_11_1","unstructured":"Mark Brozier Cartwright and Bryan Pardo. 2013. Social-EQ: Crowdsourcing an Equalization Descriptor Map.. In ISMIR. 395--400.  Mark Brozier Cartwright and Bryan Pardo. 2013. Social-EQ: Crowdsourcing an Equalization Descriptor Map.. In ISMIR. 395--400."},{"key":"e_1_3_2_1_12_1","doi-asserted-by":"publisher","DOI":"10.1162\/014892600559489"},{"key":"e_1_3_2_1_13_1","volume-title":"Audio Engineering Society Convention 136","author":"Man Brecht De","year":"2014","unstructured":"Brecht De Man and Joshua D Reiss . 2014 . APE: Audio perceptual evaluation toolbox for MATLAB . In Audio Engineering Society Convention 136 . Audio Engineering Society. Brecht De Man and Joshua D Reiss. 2014. APE: Audio perceptual evaluation toolbox for MATLAB. In Audio Engineering Society Convention 136. Audio Engineering Society."},{"key":"e_1_3_2_1_14_1","volume-title":"Proceedings of the 3rd Workshop on Intelligent Music Production.","author":"Man Brecht De","year":"2017","unstructured":"Brecht De Man , Joshua D Reiss , and Ryan Stables . 2017 . Ten years of automatic mixing . In Proceedings of the 3rd Workshop on Intelligent Music Production. Brecht De Man, Joshua D Reiss, and Ryan Stables. 2017. Ten years of automatic mixing. In Proceedings of the 3rd Workshop on Intelligent Music Production."},{"key":"e_1_3_2_1_15_1","volume-title":"Proceedings of the 20th International Conference on Digital Audio Effects","author":"Enderby Sean","year":"2017","unstructured":"Sean Enderby and Ryan Stables . 2017 . A nonlinear method for manipulating warmth and brightness . In Proceedings of the 20th International Conference on Digital Audio Effects , Edinburgh, UK. Sean Enderby and Ryan Stables. 2017. A nonlinear method for manipulating warmth and brightness. In Proceedings of the 20th International Conference on Digital Audio Effects, Edinburgh, UK."},{"key":"e_1_3_2_1_16_1","volume-title":"Proc. of the 12th International Society for Music Information Retrieval (ISMIR'11) conference, 24-28 Oct.","author":"Fazekas G.","year":"2011","unstructured":"G. Fazekas and M. Sandler . 2011. The Studio Ontology Framework . In Proc. of the 12th International Society for Music Information Retrieval (ISMIR'11) conference, 24-28 Oct. , Miami, Florida, USA. 24--28. http:\/\/ismir 2011 .ismir.net\/papers\/PS3--20.pdf G. Fazekas and M. Sandler. 2011. The Studio Ontology Framework. In Proc. of the 12th International Society for Music Information Retrieval (ISMIR'11) conference, 24-28 Oct., Miami, Florida, USA. 24--28. http:\/\/ismir2011.ismir.net\/papers\/PS3--20.pdf"},{"key":"e_1_3_2_1_17_1","volume-title":"Proc. of the 133rd Convention of the Audio Engineering Society","author":"Fazekas G.","unstructured":"G. Fazekas and M. Sandler . 2012. Knowledge Representation Issues in Audio-Related Metadata Model Design . In Proc. of the 133rd Convention of the Audio Engineering Society , San Francisco, CA, USA. https:\/\/secure.aes.org\/forum\/pubs\/conventions\/?elib=16507 G. Fazekas and M. Sandler. 2012. Knowledge Representation Issues in Audio-Related Metadata Model Design. In Proc. of the 133rd Convention of the Audio Engineering Society, San Francisco, CA, USA. https:\/\/secure.aes.org\/forum\/pubs\/conventions\/?elib=16507"},{"key":"#cr-split#-e_1_3_2_1_18_1.1","unstructured":"G. Fazekas and T. Wilmering. 2012. Semantic Web and Semantic Audio Technologies. Tutorial presented at the 132nd Convention of the Audio Engineering Society Budapest Hungary. https:\/\/doi.org\/10.5281\/zenodo.1324499 10.5281\/zenodo.1324499"},{"key":"#cr-split#-e_1_3_2_1_18_1.2","unstructured":"G. Fazekas and T. Wilmering. 