{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,12,30]],"date-time":"2025-12-30T15:26:18Z","timestamp":1767108378274,"version":"3.41.0"},"publisher-location":"New York, NY, USA","reference-count":21,"publisher":"ACM","license":[{"start":{"date-parts":[[2023,7,10]],"date-time":"2023-07-10T00:00:00Z","timestamp":1688947200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"funder":[{"DOI":"10.13039\/501100000266","name":"Engineering and Physical Sciences Research Council","doi-asserted-by":"publisher","award":["EP\/S021892\/1, EP\/W031574\/1"],"award-info":[{"award-number":["EP\/S021892\/1, EP\/W031574\/1"]}],"id":[{"id":"10.13039\/501100000266","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2023,7,10]]},"DOI":"10.1145\/3563703.3591455","type":"proceedings-article","created":{"date-parts":[[2023,7,8]],"date-time":"2023-07-08T16:19:31Z","timestamp":1688833171000},"page":"138-141","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":6,"title":["Scent InContext: Design and Development around Smell in Public and Private Spaces"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-2436-666X","authenticated-orcid":false,"given":"Anna R. L.","family":"Carter","sequence":"first","affiliation":[{"name":"Computational Foundry, Swansea University, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-4009-1627","authenticated-orcid":false,"given":"Marianna","family":"Obrist","sequence":"additional","affiliation":[{"name":"Computer Science, University College London, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-8906-1912","authenticated-orcid":false,"given":"Christopher","family":"Dawes","sequence":"additional","affiliation":[{"name":"OWidgets, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-5242-7693","authenticated-orcid":false,"given":"Alan","family":"Dix","sequence":"additional","affiliation":[{"name":"Computational Foundry, Swansea University, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-1960-1012","authenticated-orcid":false,"given":"Jennifer","family":"Pearson","sequence":"additional","affiliation":[{"name":"Swansea University, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-7657-7373","authenticated-orcid":false,"given":"Matt","family":"Jones","sequence":"additional","affiliation":[{"name":"Swansea University, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0009-0001-1411-7731","authenticated-orcid":false,"given":"Dimitrios","family":"Zampelis","sequence":"additional","affiliation":[{"name":"Cardiff Metropolitan University, Cardiff Metropolitan University, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-4967-4394","authenticated-orcid":false,"given":"Ceylan","family":"Be\u015fevli","sequence":"additional","affiliation":[{"name":"Computer Science, University College London, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2023,7,10]]},"reference":[{"key":"e_1_3_2_1_1_1","first-page":"6","article-title":"The How and Why behind a Multisensory Art Display","volume":"24","author":"Ablart Damien","year":"2017","unstructured":"Damien Ablart , Carlos Velasco , Chi\u00a0Thanh Vi , Elia Gatti , and Marianna Obrist . 2017 . The How and Why behind a Multisensory Art Display . Interactions 24 , 6 (oct 2017), 38\u201343. https:\/\/doi.org\/10.1145\/3137091 10.1145\/3137091 Damien Ablart, Carlos Velasco, Chi\u00a0Thanh Vi, Elia Gatti, and Marianna Obrist. 