{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T04:12:48Z","timestamp":1750219968562,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":47,"publisher":"ACM","license":[{"start":{"date-parts":[[2022,9,6]],"date-time":"2022-09-06T00:00:00Z","timestamp":1662422400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"funder":[{"name":"Royal Academy of Engineering under the Research Chairs and Senior Research Fellowships scheme"},{"name":"EPSRC and AHRC Centre for Doctoral Training in Media and Arts Technology","award":["EP\/L01632X\/1"],"award-info":[{"award-number":["EP\/L01632X\/1"]}]}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2022,9,6]]},"DOI":"10.1145\/3561212.3561230","type":"proceedings-article","created":{"date-parts":[[2022,10,10]],"date-time":"2022-10-10T17:23:19Z","timestamp":1665422599000},"page":"59-66","source":"Crossref","is-referenced-by-count":1,"title":["Sound -&gt; Object -&gt; Gesture: Physical Affordances of Virtual Materials"],"prefix":"10.1145","author":[{"given":"Jonathan","family":"Pigrem","sequence":"first","affiliation":[{"name":"Queen Mary University of London, United Kingdom"}]},{"given":"Andrew","family":"Mcpherson","sequence":"additional","affiliation":[{"name":"Queen Mary University of London, United Kingdom"}]},{"given":"Nick","family":"Bryan-Kinns","sequence":"additional","affiliation":[{"name":"Queen Mary University of London, United Kingdom"}]},{"given":"Robert","family":"Jack","sequence":"additional","affiliation":[{"name":"Bela, United Kingdom"}]}],"member":"320","published-online":{"date-parts":[[2022,10,10]]},"reference":[{"key":"e_1_3_2_2_2_1","doi-asserted-by":"crossref","unstructured":"Ben Bengler and Nick Bryan-Kinns. 2014. In the wild: evaluating collaborative interactive musical experiences in public settings. In Interactive experience in the digital age. Springer 169\u2013186.  Ben Bengler and Nick Bryan-Kinns. 2014. In the wild: evaluating collaborative interactive musical experiences in public settings. In Interactive experience in the digital age. Springer 169\u2013186.","DOI":"10.1007\/978-3-319-04510-8_12"},{"key":"e_1_3_2_2_3_1","volume-title":"Using thematic analysis in psychology. Qualitative research in psychology 3, 2","author":"Braun Virginia","year":"2006","unstructured":"Virginia Braun and Victoria Clarke . 2006. Using thematic analysis in psychology. Qualitative research in psychology 3, 2 ( 2006 ), 77\u2013101. Virginia Braun and Victoria Clarke. 2006. Using thematic analysis in psychology. Qualitative research in psychology 3, 2 (2006), 77\u2013101."},{"key":"e_1_3_2_2_4_1","volume-title":"Proc. International Computer Music Conference.","author":"Cadoz Claude","year":"1988","unstructured":"Claude Cadoz . 1988 . Instrumental gesture and musical composition . In Proc. International Computer Music Conference. Claude Cadoz. 1988. Instrumental gesture and musical composition. In Proc. International Computer Music Conference."},{"key":"e_1_3_2_2_5_1","volume-title":"Scrubber: An Interface for Friction-induced Sounds. In NIME. 70\u201375.","author":"Essl Georg","year":"2005","unstructured":"Georg Essl and Sile O\u2019Modhrain . 2005 . Scrubber: An Interface for Friction-induced Sounds. In NIME. 70\u201375. Georg Essl and Sile O\u2019Modhrain. 2005. Scrubber: An Interface for Friction-induced Sounds. In NIME. 70\u201375."},{"key":"e_1_3_2_2_6_1","volume-title":"An enactive approach to the design of new tangible musical instruments. Organised sound","author":"Essl Georg","year":"2006","unstructured":"Georg Essl and Sile O\u2019modhrain . 2006. An enactive approach to the design of new tangible musical instruments. Organised sound ( 2006 ). Georg Essl and Sile O\u2019modhrain. 