{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,4,1]],"date-time":"2026-04-01T06:03:00Z","timestamp":1775023380108,"version":"3.50.1"},"reference-count":76,"publisher":"Association for Computing Machinery (ACM)","issue":"GROUP","license":[{"start":{"date-parts":[[2022,12,29]],"date-time":"2022-12-29T00:00:00Z","timestamp":1672272000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":["Proc. ACM Hum.-Comput. Interact."],"published-print":{"date-parts":[[2023,1]]},"abstract":"<jats:p>Inspired by previous research examining the challenges and benefits of Black Twitter (a community gathered on a platform used by Black people but not created by or for them), this design fiction presents a fictional study of a successful yet speculative social media platform named The Stoop. We envision this digital space as one that a Black woman created and a predominantly Black team designed and developed. Imagining what future online communities of marginalized people could be based on current struggles and shortcomings provides the inspiration for this design fiction. Proactively addressing content moderation, harassment, content controls, and the need for reducing appropriation while centering on the lived experiences and preferences of Black people allows this design fiction to joyfully speculate on what it can look like to get it right as a way of thinking through best practices for current technology design.<\/jats:p>","DOI":"10.1145\/3567567","type":"journal-article","created":{"date-parts":[[2022,12,29]],"date-time":"2022-12-29T21:22:24Z","timestamp":1672348944000},"page":"1-24","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":10,"title":["The Stoop"],"prefix":"10.1145","volume":"7","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-2280-8847","authenticated-orcid":false,"given":"Shamika","family":"Klassen","sequence":"first","affiliation":[{"name":"University of Colorado Boulder, Boulder, CO, USA"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-8743-4201","authenticated-orcid":false,"given":"Casey","family":"Fiesler","sequence":"additional","affiliation":[{"name":"University of Colorado, Boulder, CO, USA"}]}],"member":"320","published-online":{"date-parts":[[2022,12,29]]},"reference":[{"key":"e_1_2_1_1_1","volume-title":"Here are 4 key points from the Facebook whistleblower's testimony on Capitol Hill. NPR","author":"Allyn Bobby","year":"2021","unstructured":"Bobby Allyn . 2021. Here are 4 key points from the Facebook whistleblower's testimony on Capitol Hill. NPR ( 2021 ). https:\/\/www.npr.org\/2021\/10\/05\/1043377310\/facebook-whistleblower-frances-haugen-congress Bobby Allyn. 2021. Here are 4 key points from the Facebook whistleblower's testimony on Capitol Hill. NPR (2021). https:\/\/www.npr.org\/2021\/10\/05\/1043377310\/facebook-whistleblower-frances-haugen-congress"},{"key":"e_1_2_1_2_1","volume-title":"Raise, race, rays, raze: Essays since","author":"Baraka Amiri","year":"1965","unstructured":"Amiri Baraka . 1965. \" Technology and ethos\". In Raise, race, rays, raze: Essays since 1965 . Random House , New York , 155--158. Amiri Baraka. 1965. \"Technology and ethos\". In Raise, race, rays, raze: Essays since 1965. Random House, New York, 155--158."