2012. Semantic Web and Semantic Audio Technologies. Tutorial presented at the 132nd Convention of the Audio Engineering Society Budapest Hungary. https:\/\/doi.org\/10.5281\/zenodo.1324499"},{"key":"e_1_3_2_1_19_1","volume-title":"An exploration of musical timbre. Ph. D dissertation Stanford University","author":"Grey John M","year":"1975","unstructured":"John M Grey . 1975. An exploration of musical timbre. Ph. D dissertation Stanford University ( 1975 ). John M Grey. 1975. An exploration of musical timbre. Ph. D dissertation Stanford University (1975)."},{"key":"e_1_3_2_1_20_1","volume-title":"Retro: The culture of revival","author":"Guffey Elizabeth E","year":"2006","unstructured":"Elizabeth E Guffey . 2006 . Retro: The culture of revival . Reaktion Books . Elizabeth E Guffey. 2006. Retro: The culture of revival. Reaktion Books."},{"key":"e_1_3_2_1_21_1","volume-title":"Algorithms to measure audio programme loudness and true-peak audio level","author":"Rec ITU-R.","year":"2011","unstructured":"Rec ITU-R. 2011. ITU-R BS. 1770--2 , Algorithms to measure audio programme loudness and true-peak audio level . International Telecommunications Union , Genewa ( 2011 ). Rec ITU-R. 2011. ITU-R BS. 1770--2, Algorithms to measure audio programme loudness and true-peak audio level. International Telecommunications Union, Genewa (2011)."},{"key":"e_1_3_2_1_23_1","volume-title":"Proceedings of the International Sound and Music Computing Conference","author":"Jillings Nicholas","year":"2015","unstructured":"Nicholas Jillings , Brecht De Man , David Moffat , Joshua D. Reiss , and Ryan Stables . 2015 . Web Audio Evaluation Tool: A Browser-Based Listening Test Environment . In Proceedings of the International Sound and Music Computing Conference . Maynooth, Ireland. Nicholas Jillings, Brecht De Man, David Moffat, Joshua D. Reiss, and Ryan Stables. 2015. Web Audio Evaluation Tool: A Browser-Based Listening Test Environment. In Proceedings of the International Sound and Music Computing Conference. Maynooth, Ireland."},{"key":"e_1_3_2_1_24_1","volume-title":"Proc. 2nd Web Audio Conference","author":"Jillings Nicholas","unstructured":"Nicholas Jillings , David Moffat , Brecht De Man , and Joshua D. Reiss . 2016. Web Audio Evaluation Tool: A framework for subjective assessment of audio . In Proc. 2nd Web Audio Conference . Atlanta, Georgia, USA. Nicholas Jillings, David Moffat, Brecht De Man, and Joshua D. Reiss. 2016. Web Audio Evaluation Tool: A framework for subjective assessment of audio. In Proc. 2nd Web Audio Conference. Atlanta, Georgia, USA."},{"key":"e_1_3_2_1_25_1","unstructured":"Bob Katz and Robert A Katz. 2003. Mastering audio: the art and the science. Butterworth-Heinemann.  Bob Katz and Robert A Katz. 2003. Mastering audio: the art and the science. Butterworth-Heinemann."},{"key":"e_1_3_2_1_26_1","volume-title":"Proceedings of the 19th International Conference on Digital Audio Effects (DAFx-16)","author":"Kazazis Savvas","year":"2016","unstructured":"Savvas Kazazis , Philippe Depalle , and Stephen McAdams . 2016 . Sound Morphing by Audio Descriptors and Parameter Interpolation . In Proceedings of the 19th International Conference on Digital Audio Effects (DAFx-16) . Brno, Czech Republic. Savvas Kazazis, Philippe Depalle, and Stephen McAdams. 