2006. An enactive approach to the design of new tangible musical instruments. Organised sound (2006)."},{"key":"e_1_3_2_2_7_1","volume-title":"Design: cultural probes. interactions 6, 1","author":"Gaver Bill","year":"1999","unstructured":"Bill Gaver , Tony Dunne , and Elena Pacenti . 1999. Design: cultural probes. interactions 6, 1 ( 1999 ), 21\u201329. Bill Gaver, Tony Dunne, and Elena Pacenti. 1999. Design: cultural probes. interactions 6, 1 (1999), 21\u201329."},{"key":"e_1_3_2_2_8_1","volume-title":"Cultural probes and the value of uncertainty. interactions 11, 5","author":"Gaver W","year":"2004","unstructured":"William\u00a0 W Gaver , Andrew Boucher , Sarah Pennington , and Brendan Walker . 2004. Cultural probes and the value of uncertainty. interactions 11, 5 ( 2004 ), 53\u201356. William\u00a0W Gaver, Andrew Boucher, Sarah Pennington, and Brendan Walker. 2004. Cultural probes and the value of uncertainty. interactions 11, 5 (2004), 53\u201356."},{"volume-title":"The ecological approach to visual perception: classic edition","author":"Gibson J","key":"e_1_3_2_2_9_1","unstructured":"James\u00a0 J Gibson . 2014. The ecological approach to visual perception: classic edition . Psychology Press . James\u00a0J Gibson. 2014. The ecological approach to visual perception: classic edition. Psychology Press."},{"key":"e_1_3_2_2_10_1","doi-asserted-by":"publisher","DOI":"10.1145\/3313831.3376640"},{"key":"e_1_3_2_2_11_1","unstructured":"Joy\u00a0Paul Guilford. 1967. The nature of human intelligence.(1967).  Joy\u00a0Paul Guilford. 1967. The nature of human intelligence.(1967)."},{"key":"e_1_3_2_2_12_1","doi-asserted-by":"publisher","DOI":"10.5555\/2993778.2993852"},{"key":"e_1_3_2_2_13_1","doi-asserted-by":"publisher","DOI":"10.1162\/comj_a_00428"},{"key":"e_1_3_2_2_14_1","doi-asserted-by":"publisher","DOI":"10.1145\/3212721.3212891"},{"key":"e_1_3_2_2_15_1","doi-asserted-by":"crossref","unstructured":"Lauren Hayes and Juan\u00a0M Loaiza. 2022. Access and Mediation: Transdisciplinary Perspectives on Attention.De Gruyter Saur Chapter Exploring Attention Through Technologically-Mediated Musical Improvisation: An Enactive-Ecological Perspective.  Lauren Hayes and Juan\u00a0M Loaiza. 2022. Access and Mediation: Transdisciplinary Perspectives on Attention.De Gruyter Saur Chapter Exploring Attention Through Technologically-Mediated Musical Improvisation: An Enactive-Ecological Perspective.","DOI":"10.1515\/9783110647242-013"},{"key":"e_1_3_2_2_16_1","doi-asserted-by":"publisher","DOI":"10.1145\/642611.642616"},{"volume-title":"Object recognition supported by user interaction for service robots, Vol.\u00a03","author":"Ishii Hiroshi","key":"e_1_3_2_2_17_1","unstructured":"Hiroshi Ishii . 2002. Tangible bits: Designing the boundary between people, bits, and atoms . In Object recognition supported by user interaction for service robots, Vol.\u00a03 . IEEE , 277\u2013vol. Hiroshi Ishii. 2002. Tangible bits: Designing the boundary between people, bits, and atoms. In Object recognition supported by user interaction for service robots, Vol.\u00a03. IEEE, 277\u2013vol."},{"key":"e_1_3_2_2_18_1","volume-title":"Proceedings of the International Conference on New Interfaces for Musical Expression. 446\u2013451","author":"Jack H","year":"2020","unstructured":"Robert\u00a0 H Jack , Jacob Harrison , and Andrew\u00a0 P McPherson . 2020 . Digital musical instruments as research products . In Proceedings of the International Conference on New Interfaces for Musical Expression. 446\u2013451 . Robert\u00a0H Jack, Jacob Harrison, and Andrew\u00a0P McPherson. 2020. Digital musical instruments as research products. In Proceedings of the International Conference on New Interfaces for Musical Expression. 