{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,5,15]],"date-time":"2026-05-15T23:08:19Z","timestamp":1778886499205,"version":"3.51.4"},"publisher-location":"New York, NY, USA","reference-count":197,"publisher":"ACM","license":[{"start":{"date-parts":[[2024,5,11]],"date-time":"2024-05-11T00:00:00Z","timestamp":1715385600000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2024,5,11]]},"DOI":"10.1145\/3613904.3642309","type":"proceedings-article","created":{"date-parts":[[2024,5,11]],"date-time":"2024-05-11T08:38:06Z","timestamp":1715416686000},"page":"1-23","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":6,"title":["Heart and Soul: The Ethics of Biometric Capture in Immersive Artistic Performance"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0000-0001-8592-3151","authenticated-orcid":false,"given":"Lucy A.","family":"Sparrow","sequence":"first","affiliation":[{"name":"School of Computing and Information Systems, The University of Melbourne, Australia"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0009-0002-0679-1272","authenticated-orcid":false,"given":"Caiti","family":"Galwey","sequence":"additional","affiliation":[{"name":"The University of Melbourne, Australia"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-1857-901X","authenticated-orcid":false,"given":"Ben","family":"Loveridge","sequence":"additional","affiliation":[{"name":"The University of Melbourne, Australia"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-2630-6118","authenticated-orcid":false,"given":"Solange","family":"Glasser","sequence":"additional","affiliation":[{"name":"Melbourne Conservatorium of Music, The University of Melbourne, Australia"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-4654-8392","authenticated-orcid":false,"given":"Margaret S.","family":"Osborne","sequence":"additional","affiliation":[{"name":"Melbourne School of Psychological Sciences, The University of Melbourne, Australia"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-8773-6656","authenticated-orcid":false,"given":"Ryan M.","family":"Kelly","sequence":"additional","affiliation":[{"name":"School of Computing Technologies, RMIT University, Australia and \rSchool of Computing and Information Systems, The University of Melbourne, Australia"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2024,5,11]]},"reference":[{"key":"e_1_3_3_3_1_1","doi-asserted-by":"publisher","DOI":"10.1109\/ICSCAN.2018.8541163"},{"key":"e_1_3_3_3_2_1","doi-asserted-by":"publisher","DOI":"10.1145\/3278721.3278765"},{"key":"e_1_3_3_3_3_1","doi-asserted-by":"publisher","DOI":"10.1080\/1364557032000119616"},{"key":"e_1_3_3_3_4_1","doi-asserted-by":"publisher","DOI":"10.7559\/citarj.v6i2.117"},{"key":"e_1_3_3_3_5_1","volume-title":"Proceedings of eNTERFACE\u201905","author":"Arslan Burak","year":"2005","unstructured":"* Burak Arslan, Andrew Brouse, Julien Castet, Jean-Julien Filatriau, Remy Lehembre, Quentin Noirhomme, and Cedric Simon. 2005. Biologically-driven Musical Instrument. In Proceedings of eNTERFACE\u201905. Mons, Belgium. Retrieved from http:\/\/www.enterface.net\/enterface05\/docs\/results\/reports\/project3.pdf"},{"key":"e_1_3_3_3_6_1","volume-title":"Proceedings of ENACTIVE05: 2nd International Conference on Enactive Interfaces","author":"Arslan Burak","year":"2005","unstructured":"* Burak Arslan, Andrew Brouse, Julien Castet, Jean-Julien Filatriau, Remy Lehembre, Quentin Noirhomme, and Cedric Simon. 2005. From Biological Signals to Music. In Proceedings of ENACTIVE05: 2nd International Conference on Enactive Interfaces, Genoa, Italy."},{"key":"e_1_3_3_3_7_1","volume-title":"University of Colarado Boulder. Retrieved","author":"ATLAS Institute","year":"2023","unstructured":"ATLAS Institute. 2022. INbalance | IMbalance [Feb 20 \u2013 Feb 26, 2022]. ATLAS Institute, University of Colarado Boulder. Retrieved July 6, 2023 from https:\/\/www.colorado.edu\/atlas\/inbalance-imbalance"},{"key":"e_1_3_3_3_8_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-47214-0_16"},{"key":"e_1_3_3_3_9_1","doi-asserted-by":"publisher","DOI":"10.1145\/3290607.3299017"},{"key":"e_1_3_3_3_10_1","doi-asserted-by":"publisher","unstructured":"Alejandro Beacco Ramon Oliva Carlos Cabreira Jaime Gallego and Mel Slater. 