2016. Sound Morphing by Audio Descriptors and Parameter Interpolation. In Proceedings of the 19th International Conference on Digital Audio Effects (DAFx-16). Brno, Czech Republic."},{"key":"e_1_3_2_1_27_1","volume-title":"The perception of musical timbre. The Oxford handbook of music psychology","author":"McAdams Stephen","year":"2009","unstructured":"Stephen McAdams and Bruno L Giordano . 2009. The perception of musical timbre. The Oxford handbook of music psychology ( 2009 ), 72--80. Stephen McAdams and Bruno L Giordano. 2009. The perception of musical timbre. The Oxford handbook of music psychology (2009), 72--80."},{"key":"e_1_3_2_1_28_1","volume-title":"Proc. Audio Engineering Society Conference: 61st International Conference: Audio for Games. Audio Engineering Society","author":"Mengual Lucas","unstructured":"Lucas Mengual , David Moffat , and Joshua D. Reiss . 2016. Modal Synthesis of Weapon Sounds . In Proc. Audio Engineering Society Conference: 61st International Conference: Audio for Games. Audio Engineering Society , London. Lucas Mengual, David Moffat, and Joshua D. Reiss. 2016. Modal Synthesis of Weapon Sounds. In Proc. Audio Engineering Society Conference: 61st International Conference: Audio for Games. Audio Engineering Society, London."},{"key":"e_1_3_2_1_29_1","first-page":"2","article-title":"Perceptual Evaluation of Synthesized Sound Effects","volume":"15","author":"Moffat David","year":"2018","unstructured":"David Moffat and Joshua D. Reiss . 2018 . Perceptual Evaluation of Synthesized Sound Effects . ACM Transactions on Applied Perception (TAP) 15 , 2 (March 2018). David Moffat and Joshua D. Reiss. 2018. Perceptual Evaluation of Synthesized Sound Effects. ACM Transactions on Applied Perception (TAP) 15, 2 (March 2018).","journal-title":"ACM Transactions on Applied Perception (TAP)"},{"key":"e_1_3_2_1_30_1","volume-title":"Proc. 18th International Conference on Digital Audio Effects (DAFx-15)","author":"Moffat David","unstructured":"David Moffat , David Ronan , and Joshusa D. Reiss . 2015. An Evaluation of Audio Feature Extraction Toolboxes . In Proc. 18th International Conference on Digital Audio Effects (DAFx-15) . David Moffat, David Ronan, and Joshusa D. Reiss. 2015. An Evaluation of Audio Feature Extraction Toolboxes. In Proc. 18th International Conference on Digital Audio Effects (DAFx-15)."},{"key":"e_1_3_2_1_31_1","volume-title":"Proc. 20th International Conference on Digital Audio Effects (DAFx-17)","author":"Moffat David","unstructured":"David Moffat , David Ronan , and Joshusa D. Reiss . 2017. Unsupervised Taxonomy of Sound Effects . In Proc. 20th International Conference on Digital Audio Effects (DAFx-17) . Edinburgh, UK. David Moffat, David Ronan, and Joshusa D. Reiss. 2017. Unsupervised Taxonomy of Sound Effects. In Proc. 20th International Conference on Digital Audio Effects (DAFx-17). Edinburgh, UK."},{"key":"e_1_3_2_1_32_1","volume-title":"Audio Engineering Society Convention 142","author":"Moore Austin","year":"2017","unstructured":"Austin Moore and Jonathan Wakefield . 2017 . An Investigation into the Relationship Between the Subjective Descriptor Aggressive and the Universal Audio 1176 FET Compressor . In Audio Engineering Society Convention 142 . Austin Moore and Jonathan Wakefield. 2017. An Investigation into the Relationship Between the Subjective Descriptor Aggressive and the Universal Audio 1176 FET Compressor. In Audio Engineering Society Convention 142."},{"key":"e_1_3_2_1_33_1","volume-title":"Hierarchical ontology of timbral semantic descriptors. Audio Commons Deliverable (August","author":"Pearce Andy","year":"2016","unstructured":"Andy Pearce , Tim Brookes , and Russell Mason . 