{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,13]],"date-time":"2026-04-13T21:45:31Z","timestamp":1776116731821,"version":"3.50.1"},"publisher-location":"New York, NY, USA","reference-count":64,"publisher":"ACM","license":[{"start":{"date-parts":[[2023,7,10]],"date-time":"2023-07-10T00:00:00Z","timestamp":1688947200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2023,7,10]]},"DOI":"10.1145\/3563657.3595973","type":"proceedings-article","created":{"date-parts":[[2023,7,10]],"date-time":"2023-07-10T01:19:40Z","timestamp":1688951980000},"page":"1398-1410","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":12,"title":["\"We\u2019re Not Decorators\": Fostering Interdisciplinary Exchange in STEM\u2013Artist Collaborations"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0000-0001-9851-3733","authenticated-orcid":false,"given":"Dashiel","family":"Carrera","sequence":"first","affiliation":[{"name":"University of Toronto, Canada"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-7617-9444","authenticated-orcid":false,"given":"Gitanjali","family":"Bhattacharjee","sequence":"additional","affiliation":[{"name":"Independent Researcher, United States"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-2657-0485","authenticated-orcid":false,"given":"Robert","family":"Soden","sequence":"additional","affiliation":[{"name":"University of Toronto, Canada"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2023,7,10]]},"reference":[{"key":"e_1_3_2_1_1_1","volume-title":"The mirror and the lamp: Romantic theory and the critical tradition. Vol.\u00a0360","author":"Abrams Meyer\u00a0Howard","unstructured":"Meyer\u00a0Howard Abrams. 1971. The mirror and the lamp: Romantic theory and the critical tradition. Vol.\u00a0360. New York: Oxford University Press."},{"key":"e_1_3_2_1_2_1","doi-asserted-by":"publisher","DOI":"10.1057\/9780230227774"},{"key":"e_1_3_2_1_3_1","volume-title":"Autonomy of the Arts and Rejection of Instrumentality. The Social Impact of the Arts: An Intellectual History","author":"Belfiore Eleonora","year":"2008","unstructured":"Eleonora Belfiore, Oliver Bennett, Eleonora Belfiore, and Oliver Bennett. 2008. Autonomy of the Arts and Rejection of Instrumentality. The Social Impact of the Arts: An Intellectual History (2008), 176\u2013190."},{"key":"e_1_3_2_1_4_1","volume-title":"Using thematic analysis in psychology. Qualitative research in psychology 3, 2","author":"Braun Virginia","year":"2006","unstructured":"Virginia Braun and Victoria Clarke. 2006. Using thematic analysis in psychology. Qualitative research in psychology 3, 2 (2006), 77\u2013101."},{"key":"e_1_3_2_1_5_1","doi-asserted-by":"publisher","DOI":"10.1145\/2675133.2675291"},{"key":"e_1_3_2_1_6_1","volume-title":"Sara Heitlinger, and Clara Crivellaro.","author":"Clarke Rachel\u00a0Elizabeth","year":"2014","unstructured":"Rachel\u00a0Elizabeth Clarke, Jo Briggs, Ann Light, Sara Heitlinger, and Clara Crivellaro. 2014. Socially engaged arts practice in HCI. In CHI\u201914 Extended Abstracts on Human Factors in Computing Systems. 69\u201374."},{"key":"e_1_3_2_1_7_1","doi-asserted-by":"crossref","unstructured":"Gilbert Cockton Shaowen Bardzell Mark Blythe and Jeffrey Bardzell. 2010. Can we all stand under our umbrella: the arts and design research in HCI. In CHI\u201910 Extended Abstracts on Human Factors in Computing Systems. 3163\u20133166.","DOI":"10.1145\/1753846.1753944"},{"key":"e_1_3_2_1_8_1","unstructured":"Ayana Cotton. 2022. 2021 Creative Residency: The Stories We Tell: Blackness As Biotechnology Collective Imagination and Study - Ginkgo Bioworks. https:\/\/www.ginkgobioworks.com\/2022\/03\/22\/2021-creative-residency-the-stories-we-tell-blackness-as-biotechnology-collective-imagination-and-study\/"},{"key":"e_1_3_2_1_9_1","volume-title":"Flexible coding of in-depth interviews: A twenty-first-century approach. Sociological methods & research 50, 2","author":"Deterding M","year":"2021","unstructured":"Nicole\u00a0M Deterding and Mary\u00a0C Waters. 