},{"key":"e_1_2_1_3_1","doi-asserted-by":"publisher","DOI":"10.1145\/3478122"},{"key":"e_1_2_1_4_1","doi-asserted-by":"publisher","DOI":"10.1145\/2559206.2578864"},{"key":"e_1_2_1_5_1","doi-asserted-by":"publisher","DOI":"10.1145\/3357236.3395464"},{"key":"e_1_2_1_6_1","volume-title":"Race after technology: Abolitionist tools for the new Jim code","author":"Benjamin R.","unstructured":"R. Benjamin . 2019. Race after technology: Abolitionist tools for the new Jim code . Polity Press . R. Benjamin. 2019. Race after technology: Abolitionist tools for the new Jim code. Polity Press."},{"key":"e_1_2_1_7_1","volume-title":"Design Fiction: A Short Essay on Design, Science, Fact and Fiction. Near Future Laboratory March","author":"Bleecker Julian","year":"2009","unstructured":"Julian Bleecker . 2009 . Design Fiction: A Short Essay on Design, Science, Fact and Fiction. Near Future Laboratory March (2009), 4--97. Julian Bleecker. 2009. Design Fiction: A Short Essay on Design, Science, Fact and Fiction. Near Future Laboratory March (2009), 4--97."},{"key":"e_1_2_1_8_1","doi-asserted-by":"publisher","DOI":"10.1145\/2556288.2557098"},{"key":"e_1_2_1_9_1","volume-title":"https:\/\/www.cosmopolitan.com\/entertainment\/celebs\/a36039881\/jimmy-fallon-addison-rae-tiktok-dancesegment-backlash-response\/","author":"Bowenbank Starr","year":"2021","unstructured":"Starr Bowenbank . 2021. Jimmy Fallon *finally* addressed the addison rae tiktok dance backlash. Cosmopolitan ( 2021 ). https:\/\/www.cosmopolitan.com\/entertainment\/celebs\/a36039881\/jimmy-fallon-addison-rae-tiktok-dancesegment-backlash-response\/ Starr Bowenbank. 2021. Jimmy Fallon *finally* addressed the addison rae tiktok dance backlash. Cosmopolitan (2021). https:\/\/www.cosmopolitan.com\/entertainment\/celebs\/a36039881\/jimmy-fallon-addison-rae-tiktok-dancesegment-backlash-response\/"},{"key":"e_1_2_1_10_1","doi-asserted-by":"publisher","DOI":"10.1191\/1478088706qp063oa"},{"key":"e_1_2_1_11_1","doi-asserted-by":"publisher","DOI":"10.1145\/3461778.3462002"},{"key":"e_1_2_1_12_1","doi-asserted-by":"publisher","DOI":"10.1145\/3491102.3501945"},{"key":"e_1_2_1_13_1","doi-asserted-by":"publisher","DOI":"10.1017\/9781108780704.008"},{"key":"e_1_2_1_14_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1049096500060911"},{"key":"e_1_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.1177\/0891241606286983"},{"key":"e_1_2_1_16_1","doi-asserted-by":"publisher","DOI":"10.1177\/2057047320961562"},{"key":"e_1_2_1_17_1","doi-asserted-by":"publisher","DOI":"10.6084\/m9.figshare.4746964.v1"},{"key":"e_1_2_1_18_1","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress"},{"key":"e_1_2_1_19_1","unstructured":"A.M. Darke. 2020. Open Source Afro Hair Library. https:\/\/prettydarke.cool\/portfolio\/open-source-afro-hair-library\/  A.M. Darke. 2020. Open Source Afro Hair Library. https:\/\/prettydarke.cool\/portfolio\/open-source-afro-hair-library\/"},{"key":"e_1_2_1_20_1","volume-title":"Greg Tate, and Tricia Rose\"","author":"Dery Mark","unstructured":"Mark Dery . 1994. \" Black to the Future : Interviews with Samuel R. Delany , Greg Tate, and Tricia Rose\" ( FLAME WARS : THE DISCOURSE OF CYBERCULTURE) . Mark Dery. 1994. \"Black to the Future: Interviews with Samuel R. Delany, Greg Tate, and Tricia Rose\" (FLAME WARS: THE DISCOURSE OF CYBERCULTURE)."