{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T04:28:33Z","timestamp":1750220913386,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":32,"publisher":"ACM","license":[{"start":{"date-parts":[[2019,10,23]],"date-time":"2019-10-23T00:00:00Z","timestamp":1571788800000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2019,10,23]]},"DOI":"10.1145\/3359852.3359903","type":"proceedings-article","created":{"date-parts":[[2020,2,13]],"date-time":"2020-02-13T14:34:21Z","timestamp":1581604461000},"page":"1-7","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":1,"title":["Where There Are Flies, Media Art You'll Find"],"prefix":"10.1145","author":[{"given":"Rodrigo","family":"Guzman-Serrano","sequence":"first","affiliation":[{"name":"School of Creative Media, City University of Hong Kong, Hong Kong"}]}],"member":"320","published-online":{"date-parts":[[2020,2,13]]},"reference":[{"key":"e_1_3_2_1_1_1","volume-title":"Oliver Grau (ed.)","author":"Paul C.","year":"2007","unstructured":"C. Paul. (2007). \"The Myth of Immateriality: Presenting and Preserving New Media.\" In MediaArtHistories, Oliver Grau (ed.). MIT Press, Cambridge, MA; London."},{"key":"e_1_3_2_1_2_1","volume-title":"Captured","author":"Laurenson P.","year":"2006","unstructured":"P. Laurenson. (2006). \"Authenticity, Change and Loss in the Conservation of Time-Based Media Installations.\" Tate Papers, no. 6. http:\/\/perma.cc\/6LVL-4CXS. Captured April 14, 2018."},{"key":"e_1_3_2_1_3_1","volume-title":"Art and Philosophy","author":"Margolis J.","year":"1980","unstructured":"J. Margolis. (1980). Art and Philosophy. Humanities Press, Atlantic Heights, NJ."},{"key":"e_1_3_2_1_4_1","volume-title":"Jerrold Levinson (ed.)","author":"Davies D.","year":"2005","unstructured":"D. Davies. (2005). \"Medium in Art.\" In The Oxford Handbook of Aesthetics, Jerrold Levinson (ed.). Oxford University Press, Oxford, UK."},{"key":"e_1_3_2_1_5_1","volume-title":"The Medium of Art.\" Thesis Eleven, no. 18\/19","author":"Luhmann N.","year":"1987","unstructured":"N. Luhmann. (1987). \"The Medium of Art.\" Thesis Eleven, no. 18\/19."},{"key":"e_1_3_2_1_6_1","unstructured":"J. Ranci\u00e8re.( 2011). \"What Medium Can Mean.\" Parrhesia no. 11."},{"key":"e_1_3_2_1_7_1","volume-title":"Modernist Painting.\" In Modern Art and Modernism: A Critical Anthology","author":"Greenberg C.","year":"1982","unstructured":"C. Greenberg. (1982). \"Modernist Painting.\" In Modern Art and Modernism: A Critical Anthology, Francis Frascina and Charles Harrison (eds.). Harper & Row, New York."},{"key":"e_1_3_2_1_8_1","volume-title":"A Voyage on the North Sea: Art in the Age of the Post-Medium Condition. Thames & Hudson","author":"Krauss R.","year":"2000","unstructured":"R. Krauss. (2000). A Voyage on the North Sea: Art in the Age of the Post-Medium Condition. Thames & Hudson, New York."},{"volume-title":"Under Blue Cup","author":"Krauss R.","key":"e_1_3_2_1_9_1","unstructured":"R. Krauss.( 2011). Under Blue Cup. MIT Press, Cambridge, MA."},{"key":"e_1_3_2_1_10_1","unstructured":"Krauss. A Voyage on the North Sea."},{"key":"e_1_3_2_1_11_1","unstructured":"R. Krauss. Under Blue Cup."},{"key":"e_1_3_2_1_12_1","unstructured":"Paul. \"The Myth of Immateriality\""},{"key":"e_1_3_2_1_13_1","volume-title":"Complex Problems, and Open Questions.\" In Preservation of Digital Art: Theory and Practice","author":"Huber H.D.","year":"2013","unstructured":"H.D. Huber. (2013). \"From New Media to Old Media: Ambiguous Concepts, Complex Problems, and Open Questions.\" In Preservation of Digital Art: Theory and Practice, Bernhard Serexhe (ed.). AMBRA; ZKM Center for Art and Media, Karlsruhe, Germany."},{"key":"e_1_3_2_1_14_1","volume-title":"Kate Armstrong (ed.)","author":"Paul C.","year":"2015","unstructured":"C. Paul. (2015). \"From Immateriality to Neomateriality: Art and the Conditions of Digital Materiality.\" In Proceedings of the 21st International Symposium on Electronic Art ISEA 2015---Disruption, Kate Armstrong (ed.). New Forms Art Press, Vancouver."},{"key":"e_1_3_2_1_15_1","unstructured":"Ibid."},{"key":"e_1_3_2_1_16_1","volume-title":"Everardo Reyes-Garcia, Pierre Ch\u00e2tel-Innocenti, and Khaldoun Zreik (eds.) Europia","author":"Chierico A.","year":"2016","unstructured":"A. Chierico. (2016). \"Art and Materiality in Post-media Practice: Toward an Ontology of Digital and its Devices.