2021. Flexible coding of in-depth interviews: A twenty-first-century approach. Sociological methods & research 50, 2 (2021), 708\u2013739."},{"key":"e_1_3_2_1_10_1","doi-asserted-by":"publisher","DOI":"10.1145\/3290605.3300265"},{"key":"e_1_3_2_1_11_1","doi-asserted-by":"publisher","DOI":"10.1145\/3313831.3376820"},{"key":"e_1_3_2_1_12_1","doi-asserted-by":"publisher","DOI":"10.1145\/3313831.3376820"},{"key":"e_1_3_2_1_13_1","doi-asserted-by":"publisher","DOI":"10.1145\/1518701.1518763"},{"key":"e_1_3_2_1_14_1","doi-asserted-by":"crossref","unstructured":"Paul Dourish Janet Finlay Phoebe Sengers and Peter Wright. 2004. Reflective HCI: Towards a critical technical practice. In CHI\u201904 extended abstracts on Human factors in computing systems. 1727\u20131728.","DOI":"10.1145\/985921.986203"},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.5753\/jis.2019.551"},{"key":"e_1_3_2_1_16_1","volume-title":"Hertzian tales: Electronic products, aesthetic experience, and critical design","author":"Dunne Anthony","unstructured":"Anthony Dunne. 2008. Hertzian tales: Electronic products, aesthetic experience, and critical design. MIT press."},{"key":"e_1_3_2_1_17_1","volume-title":"Artscience: Creativity in the post-Google generation","author":"Edwards David","year":"2008","unstructured":"David Edwards. 2008. Artscience: Creativity in the post-Google generation. Harvard University Press."},{"key":"e_1_3_2_1_18_1","doi-asserted-by":"crossref","unstructured":"Jill Fantauzzacoffin Joanna Berzowska Ernest Edmonds Ken Goldberg D\u00a0Fox Harrell and Brian Smith. 2012. The arts HCI and innovation policy discourse: Invited panel. In CHI\u201912 Extended Abstracts on Human Factors in Computing Systems. 1111\u20131114.","DOI":"10.1145\/2212776.2212399"},{"key":"e_1_3_2_1_19_1","volume-title":"Art for art\u2019s sake or selling up?European Journal of Communication 23, 3","author":"Faulkner Simon","year":"2008","unstructured":"Simon Faulkner, Adam Leaver, Farida Vis, and Karel Williams. 2008. Art for art\u2019s sake or selling up?European Journal of Communication 23, 3 (2008), 295\u2013317."},{"key":"e_1_3_2_1_20_1","volume-title":"Staying with the trouble: Making kin in the Chthulucene","author":"Haraway J","unstructured":"Donna\u00a0J Haraway. 2016. Staying with the trouble: Making kin in the Chthulucene. Duke University Press."},{"key":"e_1_3_2_1_21_1","doi-asserted-by":"publisher","DOI":"10.1145\/3359318"},{"key":"e_1_3_2_1_22_1","volume-title":"Art and innovation: the Xerox PARC Artist-in-Residence program","author":"Harris Craig","unstructured":"Craig Harris. 1999. Art and innovation: the Xerox PARC Artist-in-Residence program. Mit Press."},{"key":"e_1_3_2_1_23_1","unstructured":"Steve Harrison Deborah Tatar and Phoebe Sengers. 2007. The three paradigms of HCI. In Alt. Chi. Session at the SIGCHI Conference on human factors in computing systems San Jose California USA. 1\u201318."},{"key":"e_1_3_2_1_24_1","volume-title":"Feeling Air: Exploring Aesthetic and Material Qualities of Architectural Inflatables. In Adjunct Proceedings of the 2022 Nordic Human-Computer Interaction Conference. 1\u20136.","author":"Howell Noura","year":"2022","unstructured":"Noura Howell, Shawn Protz, Jasmyn Byrd, Miguel Castellanos, Alexis Elkins, Jessica Hall, Micah Holdsworth, Lalith Mallikeshwaran\u00a0Rajagopal Sambasivan, Chris Noel, Oluwarotimi Osiberu, 2022. Feeling Air: Exploring Aesthetic and Material Qualities of Architectural Inflatables. In Adjunct Proceedings of the 2022 Nordic Human-Computer Interaction Conference. 1\u20136."