{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T04:10:47Z","timestamp":1750219847145,"version":"3.41.0"},"reference-count":17,"publisher":"Association for Computing Machinery (ACM)","issue":"Winter","license":[{"start":{"date-parts":[[2023,3,3]],"date-time":"2023-03-03T00:00:00Z","timestamp":1677801600000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/www.acm.org\/publications\/policies\/copyright_policy#Background"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":["SIGWEB Newsl."],"published-print":{"date-parts":[[2023,3,3]]},"abstract":"<jats:p>In 2017 Professor of Literature John Farrell published The Varieties of Authorial Intention. Joining other dissenting voices past and present, this work addressed what the author considered a key tenet of mid- to late 20th century literary criticism: that reference to authorial intention is out of bounds, literary works being constituted by the text alone. Hypertext fiction has its own complex relationship with the notion of intention. From earlier entanglement in post-structuralist approaches to network textuality and the potential for readers to evade authors via branching narratives, hypertext fiction emerged as a distinctive form of textuality that can express intention in unique and unexpected ways. How effectively do the three modes of authorial intention Farrell identifies - communicative, artistic, practical - map to hypertext fiction both past and future? Can this model - devised in the context of linear print writing - accommodate the unique form of textuality represented by hypertext, with its own affordances and opportunities to express intent?<\/jats:p>","DOI":"10.1145\/3583849.3583852","type":"journal-article","created":{"date-parts":[[2023,3,3]],"date-time":"2023-03-03T17:04:39Z","timestamp":1677863079000},"page":"1-6","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Is There an Author in This Labyrinth?"],"prefix":"10.1145","volume":"2023","author":[{"given":"Sam","family":"Brooker","sequence":"first","affiliation":[{"name":"Richmond American International University, London"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2023,3,3]]},"reference":[{"volume-title":"Problems of Dostoevsky's Poetics","author":"Bakhtin M.","key":"e_1_2_1_1_1","unstructured":"Bakhtin , M. 1984. Problems of Dostoevsky's Poetics . Minneapolis, MN : University of Michigan Press. Bakhtin, M. 1984. Problems of Dostoevsky's Poetics. Minneapolis, MN: University of Michigan Press."},{"key":"e_1_2_1_2_1","doi-asserted-by":"publisher","DOI":"10.1145\/1557914.1557920"},{"key":"e_1_2_1_3_1","doi-asserted-by":"publisher","DOI":"10.1215\/00166928-41-3-4-59"},{"volume-title":"Computers and Writing: State of the Art, P. O'Brien Holt and N","author":"Douglas J. Y.","key":"e_1_2_1_4_1","unstructured":"Douglas , J. Y. Is There a Reader in this Labyrinth? Notes on Reading a Hypertext Novella . In Computers and Writing: State of the Art, P. O'Brien Holt and N . Williams, Eds. Oxford : Intellect Press . Douglas, J. Y. Is There a Reader in this Labyrinth? Notes on Reading a Hypertext Novella. In Computers and Writing: State of the Art, P. O'Brien Holt and N. Williams, Eds. Oxford: Intellect Press."},{"key":"e_1_2_1_5_1","doi-asserted-by":"publisher","DOI":"10.3998\/mpub.16751"},{"volume-title":"The Varieties of Authorial Intention","author":"Farrell J.","key":"e_1_2_1_6_1","unstructured":"Farrell , J. 2017. The Varieties of Authorial Intention . New York, NY : Palgrave Macmillan . Farrell, J. 2017. The Varieties of Authorial Intention. New York, NY: Palgrave Macmillan."},{"volume-title":"Counter-memory, Practice","author":"Foucault M.","key":"e_1_2_1_7_1","unstructured":"Foucault , M. 1977. What is an author? In Language , Counter-memory, Practice , D. Bouchard, Ed. 113--38. Ithaca, NY : Cornell university Press . Foucault, M. 1977. What is an author? In Language, Counter-memory, Practice, D. Bouchard, Ed. 113--38. Ithaca, NY: Cornell university Press."},{"volume-title":"afternoon, a story","author":"Joyce M.","key":"e_1_2_1_8_1","unstructured":"Joyce , M. 1987. afternoon, a story . Watertown, MA : Eastgate Systems . Joyce, M. 1987. afternoon, a story. 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Association for Computing Machinery, pp.331--45."},{"volume-title":"the convergence of contemporary critical theory and technology","author":"Landow G.","key":"e_1_2_1_11_1","unstructured":"Landow , G. 1997. Hypertext 2. 0 : the convergence of contemporary critical theory and technology . Baltimore : Johns Hopkins university Press . Landow, G. 1997. Hypertext 2.0: the convergence of contemporary critical theory and technology. Baltimore: Johns Hopkins university Press."},{"key":"e_1_2_1_12_1","doi-asserted-by":"publisher","DOI":"10.1145\/276627.276632"},{"key":"e_1_2_1_13_1","doi-asserted-by":"crossref","unstructured":"McDaid J. 2019. We Knew the Glass Man. cream city review. http:\/\/io.creamcityreview.org\/431\/McDaid\/WeKnewtheGlassMan_v1.1.html.  McDaid J. 2019. 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