2017. The How and Why behind a Multisensory Art Display. Interactions 24, 6 (oct 2017), 38\u201343. https:\/\/doi.org\/10.1145\/3137091","journal-title":"Interactions"},{"key":"e_1_3_2_1_2_1","doi-asserted-by":"publisher","DOI":"10.1145\/3025453.3026004"},{"key":"e_1_3_2_1_3_1","doi-asserted-by":"publisher","DOI":"10.1145\/3313831.3376806"},{"key":"e_1_3_2_1_4_1","volume-title":"Humans Can Discriminate More than 1 Trillion Olfactory Stimuli. 343, 6177","author":"Bushdid Caroline","year":"2014","unstructured":"Caroline Bushdid , Marcelo Magnasco , Leslie Vosshall , and Aimee Keller . 2014. Humans Can Discriminate More than 1 Trillion Olfactory Stimuli. 343, 6177 ( 2014 ), 1370\u20131372. https:\/\/doi.org\/10.1126\/science.1249168 10.1126\/science.1249168 Caroline Bushdid, Marcelo Magnasco, Leslie Vosshall, and Aimee Keller. 2014. Humans Can Discriminate More than 1 Trillion Olfactory Stimuli. 343, 6177 (2014), 1370\u20131372. https:\/\/doi.org\/10.1126\/science.1249168"},{"key":"e_1_3_2_1_5_1","volume-title":"Driving Opposing Behaviors with Ensembles of Piriform Neurons. 146, 6","author":"Choi Gloria","year":"2011","unstructured":"Gloria Choi , Dan Stettler , Benjamin Kallman , Shakthi\u00a0 T Bhaskar , Alexander Fleischmann , and Richard Axel . 2011. Driving Opposing Behaviors with Ensembles of Piriform Neurons. 146, 6 ( 2011 ), 1004\u20131015. https:\/\/doi.org\/10.1016\/j.cell.2011.07.041 10.1016\/j.cell.2011.07.041 Gloria Choi, Dan Stettler, Benjamin Kallman, Shakthi\u00a0T Bhaskar, Alexander Fleischmann, and Richard Axel. 2011. Driving Opposing Behaviors with Ensembles of Piriform Neurons. 146, 6 (2011), 1004\u20131015. https:\/\/doi.org\/10.1016\/j.cell.2011.07.041"},{"key":"e_1_3_2_1_6_1","unstructured":"Nicola Davis. 2015. Don\u2019t just look \u2013 smell feel and hear art. Tate\u2019s new way of experiencing paintings. https:\/\/www.theguardian.com\/artanddesign\/2015\/aug\/22\/tate-sensorium-art-soundscapes-chocolates-invisible-rain  Nicola Davis. 2015. Don\u2019t just look \u2013 smell feel and hear art. Tate\u2019s new way of experiencing paintings. https:\/\/www.theguardian.com\/artanddesign\/2015\/aug\/22\/tate-sensorium-art-soundscapes-chocolates-invisible-rain"},{"key":"e_1_3_2_1_7_1","doi-asserted-by":"crossref","first-page":"90","DOI":"10.1080\/15534510.2012.659509","article-title":"Making less of a mess: Scent exposure as a tool for behavioral change","volume":"7","author":"de Lange A","year":"2012","unstructured":"Martijn\u00a0 A de Lange , L\u00a0W Debets , K Ruitenburg , and R\u00a0W Holland . 2012 . Making less of a mess: Scent exposure as a tool for behavioral change . Social Influence 7 , 2 (2012), 90 \u2013 97 . https:\/\/doi.org\/10.1080\/15534510.2012.659509 10.1080\/15534510.2012.659509 Martijn\u00a0A de Lange, L\u00a0W Debets, K Ruitenburg, and R\u00a0W Holland. 2012. Making less of a mess: Scent exposure as a tool for behavioral change. Social Influence 7, 2 (2012), 90\u201397. https:\/\/doi.org\/10.1080\/15534510.2012.659509","journal-title":"Social Influence"},{"volume-title":"I Smell Trouble: Using Multiple Scents To Convey Driving-Relevant Information(ICMI \u201918)","author":"Dmitrenko Dmitrijs","key":"e_1_3_2_1_8_1","unstructured":"Dmitrijs Dmitrenko , Emanuela Maggioni , and Marianna Obrist . 2018. I Smell Trouble: Using Multiple Scents To Convey Driving-Relevant Information(ICMI \u201918) . Association for Computing Machinery , New York, NY, USA , 234\u2013238. https:\/\/doi.org\/10.1145\/3242969.3243015 10.1145\/3242969.3243015 Dmitrijs Dmitrenko, Emanuela Maggioni, and Marianna Obrist. 