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Comput.-Hum. Interact."],"published-print":{"date-parts":[[2022,12,31]]},"abstract":"<jats:p>\n            <jats:italic>Losing Her Voice<\/jats:italic>\n            is a new opera which highlights the challenges of subtly interweaving digital technologies into established cultural forms. Audience members were encouraged to use their own mobile phones to interact with on-stage projections before, during and after the performance. We chart the trajectories of participation that were designed into the premiere performances of this work, and how these unfolded in practice. We identify the strategies that were effective to: encourage the adoption of the mobile app; interweave use with the other elements of the opera performance; make it consistent with the content; and ensure it complemented but was not essential to the show. We highlight the way in which three canonical trajectories must be woven together in this experience: the standard trajectory of \u201ca night at the opera\u201d; the dramatic arc of the specific work, and the audience member's use of their own device.\n          <\/jats:p>","DOI":"10.1145\/3531007","type":"journal-article","created":{"date-parts":[[2022,6,8]],"date-time":"2022-06-08T09:57:51Z","timestamp":1654682271000},"page":"1-37","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":6,"title":["Crafting Trajectories of Smart Phone Use at the Opera"],"prefix":"10.1145","volume":"29","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-3483-2422","authenticated-orcid":false,"given":"Chris","family":"Greenhalgh","sequence":"first","affiliation":[{"name":"Mixed Reality Lab, University of Nottingham, Nottingham, United Kingdom"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-0286-960X","authenticated-orcid":false,"given":"Adrian","family":"Hazzard","sequence":"additional","affiliation":[{"name":"Mixed Reality Lab, University of Nottingham, Nottingham, United Kingdom"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-8041-2520","authenticated-orcid":false,"given":"Steve","family":"Benford","sequence":"additional","affiliation":[{"name":"Mixed Reality Lab, University of Nottingham, Nottingham, United Kingdom"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-7111-5575","authenticated-orcid":false,"given":"Laurence","family":"Cliffe","sequence":"additional","affiliation":[{"name":"Mixed Reality Lab, University of Nottingham, Nottingham, United Kingdom"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-3627-8699","authenticated-orcid":false,"given":"Elizabeth","family":"Kelly","sequence":"additional","affiliation":[{"name":"Department of Music, University of Nottingham, Nottingham, United Kingdom"}]}],"member":"320","published-online":{"date-parts":[[2022,11,16]]},"reference":[{"key":"e_1_3_2_2_2","first-page":"240","volume-title":"Proceedings of the 2005 Conference on New Interfaces for Musical Expression.","author":"Baird Kevin C.","year":"2005","unstructured":"Kevin C. 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Retrieved June 16 2020 from https:\/\/www.broadwayworld.com\/bwwopera\/article\/On-Site-Opera-To-Launch-Mobile-App-For-Supertitles-20190415."},{"key":"e_1_3_2_13_2","volume-title":"Video Imaging Method and Apparatus for Audience Participation","author":"Carpenter Loren C.","year":"1994","unstructured":"Loren C. Carpenter. 1994. Video Imaging Method and Apparatus for Audience Participation. 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