2021. Disturbance and Plausibility in a Virtual Rock Concert: A Pilot Study. In 2021 IEEE Virtual Reality and 3D User Interfaces (VR) 538\u2013545. https:\/\/doi.org\/10.1109\/VR50410.2021.00078","DOI":"10.1109\/VR50410.2021.00078"},{"key":"e_1_3_3_3_11_1","doi-asserted-by":"publisher","DOI":"10.1145\/2775107"},{"key":"e_1_3_3_3_12_1","doi-asserted-by":"publisher","DOI":"10.1145\/2491500.2491502"},{"key":"e_1_3_3_3_13_1","doi-asserted-by":"publisher","DOI":"10.1145\/2207676.2208347"},{"key":"e_1_3_3_3_14_1","doi-asserted-by":"publisher","DOI":"10.1109\/BIOSIG52210.2021.9548298"},{"key":"e_1_3_3_3_15_1","volume-title":"Retrieved","author":"BMW.","year":"2022","unstructured":"* BMW. 2022. Visualizing the invisible: Rafael Lozano-Hemmer's art installation \u201cPulse Topology.\u201d BMW.com. Retrieved July 13, 2023 from https:\/\/www.bmw.com\/en\/magazine\/design\/art-basel-2022-with-rafael-lozano-hemmer-and-the-bmw-i7.html"},{"key":"e_1_3_3_3_16_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.amjmed.2014.09.016"},{"key":"e_1_3_3_3_17_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-1-4757-4036-3"},{"key":"e_1_3_3_3_18_1","doi-asserted-by":"publisher","DOI":"10.2307\/3681041"},{"key":"e_1_3_3_3_19_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.concog.2007.11.003"},{"key":"e_1_3_3_3_20_1","doi-asserted-by":"publisher","DOI":"10.1145\/3537972.3537976"},{"key":"e_1_3_3_3_21_1","unstructured":"Ann Cavoukian. n.d. Privacy by Design: The 7 Foundational Principles. Retrieved from https:\/\/privacy.ucsc.edu\/resources\/privacy-by-design\u2014foundational-principles.pdf"},{"key":"e_1_3_3_3_22_1","doi-asserted-by":"publisher","DOI":"10.1145\/3532106.3533467"},{"key":"e_1_3_3_3_23_1","doi-asserted-by":"publisher","unstructured":"* David Dalmazzo George Waddell and Rafael Ram\u00edrez. 2021. Applying Deep Learning Techniques to Estimate Patterns of Musical Gesture. Frontiers in Psychology 11. https:\/\/doi.org\/10.3389\/fpsyg.2020.575971","DOI":"10.3389\/fpsyg.2020.575971"},{"key":"e_1_3_3_3_24_1","doi-asserted-by":"publisher","DOI":"10.1109\/ACIIW.2019.8925032"},{"key":"e_1_3_3_3_25_1","volume-title":"Soaring heart rates: Revealing a performer's inner world. CU Boulder Today","author":"Dever Ally","year":"2023","unstructured":"* Ally Dever and Anna Pilot. 2022. Soaring heart rates: Revealing a performer's inner world. CU Boulder Today, University of Colorado Boulder. Retrieved January 7, 2023 from https:\/\/www.colorado.edu\/today\/2022\/02\/25\/soaring-heart-rates-revealing-performers-inner-world"},{"key":"e_1_3_3_3_26_1","doi-asserted-by":"publisher","DOI":"10.1145\/3278721.3278745"},{"key":"e_1_3_3_3_27_1","doi-asserted-by":"publisher","DOI":"10.7551\/mitpress"},{"key":"e_1_3_3_3_28_1","volume-title":"Proceedings of the 2012 Conference on New Interfaces for Musical Expression (NIME-12)","author":"Donnarumma Marco","year":"2012","unstructured":"* Marco Donnarumma. 2012. Music for Flesh II: Informing interactive music performance with the viscerality of the body system. In Proceedings of the 2012 Conference on New Interfaces for Musical Expression (NIME-12), Ann Arbor. Retrieved from https:\/\/www.researchgate.net\/publication\/260095895_Music_for_Flesh_II_informing_interactive_music_performance_with_the_viscerality_of_the_body_system"},{"key":"e_1_3_3_3_29_1","doi-asserted-by":"publisher","DOI":"10.1145\/2460625.2460705"},{"key":"e_1_3_3_3_30_1","doi-asserted-by":"publisher","DOI":"10.1093\/iwc"},{"key":"e_1_3_3_3_31_1","doi-asserted-by":"publisher","DOI":"10.3390\/s20030592"},{"key":"e_1_3_3_3_32_1","doi-asserted-by":"publisher","DOI":"10.3758\/s13415-013-0161-y"},{"key":"e_1_3_3_3_33_1","volume-title":"The Introductory Guide to EEG (Electroencephalography). EMOTIV. Retrieved","year":"2023","unstructured":"Emotiv. 2023. The Introductory Guide to EEG (Electroencephalography). EMOTIV. Retrieved September 8, 2023 from https:\/\/www.emotiv.com\/eeg-guide\/"},{"key":"e_1_3_3_3_34_1","doi-asserted-by":"publisher","DOI":"10.1145\/3313831.3376678"},{"key":"e_1_3_3_3_35_1","doi-asserted-by":"publisher","DOI":"10.1109\/embc44109.2020.9176067"},{"key":"e_1_3_3_3_36_1","volume-title":"Time Giver: An Installation of Collective Expression using Mobile PPG and EEG in the AlloSphere.","author":"Fan Yuan-Yi","year":"2013","unstructured":"* Yuan-Yi Fan, F. Myles Sciotto, and JoAnn Kuchera-Morin. 