2018. I Smell Trouble: Using Multiple Scents To Convey Driving-Relevant Information(ICMI \u201918). Association for Computing Machinery, New York, NY, USA, 234\u2013238. https:\/\/doi.org\/10.1145\/3242969.3243015"},{"key":"e_1_3_2_1_9_1","volume-title":"How Scent Marketing Works for Retail Businesses","author":"Education Energy","year":"2022","unstructured":"Energy Education . 2022. How Scent Marketing Works for Retail Businesses ( 2022 ). https:\/\/energyeducation.ca\/encyclopedia\/Mercaptan Energy Education. 2022. How Scent Marketing Works for Retail Businesses (2022). https:\/\/energyeducation.ca\/encyclopedia\/Mercaptan"},{"key":"e_1_3_2_1_10_1","first-page":"928","article-title":"Olfactory Coding","volume":"21","author":"Kay Leslie","year":"2011","unstructured":"Leslie Kay . 2011 . Olfactory Coding : Random Scents Make Sense. 21 , 22 (2011), 928 \u2013 929 . https:\/\/doi.org\/10.1016\/j.cub.2011.10.008 10.1016\/j.cub.2011.10.008 Leslie Kay. 2011. Olfactory Coding: Random Scents Make Sense. 21, 22 (2011), 928\u2013929. https:\/\/doi.org\/10.1016\/j.cub.2011.10.008","journal-title":"Random Scents Make Sense."},{"key":"e_1_3_2_1_11_1","volume-title":"How Scent Marketing Works for Retail Businesses","author":"Keenan Michael","year":"2022","unstructured":"Michael Keenan . 2022. How Scent Marketing Works for Retail Businesses ( 2022 ). https:\/\/www.shopify.com\/uk\/retail\/scent-marketing Michael Keenan. 2022. How Scent Marketing Works for Retail Businesses (2022). https:\/\/www.shopify.com\/uk\/retail\/scent-marketing"},{"key":"e_1_3_2_1_12_1","unstructured":"N\u00a0R Kleinfield. 1992. The Smell Of Money. https:\/\/www.nytimes.com\/1992\/10\/25\/style\/the-smell-of-money.html  N\u00a0R Kleinfield. 1992. The Smell Of Money. https:\/\/www.nytimes.com\/1992\/10\/25\/style\/the-smell-of-money.html"},{"volume-title":"Scent and scent-sibilities: Smell and everyday life experiences","author":"Low EY","key":"e_1_3_2_1_13_1","unstructured":"Kelvin\u00a0 EY Low . 2008. Scent and scent-sibilities: Smell and everyday life experiences . Cambridge Scholars Publishing . Kelvin\u00a0EY Low. 2008. Scent and scent-sibilities: Smell and everyday life experiences. Cambridge Scholars Publishing."},{"key":"e_1_3_2_1_14_1","doi-asserted-by":"publisher","DOI":"10.1145\/3402449"},{"key":"e_1_3_2_1_15_1","volume-title":"Multisensory Experiences in HCI. 24, 2","author":"Obrist Marianna","year":"2017","unstructured":"Marianna Obrist , Elia Gatti , Emanuela Maggioni , Chi\u00a0 T Vi , and Carlos Velasco . 2017. Multisensory Experiences in HCI. 24, 2 ( 2017 ), 9\u201313. https:\/\/doi.org\/10.1109\/MMUL.2017.33 10.1109\/MMUL.2017.33 Marianna Obrist, Elia Gatti, Emanuela Maggioni, Chi\u00a0T Vi, and Carlos Velasco. 2017. Multisensory Experiences in HCI. 24, 2 (2017), 9\u201313. https:\/\/doi.org\/10.1109\/MMUL.2017.33"},{"key":"e_1_3_2_1_16_1","volume-title":"The Power of Odor Persuasion: The Incorporation of Olfactory Cues in Virtual Environments for Personalized Relaxation. Perspectives on Psychological Science 17, 3","author":"Pizzoli Silvia","year":"2022","unstructured":"Silvia Pizzoli , Dario Monzani , Ketti Mazzocco , Emanuela Maggioni , and Gabriella Pravettoni . 2022. The Power of Odor Persuasion: The Incorporation of Olfactory Cues in Virtual Environments for Personalized Relaxation. Perspectives on Psychological Science 17, 3 ( 2022 ). https:\/\/doi.org\/10.1177\/17456916211014196 10.1177\/17456916211014196 Silvia Pizzoli, Dario Monzani, Ketti Mazzocco, Emanuela Maggioni, and Gabriella Pravettoni. 