},{"key":"e_1_2_1_21_1","unstructured":"DesignJusticeNetwork. 2018. Design Justice Network Principles. https:\/\/designjustice.org\/read-the-principles  DesignJusticeNetwork. 2018. Design Justice Network Principles. https:\/\/designjustice.org\/read-the-principles"},{"key":"e_1_2_1_22_1","volume-title":"CHI 2020 Workshop: Understanding the Past, Present, and Future of Design Fictions. http:\/\/www.tawannadillahunt.com\/wpcontent\/uploads\/2020\/06\/CHI2020__DesignFictionsWorkshopSubmission-1.pdf","author":"Tawanna","unstructured":"Tawanna R. Dillahunt and Christina N. Harrington. 2020. Eliciting Speculative Design Fictions from the Margins . CHI 2020 Workshop: Understanding the Past, Present, and Future of Design Fictions. http:\/\/www.tawannadillahunt.com\/wpcontent\/uploads\/2020\/06\/CHI2020__DesignFictionsWorkshopSubmission-1.pdf Tawanna R. Dillahunt and Christina N. Harrington. 2020. Eliciting Speculative Design Fictions from the Margins. CHI 2020 Workshop: Understanding the Past, Present, and Future of Design Fictions. http:\/\/www.tawannadillahunt.com\/wpcontent\/uploads\/2020\/06\/CHI2020__DesignFictionsWorkshopSubmission-1.pdf"},{"key":"e_1_2_1_23_1","doi-asserted-by":"publisher","DOI":"10.1145\/3502771.3502775"},{"key":"e_1_2_1_24_1","doi-asserted-by":"publisher","DOI":"10.1145\/3432933"},{"key":"e_1_2_1_25_1","volume-title":"Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor","author":"Eubanks Virginia","year":"2018","unstructured":"Virginia Eubanks . 2018 . Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor . St. Martin's Press, Inc. , USA. Virginia Eubanks. 2018. Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor. St. Martin's Press, Inc., USA."},{"key":"e_1_2_1_26_1","doi-asserted-by":"publisher","DOI":"10.1080\/00344087.2016.1256366"},{"key":"e_1_2_1_27_1","doi-asserted-by":"publisher","DOI":"10.1145\/2818048.2819931"},{"key":"e_1_2_1_28_1","doi-asserted-by":"publisher","DOI":"10.1145\/2858036.2858409"},{"key":"e_1_2_1_29_1","doi-asserted-by":"publisher","DOI":"10.1145\/3487552.3487861"},{"key":"e_1_2_1_30_1","first-page":"339","article-title":"Copyright, Culture & (and) Black Music: A Legacy of Unequal Protection","volume":"21","author":"Greene K. J.","year":"1998","unstructured":"K. J. Greene . 1998 . Copyright, Culture & (and) Black Music: A Legacy of Unequal Protection . Hastings Communications and Entertainment Law Journal (Comm\/Ent) 21 (1998), 339 -- 392 . Issue 1998--1999. K. J. Greene. 1998. Copyright, Culture & (and) Black Music: A Legacy of Unequal Protection. Hastings Communications and Entertainment Law Journal (Comm\/Ent) 21 (1998), 339--392. Issue 1998--1999.","journal-title":"Hastings Communications and Entertainment Law Journal (Comm\/Ent)"},{"key":"e_1_2_1_31_1","doi-asserted-by":"publisher","DOI":"10.1145\/3313831.3376669"},{"key":"e_1_2_1_32_1","doi-asserted-by":"publisher","DOI":"10.1145\/3411764.3445723"},{"key":"e_1_2_1_33_1","doi-asserted-by":"publisher","DOI":"10.1145\/3411764.3445723"},{"key":"e_1_2_1_34_1","doi-asserted-by":"publisher","DOI":"10.1145\/3491102.3502118"},{"key":"e_1_2_1_35_1","volume-title":"Through the Night: A History of African American Christianity","author":"Harvey Paul","unstructured":"Paul Harvey . 