{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,9,24]],"date-time":"2025-09-24T10:20:16Z","timestamp":1758709216069,"version":"3.41.0"},"reference-count":13,"publisher":"Association for Computing Machinery (ACM)","issue":"2","license":[{"start":{"date-parts":[[2021,7,30]],"date-time":"2021-07-30T00:00:00Z","timestamp":1627603200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":["Proc. ACM Comput. Graph. Interact. Tech."],"published-print":{"date-parts":[[2021,7,30]]},"abstract":"<jats:p>It is generally accepted that Jan van Eyck was unaware of perspective. However, an a-contrario analysis of the vanishing points in five of his paintings, realized between 1432 and 1439, unveils a recurring fishbone-like pattern that could only emerge from the use of a polyscopic perspective machine with two degrees of freedom. A 3D reconstruction of Arnolfini Portrait compliant with this pattern suggests that van Eyck's device answered a both aesthetic and scientific questioning on how to represent space as closely as possible to human vision. This discovery makes van Eyck the father of today's immersive and nomadic creative media such as augmented reality and synthetic holography.<\/jats:p>","DOI":"10.1145\/3465623","type":"journal-article","created":{"date-parts":[[2021,8,2]],"date-time":"2021-08-02T14:38:35Z","timestamp":1627915115000},"page":"1-8","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":1,"title":["Jan van Eyck's Perspectival System Elucidated Through Computer Vision"],"prefix":"10.1145","volume":"4","author":[{"given":"Gilles","family":"Simon","sequence":"first","affiliation":[{"name":"Universit\u00e9 de Lorraine, CNRS, Inria, LORIA, Nancy, France"}]}],"member":"320","published-online":{"date-parts":[[2021,8,2]]},"reference":[{"key":"e_1_2_2_1_1","volume-title":"and Transl.)","author":"Alberti Leon Battista","year":"2011","unstructured":"Leon Battista Alberti and Rocco Sinisgalli (Ed. and Transl.) . 2011 . On Painting : A New Translation and Critical Edition. Cambridge University Press , Cambridge, UK. Leon Battista Alberti and Rocco Sinisgalli (Ed. and Transl.). 2011. On Painting: A New Translation and Critical Edition. Cambridge University Press, Cambridge, UK."},{"key":"e_1_2_2_2_1","unstructured":"Rachel Billinge and Lorne Campbell. 1995. The infra-red reflectograms of Jan van Eyck's portrait of Giovanni(?) Arnolfini and his wife Giovanna Cenami(?). National Gallery Technical Bulletin 16.  Rachel Billinge and Lorne Campbell. 1995. The infra-red reflectograms of Jan van Eyck's portrait of Giovanni(?) Arnolfini and his wife Giovanna Cenami(?). National Gallery Technical Bulletin 16."},{"key":"e_1_2_2_3_1","volume-title":"Proceedings of the 17th International Conference on Pattern Recognition (ICPR","author":"Criminisi Antonio","year":"2004","unstructured":"Antonio Criminisi and David G. Stork . 2004. Did the great masters use optical projections while painting? Perspective comparison of paintings and photographs of Renaissance chandeliers . In Proceedings of the 17th International Conference on Pattern Recognition (ICPR 2004 ), 645--648. Antonio Criminisi and David G. Stork. 2004. Did the great masters use optical projections while painting? Perspective comparison of paintings and photographs of Renaissance chandeliers. In Proceedings of the 17th International Conference on Pattern Recognition (ICPR 2004), 645--648."},{"key":"e_1_2_2_4_1","doi-asserted-by":"publisher","DOI":"10.1023\/A:1026598000963"},{"key":"e_1_2_2_5_1","volume-title":"Proceedings of the 8th International Symposium on Display Holography (ISDH","author":"Desbiens Jacques","year":"2009","unstructured":"Jacques Desbiens . 2009 . The perspectives of synthetic holography . In Proceedings of the 8th International Symposium on Display Holography (ISDH 2009). Jacques Desbiens. 2009. The perspectives of synthetic holography. In Proceedings of the 8th International Symposium on Display Holography (ISDH 2009)."},{"key":"e_1_2_2_6_1","doi-asserted-by":"publisher","DOI":"10.2307\/3045778"},{"key":"e_1_2_2_7_1","unstructured":"Vladimir Geroimenko (Ed.). 2018. Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium. Springer International Publishing.  Vladimir Geroimenko (Ed.). 2018. Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium. Springer International Publishing."},{"key":"e_1_2_2_8_1","doi-asserted-by":"publisher","DOI":"10.2307\/1482990"},{"volume-title":"The Life of Brunelleschi","author":"di Tuccio Manetti Antonio","key":"e_1_2_2_9_1","unstructured":"Antonio di Tuccio Manetti , Howard Saalman , and Catherine Enggass ( Transl .). 1970. The Life of Brunelleschi . Pennsylvania State University Press , University Park, PA . Antonio di Tuccio Manetti, Howard Saalman, and Catherine Enggass (Transl.). 1970. The Life of Brunelleschi. Pennsylvania State University Press, University Park, PA."},{"key":"e_1_2_2_10_1","volume-title":"Johan De Smet","author":"Martens Maximiliaan","year":"2020","unstructured":"Maximiliaan Martens , Till-Holger Borchert , Jan Dumolyn , Johan De Smet , and Frederica Van Dam (Eds.). 2020 . Van Eyck. Thames & Hudson, London, UK. Maximiliaan Martens, Till-Holger Borchert, Jan Dumolyn, Johan De Smet, and Frederica Van Dam (Eds.). 2020. Van Eyck. Thames & Hudson, London, UK."},{"key":"e_1_2_2_11_1","unstructured":"Erwin Panofsky. 1927. Die Perspektive \u00abals symbolische Form.\u00bb Lectures of the Warburg Library Leipzig\/Berlin.  Erwin Panofsky. 1927. Die Perspektive \u00abals symbolische Form.\u00bb Lectures of the Warburg Library Leipzig\/Berlin."},{"volume-title":"From Gestalt Theory to Image Analysis: A Probabilistic Approach","author":"Desolneux Agn\u00e8s","key":"e_1_2_2_12_1","unstructured":"Agn\u00e8s Desolneux , Lionel Moisan , and Jean-Michel Morel . 2008. From Gestalt Theory to Image Analysis: A Probabilistic Approach . Springer-Verlag . Agn\u00e8s Desolneux, Lionel Moisan, and Jean-Michel Morel. 2008. From Gestalt Theory to Image Analysis: A Probabilistic Approach. Springer-Verlag."},{"key":"e_1_2_2_13_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-030-01249-6_20"}],"container-title":["Proceedings of the ACM on Computer Graphics and Interactive Techniques"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3465623","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3465623","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T20:17:42Z","timestamp":1750191462000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3465623"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2021,7,30]]},"references-count":13,"journal-issue":{"issue":"2","published-print":{"date-parts":[[2021,7,30]]}},"alternative-id":["10.1145\/3465623"],"URL":"https:\/\/doi.org\/10.1145\/3465623","relation":{},"ISSN":["2577-6193"],"issn-type":[{"type":"electronic","value":"2577-6193"}],"subject":[],"published":{"date-parts":[[2021,7,30]]},"assertion":[{"value":"2021-08-02","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}