},{"key":"e_1_3_2_1_25_1","unstructured":"Lewis Hyde. 2009. The gift: Creativity and the artist in the modern world. Vintage."},{"key":"e_1_3_2_1_26_1","volume-title":"Climate change: a wicked problem: complexity and uncertainty at the intersection of science, economics, politics, and human behavior","author":"Incropera P","unstructured":"Frank\u00a0P Incropera. 2016. Climate change: a wicked problem: complexity and uncertainty at the intersection of science, economics, politics, and human behavior. Cambridge University Press."},{"key":"e_1_3_2_1_27_1","doi-asserted-by":"publisher","DOI":"10.1145\/2556288.2557332"},{"key":"e_1_3_2_1_28_1","doi-asserted-by":"publisher","DOI":"10.1145\/2702613.2732513"},{"key":"e_1_3_2_1_29_1","doi-asserted-by":"publisher","DOI":"10.1145\/2901790.2901825"},{"key":"e_1_3_2_1_30_1","doi-asserted-by":"publisher","DOI":"10.1145\/2470654.2470673"},{"key":"e_1_3_2_1_31_1","doi-asserted-by":"crossref","unstructured":"Pamela Jennings Elisa Giaccardi and Magda Wesolkowska. 2006. About face interface: Creative engagement in the new media arts and HCI. In CHI\u201906 Extended Abstracts on Human Factors in Computing Systems. 1663\u20131666.","DOI":"10.1145\/1125451.1125757"},{"key":"e_1_3_2_1_32_1","doi-asserted-by":"publisher","DOI":"10.1145\/3177816"},{"key":"e_1_3_2_1_33_1","doi-asserted-by":"publisher","DOI":"10.1145\/3173574.3173734"},{"key":"e_1_3_2_1_34_1","doi-asserted-by":"publisher","DOI":"10.1080\/03080188.2017.1381225"},{"key":"e_1_3_2_1_35_1","doi-asserted-by":"publisher","DOI":"10.1145\/2212776.2223725"},{"key":"e_1_3_2_1_36_1","doi-asserted-by":"publisher","DOI":"10.1145\/2556288.2557111"},{"key":"e_1_3_2_1_37_1","doi-asserted-by":"publisher","DOI":"10.1145\/2556288.2557111"},{"key":"e_1_3_2_1_38_1","unstructured":"Nokia\u00a0Bell Labs. 2020. The genesis of E.A.T.https:\/\/www.bell-labs.com\/about\/history\/innovation-stories\/genesis-eat\/"},{"key":"e_1_3_2_1_39_1","doi-asserted-by":"publisher","DOI":"10.1145\/1394445.1394467"},{"key":"e_1_3_2_1_40_1","volume-title":"Participatory Design for Learning","author":"Light Ann","unstructured":"Ann Light and Jos Boys. 2017. Learning at\/with\/from the edges. In Participatory Design for Learning. Routledge, 157\u2013174."},{"key":"e_1_3_2_1_41_1","volume-title":"How to make art at the end of the world: A manifesto for research-creation","author":"Loveless Natalie","unstructured":"Natalie Loveless. 2019. How to make art at the end of the world: A manifesto for research-creation. Duke University Press."},{"key":"e_1_3_2_1_42_1","volume-title":"Sustainability in an imaginary world: art and the question of agency","author":"Maggs David","unstructured":"David Maggs and John Robinson. 2020. Sustainability in an imaginary world: art and the question of agency. Routledge."},{"key":"e_1_3_2_1_43_1","doi-asserted-by":"publisher","DOI":"10.1006\/ijhc.2001.0503"},{"key":"e_1_3_2_1_44_1","unstructured":"Microsoft. 2021. Ada. https:\/\/www.microsoft.com\/en-us\/research\/project\/ada\/"},{"key":"e_1_3_2_1_45_1","volume-title":"\u201cdesign thinking","author":"Miller N","unstructured":"Peter\u00a0N Miller. 2017. Is \u201cdesign thinking\u201d the new liberal arts? In The evolution of liberal arts in the global age. Routledge, 167\u2013173."},{"key":"e_1_3_2_1_46_1","volume-title":"Culture vultures: Is UK arts policy damaging the arts?","author":"Mirza Munira","year":"2006","unstructured":"Munira Mirza. 2006. Culture vultures: Is UK arts policy damaging the arts? (2006)."},{"key":"e_1_3_2_1_47_1","unstructured":"Eric Paulos. 2007. HCI Cannot be used to Evaluate Art. (2007)."},{"key":"e_1_3_2_1_48_1","doi-asserted-by":"publisher","DOI":"10.1145\/3411764.3445103"},{"key":"e_1_3_2_1_49_1","doi-asserted-by":"publisher","DOI":"10.3233\/WOR-2012-0656-2701"},{"key":"e_1_3_2_1_50_1","volume-title":"Creating ArtScience collaboration: bringing value to organizations","author":"Schnugg Claudia","unstructured":"Claudia Schnugg. 