2016. Hierarchical ontology of timbral semantic descriptors. Audio Commons Deliverable (August 2016 ). https:\/\/www.audiocommons.org\/materials\/ Andy Pearce, Tim Brookes, and Russell Mason. 2016. Hierarchical ontology of timbral semantic descriptors. Audio Commons Deliverable (August 2016). https:\/\/www.audiocommons.org\/materials\/"},{"key":"e_1_3_2_1_34_1","volume-title":"Audio Engineering Society Conference: 2017 AES International Conference on Semantic Audio.","author":"Pearce Andy","year":"2017","unstructured":"Andy Pearce , Tim Brookes , and Russell Mason . 2017 . Timbral attributes for sound effect library searching . In Audio Engineering Society Conference: 2017 AES International Conference on Semantic Audio. Andy Pearce, Tim Brookes, and Russell Mason. 2017. Timbral attributes for sound effect library searching. In Audio Engineering Society Conference: 2017 AES International Conference on Semantic Audio."},{"key":"e_1_3_2_1_35_1","volume-title":"Analogue warmth: the sound of tubes, tape and transformers. Sound On Sound","author":"Robjohns Hugh","year":"2010","unstructured":"Hugh Robjohns . 2010. Analogue warmth: the sound of tubes, tape and transformers. Sound On Sound ( 2010 ). Hugh Robjohns. 2010. Analogue warmth: the sound of tubes, tape and transformers. Sound On Sound (2010)."},{"key":"e_1_3_2_1_36_1","first-page":"63","article-title":"The impact of test duration on user fatigue and reliability of subjective quality ratings","volume":"60","author":"Schatz Raimund","year":"2012","unstructured":"Raimund Schatz , Sebastian Egger , and Kathrin Masuch . 2012 . The impact of test duration on user fatigue and reliability of subjective quality ratings . Journal of the Audio Engineering Society 60 , 1\/2 (2012), 63 -- 73 . Raimund Schatz, Sebastian Egger, and Kathrin Masuch. 2012. The impact of test duration on user fatigue and reliability of subjective quality ratings. Journal of the Audio Engineering Society 60, 1\/2 (2012), 63--73.","journal-title":"Journal of the Audio Engineering Society"},{"key":"e_1_3_2_1_37_1","volume-title":"Reiss","author":"Selfridge Rod","year":"2018","unstructured":"Rod Selfridge , David Moffat , Eldad J. Avital , and Joshua D . Reiss . 2018 . Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models. Journal of the Audio Engineering Society ( 2018). Rod Selfridge, David Moffat, Eldad J. Avital, and Joshua D. Reiss. 2018. Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models. Journal of the Audio Engineering Society (2018)."},{"key":"e_1_3_2_1_38_1","volume-title":"Proc. of the International Joint Conf. on Neural Networks (IJCNN), July 14--19","author":"Sheng D.","year":"1905","unstructured":"D. Sheng and G. Fazekas . 2019. A Feature Learning Siamese Model for Intelligent Control of the Dynamic Range Compressor . In Proc. of the International Joint Conf. on Neural Networks (IJCNN), July 14--19 , Budapest, Hungary. https:\/\/arxiv.org\/pdf\/ 1905 .01022.pdf D. Sheng and G. Fazekas. 2019. A Feature Learning Siamese Model for Intelligent Control of the Dynamic Range Compressor. In Proc. of the International Joint Conf. on Neural Networks (IJCNN), July 14--19, Budapest, Hungary. https:\/\/arxiv.org\/pdf\/1905.01022.pdf"},{"key":"e_1_3_2_1_39_1","volume-title":"Proc. ACM Multimedia, Oct. 15-19","author":"Stables R","unstructured":"R Stables , B De Man , S Enderby , JD Reiss , G Fazekas , and T. Wilmering . 