{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T04:20:06Z","timestamp":1750220406505,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":37,"publisher":"ACM","license":[{"start":{"date-parts":[[2021,10,13]],"date-time":"2021-10-13T00:00:00Z","timestamp":1634083200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2021,10,13]]},"DOI":"10.1145\/3483529.3483690","type":"proceedings-article","created":{"date-parts":[[2022,2,21]],"date-time":"2022-02-21T13:14:44Z","timestamp":1645449284000},"page":"1-8","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Immanent Curiosity\/Creativity in Science, Art, and Politics"],"prefix":"10.1145","author":[{"given":"Jorge","family":"Tavares Ribeiro","sequence":"first","affiliation":[{"name":"University of Lisbon, Portugal"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Henrique","family":"Garcia Pereira","sequence":"additional","affiliation":[{"name":"University of Lisbon, Portugal"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Leonel","family":"Moura","sequence":"additional","affiliation":[{"name":"Bebot Association Portugal, Portugal"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2022,2,20]]},"reference":[{"volume-title":"The God Delusion","author":"Dawkins R.","key":"e_1_3_2_1_1_1","unstructured":"R. Dawkins. 2006. The God Delusion. Bantam Press, London"},{"key":"e_1_3_2_1_2_1","unstructured":"F. Lenoir. 2017. Le Miracle Spinoza. Fayard Paris"},{"key":"e_1_3_2_1_3_1","unstructured":"M. Foucault. 1984. Curiosity is a vice that has been stigmatized in turn. Semiotext New York"},{"key":"e_1_3_2_1_4_1","unstructured":"P. Ball. 2012. Curiosity. The Bodley Head London"},{"volume-title":"De re metallica, translation from the Latin edition and preface by H.C. Hoover and L.H. Hoover","author":"Agricola G.","key":"e_1_3_2_1_5_1","unstructured":"G. Agricola. 1950. De re metallica, translation from the Latin edition and preface by H.C. Hoover and L.H. Hoover. Dover Publications, New York"},{"volume-title":"Homo Ludens: a study of the play-element in culture","author":"Huizinga J.","key":"e_1_3_2_1_6_1","unstructured":"J. Huizinga. 1955. Homo Ludens: a study of the play-element in culture. Beacon Press, Boston"},{"key":"e_1_3_2_1_7_1","volume-title":"New York Times","author":"Friedman T.","year":"2014","unstructured":"T. Friedman. 2014. The square People. New York Times, May 13, 2014"},{"volume-title":"Left brain","author":"Corballis M.","key":"e_1_3_2_1_8_1","unstructured":"M. Corballis. 2014. Left brain, Right Brain: Facts and Fantasies. PLoS Biol. 12(1)"},{"key":"e_1_3_2_1_9_1","unstructured":"Bansky. 2006. Wall and Peace. Century London"},{"key":"e_1_3_2_1_10_1","unstructured":"N. G. Canclini. 2001. Culturas hibridas. Paid\u00f3s Buenos Aires"},{"volume-title":"or, what Pythagoras wrought","author":"Dudley U.","key":"e_1_3_2_1_11_1","unstructured":"U. Dudley. 1997. Numerology, or, what Pythagoras wrought. American Mathematical Society, New York"},{"key":"e_1_3_2_1_12_1","unstructured":"J. Turney (Ed.). 2003. Sience not art Marcus du Sautoy Calouste Gulbenkian Foundation London"},{"key":"e_1_3_2_1_13_1","unstructured":"H.G. Pereira A.J. Sousa J.T. Ribeiro A.R. Salgueiro and P. Dowd. 2015. Correspondence analysis as a modeling tool. IST Press Lisboa"},{"key":"e_1_3_2_1_14_1","unstructured":"A. Manguel. 2020. Ler imagens. Edi\u00e7\u00f5es 70 Lisboa"},{"volume-title":"Tentative d\u2019\u00e9puisement d'un lieu parisien","author":"Perec G.","key":"e_1_3_2_1_15_1","unstructured":"G. Perec. 2003. Tentative d\u2019\u00e9puisement d'un lieu parisien. Christian Bourgeois Ed., Paris"},{"key":"e_1_3_2_1_16_1","unstructured":"L. Moura and H.G. Pereira. 2004. Man and robots: Symbiotic Art. Institut d'Art Contemporain Villeurbanne"},{"key":"e_1_3_2_1_17_1","unstructured":"L. Moura and H.G. Pereira. 2004. Symbiotic art Manifesto http:\/\/www.leonelmoura.com\/symbiotic-art-manifesto\/"},{"key":"e_1_3_2_1_18_1","unstructured":"U. Pratt. 1996. Il desiderio di essere inutile. Lizard Roma"},{"key":"e_1_3_2_1_19_1","doi-asserted-by":"crossref","unstructured":"M. Dorigo E. Bonabeaub and G. Theraulaz. 2000. Ant algorithms and stigmergy Future Generation Computer Systems 16","DOI":"10.1016\/S0167-739X(00)00041-8"},{"key":"e_1_3_2_1_20_1","first-page":"03","article-title":"La distinction entre science engag\u00e9e et id\u00e9ologie: les le\u00e7ons de Bourdieu","volume":"31","author":"Sapiro G.","year":"2021","unstructured":"G. Sapiro. 