{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,3,13]],"date-time":"2026-03-13T22:58:02Z","timestamp":1773442682766,"version":"3.50.1"},"reference-count":12,"publisher":"Association for Computing Machinery (ACM)","issue":"1","license":[{"start":{"date-parts":[[2022,12,24]],"date-time":"2022-12-24T00:00:00Z","timestamp":1671840000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":["J. Comput. Cult. Herit."],"published-print":{"date-parts":[[2023,3,31]]},"abstract":"<jats:p>Among the great variety of our Cultural Heritage, photographic and cinematographic materials are fundamental and direct witnesses of the past. As often happens when dealing with materials of cultural interest, even photographic and cinematographic films can undergo severe deterioration, aging, and color fading throughout the time, leading to the need for proper restoration, conservation, and preservation of these materials. In this context, even though the digitization process is becoming more and more essential, analyzing and studying the analog materials remains fundamental to perform a retrieval or a correction faithful to the original material. For this reason, the lack of technical information (especially for the oldest materials) and the absence of open source archives of the producing companies underlines the actual and concrete need for a database of physical, chemical, and sensitometric data of both cinematography and photographic films.<\/jats:p>\n          <jats:p>\n            The aim of this work is the creation and the promotion of FiRe\n            <jats:sup>2<\/jats:sup>\n            , a big and unique database of cinematographic and photographic materials to support the work of conservators, restorers, and researchers, as the availability of information and the cooperation between institutions and professionals are essential for preserving our Cultural Heritage.\n          <\/jats:p>","DOI":"10.1145\/3532520","type":"journal-article","created":{"date-parts":[[2022,7,25]],"date-time":"2022-07-25T12:16:39Z","timestamp":1658751399000},"page":"1-12","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":3,"title":["FiRe\n            <sup>2<\/sup>\n            : An Online Database for Photographic and Cinematographic Film Technical Data"],"prefix":"10.1145","volume":"16","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-4997-2057","authenticated-orcid":false,"given":"Beatrice","family":"Sarti","sequence":"first","affiliation":[{"name":"University of Milan, Milan, Italy"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-6749-0783","authenticated-orcid":false,"given":"Alice","family":"Plutino","sequence":"additional","affiliation":[{"name":"University of Milan, Milan, Italy"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-4438-9815","authenticated-orcid":false,"given":"Arianna","family":"Crespi","sequence":"additional","affiliation":[{"name":"University of Milan, Milan, Italy"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-3486-9719","authenticated-orcid":false,"given":"Giulia","family":"Morabito","sequence":"additional","affiliation":[{"name":"University of Milan, Milan, Italy"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-6240-4383","authenticated-orcid":false,"given":"Alessandro","family":"Rizzi","sequence":"additional","affiliation":[{"name":"University of Milan, Milan, Italy"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2022,12,24]]},"reference":[{"key":"e_1_3_1_2_2","unstructured":"Digital Humanities Lab at the University of Basel. 2021. Historische Kleinbildfilm Datenbank. Retrieved from http:\/\/www.bilderdienst.ch\/."},{"key":"e_1_3_1_3_2","doi-asserted-by":"publisher","DOI":"10.26530\/OAPEN_530353"},{"key":"e_1_3_1_4_2","doi-asserted-by":"publisher","DOI":"10.1353\/mov.2007.0002"},{"key":"e_1_3_1_5_2","unstructured":"Barbara Flueckiger. 2012. Timeline of Historical Film Colors. Retrieved from https:\/\/filmcolors.org\/."},{"key":"e_1_3_1_6_2","doi-asserted-by":"publisher","DOI":"10.1117\/12.205493"},{"key":"e_1_3_1_7_2","unstructured":"Nicola Mazzanti. 2018. Cinema Colors Now and Then. Retrieved from https:\/\/coloursymposium.org\/cinema-colors-now-and-then\/."},{"key":"e_1_3_1_8_2","doi-asserted-by":"publisher","DOI":"10.1002\/9781444320077"},{"key":"e_1_3_1_9_2","volume-title":"La Seduzione Dello Spettro: Storia e Cultura Del Colore Nel Cinema","author":"Pierotti Federico","year":"2012","unstructured":"Federico Pierotti. 2012. La Seduzione Dello Spettro: Storia e Cultura Del Colore Nel Cinema. Genova: Le mani."},{"key":"e_1_3_1_10_2","doi-asserted-by":"publisher","DOI":"10.1111\/cote.12488"},{"key":"e_1_3_1_11_2","unstructured":"Paul Read. 2009. \u2018Unnatural Colours\u2019: An introduction to colouring techniques in silent era movies. In Proceedings of the 4th European Conference on Colour in Graphics Imaging and Vision and 10th International Symposium on Multispectral Colour Science (CGIV\u201908\/MCS\u201908) Terrassa Spain."},{"key":"e_1_3_1_12_2","first-page":"292","volume-title":"Proceedings of the Conference on Colour in Graphics, Imaging, and Vision","volume":"2008","author":"Rizzi Alessandro","year":"2008","unstructured":"Alessandro Rizzi, Lorenzo Gatti, Bal\u00e1zs Kr\u00e1nicz, and Anna Jerry Berolo. 2008. A mixed perceptual and physical-chemical approach for the restoration of faded positive films. In Proceedings of the Conference on Colour in Graphics, Imaging, and Vision, Vol. 2008. Society for Imaging Science and Technology, 292\u2013295."},{"key":"e_1_3_1_13_2","volume-title":"The Chemistry of Photography: From Classical to Digital Technologies","author":"Rogers David","year":"2007","unstructured":"David Rogers. 2007. The Chemistry of Photography: From Classical to Digital Technologies. Royal Society of Chemistry."}],"container-title":["Journal on Computing and Cultural Heritage"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3532520","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3532520","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T19:30:09Z","timestamp":1750188609000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3532520"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2022,12,24]]},"references-count":12,"journal-issue":{"issue":"1","published-print":{"date-parts":[[2023,3,31]]}},"alternative-id":["10.1145\/3532520"],"URL":"https:\/\/doi.org\/10.1145\/3532520","relation":{},"ISSN":["1556-4673","1556-4711"],"issn-type":[{"value":"1556-4673","type":"print"},{"value":"1556-4711","type":"electronic"}],"subject":[],"published":{"date-parts":[[2022,12,24]]},"assertion":[{"value":"2022-02-08","order":0,"name":"received","label":"Received","group":{"name":"publication_history","label":"Publication History"}},{"value":"2022-04-15","order":1,"name":"accepted","label":"Accepted","group":{"name":"publication_history","label":"Publication History"}},{"value":"2022-12-24","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}