2016. Semantic description of timbral transformations in music production . In Proc. ACM Multimedia, Oct. 15-19 , Amsterdam, Netherlands. 337--341. https:\/\/doi.org\/10.1145\/2964284.2967238 10.1145\/2964284.2967238 R Stables, B De Man, S Enderby, JD Reiss, G Fazekas, and T. Wilmering. 2016. Semantic description of timbral transformations in music production. In Proc. ACM Multimedia, Oct. 15-19, Amsterdam, Netherlands. 337--341. https:\/\/doi.org\/10.1145\/2964284.2967238"},{"key":"e_1_3_2_1_40_1","doi-asserted-by":"publisher","DOI":"10.3390\/app6040116"},{"key":"e_1_3_2_1_41_1","volume-title":"The salience of MFCC semantic classification on electric guitar recordings. Master's thesis","author":"Tomczak Maciek","unstructured":"Maciek Tomczak and Ryan Stables . 2015. The salience of MFCC semantic classification on electric guitar recordings. Master's thesis . Birmingham City University . Maciek Tomczak and Ryan Stables. 2015. The salience of MFCC semantic classification on electric guitar recordings. Master's thesis. Birmingham City University."},{"key":"e_1_3_2_1_42_1","doi-asserted-by":"publisher","DOI":"10.1121\/2.0000380"},{"key":"e_1_3_2_1_43_1","volume-title":"Audio Engineering Society Convention 133","author":"Wilmering Thomas","year":"2012","unstructured":"Thomas Wilmering , Gy\u00f6rgy Fazekas , and Mark B Sandler . 2012 . High-level semantic metadata for the control of multitrack adaptive digital audio effects . In Audio Engineering Society Convention 133 . Audio Engineering Society. Thomas Wilmering, Gy\u00f6rgy Fazekas, and Mark B Sandler. 2012. High-level semantic metadata for the control of multitrack adaptive digital audio effects. In Audio Engineering Society Convention 133. Audio Engineering Society."},{"key":"e_1_3_2_1_45_1","volume-title":"Audio Engineering Society Convention 130","author":"Zacharakis Asteris","year":"2011","unstructured":"Asteris Zacharakis and Joshua Reiss . 2011 . An additive synthesis technique for independent modification of the auditory perceptions of brightness and warmth . In Audio Engineering Society Convention 130 . Audio Engineering Society. Asteris Zacharakis and Joshua Reiss. 2011. An additive synthesis technique for independent modification of the auditory perceptions of brightness and warmth. In Audio Engineering Society Convention 130. Audio Engineering Society."},{"key":"e_1_3_2_1_46_1","volume-title":"Digital audio signal processing","author":"Z\u00f6lzer Udo","unstructured":"Udo Z\u00f6lzer . 2008. Digital audio signal processing . John Wiley & Sons . Udo Z\u00f6lzer. 2008. Digital audio signal processing. John Wiley & Sons."}],"event":{"name":"AM'19: Audio Mostly","location":"Nottingham United Kingdom","acronym":"AM'19","sponsor":["The University of Nottingham The University of Nottingham"]},"container-title":["Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3356590.3356618","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3356590.3356618","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T23:22:55Z","timestamp":1750202575000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3356590.3356618"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2019,9,18]]},"references-count":45,"alternative-id":["10.1145\/3356590.3356618","10.1145\/3356590"],"URL":"https:\/\/doi.org\/10.1145\/3356590.3356618","relation":{},"subject":[],"published":{"date-parts":[[2019,9,18]]},"assertion":[{"value":"2019-09-18","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}