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It has become the \u201cdocument\u201d most in demand today by historians, curators, and art restorers to carry out their work based on a \u201cdigital twin,\u201d that is, a totally reliable and accurate model of the object in question. Thanks to 3D scanning, we can preserve reliable models in digital format of the real state of our heritage, some of which are currently destroyed. The first step is to digitize our heritage with the highest possible quality and precision. To do this, it will be necessary to identify the most appropriate technique. In this article, we will show some of the main digitization techniques currently used in sculpture heritage and the workflows associated with them to obtain high-quality models. Finally, a complete comparative analysis will be made to show their main advantages and disadvantages.<\/jats:p>","DOI":"10.1145\/3469126","type":"journal-article","created":{"date-parts":[[2021,12,14]],"date-time":"2021-12-14T20:02:38Z","timestamp":1639512158000},"page":"1-23","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":29,"title":["Comparative Analysis Between the Main 3D Scanning Techniques: Photogrammetry, Terrestrial Laser Scanner, and Structured Light Scanner in Religious Imagery: The Case of The Holy Christ of the Blood"],"prefix":"10.1145","volume":"15","author":[{"given":"Rafael Melendreras","family":"Ruiz","sequence":"first","affiliation":[{"name":"Universidad Cat\u00f3lica San Antonio de Murcia (UCAM), Guadalupe, Murcia, Espa\u00f1a"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Ma Teresa Mar\u00edn","family":"Torres","sequence":"additional","affiliation":[{"name":"Universidad de Murcia, Murcia, Espa\u00f1a"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Paloma S\u00e1nchez","family":"Allegue","sequence":"additional","affiliation":[{"name":"Dronica Servicios A\u00e9reos, Guadalupe, Murcia, Espa\u00f1a"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"320","published-online":{"date-parts":[[2021,12,14]]},"reference":[{"key":"e_1_3_1_2_2","doi-asserted-by":"publisher","DOI":"10.1111\/phor.12063"},{"key":"e_1_3_1_3_2","doi-asserted-by":"publisher","DOI":"10.1109\/VSMM.2014.7136681"},{"key":"e_1_3_1_4_2","doi-asserted-by":"publisher","DOI":"10.5194\/isprsarchives-XL-5-W4-101-2015"},{"key":"e_1_3_1_5_2","doi-asserted-by":"publisher","DOI":"10.5194\/isprs-archives-XLII-2-W18-135-2019"},{"key":"e_1_3_1_6_2","doi-asserted-by":"publisher","DOI":"10.1002\/ajpa.22468"},{"key":"e_1_3_1_7_2","doi-asserted-by":"publisher","DOI":"10.1016\/j.jasrep.2016.06.028"},{"key":"e_1_3_1_8_2","doi-asserted-by":"publisher","DOI":"10.5194\/isprs-archives-XLIII-B2-2020-1403-2020"},{"issue":"1","key":"e_1_3_1_9_2","first-page":"161","article-title":"Escultores extranjeros maestros del gremio de carpinteros de Valencia: Nicol\u00e1s de Bussy, Julio Capuz y Francisco Stolf","volume":"76","author":"Mar\u00eda Buch\u00f3n Ana","year":"2000","unstructured":"Ana Mar\u00eda Buch\u00f3n. 2000. 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