2013. Time Giver: An Installation of Collective Expression using Mobile PPG and EEG in the AlloSphere. Retrieved from http:\/\/visap.uic.edu\/2013\/papers\/Fan_TimeGiver.pdf"},{"key":"e_1_3_3_3_37_1","doi-asserted-by":"publisher","DOI":"10.1145\/3322276.3322289"},{"key":"e_1_3_3_3_38_1","doi-asserted-by":"publisher","DOI":"10.1145\/2738219"},{"key":"e_1_3_3_3_39_1","doi-asserted-by":"publisher","DOI":"10.1017\/S1355771813000447"},{"key":"e_1_3_3_3_40_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-031-10960-7_5"},{"key":"e_1_3_3_3_41_1","doi-asserted-by":"publisher","DOI":"10.4324\/9781003027966"},{"key":"e_1_3_3_3_42_1","doi-asserted-by":"publisher","DOI":"10.1145\/3313831.3376643"},{"key":"e_1_3_3_3_43_1","doi-asserted-by":"publisher","DOI":"10.1145\/242485.242493"},{"key":"e_1_3_3_3_45_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.clsr.2016.01.013"},{"key":"e_1_3_3_3_46_1","doi-asserted-by":"publisher","DOI":"10.1109\/ACII.2013.45"},{"key":"e_1_3_3_3_47_1","article-title":"Many Worlds: The movie that watches its audience","author":"Grant Colin","year":"2013","unstructured":"* Colin Grant. 2013. Many Worlds: The movie that watches its audience. BBC News. Retrieved January 23, 2023 from https:\/\/www.bbc.com\/news\/technology-21429437","journal-title":"BBC News. Retrieved"},{"key":"e_1_3_3_3_48_1","doi-asserted-by":"publisher","DOI":"10.1145\/2702613.2732925"},{"key":"e_1_3_3_3_49_1","doi-asserted-by":"publisher","DOI":"10.1145\/2556288.2557364"},{"key":"e_1_3_3_3_50_1","volume-title":"Proceedings of NIME\u201913","author":"Hadjakos Aristotelis","year":"2013","unstructured":"* Aristotelis Hadjakos, Tobias Gro\u00dfhauser, and Werner Goebl. 2013. Motion Analysis of Music Ensembles with the Kinect. In Proceedings of NIME\u201913, Daejon, Korea. Retrieved from https:\/\/www.nime.org\/2013\/program\/papers\/day1\/poster1\/304\/304_Paper.pdf"},{"key":"e_1_3_3_3_51_1","doi-asserted-by":"publisher","DOI":"10.1145\/3557887"},{"key":"e_1_3_3_3_52_1","volume-title":"Reimagining Reality: Human Rights and Immersive Technology","author":"Heller Brittan","year":"2020","unstructured":"* Brittan Heller. 2020. Reimagining Reality: Human Rights and Immersive Technology. Carr Center for Human Rights Policy Discussion Paper Series 2020\u2013008. https:\/\/carrcenter.hks.harvard.edu\/files\/cchr\/files\/ccdp_2020-008_brittanheller.pdf"},{"key":"e_1_3_3_3_53_1","unstructured":"* Brittan Heller. 2021. Watching Androids Dream of Electric Sheep: Immersive Technology Biometric Psychography and the Law. Vanderbilt Law Review 23(1). https:\/\/scholarship.law.vanderbilt.edu\/jetlaw\/vol23\/iss1\/1"},{"key":"e_1_3_3_3_54_1","doi-asserted-by":"publisher","DOI":"10.1109\/MMUL.2005.36"},{"key":"e_1_3_3_3_55_1","volume-title":"Proceedings of the 2004 Conference on New Interfaces for Musical Expression (NIME04)","author":"Hornof Anthony","year":"2004","unstructured":"* Anthony Hornof and Linda Sato. 2004. EyeMusic: Making Music with the Eyes. In Proceedings of the 2004 Conference on New Interfaces for Musical Expression (NIME04). Hamamatsu, Japan, 185\u2013188. https:\/\/dl.acm.org\/doi\/pdf\/10.5555\/1085884.1085926"},{"key":"e_1_3_3_3_56_1","doi-asserted-by":"publisher","DOI":"10.1145\/3533610"},{"key":"e_1_3_3_3_57_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-94-007-6970-0_40"},{"key":"e_1_3_3_3_58_1","doi-asserted-by":"publisher","DOI":"10.22492\/issn.2436-0503.2022-1.3"},{"key":"e_1_3_3_3_59_1","doi-asserted-by":"publisher","DOI":"10.1145\/3582700.3583710"},{"key":"e_1_3_3_3_60_1","doi-asserted-by":"publisher","DOI":"10.1145\/3537972.3538019"},{"key":"e_1_3_3_3_61_1","doi-asserted-by":"publisher","DOI":"10.1145\/328236.328110"},{"key":"e_1_3_3_3_62_1","doi-asserted-by":"publisher","DOI":"10.3390\/buildings13030691"},{"key":"e_1_3_3_3_63_1","doi-asserted-by":"publisher","DOI":"10.1145\/3411806"},{"key":"e_1_3_3_3_64_1","volume-title":"The Stanford Encyclopedia of Philosophy, Edward N","author":"Johnson Robert","year":"2024","unstructured":"Robert Johnson and Adam Cureton. 2022. Kant's Moral Philosophy. In The Stanford Encyclopedia of Philosophy, Edward N. Zalta and Uri Nodelman (eds.). Metaphysics Research Lab, Stanford University. Retrieved January 30, 2024 from https:\/\/plato.stanford.edu\/archives\/fall2022\/entries\/kant-moral\/"},{"key":"e_1_3_3_3_65_1","doi-asserted-by":"publisher","DOI":"10.1080\/15265161.2016.1251633"},{"key":"e_1_3_3_3_66_1","doi-asserted-by":"publisher","DOI":"10.1145\/3313831.3376840"},{"key":"e_1_3_3_3_67_1","volume-title":"Smithsonian Magazine. Retrieved","author":"Kaufman Rachel","year":"2023","unstructured":"* Rachel Kaufman. The Musical Performance \u201cSight Machine\u201d Reveals What Artificial Intelligence Is \u201cThinking\u201d About Us. 2018. Smithsonian Magazine. Retrieved January 16, 2023 from