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This article speculates about robotic objects for one non-utilitarian behavior and its implications: destruction. Robots and objects for destruction have a shared history of embodiment and heavily rely on their embodiment for interaction. Yet the topic of destruction is not very common in the field of human-robot interaction (HRI). Thus, we (1) present a survey of ethnographic investigations that show modes of HRI related to destruction, and (2) develop speculative concepts of interaction that demonstrate these ideas in HRI. By exemplifying a broad range of speculative uses of destruction in HRI and grounding it in literature, we hope this theoretical and conceptual article will bring a fresh perspective on alternative interactions with robots.<\/jats:p>","DOI":"10.1145\/3385007","type":"journal-article","created":{"date-parts":[[2020,6,18]],"date-time":"2020-06-18T22:20:55Z","timestamp":1592518855000},"page":"1-19","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":35,"title":["Destruction, Catharsis, and Emotional Release in Human-Robot Interaction"],"prefix":"10.1145","volume":"9","author":[{"given":"Michal","family":"Luria","sequence":"first","affiliation":[{"name":"Human-Computer Interaction Institute, Carnegie Mellon University, Pittsburgh, PA"}]},{"given":"Ophir","family":"Sheriff","sequence":"additional","affiliation":[{"name":"Visual Communication, Bezalel Academy of Arts and Design, Jerusalem, Israel"}]},{"given":"Marian","family":"Boo","sequence":"additional","affiliation":[{"name":"Independent Artist"}]},{"given":"Jodi","family":"Forlizzi","sequence":"additional","affiliation":[{"name":"Human-Computer Interaction Institute, Carnegie Mellon University, Pittsburgh, PA"}]},{"given":"Amit","family":"Zoran","sequence":"additional","affiliation":[{"name":"School of Computer Science and Engineering, Hebrew University, Jerusalem, Israel"}]}],"member":"320","published-online":{"date-parts":[[2020,6,18]]},"reference":[{"key":"e_1_2_1_1_1","unstructured":"Claude Alphonso Alvares. 1980. 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