2011. Through the Storm , Through the Night: A History of African American Christianity . Rowmman & Littlefield Publishers , Lanham, MD . Paul Harvey. 2011. Through the Storm, Through the Night: A History of African American Christianity. Rowmman & Littlefield Publishers, Lanham, MD."},{"key":"e_1_2_1_36_1","volume-title":"Black feminist thought : knowledge, consciousness, and the politics of empowerment. Boston : Unwin Hyman","author":"Collins Patricia Hill","year":"1990","unstructured":"Patricia Hill Collins . 1990. Black feminist thought : knowledge, consciousness, and the politics of empowerment. Boston : Unwin Hyman , 1990 . https:\/\/search.library.wisc.edu\/catalog\/999621346002121 Patricia Hill Collins. 1990. Black feminist thought : knowledge, consciousness, and the politics of empowerment. Boston : Unwin Hyman, 1990. https:\/\/search.library.wisc.edu\/catalog\/999621346002121"},{"key":"e_1_2_1_37_1","volume-title":"TikTok star Jalaiah Harmon teaches the 'reverse renegade' dance in new champions AD. Black Enterprise","author":"Johnson Jeroslyn","year":"2021","unstructured":"Jeroslyn Johnson . 2021. TikTok star Jalaiah Harmon teaches the 'reverse renegade' dance in new champions AD. Black Enterprise ( 2021 ). https:\/\/www.blackenterprise.com\/tiktok-star-jalaiah-harmon-teaches-the-reverse-renegade-dancein-new-champions-ad\/ Jeroslyn Johnson. 2021. TikTok star Jalaiah Harmon teaches the 'reverse renegade' dance in new champions AD. Black Enterprise (2021). https:\/\/www.blackenterprise.com\/tiktok-star-jalaiah-harmon-teaches-the-reverse-renegade-dancein-new-champions-ad\/"},{"key":"e_1_2_1_38_1","doi-asserted-by":"publisher","DOI":"10.1145\/3084179.3084183"},{"key":"e_1_2_1_39_1","volume-title":"Distributed Blackness: African American Cybercultures","author":"Jr Andr\u00e9 Brock","year":"2019","unstructured":"Andr\u00e9 Brock Jr . 2019 . Distributed Blackness: African American Cybercultures . New York University Press , New York . Andr\u00e9 Brock Jr. 2019. Distributed Blackness: African American Cybercultures. New York University Press, New York."},{"key":"e_1_2_1_40_1","doi-asserted-by":"publisher","DOI":"10.1145\/3505681"},{"key":"e_1_2_1_41_1","doi-asserted-by":"publisher","DOI":"10.1145\/3478431.3499308"},{"key":"e_1_2_1_42_1","doi-asserted-by":"publisher","DOI":"10.1145\/3479602"},{"key":"e_1_2_1_43_1","doi-asserted-by":"publisher","DOI":"10.1145\/3313831.3376526"},{"key":"e_1_2_1_44_1","doi-asserted-by":"publisher","DOI":"10.1257\/jep.34.2.68"},{"key":"e_1_2_1_45_1","doi-asserted-by":"publisher","DOI":"10.1145\/2757226.2764763"},{"key":"e_1_2_1_46_1","doi-asserted-by":"publisher","DOI":"10.1145\/3025453.3025742"},{"key":"e_1_2_1_47_1","doi-asserted-by":"publisher","DOI":"10.1145\/2874239.2874251"},{"key":"e_1_2_1_48_1","doi-asserted-by":"publisher","DOI":"10.1145\/2559206.2560472"},{"key":"e_1_2_1_49_1","doi-asserted-by":"publisher","DOI":"10.3983\/twc.2021.2119"},{"key":"e_1_2_1_50_1","volume-title":"Black Software: The Internet and Racial Justice, from the AfroNet to Black Lives Matter","author":"McIlwain Charlton D.","year":"2020","unstructured":"Charlton D. McIlwain . 2020 . Black Software: The Internet and Racial Justice, from the AfroNet to Black Lives Matter . Oxford University Press, Oxford , United Kingdom . Charlton D. McIlwain. 