https:\/\/www.smithsonianmag.com\/smithsonian-institution\/musical-performance-sight-machine-reveals-what-artificial-intelligence-thinking-about-us-180970644\/"},{"key":"e_1_3_3_3_68_1","doi-asserted-by":"publisher","DOI":"10.1007\/s11042-020-08667-2"},{"key":"e_1_3_3_3_69_1","doi-asserted-by":"publisher","DOI":"10.1111\/wvn.12144"},{"key":"e_1_3_3_3_70_1","doi-asserted-by":"publisher","DOI":"10.1145\/1279740.1279747"},{"key":"e_1_3_3_3_71_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.clsr.2017.11.004"},{"key":"e_1_3_3_3_72_1","unstructured":"* Kinetech Arts. 2019. Resonant Frequencies. YouTube. Retrieved January 7 2023 from https:\/\/www.facebook.com\/watch\/?v=415080422638655"},{"key":"e_1_3_3_3_73_1","doi-asserted-by":"publisher","DOI":"10.1109\/ACII.2009.5349469"},{"key":"e_1_3_3_3_74_1","volume-title":"New Scientist. Retrieved","author":"Kobie Nicole","year":"2017","unstructured":"* Nicole Kobie. 2017. Start-up uses biometrics to tailor music for good night's sleep. New Scientist. Retrieved July 31, 2022 from https:\/\/www.newscientist.com\/article\/2127759-start-up-uses-biometrics-to-tailor-music-for-good-nights-sleep\/"},{"key":"e_1_3_3_3_75_1","unstructured":"* Victoria J Kraj Thomas Maranzatto Joe Geigel Reynold Bailey and Cecillia Ovesdotter Alm. 2020. Evaluating Audience Engagement of an Immersive Performance on a Virtual Stage. Frameless 2(1). https:\/\/scholarworks.rit.edu\/frameless\/vol2\/iss1\/4"},{"key":"e_1_3_3_3_76_1","unstructured":"* Karen Lancel and Hermen Maat. 2014. E.E.G. Kiss. In Artistic Research on Digital Synaesthesia. Retrieved from https:\/\/www.lancelmaat.nl\/site\/assets\/files\/1013\/e_e_g_kiss_lancel_maat_lovink_catalogue_dsg_vienna.pdf"},{"key":"e_1_3_3_3_77_1","doi-asserted-by":"publisher","DOI":"10.1145\/2466627.2485921"},{"key":"e_1_3_3_3_78_1","doi-asserted-by":"publisher","DOI":"10.1145\/1978942.1979210"},{"key":"e_1_3_3_3_79_1","volume-title":"Scientific American. Retrieved","author":"Leffer Lauren","year":"2023","unstructured":"Lauren Leffer. 2023. Can AI Replace Actors? Here's How Digital Double Tech Works. Scientific American. Retrieved September 13, 2023 from https:\/\/www.scientificamerican.com\/article\/can-ai-replace-actors-heres-how-digital-double-tech-works\/"},{"key":"e_1_3_3_3_80_1","doi-asserted-by":"publisher","DOI":"10.1186\/1748-5908-5-69"},{"key":"e_1_3_3_3_81_1","doi-asserted-by":"publisher","DOI":"10.1145\/3411764.3445528"},{"key":"e_1_3_3_3_82_1","doi-asserted-by":"publisher","DOI":"10.3389\/fnins.2022.921489"},{"key":"e_1_3_3_3_83_1","doi-asserted-by":"publisher","unstructured":"Juan-Miguel L\u00f3pez-Gil Jordi Virgili-Gom\u00e1 Rosa Gil and Roberto Garc\u00eda. 2016. Method for Improving EEG Based Emotion Recognition by Combining It with Synchronized Biometric and Eye Tracking Technologies in a Non-invasive and Low Cost Way. Frontiers in Computational Neuroscience 10. https:\/\/doi.org\/10.3389\/fncom.2016.00085","DOI":"10.3389\/fncom.2016.00085"},{"key":"e_1_3_3_3_84_1","article-title":"Networked Music Performance in Virtual Reality: Current Perspectives","author":"Loveridge Ben","year":"2020","unstructured":"Ben Loveridge. 2020. Networked Music Performance in Virtual Reality: Current Perspectives. Journal of Network Music and Arts 2(1). https:\/\/commons.library.stonybrook.edu\/jonma\/vol2\/iss1\/2","journal-title":"Journal of Network Music and Arts 2(1). https:\/\/commons.library.stonybrook.edu\/jonma\/vol2\/iss1\/2"},{"key":"e_1_3_3_3_85_1","volume-title":"RAFAEL LOZANO-HEMMER. Retrieved","author":"Lozano-Hemmer Rafael","year":"2023","unstructured":"* Rafael Lozano-Hemmer. 2023. Zoom Pavilion. RAFAEL LOZANO-HEMMER. Retrieved January 16, 2023 from https:\/\/www.lozano-hemmer.com\/zoom_pavilion.php"},{"key":"e_1_3_3_3_86_1","doi-asserted-by":"publisher","DOI":"10.1145\/3529466.3529492"},{"key":"e_1_3_3_3_87_1","doi-asserted-by":"publisher","DOI":"10.1111\/j.1467-8519.2008.00697.x"},{"key":"e_1_3_3_3_88_1","doi-asserted-by":"publisher","DOI":"10.1145\/1753846.1753926"},{"key":"e_1_3_3_3_89_1","doi-asserted-by":"publisher","DOI":"10.1037\/a0018432"},{"key":"e_1_3_3_3_90_1","unstructured":"Annette Markham and Elizabeth Buchanan. 2012. Ethical Decision-Making and Internet Research: Recommendations from the AoIR Ethics Working Committee (Version 2.0). Retrieved from https:\/\/aoir.org\/reports\/ethics2.pdf"},{"key":"e_1_3_3_3_91_1","volume-title":"The Digital Baton: A Versatile Performance Instrument","author":"Marrin Teresa","year":"2027","unstructured":"* Teresa Marrin and Joseph Paradiso. 