446\u2013451."},{"key":"e_1_3_2_2_19_1","volume-title":"Proc. New Interfaces for Musical Expression.","author":"Jack H","year":"2018","unstructured":"Robert\u00a0 H Jack , Jacob Harrison , Fabio Morreale , and Andrew McPherson . 2018 . Democratising DMIs: the relationship of expertise and control intimacy . In Proc. New Interfaces for Musical Expression. Robert\u00a0H Jack, Jacob Harrison, Fabio Morreale, and Andrew McPherson. 2018. Democratising DMIs: the relationship of expertise and control intimacy. In Proc. New Interfaces for Musical Expression."},{"key":"e_1_3_2_2_20_1","doi-asserted-by":"publisher","DOI":"10.1145\/2986416.2986428"},{"key":"e_1_3_2_2_21_1","doi-asserted-by":"publisher","DOI":"10.1145\/3077981.3078039"},{"key":"e_1_3_2_2_22_1","doi-asserted-by":"publisher","DOI":"10.1145\/1935701.1935731"},{"key":"e_1_3_2_2_23_1","volume-title":"Anouk Zeeuw Van Der\u00a0Laan","author":"Karana Elvin","year":"2015","unstructured":"Elvin Karana , Bahareh Barati , Valentina Rognoli , Anouk Zeeuw Van Der\u00a0Laan , 2015 . Material driven design (MDD): A method to design for material experiences. International Journal of Design( 2015). Elvin Karana, Bahareh Barati, Valentina Rognoli, Anouk Zeeuw Van Der\u00a0Laan, 2015. Material driven design (MDD): A method to design for material experiences. International Journal of Design(2015)."},{"key":"e_1_3_2_2_24_1","doi-asserted-by":"publisher","DOI":"10.1162\/DESI_a_00335"},{"key":"e_1_3_2_2_25_1","volume-title":"Thematic analysis in social work: A case study. Global Social Work-Cutting Edge Issues and Critical Reflections","author":"Labra Oscar","year":"2020","unstructured":"Oscar Labra , Carol Castro , Robin Wright , and Isis Chamblas . 2020. Thematic analysis in social work: A case study. Global Social Work-Cutting Edge Issues and Critical Reflections ( 2020 ), 1\u201320. Oscar Labra, Carol Castro, Robin Wright, and Isis Chamblas. 2020. Thematic analysis in social work: A case study. Global Social Work-Cutting Edge Issues and Critical Reflections (2020), 1\u201320."},{"key":"e_1_3_2_2_26_1","volume-title":"On actor-network theory: A few clarifications. Soziale welt","author":"Latour Bruno","year":"1996","unstructured":"Bruno Latour . 1996. On actor-network theory: A few clarifications. Soziale welt ( 1996 ), 369\u2013381. Bruno Latour. 1996. On actor-network theory: A few clarifications. Soziale welt (1996), 369\u2013381."},{"key":"e_1_3_2_2_27_1","volume-title":"Proceedings of NIME.","author":"Lepri Giacomo","year":"2019","unstructured":"Giacomo Lepri and Andrew McPherson . 2019 . Fictional Instruments, Real Values: Discovering Musical Backgrounds with Non-Functional Prototypes . In Proceedings of NIME. Giacomo Lepri and Andrew McPherson. 2019. Fictional Instruments, Real Values: Discovering Musical Backgrounds with Non-Functional Prototypes. In Proceedings of NIME."},{"key":"e_1_3_2_2_28_1","doi-asserted-by":"publisher","DOI":"10.1145\/3322276.3322353"},{"key":"e_1_3_2_2_29_1","volume-title":"Audio Engineering Society Convention 138","author":"McPherson Andrew","year":"2015","unstructured":"Andrew McPherson and Victor Zappi . 2015 . An environment for submillisecond-latency audio and sensor processing on BeagleBone Black . In Audio Engineering Society Convention 138 . Audio Engineering Society. Andrew McPherson and Victor Zappi. 2015. An environment for submillisecond-latency audio and sensor processing on BeagleBone Black. In Audio Engineering Society Convention 138. Audio Engineering Society."},{"key":"e_1_3_2_2_30_1","doi-asserted-by":"publisher","DOI":"10.1145\/2901790.2901831"},{"key":"e_1_3_2_2_31_1","unstructured":"Romain Michon. 