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Virtual Sound: Examining Glitch and Production. Contemporary Music Review. 2003. p.46.","journal-title":"Review."},{"volume-title":"The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music.\u00a0Computer Music Journal","author":"Cascone Kim","key":"e_1_3_2_1_2_1","unstructured":"Cascone, Kim. The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music.\u00a0Computer Music Journal, Vol. 24, No. 4. 2000. p.13."},{"key":"e_1_3_2_1_3_1","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/7999.001.0001"},{"key":"e_1_3_2_1_4_1","first-page":"551","volume-title":"London","author":"Cox Christoph","year":"2017","unstructured":"Cox, Christoph, and Daniel Warner.\u00a0Audio Culture: Readings in Modern Music.\u00a0Bloomsbury Academic, London, 2017. p.551."},{"key":"e_1_3_2_1_5_1","volume-title":"Haunted Nostalgia and the Aesthetics of Technological Decay: Hauntology and Super 8 in Sinister. 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Critical Studies in Media Communication. 2017. p.320."},{"key":"e_1_3_2_1_17_1","unstructured":"Ibid."},{"key":"e_1_3_2_1_18_1","volume-title":"bugs, and hisses: the degeneration of musical recordings and the contemporary musical work","author":"Bates Eliot","year":"2004","unstructured":"Bates, Eliot. Glitches, bugs, and hisses: the degeneration of musical recordings and the contemporary musical work. Routledge, New York. 2004. p.220."},{"key":"e_1_3_2_1_19_1","unstructured":"Ibid; p.221."},{"key":"e_1_3_2_1_20_1","volume-title":"A Glitch in Time: How oval's 1995 ambient masterpiece predicted our digital present. Pitchfork","author":"Richardson Mark","year":"2015","unstructured":"Richardson, Mark. A Glitch in Time: How oval's 1995 ambient masterpiece predicted our digital present. Pitchfork. 2015. Web. (https:\/\/pitchfork.com\/features\/resonant-frequency\/9730-a-glitch-in-time-how-ovals-1995-ambient-masterpiece-predicted-our-digital-present\/) [Accessed 10.03.2020]"},{"key":"e_1_3_2_1_21_1","unstructured":"Ibid."},{"key":"e_1_3_2_1_22_1","volume-title":"The Glitch Aesthetic. Department of Communication","author":"Jackson Rebecca","year":"2011","unstructured":"Jackson, Rebecca. The Glitch Aesthetic. Department of Communication. Georgia State University. 2011. p.13."},{"key":"e_1_3_2_1_23_1","volume-title":"Pop Culture's Addiction to its Own Past.\u00a0Faber","author":"Reynolds Simon","year":"2011","unstructured":"Reynolds, Simon.\u00a0Retromania: Pop Culture's Addiction to its Own Past.\u00a0Faber, London. 2011. p.313."},{"volume-title":"The Metaphysics of Crackle: Afrofuturism and Hauntology.\u00a0Dancecult","author":"Fisher Mark","key":"e_1_3_2_1_24_1","unstructured":"Fisher, Mark. The Metaphysics of Crackle: Afrofuturism and Hauntology.\u00a0Dancecult, Vol. 5, No. 2. 2013. p.45."},{"key":"e_1_3_2_1_25_1","unstructured":"Ibid; p.47."},{"key":"e_1_3_2_1_26_1","volume-title":"Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures.\u00a0Zero Books","author":"Fisher Mark","year":"2014","unstructured":"Fisher, Mark. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures.\u00a0Zero Books, Winchester, UK. 2014. p.21."},{"volume-title":"The Metaphysics of Crackle: Afrofuturism and Hauntology.\u00a0Dancecult","author":"Fisher Mark","key":"e_1_3_2_1_27_1","unstructured":"Fisher, Mark. The Metaphysics of Crackle: Afrofuturism and Hauntology.