1997. The Digital Baton: A Versatile Performance Instrument. International Computer Music Association. http:\/\/hdl.handle.net\/2027\/spo.bbp2372.1997.083"},{"key":"e_1_3_3_3_92_1","doi-asserted-by":"publisher","DOI":"10.1145\/2733373.2806276"},{"key":"e_1_3_3_3_93_1","doi-asserted-by":"publisher","DOI":"10.1145\/3148541"},{"key":"e_1_3_3_3_94_1","volume-title":"Jim Torresen.","author":"Martin Charles Patrick","year":"2018","unstructured":"* Charles Patrick Martin, Alexander Refsum Jensenius, Jim Torresen. 2018. Composing an Ensemble Standstill Work for Myo and Bela. In NIME\u201918. Blacksburg, Virginia, USA. https:\/\/www.nime.org\/proceedings\/2018\/nime2018_paper0041.pdf"},{"key":"e_1_3_3_3_95_1","doi-asserted-by":"publisher","DOI":"10.1145\/3139131.3139134"},{"key":"e_1_3_3_3_96_1","doi-asserted-by":"publisher","DOI":"10.34105\/j.kmel.2012.04.015"},{"key":"e_1_3_3_3_97_1","doi-asserted-by":"publisher","DOI":"10.5281\/zenodo.1178107"},{"key":"e_1_3_3_3_98_1","doi-asserted-by":"publisher","DOI":"10.1145\/3582700.3583709"},{"key":"e_1_3_3_3_99_1","doi-asserted-by":"publisher","DOI":"10.1145\/3386567.3388566"},{"key":"e_1_3_3_3_100_1","doi-asserted-by":"publisher","DOI":"10.1038\/s41598-020-74486-y"},{"key":"e_1_3_3_3_101_1","doi-asserted-by":"publisher","DOI":"10.1111\/jaac.12413"},{"key":"e_1_3_3_3_102_1","doi-asserted-by":"publisher","DOI":"10.1162\/0024094054762133"},{"key":"e_1_3_3_3_103_1","doi-asserted-by":"publisher","DOI":"10.5281\/zenodo.1180543"},{"key":"e_1_3_3_3_104_1","doi-asserted-by":"publisher","unstructured":"* Evan Morgan and Hatice Gunes. 2013. Human Nonverbal Behaviour Understanding in the Wild for New Media Art. In Human Behavior Understanding (Lecture Notes in Computer Science). Barcelona Spain 27\u201339. https:\/\/doi.org\/10.1007\/978-3-319-02714-2_3","DOI":"10.1007\/978-3-319-02714-2_3"},{"key":"e_1_3_3_3_105_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-22668-2"},{"key":"e_1_3_3_3_106_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.ijhcs.2015.05.002"},{"key":"e_1_3_3_3_107_1","doi-asserted-by":"publisher","DOI":"10.3998\/mpub.6944908"},{"key":"e_1_3_3_3_108_1","doi-asserted-by":"publisher","DOI":"10.1145\/3121283.3121300"},{"key":"e_1_3_3_3_109_1","doi-asserted-by":"publisher","DOI":"10.1186\/s12874-018-0611-x"},{"key":"e_1_3_3_3_110_1","doi-asserted-by":"publisher","DOI":"10.11124\/JBIES-21-00483"},{"key":"e_1_3_3_3_111_1","doi-asserted-by":"publisher","DOI":"10.1007\/s10551-019-04143-6"},{"key":"e_1_3_3_3_112_1","doi-asserted-by":"publisher","unstructured":"Judith S. Olson and Wendy A. Kellogg (Eds.). 2014. Ways of Knowing in HCI. Springer New York NY. https:\/\/doi.org\/10.1007\/978-1-4939-0378-8","DOI":"10.1007\/978-1-4939-0378-8"},{"key":"e_1_3_3_3_113_1","doi-asserted-by":"publisher","DOI":"10.1007\/s10055-023-00814-y"},{"key":"e_1_3_3_3_114_1","doi-asserted-by":"publisher","DOI":"10.14742\/apubs.2022.116"},{"key":"e_1_3_3_3_115_1","doi-asserted-by":"publisher","DOI":"10.1136\/bmj.n160"},{"key":"e_1_3_3_3_116_1","doi-asserted-by":"publisher","DOI":"10.1076\/jnmr.28.2.130.3119"},{"key":"e_1_3_3_3_117_1","unstructured":"* Joseph A. Paradiso and F. Sparacino. 1997. Optical Tracking for Music and Dance Performance. In Fourth Conference on Optical 3D Measurement Techniques Zurich. https:\/\/citeseerx.ist.psu.edu\/document?repid=rep1&type=pdf&doi=43ac7c178367e4bece4798d5221498ee41982761"},{"key":"e_1_3_3_3_118_1","doi-asserted-by":"publisher","DOI":"10.1145\/1120212.1120391"},{"key":"e_1_3_3_3_119_1","doi-asserted-by":"publisher","DOI":"10.11124\/JBIES-20-00167"},{"key":"e_1_3_3_3_120_1","doi-asserted-by":"publisher","DOI":"10.11124\/JBIES-21-00242"},{"key":"e_1_3_3_3_121_1","doi-asserted-by":"publisher","DOI":"10.1002\/2327-6924.12380"},{"key":"e_1_3_3_3_122_1","doi-asserted-by":"publisher","DOI":"10.1109\/MSECP.2003.1193209"},{"key":"e_1_3_3_3_123_1","doi-asserted-by":"publisher","DOI":"10.1145\/3196709.3196765"},{"key":"e_1_3_3_3_124_1","doi-asserted-by":"publisher","DOI":"10.1007\/s11747-022-00845-y"},{"key":"e_1_3_3_3_125_1","doi-asserted-by":"publisher","DOI":"10.1007\/s12652-017-0568-3"},{"key":"e_1_3_3_3_126_1","doi-asserted-by":"publisher","DOI":"10.3390\/e22121384"},{"key":"e_1_3_3_3_127_1","doi-asserted-by":"publisher","unstructured":"* Chris Rhodes Richard Allmendinger and Ricardo Climent. 