2021. La distinction entre science engag\u00e9e et id\u00e9ologie: les le\u00e7ons de Bourdieu. AOC, 31.03.2021","journal-title":"AOC"},{"key":"e_1_3_2_1_21_1","first-page":"7","article-title":"La science doit \u00eatre un bien commun. La recherche","volume":"2021","author":"Gupta A.K.","year":"2021","unstructured":"A.K. Gupta. 2021. La science doit \u00eatre un bien commun. La recherche, Fev.\/Avr 2021, p. 7-12","journal-title":"Fev.\/Avr"},{"key":"e_1_3_2_1_22_1","first-page":"553","volume-title":"International Journal of the Commons","volume":"14","author":"Rose C.M.","unstructured":"C.M. Rose. Thinking about the Commons. International Journal of the Commons, Vol. 14 (1), p. 553-556"},{"key":"e_1_3_2_1_23_1","volume-title":"Einstein, Picasso: Space, time and the beauty that causes havoc","author":"Miller A.","year":"2001","unstructured":"A. Miller. 2001. Einstein, Picasso: Space, time and the beauty that causes havoc. Basic Books, New York"},{"key":"e_1_3_2_1_24_1","volume-title":"Music: Shifts in Frontal Brain Asymmetry Mark Periods of Musical Change Front. Psychol.","author":"Arjmand H.","year":"2017","unstructured":"H. Arjmand, J. Hohagen and B. Patonand. 2017. Emotional Responses to Music: Shifts in Frontal Brain Asymmetry Mark Periods of Musical Change Front. Psychol."},{"volume-title":"Arts under pressure","author":"Smiers J.","key":"e_1_3_2_1_25_1","unstructured":"J. Smiers. 2005. Arts under pressure. Zed Books, London"},{"key":"e_1_3_2_1_26_1","unstructured":"N. Klein. 2000. No Logo. Flamingo London"},{"volume-title":"El fuego y la memoria. Sobre arquitectura y energ\u00eda","author":"Fernandez-Galiano L.","key":"e_1_3_2_1_27_1","unstructured":"L. Fernandez-Galiano. 1991. El fuego y la memoria. Sobre arquitectura y energ\u00eda. Alianza Editorial, Madrid"},{"key":"e_1_3_2_1_28_1","unstructured":"R. Margalef. 1980. La Bioesfera entre la termodin\u00e1mica y el juego. Omega Barcelona"},{"key":"e_1_3_2_1_29_1","unstructured":"H. Laborit. 1971. L'homme et la ville. Flammarion Paris"},{"key":"e_1_3_2_1_30_1","unstructured":"B. Mandelbrot. 1975. Les objets fractales: forme hasard et dimension. Flammarion Paris"},{"key":"e_1_3_2_1_31_1","unstructured":"M. Batty and P. Longley. 1994. Fractal Cities - A Geometry of Form and Function. Academic Press London"},{"key":"e_1_3_2_1_32_1","first-page":"149","volume-title":"Art, espace et politique dans la vie gentrifi\u00e9e, Ed. L. Pattaroni","author":"Carmo L.","unstructured":"L. Carmo. Esth\u00e9tiques de la r\u00e9sistance et du recyclage, in Art, espace et politique dans la vie gentrifi\u00e9e, Ed. L. Pattaroni, p. 149-174. MetisPress, Gen\u00e8ve"},{"key":"e_1_3_2_1_33_1","unstructured":"A. Negri and M. Hardt. 2004. Moltitudine. Guerra e democrazia nel nuovo ordine imperiale. Rizzoli Milano"},{"key":"e_1_3_2_1_34_1","unstructured":"A. Negri. 1994. Spinoza subversive. \u00c9ditions KIM\u00c9 Paris"},{"key":"e_1_3_2_1_35_1","unstructured":"J.-F. Martos. 1989. Histoire de l'Internationale Situationniste. Ed. G\u00e9rard Lebovici Paris"},{"volume-title":"The Situationist international. A user's guide","author":"Ford S.","key":"e_1_3_2_1_36_1","unstructured":"S. Ford. 2005. The Situationist international. A user's guide. Black Dog Publishing, London"},{"key":"e_1_3_2_1_37_1","unstructured":"R. Vaneigem. Coronavirus report from France http:\/\/www.notbored.org\/coronavirus.pdf"}],"event":{"name":"ARTECH 2021: 10th International Conference on Digital and Interactive Arts","acronym":"ARTECH 2021","location":"Aveiro, Portugal Portugal"},"container-title":["10th International Conference on Digital and Interactive Arts"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3483529.3483690","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3483529.3483690","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T20:18:58Z","timestamp":1750191538000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3483529.3483690"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2021,10,13]]},"references-count":37,"alternative-id":["10.1145\/3483529.3483690","10.1145\/3483529"],"URL":"https:\/\/doi.org\/10.1145\/3483529.3483690","relation":{},"subject":[],"published":{"date-parts":[[2021,10,13]]},"assertion":[{"value":"2022-02-20","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}