\u00a0Dancecult, Vol. 5, No. 2. 2013. p.48."},{"key":"e_1_3_2_1_28_1","volume-title":"Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures.\u00a0Zero Books","author":"Fisher Mark","year":"2014","unstructured":"Fisher, Mark. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures.\u00a0Zero Books, Winchester, UK. 2014. p.107."},{"key":"e_1_3_2_1_29_1","unstructured":"Ibid; p.144."},{"key":"e_1_3_2_1_30_1","volume-title":"Hauntologists mine the past for music's future. BoingBoing","author":"Pilkington Mark","year":"2012","unstructured":"Pilkington, Mark. Hauntologists mine the past for music's future. BoingBoing. 2012. Web. (https:\/\/boingboing.net\/2012\/10\/12\/hauntologists-mine-the-past-fo.html) [Accessed 07.10.2020]"},{"key":"e_1_3_2_1_31_1","volume-title":"We're living in a digital world, but analog is making a comeback. Vox","author":"O'Donnell Bob","year":"2017","unstructured":"O'Donnell, Bob. We're living in a digital world, but analog is making a comeback. Vox. 2017. Web. (https:\/\/www.vox.com\/2017\/5\/2\/15518900\/digital-analog-rediscover-tactile-physical-experiences-vinyl-print) [Accessed 10.03.2020]"},{"key":"e_1_3_2_1_32_1","first-page":"271","volume-title":"The Sound of Malfunction.\u00a0MIT Press","author":"Kelly Caleb","year":"2009","unstructured":"Kelly, Caleb.\u00a0Cracked Media: The Sound of Malfunction.\u00a0MIT Press, Cambridge, Mass. 2009. pp.270\/271."},{"key":"e_1_3_2_1_33_1","unstructured":"Ibid."},{"key":"e_1_3_2_1_34_1","unstructured":"Ibid; p.73."},{"key":"e_1_3_2_1_35_1","first-page":"397","volume-title":"London","author":"Cox Christoph","year":"2017","unstructured":"Cox, Christoph, and Daniel Warner.\u00a0Audio Culture: Readings in Modern Music.\u00a0Bloomsbury Academic, London, 2017. p.397."},{"key":"e_1_3_2_1_36_1","doi-asserted-by":"crossref","unstructured":"Hogarty Jean.\u00a0Popular Music and Retro Culture in the Digital Era.\u00a0Routledge London. 2016. p.33.","DOI":"10.4324\/9781315559926"},{"key":"e_1_3_2_1_37_1","volume-title":"Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures.\u00a0Zero Books","author":"Fisher Mark","year":"2014","unstructured":"Fisher, Mark. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures.\u00a0Zero Books, Winchester, UK. 2014. p.144."},{"key":"e_1_3_2_1_38_1","volume-title":"Pop Culture's Addiction to its Own Past.\u00a0Faber","author":"Reynolds Simon","year":"2011","unstructured":"Reynolds, Simon.\u00a0Retromania: Pop Culture's Addiction to its Own Past.\u00a0Faber, London. 2011. p.xi."},{"key":"e_1_3_2_1_39_1","unstructured":"Ibid; p.57."},{"key":"e_1_3_2_1_40_1","unstructured":"Ibid; p.361."},{"key":"e_1_3_2_1_41_1","unstructured":"Ibid; p.323."},{"volume-title":"The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music.\u00a0Computer Music Journal","author":"Cascone Kim","key":"e_1_3_2_1_42_1","unstructured":"Cascone, Kim. The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music.\u00a0Computer Music Journal, Vol. 24, No. 4. 2000. p.12."},{"key":"e_1_3_2_1_43_1","unstructured":"Ibid; p.13."},{"key":"e_1_3_2_1_44_1","unstructured":"Ibid."},{"key":"e_1_3_2_1_45_1","volume-title":"\u00a0Undercurrents: The Hidden Wiring of Modern Music.\u00a0Continuum","author":"Young Rob","year":"2002","unstructured":"Young, Rob (Ed.)\u00a0Undercurrents: The Hidden Wiring of Modern Music.