2022. Classifying Biometric Data for Musical Interaction Within Virtual Reality. In EvoMUSART 2022: Artificial Intelligence in Music Sound Art and Design (Lecture Notes in Computer Science) 385\u2013400. https:\/\/doi.org\/10.1007\/978-3-031-03789-4_25","DOI":"10.1007\/978-3-031-03789-4_25"},{"key":"e_1_3_3_3_128_1","doi-asserted-by":"publisher","DOI":"10.1145\/3544549.3582738"},{"key":"e_1_3_3_3_129_1","doi-asserted-by":"publisher","DOI":"10.1179\/1559689314Z.00000000017"},{"key":"e_1_3_3_3_130_1","doi-asserted-by":"publisher","DOI":"10.1145\/3491102.3501934"},{"key":"e_1_3_3_3_131_1","doi-asserted-by":"publisher","DOI":"10.1145\/3102071.3102103"},{"key":"e_1_3_3_3_132_1","doi-asserted-by":"publisher","DOI":"10.1145\/3550314"},{"key":"e_1_3_3_3_133_1","doi-asserted-by":"publisher","DOI":"10.1145\/2468356.2468570"},{"key":"e_1_3_3_3_134_1","doi-asserted-by":"publisher","DOI":"10.2307\/3680116"},{"key":"e_1_3_3_3_135_1","doi-asserted-by":"publisher","DOI":"10.1145\/3027063.3027080"},{"key":"e_1_3_3_3_136_1","volume-title":"Retrieved","author":"Rovan Joseph Butch","year":"2001","unstructured":"* Joseph Butch Rovan, Robert Wechsler, and Frieder Wei\u00df. 2001. Seine hohle Form: Artistic Collaboration in an Interactive Dance and Music Performance Environment. Crossings: eJournal of Art and Technology 1.2. Retrieved January 19, 2023 from https:\/\/crossings.tcd.ie\/issues\/1.2\/Rovan\/"},{"key":"e_1_3_3_3_137_1","doi-asserted-by":"publisher","DOI":"10.5555\/1805898"},{"key":"e_1_3_3_3_138_1","doi-asserted-by":"publisher","DOI":"10.1145\/3243274.3243278"},{"key":"e_1_3_3_3_139_1","volume-title":"ACM CHI\u201904, CHI Fringe","author":"Schiphorst Thecla","unstructured":"* Thecla Schiphorst and Kristina Andersen. 2004. Between Bodies: using Experience Modeling to Create Gestural Protocols for Physiological Data Transfer. In ACM CHI\u201904, CHI Fringe, Vienna, Austria. http:\/\/www.sfu.ca\/\u223ctschipho\/whispers\/CHI04BetweenBodiesFringe.pdf"},{"key":"e_1_3_3_3_140_1","doi-asserted-by":"publisher","DOI":"10.1145\/1357054.1357238"},{"key":"e_1_3_3_3_141_1","doi-asserted-by":"publisher","unstructured":"* Laura Sebastiani Francesca Mastorci Massimo Magrini Paolo Paradisi and Alessandro Pingitore. 2022. Synchronization between music dynamics and heart rhythm is modulated by the musician's emotional involvement: A single case study. Frontiers in Psychology 13. https:\/\/doi.org\/10.3389\/fpsyg.2022.908488","DOI":"10.3389\/fpsyg.2022.908488"},{"key":"e_1_3_3_3_142_1","doi-asserted-by":"publisher","DOI":"10.1145\/1467247.1467265"},{"key":"e_1_3_3_3_143_1","doi-asserted-by":"publisher","DOI":"10.3390\/s140407120"},{"key":"e_1_3_3_3_144_1","doi-asserted-by":"publisher","DOI":"10.1109\/AFGR.2002.1004151"},{"key":"e_1_3_3_3_145_1","doi-asserted-by":"publisher","DOI":"10.1080\/13569780500103877"},{"key":"e_1_3_3_3_146_1","doi-asserted-by":"publisher","DOI":"10.1145\/3447993.3483272"},{"key":"e_1_3_3_3_147_1","doi-asserted-by":"publisher","unstructured":"Katie Shilton. 2018. Values and Ethics in Human-Computer Interaction. Foundations and Trends in Human\u2013Computer Interaction 12(2) 107\u2013171. https:\/\/doi.org\/10.1561\/1100000073","DOI":"10.1561\/1100000073"},{"key":"e_1_3_3_3_148_1","doi-asserted-by":"publisher","DOI":"10.1145\/2556288.2557152"},{"key":"e_1_3_3_3_149_1","volume-title":"The Stanford Encyclopedia of Philosophy, Edward N","author":"Sinnott-Armstrong Walter","year":"2024","unstructured":"Walter Sinnott-Armstrong. 2023. Consequentialism. In The Stanford Encyclopedia of Philosophy, Edward N. Zalta and Uri Nodelman (eds.). Metaphysics Research Lab, Stanford University. Retrieved January 30, 2024 from https:\/\/plato.stanford.edu\/archives\/win2023\/entries\/consequentialism\/"},{"key":"e_1_3_3_3_150_1","doi-asserted-by":"publisher","DOI":"10.1145\/3173225.3173272"},{"key":"e_1_3_3_3_151_1","volume-title":"Vimeo. Retrieved","author":"Small Andrew","year":"2023","unstructured":"* Andrew Small and Steven Almond. 2012. \u201cAnyone Who Has A Heart.\u201d Vimeo. Retrieved January 7, 2023 from https:\/\/vimeo.com\/30159229"},{"key":"e_1_3_3_3_152_1","doi-asserted-by":"publisher","DOI":"10.1109\/CBMI.2009.21"},{"key":"e_1_3_3_3_153_1","doi-asserted-by":"publisher","unstructured":"* Genevieve Smith-Nunes and Alex Shaw. 2021. Doctoral Colloquium-Pandemic Pirouettes: AR Ballet Exploring Data Ethics for the Computing Classroom. In 2021 7th International Conference of the Immersive Learning Research Network (iLRN) 1\u20133. https:\/\/doi.org\/10.23919\/iLRN52045.2021.9459242","DOI":"10.23919\/iLRN52045.2021.9459242"},{"key":"e_1_3_3_3_154_1","doi-asserted-by":"publisher","DOI":"10.23919\/iLRN55037.2022.9815898"},{"key":"e_1_3_3_3_155_1","volume-title":"LAETITIA SONAMI. Retrieved","author":"Sonami Laetitia","year":"2023","unstructured":"* Laetitia Sonami. 