2021. Faust Tutorials. https:\/\/ccrma.stanford.edu\/\u00a0rmichon\/faustTutorials\/  Romain Michon. 2021. Faust Tutorials. https:\/\/ccrma.stanford.edu\/\u00a0rmichon\/faustTutorials\/"},{"key":"e_1_3_2_2_32_1","volume-title":"Proceedings of the 2017 International Computer Music Conference, ICMC.","author":"Michon Romain","year":"2017","unstructured":"Romain Michon , Sara Martin , and Julius Smith . 2017 . MESH2FAUST: a Modal Physical Model Generator for the Faust Programming Language-Application to Bell Modeling . In Proceedings of the 2017 International Computer Music Conference, ICMC. Romain Michon, Sara Martin, and Julius Smith. 2017. MESH2FAUST: a Modal Physical Model Generator for the Faust Programming Language-Application to Bell Modeling. In Proceedings of the 2017 International Computer Music Conference, ICMC."},{"key":"e_1_3_2_2_33_1","volume-title":"International Faust Conference.","author":"Michon Romain","year":"2018","unstructured":"Romain Michon , Julius Smith , Chris Chafe , Ge Wang , and Matthew Wright . 2018 . The faust physical modeling library: a modular playground for the digital luthier . In International Faust Conference. Romain Michon, Julius Smith, Chris Chafe, Ge Wang, and Matthew Wright. 2018. The faust physical modeling library: a modular playground for the digital luthier. In International Faust Conference."},{"key":"e_1_3_2_2_35_1","volume-title":"Proceedings of the 16th Sound & Music Computing Conference, Malaga. 80\u201381","author":"Neupert Max","year":"2019","unstructured":"Max Neupert and Clemens Wegener . 2019 . Interacting with digital resonators by acoustic excitation . In Proceedings of the 16th Sound & Music Computing Conference, Malaga. 80\u201381 . Max Neupert and Clemens Wegener. 2019. Interacting with digital resonators by acoustic excitation. In Proceedings of the 16th Sound & Music Computing Conference, Malaga. 80\u201381."},{"volume-title":"Action in perception","author":"No\u00eb Alva","key":"e_1_3_2_2_36_1","unstructured":"Alva No\u00eb , Alva No\u00eb , 2004. Action in perception . MIT press . Alva No\u00eb, Alva No\u00eb, 2004. Action in perception. MIT press."},{"key":"e_1_3_2_2_37_1","doi-asserted-by":"publisher","DOI":"10.1145\/2858036.2858447"},{"key":"e_1_3_2_2_38_1","volume-title":"Towards Tangible Enactive-Interfaces. In 4th International Conference on Enactive Interfaces","author":"O\u2019Modhrain Sile","year":"2007","unstructured":"Sile O\u2019Modhrain and Peter Bennett . 2007 . Towards Tangible Enactive-Interfaces. In 4th International Conference on Enactive Interfaces 2007. Sile O\u2019Modhrain and Peter Bennett. 2007. Towards Tangible Enactive-Interfaces. In 4th International Conference on Enactive Interfaces 2007."},{"key":"e_1_3_2_2_39_1","volume-title":"Proceedings of the 2004 conference on New interfaces for musical expression","author":"O\u2019Modhrain Sile","year":"2004","unstructured":"Sile O\u2019Modhrain and Georg Essl . 2004 . PebbleBox and CrumbleBag: tactile interfaces for granular synthesis . In Proceedings of the 2004 conference on New interfaces for musical expression . National University of Singapore, 74\u201379. Sile O\u2019Modhrain and Georg Essl. 2004. PebbleBox and CrumbleBag: tactile interfaces for granular synthesis. In Proceedings of the 2004 conference on New interfaces for musical expression. National University of Singapore, 74\u201379."},{"key":"e_1_3_2_2_40_1","unstructured":"Jon Pigrem and Andrew McPherson. 2018. Do We Speak Sensor? Cultural Constraints of Embodied Interaction. New Interfaces for Musical Expression.  Jon Pigrem and Andrew McPherson. 2018. Do We Speak Sensor? Cultural Constraints of Embodied Interaction. New Interfaces for Musical Expression."