\u00a0Continuum, London. 2002. p.50."},{"key":"e_1_3_2_1_46_1","volume-title":"London","author":"Toop David","year":"2010","unstructured":"Toop, David.\u00a0Sinister Resonance: The Mediumship of the Listener.\u00a0Continuum, London; New York. 2010. p.xv."},{"key":"e_1_3_2_1_47_1","unstructured":"Ibid; p.59."},{"key":"e_1_3_2_1_48_1","volume-title":"No.21.","author":"Kane Carolyn","year":"2014","unstructured":"Kane, Carolyn. Compression Aesthetics: Glitch from the Avant-Garde to Kanye West.\u00a0InVisible Culture, No.21. 2014. p.6."},{"key":"e_1_3_2_1_49_1","first-page":"47","author":"Vanhanen Janne","year":"2003","unstructured":"Vanhanen, Janne. Virtual Sound: Examining Glitch and Production. Contemporary Music Review. 2003. p.47.","journal-title":"Review."},{"key":"e_1_3_2_1_50_1","volume-title":"bugs, and hisses: the degeneration of musical recordings and the contemporary musical work","author":"Bates Eliot","year":"2004","unstructured":"Bates, Eliot. Glitches, bugs, and hisses: the degeneration of musical recordings and the contemporary musical work. Routledge, New York. 2004. p.212."},{"key":"e_1_3_2_1_51_1","volume-title":"\u00a0Undercurrents: The Hidden Wiring of Modern Music.\u00a0Continuum","author":"Young Rob","year":"2002","unstructured":"Young, Rob (Ed.)\u00a0Undercurrents: The Hidden Wiring of Modern Music.\u00a0Continuum, London. 2002. p.49\/50."},{"key":"e_1_3_2_1_52_1","unstructured":"Ibid."},{"key":"e_1_3_2_1_53_1","volume-title":"K-Punk: The Collected and Unpublished Writings of Mark Fisher","author":"Fisher Mark","year":"2018","unstructured":"Fisher, Mark. K-Punk: The Collected and Unpublished Writings of Mark Fisher. Repeater Books, London. 2018. p.362."},{"key":"e_1_3_2_1_54_1","unstructured":"Ibid."},{"key":"e_1_3_2_1_55_1","doi-asserted-by":"crossref","unstructured":"Foster Hal.\u00a0Postmodern Culture.\u00a0Pluto London. 1985. p.113.","DOI":"10.1017\/S003082690062310X"},{"key":"e_1_3_2_1_56_1","unstructured":"Ibid."},{"key":"e_1_3_2_1_57_1","unstructured":"Ibid; p.115."},{"volume-title":"Weird Britain in Exile: Ghost Box, Hauntology, and Alternative Heritage.\u00a0Popular Music and Society","author":"Sexton Jamie","key":"e_1_3_2_1_58_1","unstructured":"Sexton, Jamie. Weird Britain in Exile: Ghost Box, Hauntology, and Alternative Heritage.\u00a0Popular Music and Society, Vol. 35, No. 4. 2012. p.563."},{"key":"e_1_3_2_1_59_1","unstructured":"Ibid; p.564."},{"key":"e_1_3_2_1_60_1","volume-title":"The Age of Musical Reproduction and John Oswald's Plunderphonics","author":"G\u00fcnal Atakan","year":"2010","unstructured":"G\u00fcnal, Atakan. The Age of Musical Reproduction and John Oswald's Plunderphonics. 2010. Web. p.7."},{"key":"e_1_3_2_1_61_1","unstructured":"Ibid; p.4."},{"key":"e_1_3_2_1_62_1","volume-title":"The Vaporwave Aesthetic \u2013 Ironic Nostalgia. Sound on time","author":"Bacon Redmond","year":"2018","unstructured":"Bacon, Redmond. The Vaporwave Aesthetic \u2013 Ironic Nostalgia. Sound on time. 2018. Web. (https:\/\/soundontime.com\/vaporwave-aesthetic\/) [Accessed 06.05.2020]"},{"key":"e_1_3_2_1_63_1","volume-title":"Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures.\u00a0Zero Books","author":"Fisher Mark","year":"2014","unstructured":"Fisher, Mark. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures.\u00a0Zero Books, Winchester, UK. 2014. p.2."},{"key":"e_1_3_2_1_64_1","volume-title":"Vaporwave: The Musical Wallpaper of Lost Futures. CCCBLAB","author":"Horta Arnau","year":"2017","unstructured":"Horta, Arnau. Vaporwave: The Musical Wallpaper of Lost Futures. CCCBLAB. 2017. Web. (http:\/\/lab.cccb.org\/en\/vaporwave-the-musical-wallpaper-of-lost-futures\/) [Accessed 07.10.2020]"},{"key":"e_1_3_2_1_65_1","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress\/7999.001.0001"},{"key":"e_1_3_2_1_66_1","volume-title":"Sound Culture and Everyday Life.\u00a0Continuum. London","author":"LaBelle Brandon","year":"2010","unstructured":"LaBelle, Brandon.\u00a0Acoustic Territories: Sound Culture and Everyday Life.\u00a0Continuum. London; New York. 2010. p.xv."},{"key":"e_1_3_2_1_67_1","volume-title":"\u00a0Undercurrents: The Hidden Wiring of Modern Music.\u00a0Continuum","author":"Young Rob","year":"2002","unstructured":"Young, Rob (Ed.)\u00a0Undercurrents: The Hidden Wiring of Modern Music.\u00a0Continuum, London. 2002. p.47\/48."},{"key":"e_1_3_2_1_68_1","volume-title":"Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures.\u00a0Zero Books","author":"Fisher Mark","year":"2014","unstructured":"Fisher, Mark. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures.\u00a0Zero Books, Winchester, UK. 2014. p.174\/175."},{"key":"e_1_3_2_1_69_1","unstructured":"Ibid; p.175\/176."},{"key":"e_1_3_2_1_70_1","unstructured":"Unknown. The Secret Sadness of the 21st Century: Mark Fisher recommends James Blake's Overgrown. Electronic Beats. N\/D. Web. (https:\/\/www.electronicbeats.net\/mark-fisher-recommends-james-blakes-overgrown\/) [Accessed 07.10.2020]"},{"volume-title":"The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music.\u00a0Computer Music Journal","author":"Cascone Kim","key":"e_1_3_2_1_71_1","unstructured":"Cascone, Kim. The Aesthetics of Failure: Post-Digital Tendencies in Contemporary Computer Music.\u00a0Computer Music Journal, Vol. 24, No. 4. 2000. p.15."},{"key":"e_1_3_2_1_72_1","first-page":"27","volume-title":"London","author":"Cox Christoph","year":"2017","unstructured":"Cox, Christoph, and Daniel Warner.\u00a0Audio Culture: Readings in Modern Music.\u00a0Bloomsbury Academic, London, 2017. p.27."},{"key":"e_1_3_2_1_73_1","volume-title":"London","author":"Miller Paul D","year":"2008","unstructured":"Miller, Paul D. (Ed.)\u00a0Sound Unbound: Sampling Digital Music and Culture.\u00a0MIT, London; Cambridge, Mass. 2008. p.5."},{"key":"e_1_3_2_1_74_1","volume-title":"Basingstoke.","author":"Berry David M","year":"2015","unstructured":"Berry, David M.\u00a0Postdigital Aesthetics: Art, Computation and Design.\u00a0Palgrave Macmillan, Basingstoke. 2015. p.152."},{"key":"e_1_3_2_1_75_1","unstructured":"Ibid; p.1."},{"key":"e_1_3_2_1_76_1","volume-title":"Thoughts on Glitch [Art] v2.0","author":"Briz Nick","year":"2015","unstructured":"Briz, Nick. Thoughts on Glitch [Art] v2.0. 2015."},{"key":"e_1_3_2_1_77_1","volume-title":"\u00a0Undercurrents: The Hidden Wiring of Modern Music.\u00a0Continuum","author":"Young Rob","year":"2002","unstructured":"Young, Rob (Ed.)\u00a0Undercurrents: The Hidden Wiring of Modern Music.\u00a0Continuum, London. 2002. p.49."},{"key":"e_1_3_2_1_78_1","volume-title":"Hauntology: a not-so-new critical manifestation. 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