2023. lady's glove. LAETITIA SONAMI. Retrieved January 19, 2023 from https:\/\/sonami.net\/portfolio\/items\/ladys-glove\/"},{"key":"e_1_3_3_3_156_1","doi-asserted-by":"publisher","DOI":"10.1145\/3411764.3445363"},{"key":"e_1_3_3_3_157_1","volume-title":"CNET. Retrieved","author":"Stein Scott","year":"2020","unstructured":"Scott Stein. 2020. HP says its face-tracking, heart-rate enabled VR headset knows when you're overwhelmed. CNET. Retrieved July 27, 2023 from https:\/\/www.cnet.com\/tech\/computing\/hps-face-tracking-heart-rate-enabled-vr-headset-aims-to-measure-digital-fatigue\/"},{"key":"e_1_3_3_3_158_1","volume-title":"CNET. Retrieved","author":"Stein Scott","year":"2023","unstructured":"Scott Stein. 2023. I Wore the Future With a Brain-Connected AR-VR Headset. CNET. Retrieved September 12, 2023 from https:\/\/www.cnet.com\/tech\/computing\/i-wore-the-future-of-brain-connected-arvr\/"},{"key":"e_1_3_3_3_159_1","volume-title":"Artforms and Practices: Refereed Proceedings of the World Dance Alliance Global Summit","author":"Stevens Catherine","year":"2009","unstructured":"* Catherine Stevens, Heather Winskel, Clare Howell, Lyne-Marine Vidal, Josephine Milne-Home, and Cyril Latimer. 2009. Direct and Indirect Methods for Measuring Audience Reactions to Contemporary Dance. In Dance Dialogues: Conversations across Cultures, Artforms and Practices: Refereed Proceedings of the World Dance Alliance Global Summit 2008. https:\/\/ausdance.org.au\/?ACT=73&file=1023"},{"key":"e_1_3_3_3_160_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.respol.2013.05.008"},{"key":"e_1_3_3_3_161_1","doi-asserted-by":"publisher","DOI":"10.1017\/S135577181300037X"},{"key":"e_1_3_3_3_162_1","doi-asserted-by":"publisher","DOI":"10.1145\/3430524.3440653"},{"key":"e_1_3_3_3_163_1","doi-asserted-by":"publisher","DOI":"10.1109\/BIOSIG55365.2022.9897034"},{"key":"e_1_3_3_3_164_1","doi-asserted-by":"publisher","DOI":"10.1145\/3580781"},{"key":"e_1_3_3_3_165_1","volume-title":"Trends in Gestural Control of Music","author":"Tanaka Atau","unstructured":"* Atau Tanaka. 2000. Musical Performance Practice on Sensor-based Instruments. In Trends in Gestural Control of Music, M. M. Wanderley and M. Battier (eds.), 389\u2013406. Retrieved from https:\/\/api.semanticscholar.org\/CorpusID:8492367"},{"key":"e_1_3_3_3_166_1","volume-title":"YouTube. Retrieved","author":"Tanaka Atau","year":"2019","unstructured":"* Atau Tanaka. 2019. Sarah Nicolls performs Suspensions, by Atau Tanaka. YouTube. Retrieved January 23, 2023 from https:\/\/www.youtube.com\/watch?v=HumBMPJUroQ"},{"key":"e_1_3_3_3_167_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-47214-0_4"},{"key":"e_1_3_3_3_168_1","doi-asserted-by":"publisher","unstructured":"K\u0131van\u00e7 Tatar Philippe Pasquier and Remy Siu. 2018. REVIVE: An Audio-visual Performance with Musical and Visual AI Agents. In Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing Systems. ACM Montreal QC Canada 1\u20136. https:\/\/doi.org\/10.1145\/3170427.3177771","DOI":"10.1145\/3170427.3177771"},{"key":"e_1_3_3_3_169_1","doi-asserted-by":"publisher","DOI":"10.1080\/10598650.2017.1305864"},{"key":"e_1_3_3_3_170_1","doi-asserted-by":"publisher","DOI":"10.1145\/2212776.2212787"},{"key":"e_1_3_3_3_171_1","doi-asserted-by":"publisher","DOI":"10.1037\/0000238-001"},{"key":"e_1_3_3_3_172_1","volume-title":"Retrieved","author":"The Joanna Briggs Institute","year":"2015","unstructured":"The Joanna Briggs Institute. 2015. The Joanna Briggs Institute Reviewers\u2019 Manual 2015: Methodology for JBI Scoping Reviews. (2015). Retrieved September 13, 2022 from https:\/\/nursing.lsuhsc.edu\/JBI\/docs\/ReviewersManuals\/Scoping-.pdf"},{"key":"e_1_3_3_3_173_1","doi-asserted-by":"publisher","DOI":"10.1145\/2948910.2948928"},{"key":"e_1_3_3_3_174_1","volume-title":"Biometrics: An AFTRS Applied Innovation Research Project.","author":"Thomas Penelope","year":"2018","unstructured":"* Penelope Thomas. 2018. Biometrics: An AFTRS Applied Innovation Research Project. Retrieved from https:\/\/www.aftrs.edu.au\/wp-content\/uploads\/2020\/09\/White-Paper-3-Biometrics_Update_2020.pdf"},{"key":"e_1_3_3_3_175_1","doi-asserted-by":"publisher","DOI":"10.1016\/j.ijhcs.2009.05.005"},{"key":"e_1_3_3_3_176_1","doi-asserted-by":"publisher","DOI":"10.7326\/M18-0850"},{"key":"e_1_3_3_3_177_1","volume-title":"The UCLA Herb Alpert School of Music. Retrieved","author":"Herb Alpert UCLA","year":"2023","unstructured":"* UCLA Herb Alpert School of Music. 