},{"key":"e_1_3_2_2_41_1","doi-asserted-by":"publisher","DOI":"10.1145\/1709886.1709911"},{"key":"e_1_3_2_2_42_1","volume-title":"Contrasting lab-based and in-the-wild studies for evaluating multi-user technologies. The SAGE handbook of Digital Technology Research","author":"Rogers Yvonne","year":"2013","unstructured":"Yvonne Rogers , Nicola Yuill , and Paul Marshall . 2013. Contrasting lab-based and in-the-wild studies for evaluating multi-user technologies. The SAGE handbook of Digital Technology Research , SAGE , London ( 2013 ), 359\u2013373. Yvonne Rogers, Nicola Yuill, and Paul Marshall. 2013. Contrasting lab-based and in-the-wild studies for evaluating multi-user technologies. The SAGE handbook of Digital Technology Research, SAGE, London (2013), 359\u2013373."},{"key":"e_1_3_2_2_43_1","doi-asserted-by":"publisher","DOI":"10.1121\/1.4765081"},{"key":"e_1_3_2_2_44_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771819000475"},{"key":"e_1_3_2_2_45_1","unstructured":"Robert Tubb and Simon Dixon. 2014. The Divergent Interface: Supporting Creative Exploration of Parameter Spaces.. In NIME. 227\u2013232.  Robert Tubb and Simon Dixon. 2014. The Divergent Interface: Supporting Creative Exploration of Parameter Spaces.. In NIME. 227\u2013232."},{"key":"e_1_3_2_2_46_1","doi-asserted-by":"crossref","unstructured":"Kai Tuuri Jaana Parviainen and Antti Pirhonen. 2017. Who Controls Who? Embodied Control Within Human\u2013Technology Choreographies. Interacting with Computers(2017).  Kai Tuuri Jaana Parviainen and Antti Pirhonen. 2017. Who Controls Who? Embodied Control Within Human\u2013Technology Choreographies. Interacting with Computers(2017).","DOI":"10.1093\/iwc\/iww040"},{"key":"e_1_3_2_2_47_1","volume-title":"Proceedings of the 2019 International Computer Music Conference.","author":"Ulfarsson Halldor","year":"2019","unstructured":"Halldor Ulfarsson . 2019 . Feedback Mayhem. Compositional Affordances of the Halldorophone Discussed by its Users . In Proceedings of the 2019 International Computer Music Conference. Halldor Ulfarsson. 2019. Feedback Mayhem. Compositional Affordances of the Halldorophone Discussed by its Users. In Proceedings of the 2019 International Computer Music Conference."},{"volume-title":"The embodied mind: Cognitive science and human experience","author":"Varela J","key":"e_1_3_2_2_48_1","unstructured":"Francisco\u00a0 J Varela , Evan Thompson , and Eleanor Rosch . 2017. The embodied mind: Cognitive science and human experience . MIT press . Francisco\u00a0J Varela, Evan Thompson, and Eleanor Rosch. 2017. The embodied mind: Cognitive science and human experience. MIT press."},{"key":"e_1_3_2_2_49_1","volume-title":"Lyon, France","author":"Wessel David","year":"2006","unstructured":"David Wessel . 2006. An enactive approach to computer music performance. Le Feedback dans la Creation Musical , Lyon, France ( 2006 ). David Wessel. 2006. An enactive approach to computer music performance. Le Feedback dans la Creation Musical, Lyon, France (2006)."}],"event":{"name":"AM '22: AudioMostly 2022","acronym":"AM '22","location":"St. P\u00f6lten Austria"},"container-title":["AudioMostly 2022"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3561212.3561230","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3561212.3561230","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T17:49:16Z","timestamp":1750182556000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3561212.3561230"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2022,9,6]]},"references-count":47,"alternative-id":["10.1145\/3561212.3561230","10.1145\/3561212"],"URL":"https:\/\/doi.org\/10.1145\/3561212.3561230","relation":{},"subject":[],"published":{"date-parts":[[2022,9,6]]}}}