2020. Black Software: The Internet and Racial Justice, from the AfroNet to Black Lives Matter. Oxford University Press, Oxford, United Kingdom."},{"key":"e_1_2_1_51_1","doi-asserted-by":"publisher","DOI":"10.1145\/3491102.3517608"},{"key":"e_1_2_1_52_1","volume-title":"Algorithms of Oppression: How Search Engines Reinforce Racism","author":"Noble Safiya Umoja","unstructured":"Safiya Umoja Noble . 2018. Algorithms of Oppression: How Search Engines Reinforce Racism . NYU Press . http: \/\/www.jstor.org\/stable\/j.ctt1pwt9w5 Safiya Umoja Noble. 2018. Algorithms of Oppression: How Search Engines Reinforce Racism. NYU Press. http: \/\/www.jstor.org\/stable\/j.ctt1pwt9w5"},{"key":"e_1_2_1_53_1","volume-title":"USUAL WEEKLY EARNINGS OF WAGE AND SALARY WORKERS SECOND QUARTER","author":"United States Department of Labor Bureau of Labor and Statistics.","year":"2022","unstructured":"United States Department of Labor Bureau of Labor and Statistics. 2022 . USUAL WEEKLY EARNINGS OF WAGE AND SALARY WORKERS SECOND QUARTER 2022. https:\/\/www.bls.gov\/news.release\/pdf\/wkyeng.pdf United States Department of Labor Bureau of Labor and Statistics. 2022. USUAL WEEKLY EARNINGS OF WAGE AND SALARY WORKERS SECOND QUARTER 2022. https:\/\/www.bls.gov\/news.release\/pdf\/wkyeng.pdf"},{"key":"e_1_2_1_54_1","doi-asserted-by":"publisher","DOI":"10.1145\/958160.958163"},{"key":"e_1_2_1_55_1","volume-title":"Racism Is Terrible. Blackness is Not. The Atlantic Post","author":"Perry Imani","year":"2020","unstructured":"Imani Perry . 2020. Racism Is Terrible. Blackness is Not. The Atlantic Post ( 2020 ). https:\/\/www.theatlantic.com\/ideas\/ archive\/2020\/06\/racism-terrible-blackness-not\/613039\/ Imani Perry. 2020. Racism Is Terrible. Blackness is Not. The Atlantic Post (2020). https:\/\/www.theatlantic.com\/ideas\/ archive\/2020\/06\/racism-terrible-blackness-not\/613039\/"},{"key":"e_1_2_1_56_1","unstructured":"Luiza Prado and Pedro Oliveira. 2014. Questioning the \"critical\" in Speculative & Critical Design. https:\/\/medium.com\/aparede\/questioning-the-critical-in-speculative-critical-design-5a355cac2ca4  Luiza Prado and Pedro Oliveira. 2014. Questioning the \"critical\" in Speculative & Critical Design. https:\/\/medium.com\/aparede\/questioning-the-critical-in-speculative-critical-design-5a355cac2ca4"},{"key":"e_1_2_1_57_1","doi-asserted-by":"publisher","DOI":"10.1145\/3415188"},{"key":"e_1_2_1_58_1","doi-asserted-by":"publisher","DOI":"10.1145\/3408877.3432432"},{"key":"e_1_2_1_59_1","volume-title":"Behind the Screen: Content Moderation in the Shadows of Social Media","author":"SARAH T. ROBERTS.","unstructured":"SARAH T. ROBERTS. 2019. Behind the Screen: Content Moderation in the Shadows of Social Media . Yale University Press . http:\/\/www.jstor.org\/stable\/j.ctvhrcz0 SARAH T. ROBERTS. 2019. Behind the Screen: Content Moderation in the Shadows of Social Media. Yale University Press. http:\/\/www.jstor.org\/stable\/j.ctvhrcz0"},{"key":"e_1_2_1_60_1","doi-asserted-by":"publisher","DOI":"10.1145\/3512923"},{"key":"e_1_2_1_61_1","doi-asserted-by":"publisher","DOI":"10.18653\/v1"},{"key":"e_1_2_1_62_1","volume-title":"What Really Happened When Google Ousted Timnit Gebru. Wired","author":"Simonite Tom","year":"2021","unstructured":"Tom Simonite . 