2017. UCLA Herb Alpert School of Music presents West Coast premiere of \u2018Synaesthesia Playground.\u2019 The UCLA Herb Alpert School of Music. Retrieved January 7, 2023 from https:\/\/schoolofmusic.ucla.edu\/ucla-herb-alpert-school-of-music-presents-west-coast-premiere-of-synaesthesia-playground\/"},{"key":"e_1_3_3_3_178_1","doi-asserted-by":"publisher","DOI":"10.1080\/14647890802697171"},{"key":"e_1_3_3_3_179_1","doi-asserted-by":"publisher","DOI":"10.5281\/zenodo.1178443"},{"key":"e_1_3_3_3_180_1","doi-asserted-by":"publisher","DOI":"10.3390\/arts12040148"},{"key":"e_1_3_3_3_181_1","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-319-57959-7"},{"key":"e_1_3_3_3_182_1","doi-asserted-by":"publisher","DOI":"10.1002\/9781118551424.ch3"},{"key":"e_1_3_3_3_183_1","doi-asserted-by":"publisher","DOI":"10.1145\/1255047.1255070"},{"key":"e_1_3_3_3_184_1","doi-asserted-by":"publisher","DOI":"10.1145\/3080631.3080633"},{"key":"e_1_3_3_3_185_1","doi-asserted-by":"publisher","DOI":"10.1145\/2556288.2557154"},{"key":"e_1_3_3_3_186_1","doi-asserted-by":"publisher","DOI":"10.1145\/3027063.3027089"},{"key":"e_1_3_3_3_187_1","volume-title":"The Verge. Retrieved","author":"Webster Andrew","year":"2021","unstructured":"Andrew Webster. 2021. Ariana Grande's Fortnite tour was a moment years in the making. The Verge. Retrieved September 12, 2023 from https:\/\/www.theverge.com\/2021\/8\/9\/22616664\/ariana-grande-fortnite-rift-tour-worldbuilding-storytelling"},{"key":"e_1_3_3_3_188_1","doi-asserted-by":"publisher","DOI":"10.1145\/3527927.3531451"},{"key":"e_1_3_3_3_189_1","doi-asserted-by":"publisher","DOI":"10.1007\/s11948-007-9003-z"},{"key":"e_1_3_3_3_190_1","volume-title":"Wired. Retrieved","year":"2017","unstructured":"Wired. 2017. Live Concerts Take the Virtual Out of Virtual Reality. Wired. Retrieved July 27, 2023 from https:\/\/www.wired.com\/brandlab\/2017\/07\/live-concerts-take-virtual-virtual-reality\/"},{"key":"e_1_3_3_3_191_1","doi-asserted-by":"publisher","unstructured":"* Dan Wu Chaoyi Li Yu Yin Changzheng Zhou and Dezhong Yao. 2010. Music Composition from the Brain Signal: Representing the Mental State by Music. Computational Intelligence and Neuroscience 1\u20136. https:\/\/doi.org\/10.1155\/2010\/267671","DOI":"10.1155\/2010"},{"key":"e_1_3_3_3_192_1","unstructured":"* XR Safety Initiative. 2020. Extend Reality With Awareness! XR Safety and Privacy Guide for Artists. Retrieved from https:\/\/xrsi.org\/publication\/extend-reality-with-awareness-xr-safety-and-privacy-guide-for-artists"},{"key":"e_1_3_3_3_193_1","doi-asserted-by":"publisher","DOI":"10.1145\/3009974"},{"key":"e_1_3_3_3_194_1","doi-asserted-by":"publisher","DOI":"10.1145\/2856767.2856768"},{"key":"e_1_3_3_3_195_1","doi-asserted-by":"publisher","DOI":"10.1145\/2839462.2856341"},{"key":"e_1_3_3_3_196_1","doi-asserted-by":"publisher","DOI":"10.1145\/3107990.3108002"},{"key":"e_1_3_3_3_197_1","doi-asserted-by":"publisher","unstructured":"Jianping Zhu Lizhen Ji and Chengyu Liu. 2019. Heart rate variability monitoring for emotion and disorders of emotion. Physiological Measurement 40(064004). https:\/\/doi.org\/10.1088\/1361-6579\/ab1887","DOI":"10.1088\/1361-6579"},{"key":"e_1_3_3_3_198_1","doi-asserted-by":"publisher","DOI":"10.1145\/3411764.3445102"}],"event":{"name":"CHI '24: CHI Conference on Human Factors in Computing Systems","location":"Honolulu HI USA","acronym":"CHI '24","sponsor":["SIGCHI ACM Special Interest Group on Computer-Human Interaction","SIGACCESS ACM Special Interest Group on Accessible Computing"]},"container-title":["Proceedings of the CHI Conference on Human Factors in Computing Systems"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3613904.3642309","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3613904.3642309","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,6,18]],"date-time":"2025-06-18T23:44:24Z","timestamp":1750290264000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3613904.3642309"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2024,5,11]]},"references-count":197,"alternative-id":["10.1145\/3613904.3642309","10.1145\/3613904"],"URL":"https:\/\/doi.org\/10.1145\/3613904.3642309","relation":{},"subject":[],"published":{"date-parts":[[2024,5,11]]},"assertion":[{"value":"2024-05-11","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}