{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T04:20:05Z","timestamp":1750220405482,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":14,"publisher":"ACM","license":[{"start":{"date-parts":[[2021,10,13]],"date-time":"2021-10-13T00:00:00Z","timestamp":1634083200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2021,10,13]]},"DOI":"10.1145\/3483529.3483672","type":"proceedings-article","created":{"date-parts":[[2022,2,21]],"date-time":"2022-02-21T13:14:44Z","timestamp":1645449284000},"page":"1-8","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Recovering Data from Art-technology"],"prefix":"10.1145","author":[{"given":"Silvia","family":"Laurentiz","sequence":"first","affiliation":[{"name":"University of S\u00e3o Paulo, Brazil"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2022,2,20]]},"reference":[{"key":"e_1_3_2_1_1_1","doi-asserted-by":"publisher","DOI":"10.1162\/002409402760181259"},{"key":"e_1_3_2_1_2_1","volume-title":"Digital Arts and Culture","author":"Shanken Edward A.","year":"2009","unstructured":"Edward A. Shanken, 2009. Reprogramming Systems Aesthetics: A Strategic Historiography. Digital Arts and Culture, December 12-15, 2009, lrvine, California, USA."},{"key":"e_1_3_2_1_3_1","first-page":"30","volume-title":"ARTFORUM","volume":"7","author":"Burnham Jack","year":"1968","unstructured":"Jack Burnham, 1968. Systems Esthetics. ARTFORUM, vol. 7. No. 1. (pp. 30-35)."},{"key":"e_1_3_2_1_4_1","unstructured":"Jack Burnham 1970. Notes on art and information processing. In Software \u2013 Information technology: its new meaning for art exhibition catalogue (pp. 10-14)."},{"key":"e_1_3_2_1_5_1","volume-title":"Contemporary Art and New Media - Digital Divide or Hybrid Discourse? A Companion to Digital Art","author":"Shanken Edward A.","year":"2016","unstructured":"Edward A. Shanken, 2016. Contemporary Art and New Media - Digital Divide or Hybrid Discourse? A Companion to Digital Art, First Edition. Edited by Christiane Paul. \u00a9 2016 John Wiley & Sons, Inc. Published 2016 by John Wiley & Sons, Inc."},{"volume-title":"ICA","author":"Reichardt Jasia","key":"e_1_3_2_1_6_1","unstructured":"Jasia Reichardt (ed.), 1968. Cybernetic Serendipity \u2013 the computer and the arts. Studio International, special issue, ICA"},{"key":"e_1_3_2_1_7_1","volume-title":"Art after philosophy and after: collected writings","author":"Kosuth Joseph","year":"1966","unstructured":"Joseph Kosuth, 1991. Art after philosophy and after: collected writings, 1966-1990. The MIT Press, EUA."},{"volume-title":"The Museum of Modern Art","author":"Licht Jennifer","key":"e_1_3_2_1_8_1","unstructured":"Jennifer Licht, 1968. Press Realese exhibition The Machine as Seen at the End of the Mechanical Age, The Museum of Modern Art, New York moma_press-release_326596.pdf. Available from https:\/\/assets.moma.org\/documents\/moma_press-release_326596.pdf (access on 24th Apr 2021)."},{"key":"e_1_3_2_1_9_1","unstructured":"Catherine Mason 2018. Cybernetic Serendipity: History and Lasting Legacy in Studio International published 11.03.2018. Available from https:\/\/www.studiointernational.com\/index.php\/cybernetic-serendipity-history-and-lasting-legacy (access on 24th Apr 2021)."},{"key":"e_1_3_2_1_10_1","unstructured":"Franciele F. dos Santos 2015. A contribui\u00e7\u00e3o de exposi\u00e7\u00f5es de arte ci\u00eancia e tecnologia a partir de 1968 para a historiografia da arte contempor\u00e2nea Tese (Doutorado em Artes) Universidade de Bras\u00edlia Bras\u00edlia."},{"key":"e_1_3_2_1_11_1","first-page":"39","volume-title":"S\u00e3o Paulo, v. 8, n. 16","author":"Bernardino Paulo","year":"2010","unstructured":"Paulo Bernardino, 2015. Arte e tecnologia: intersec\u00e7\u00f5es. ARS (S\u00e3o Paulo), S\u00e3o Paulo, v. 8, n. 16, p. 39-63, 2010. Available from http:\/\/www.scielo.br\/scielo.php?script=sci_arttext&pid=S1678-53202010000200004&lng=en&nrm=iso (access on 24th Apr. 2021)."},{"key":"e_1_3_2_1_12_1","volume-title":"Artnews.com","author":"Caplan Lindsay","year":"2020","unstructured":"Lindsay Caplan, 2020. The Social Conscience of Generative Art in Art in America, Artnews.com, January 5, 2020. Available from https:\/\/www.artnews.com\/art-in-america\/features\/max-bense-gustav-metzger-generative-art-1202674265\/ (access on Apr 2021). This article appears under the title \u201cThe Social Conscience of Generative Art\u201d in the January 2020 issue, pp. 50\u201357."},{"key":"e_1_3_2_1_13_1","volume-title":": The Johns Hopkins University Press","author":"Landow George","year":"1997","unstructured":"George Landow, 1997. Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology, Ed.: The Johns Hopkins University Press; second edition (5 setembro 1997)."},{"key":"e_1_3_2_1_14_1","unstructured":"Paulo Laurentiz 1991. A Holarquia do Pensamento Art\u00edstico Ed. Unicamp: Campinas Brazil."}],"event":{"name":"ARTECH 2021: 10th International Conference on Digital and Interactive Arts","acronym":"ARTECH 2021","location":"Aveiro, Portugal Portugal"},"container-title":["10th International Conference on Digital and Interactive Arts"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3483529.3483672","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3483529.3483672","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T20:18:58Z","timestamp":1750191538000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3483529.3483672"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2021,10,13]]},"references-count":14,"alternative-id":["10.1145\/3483529.3483672","10.1145\/3483529"],"URL":"https:\/\/doi.org\/10.1145\/3483529.3483672","relation":{},"subject":[],"published":{"date-parts":[[2021,10,13]]},"assertion":[{"value":"2022-02-20","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}