2021. What Really Happened When Google Ousted Timnit Gebru. Wired ( 2021 ). https:\/\/www.wired. com\/story\/google-timnit-gebru-ai-what-really-happened\/ Tom Simonite. 2021. What Really Happened When Google Ousted Timnit Gebru. Wired (2021). https:\/\/www.wired. com\/story\/google-timnit-gebru-ai-what-really-happened\/"},{"key":"e_1_2_1_63_1","doi-asserted-by":"publisher","DOI":"10.1145\/3290607.3299033"},{"key":"e_1_2_1_64_1","doi-asserted-by":"publisher","DOI":"10.1145\/3140822"},{"key":"e_1_2_1_65_1","doi-asserted-by":"publisher","DOI":"10.1002\/9781118663202.wberen694"},{"key":"e_1_2_1_66_1","unstructured":"The New York Times. 1952. Worship Hour Found Time of Segregation. https:\/\/www.nytimes.com\/1952\/11\/04\/archives\/ worship-hour-found-time-of-segregation.html  The New York Times. 1952. Worship Hour Found Time of Segregation. https:\/\/www.nytimes.com\/1952\/11\/04\/archives\/ worship-hour-found-time-of-segregation.html"},{"key":"e_1_2_1_67_1","volume-title":"Jason Reynolds: Imagination and Fortitude. https:\/\/onbeing.org\/programs\/jason-reynoldsimagination-and-fortitude\/","author":"Tippett Krista","year":"2020","unstructured":"Krista Tippett . 2020 . Jason Reynolds: Imagination and Fortitude. https:\/\/onbeing.org\/programs\/jason-reynoldsimagination-and-fortitude\/ Krista Tippett. 2020. Jason Reynolds: Imagination and Fortitude. https:\/\/onbeing.org\/programs\/jason-reynoldsimagination-and-fortitude\/"},{"key":"e_1_2_1_68_1","doi-asserted-by":"publisher","DOI":"10.1145\/3411764.3445590"},{"key":"e_1_2_1_69_1","doi-asserted-by":"publisher","DOI":"10.1145\/3392828"},{"key":"e_1_2_1_70_1","doi-asserted-by":"publisher","DOI":"10.1145\/3290605.3300791"},{"key":"e_1_2_1_71_1","doi-asserted-by":"publisher","DOI":"10.1080\/1369118X.2017.1303077"},{"key":"e_1_2_1_72_1","doi-asserted-by":"publisher","DOI":"10.1145\/3182655"},{"key":"e_1_2_1_73_1","doi-asserted-by":"publisher","DOI":"10.1145\/3313831.3376515"},{"key":"e_1_2_1_74_1","doi-asserted-by":"publisher","DOI":"10.1145\/3064663.3064682"},{"key":"e_1_2_1_75_1","unstructured":"Maggie Wooll. 2021. Diversity in tech: Closing the gap in the modern industry. https:\/\/www.betterup.com\/blog\/diversityin-tech  Maggie Wooll. 2021. Diversity in tech: Closing the gap in the modern industry. https:\/\/www.betterup.com\/blog\/diversityin-tech"},{"key":"e_1_2_1_76_1","doi-asserted-by":"publisher","DOI":"10.1145\/3491102.3517614"}],"container-title":["Proceedings of the ACM on Human-Computer Interaction"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3567567","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3567567","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,17]],"date-time":"2025-06-17T17:51:12Z","timestamp":1750182672000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3567567"}},"subtitle":["Speculation on Positive Futures of Black Digital Spaces"],"short-title":[],"issued":{"date-parts":[[2022,12,29]]},"references-count":76,"journal-issue":{"issue":"GROUP","published-print":{"date-parts":[[2023,1]]}},"alternative-id":["10.1145\/3567567"],"URL":"https:\/\/doi.org\/10.1145\/3567567","relation":{},"ISSN":["2573-0142"],"issn-type":[{"value":"2573-0142","type":"electronic"}],"subject":[],"published":{"date-parts":[[2022,12,29]]},"assertion":[{"value":"2022-12-29","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}