\" In Archiving and Questioning Immateriality: Proceedings of the 5th Computer Art Congress, Everardo Reyes-Garcia, Pierre Ch\u00e2tel-Innocenti, and Khaldoun Zreik (eds.) Europia, Paris."},{"key":"e_1_3_2_1_17_1","unstructured":"Paul. \"From Immateriality to Neomateriality.\""},{"key":"e_1_3_2_1_18_1","unstructured":"C. Sommerer and L. Mignonneau. 2016. \"Between Decay and Preservation: A Personal Approach to Media Art Archiving.\" In Proceedings of the 22nd International Symposium on Electronic Art ISEA 2016 Hong Kong Olli Tapio Leino (ed.). School of Creative Media City University of Hong Kong Hong Kong."},{"key":"e_1_3_2_1_19_1","volume-title":"Expanded (Im)materialities: A Postmedial and Neomaterial Discussion on the Collection and Preservation of Media Arts. M.A. thesis","author":"Guzman R.","year":"2018","unstructured":"R. Guzman. (2018). Expanded (Im)materialities: A Postmedial and Neomaterial Discussion on the Collection and Preservation of Media Arts. M.A. thesis. Danube University Krems."},{"key":"e_1_3_2_1_20_1","unstructured":"Sommerer and Mignonneau. \"Between Decay and Preservation.\""},{"key":"e_1_3_2_1_21_1","unstructured":"Ibid."},{"key":"e_1_3_2_1_22_1","volume-title":"Fly","author":"Connor S.","year":"2006","unstructured":"S. Connor. (2006). Fly. REAKTION, London."},{"volume-title":"Julia Conaway Bondanella and Peter Bondanella (tr.)","author":"Vasari G.","key":"e_1_3_2_1_23_1","unstructured":"G. Vasari. 1568[1998]. \"Giotto,\" In The Lives of the Artists, Julia Conaway Bondanella and Peter Bondanella (tr.). Oxfortd University Press, New York."},{"key":"e_1_3_2_1_24_1","volume-title":"Flysight.\" StevenConnor.com","author":"Connor S.","year":"2007","unstructured":"S. Connor. (2007). \"Flysight.\" StevenConnor.com. http:\/\/perma.cc\/GP4M-BMBH. Captured June 4, 2018."},{"key":"e_1_3_2_1_25_1","unstructured":"Connor. Fly."},{"key":"e_1_3_2_1_26_1","doi-asserted-by":"publisher","DOI":"10.4103\/0975-1475.92154"},{"key":"e_1_3_2_1_27_1","unstructured":"Guzman. Expanded (Im)materialities."},{"key":"e_1_3_2_1_28_1","volume-title":"Charles Merewether (ed.) Whitechapel","author":"Foucault M.","year":"2006","unstructured":"M. Foucault. (2006). \"The Historical a priori and the Archive.\" In Archive, Charles Merewether (ed.) Whitechapel; MIT Press, Cambridge, MA; London."},{"key":"e_1_3_2_1_29_1","volume-title":"Archive Fever: A Freudian Impression.\" Diacritics 25, no. 2","author":"Derrida J.","year":"1995","unstructured":"J. Derrida. (1995). \"Archive Fever: A Freudian Impression.\" Diacritics 25, no. 2."},{"key":"e_1_3_2_1_30_1","doi-asserted-by":"crossref","unstructured":"H. Foster.( 2004) \"An Archival Impulse.\" October 110.","DOI":"10.1162\/0162287042379847"},{"key":"e_1_3_2_1_31_1","volume-title":"Criticism, Emergency","author":"Foster H.","year":"2015","unstructured":"H. Foster. (2015). Bad New Days: Art, Criticism, Emergency. Verso, London."},{"key":"e_1_3_2_1_32_1","volume-title":"Oliver Grau (ed.)","author":"Weibel P.","year":"2011","unstructured":"P. Weibel. (2011). \"Web 2.0 and the Museum.\" In Imagery in the 21st Century, Oliver Grau (ed.). MIT Press, Cambridge, MA; London."}],"event":{"name":"ARTECH 2019: 9th International Conference on Digital and Interactive Arts","acronym":"ARTECH 2019","location":"Braga Portugal"},"container-title":["Proceedings of the 9th International Conference on Digital and Interactive Arts"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3359852.3359903","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3359852.3359903","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T23:45:05Z","timestamp":1750203905000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3359852.3359903"}},"subtitle":["Digital (Im)materiality, Artistic Medium, and Media Art Decay"],"short-title":[],"issued":{"date-parts":[[2019,10,23]]},"references-count":32,"alternative-id":["10.1145\/3359852.3359903","10.1145\/3359852"],"URL":"https:\/\/doi.org\/10.1145\/3359852.3359903","relation":{},"subject":[],"published":{"date-parts":[[2019,10,23]]},"assertion":[{"value":"2020-02-13","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}