2019. Creating ArtScience collaboration: bringing value to organizations. Springer."},{"key":"e_1_3_2_1_51_1","doi-asserted-by":"publisher","DOI":"10.3390\/joitmc6010006"},{"key":"e_1_3_2_1_52_1","doi-asserted-by":"crossref","unstructured":"Phoebe Sengers and Chris Csikszentmih\u00e1lyi. 2003. HCI and the arts: A conflicted convergence?. In CHI\u201903 extended abstracts on Human factors in computing systems. 876\u2013877.","DOI":"10.1145\/765891.766044"},{"key":"e_1_3_2_1_53_1","doi-asserted-by":"publisher","DOI":"10.1145\/3357236.3395461"},{"key":"e_1_3_2_1_54_1","doi-asserted-by":"publisher","DOI":"10.1145\/3449242"},{"key":"e_1_3_2_1_55_1","doi-asserted-by":"publisher","DOI":"10.1145\/3274431"},{"key":"e_1_3_2_1_56_1","unstructured":"Mimi Sodhi. 2008. Embodied knowing: An experiential contextual and reflective process. (2008)."},{"key":"e_1_3_2_1_57_1","doi-asserted-by":"publisher","DOI":"10.1145\/3491102.3517580"},{"key":"e_1_3_2_1_58_1","volume-title":"Creative contributions: The role of the arts and the cultural sector in development. Progress in development studies 14, 2","author":"Stupples Polly","year":"2014","unstructured":"Polly Stupples. 2014. Creative contributions: The role of the arts and the cultural sector in development. Progress in development studies 14, 2 (2014), 115\u2013130."},{"key":"e_1_3_2_1_59_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.poetic.2018.03.003"},{"key":"e_1_3_2_1_60_1","volume-title":"Encyclopedia Britannica (Invalid Date). https:\/\/www.britannica.com\/art\/Fluxus","author":"Wainwright Lisa","unstructured":"Lisa Wainwright. Invalid Date. Fluxus. Encyclopedia Britannica (Invalid Date). https:\/\/www.britannica.com\/art\/Fluxus"},{"key":"e_1_3_2_1_61_1","volume-title":"Arts-based approaches for sustainability. Encyclopedia of Sustainability in Higher Education","author":"Wall Tony","year":"2019","unstructured":"Tony Wall, Eva \u00d6sterlind, and Julia Fries. 2019. Arts-based approaches for sustainability. Encyclopedia of Sustainability in Higher Education (2019), 50\u201356."},{"key":"e_1_3_2_1_62_1","volume-title":"The Instrumentalization of Contemporary Art in Bosnia-Herzegovina","author":"Webber Matthew","year":"2013","unstructured":"Matthew Webber. 2020. The Instrumentalization of Contemporary Art in Bosnia-Herzegovina, 2013\u20132018. Ph.\u00a0D. Dissertation. UCL (University College London)."},{"key":"e_1_3_2_1_63_1","doi-asserted-by":"publisher","DOI":"10.1145\/2069618.2069658"},{"key":"e_1_3_2_1_64_1","first-page":"38","article-title":"The Score: How Does Fluxus Perform?PAJ","volume":"34","author":"Young Gillian","year":"2011","unstructured":"Gillian Young. 2011. The Score: How Does Fluxus Perform?PAJ: A Journal of Performance and Art 34, 2 (2011), 38\u201345.","journal-title":"A Journal of Performance and Art"}],"event":{"name":"DIS '23: Designing Interactive Systems Conference","location":"Pittsburgh PA USA","acronym":"DIS '23","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"]},"container-title":["Proceedings of the 2023 ACM Designing Interactive Systems Conference"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3563657.3595973","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3563657.3595973","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T17:51:34Z","timestamp":1750182694000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3563657.3595973"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2023,7,10]]},"references-count":64,"alternative-id":["10.1145\/3563657.3595973","10.1145\/3563657"],"URL":"https:\/\/doi.org\/10.1145\/3563657.3595973","relation":{},"subject":[],"published":{"date-parts":[[2023,7,10]]},"assertion":[{"value":"2023-07-10","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}