2022. The Power of Odor Persuasion: The Incorporation of Olfactory Cues in Virtual Environments for Personalized Relaxation. Perspectives on Psychological Science 17, 3 (2022). https:\/\/doi.org\/10.1177\/17456916211014196"},{"key":"e_1_3_2_1_17_1","volume-title":"Scenting the anosmic cube: On the use of ambient scent in the context of the art gallery or museum. i-Perception 11, 6","author":"Spence Charles","year":"2020","unstructured":"Charles Spence . 2020. Scenting the anosmic cube: On the use of ambient scent in the context of the art gallery or museum. i-Perception 11, 6 ( 2020 ). https:\/\/doi.org\/10.1177\/2041669520966628 10.1177\/2041669520966628 Charles Spence. 2020. Scenting the anosmic cube: On the use of ambient scent in the context of the art gallery or museum. i-Perception 11, 6 (2020). https:\/\/doi.org\/10.1177\/2041669520966628"},{"key":"e_1_3_2_1_18_1","volume-title":"Scent in Motion: On the Multiple Uses of Ambient Scent in the Context of Passenger Transport. Front. Psychol. 12, 702517","author":"Spence Charles","year":"2021","unstructured":"Charles Spence . 2021. Scent in Motion: On the Multiple Uses of Ambient Scent in the Context of Passenger Transport. Front. Psychol. 12, 702517 ( 2021 ). https:\/\/doi.org\/10.3389\/fpsyg.2021.702517 10.3389\/fpsyg.2021.702517 Charles Spence. 2021. Scent in Motion: On the Multiple Uses of Ambient Scent in the Context of Passenger Transport. Front. Psychol. 12, 702517 (2021). https:\/\/doi.org\/10.3389\/fpsyg.2021.702517"},{"key":"e_1_3_2_1_19_1","volume-title":"Scent in the context of live performance. i-Perception 12, 1","author":"Spence Charles","year":"2021","unstructured":"Charles Spence . 2021. Scent in the context of live performance. i-Perception 12, 1 ( 2021 ). https:\/\/doi.org\/10.1177\/2041669520985537 10.1177\/2041669520985537 Charles Spence. 2021. Scent in the context of live performance. i-Perception 12, 1 (2021). https:\/\/doi.org\/10.1177\/2041669520985537"},{"key":"e_1_3_2_1_20_1","volume-title":"Communicating cosmology with multisensory metaphorical experiences. 19, 2","author":"Trotta Roberto","year":"2020","unstructured":"Roberto Trotta , Daniel Hajas , Jose Camargo-Molina , Robert Cobden , Emanuela Maggioni , and Marrianna Obrist . 2020. Communicating cosmology with multisensory metaphorical experiences. 19, 2 ( 2020 ). https:\/\/doi.org\/10.22323\/2.19020801 10.22323\/2.19020801 Roberto Trotta, Daniel Hajas, Jose Camargo-Molina, Robert Cobden, Emanuela Maggioni, and Marrianna Obrist. 2020. Communicating cosmology with multisensory metaphorical experiences. 19, 2 (2020). https:\/\/doi.org\/10.22323\/2.19020801"},{"key":"e_1_3_2_1_21_1","unstructured":"York\u00a0Archaeological Trust. 2021. The original viking encounter. https:\/\/www.jorvikvikingcentre.co.uk\/  York\u00a0Archaeological Trust. 2021. The original viking encounter. https:\/\/www.jorvikvikingcentre.co.uk\/"}],"event":{"name":"DIS '23: Designing Interactive Systems Conference","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction"],"location":"Pittsburgh PA USA","acronym":"DIS '23"},"container-title":["Designing Interactive Systems Conference"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3563703.3591455","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T16:38:09Z","timestamp":1750178289000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3563703.3591455"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2023,7,10]]},"references-count":21,"alternative-id":["10.1145\/3563703.3591455","10.1145\/3563703"],"URL":"https:\/\/doi.org\/10.1145\/3563703.3591455","relation":{},"subject":[],"published":{"date-parts":[[2023,7,10]]},"assertion":[{"value":"2023-07-10","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}