{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,11,12]],"date-time":"2025-11-12T14:21:55Z","timestamp":1762957315051,"version":"3.44.0"},"publisher-location":"New York, NY, USA","reference-count":15,"publisher":"ACM","license":[{"start":{"date-parts":[[2023,11,10]],"date-time":"2023-11-10T00:00:00Z","timestamp":1699574400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by-sa\/4.0\/"}],"content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2023,11,10]]},"DOI":"10.1145\/3625135.3625155","type":"proceedings-article","created":{"date-parts":[[2023,10,27]],"date-time":"2023-10-27T15:45:14Z","timestamp":1698421514000},"page":"49-57","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":3,"title":["The \u201cOpenScore String Quartet\u201d Corpus"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-0722-3074","authenticated-orcid":false,"given":"Mark","family":"Gotham","sequence":"first","affiliation":[{"name":"Computer Science, Durham University, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0009-0007-9134-0156","authenticated-orcid":false,"given":"Maureen","family":"Redbond","sequence":"additional","affiliation":[{"name":"None (independent), United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-3359-6520","authenticated-orcid":false,"given":"Bruno","family":"Bower","sequence":"additional","affiliation":[{"name":"Imperial College, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-8428-3965","authenticated-orcid":false,"given":"Peter","family":"Jonas","sequence":"additional","affiliation":[{"name":"MuseScore, United Kingdom"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"320","published-online":{"date-parts":[[2023,11,10]]},"reference":[{"key":"e_1_3_2_1_1_1","doi-asserted-by":"publisher","DOI":"10.18061\/emr.v16i1.7637"},{"key":"e_1_3_2_1_2_1","doi-asserted-by":"publisher","DOI":"10.1093\/earlyj\/XXI.4.593"},{"volume-title":"Classical and Romantic Performing Practice 1750-1900","author":"Brown Clive","key":"e_1_3_2_1_3_1","unstructured":"Clive Brown. 1999. Classical and Romantic Performing Practice 1750-1900. Oxford University Press."},{"key":"e_1_3_2_1_4_1","volume-title":"Comparing Texture in Piano Scores","author":"Couturier Louis","year":"2023","unstructured":"Louis Couturier, Louis Bigo, and Florence Lev\u00e9. 2023. Comparing Texture in Piano Scores. In International Society for Music Information Retrieval (ISMIR 2023). Milan, Italy."},{"key":"e_1_3_2_1_5_1","volume-title":"Towards Modeling Texture in Symbolic Data. In International Society for Music Information Retrieval Conference.","author":"Giraud Mathieu","year":"2014","unstructured":"Mathieu Giraud, Florence Lev\u00e9, Florent Mercier, Marc Rigaudi\u00e8re, and Donatien Thorez. 2014. Towards Modeling Texture in Symbolic Data. In International Society for Music Information Retrieval Conference."},{"key":"e_1_3_2_1_6_1","doi-asserted-by":"publisher","DOI":"10.18061\/emr.v16i1.7644"},{"key":"e_1_3_2_1_7_1","doi-asserted-by":"publisher","DOI":"10.1145\/3625135.3625136"},{"key":"e_1_3_2_1_8_1","volume-title":"The OpenScore Lieder Corpus. In Music Encoding Conference(MEC \u201921)","author":"Gotham Mark","year":"2021","unstructured":"Mark Gotham and Peter Jonas. 2021. The OpenScore Lieder Corpus. In Music Encoding Conference(MEC \u201921). MEC. event-place: Alicante (Virtual Conference)."},{"key":"e_1_3_2_1_9_1","doi-asserted-by":"publisher","DOI":"10.1145\/3273024.3273026"},{"key":"e_1_3_2_1_10_1","doi-asserted-by":"publisher","DOI":"10.5281\/zenodo.5676067"},{"volume-title":"The Critical Editing of Music: History, Method, and Practice","author":"Grier James\u00a0Norman","key":"e_1_3_2_1_11_1","unstructured":"James\u00a0Norman Grier. 1996. The Critical Editing of Music: History, Method, and Practice. Cambridge University Press."},{"key":"e_1_3_2_1_12_1","doi-asserted-by":"publisher","DOI":"10.1145\/3543882.3543884"},{"key":"e_1_3_2_1_13_1","doi-asserted-by":"publisher","unstructured":"N\u00e9stor N\u00e1poles\u00a0L\u00f3pez. 2017. Joseph Haydn - String Quartets Op.20 - Harmonic Analysis Annotations Dataset. https:\/\/doi.org\/10.5281\/zenodo.1095630","DOI":"10.5281\/zenodo.1095630"},{"volume-title":"A Performer\u2019s Guide to Transcribing, Editing, and Arranging Early Music","author":"Schab Alon","key":"e_1_3_2_1_14_1","unstructured":"Alon Schab. 2022. A Performer\u2019s Guide to Transcribing, Editing, and Arranging Early Music. Oxford, New York."},{"key":"e_1_3_2_1_15_1","doi-asserted-by":"publisher","DOI":"10.1093\/llc\/fqac083"}],"event":{"name":"DLfM 2023: 10th International Conference on Digital Libraries for Musicology","acronym":"DLfM 2023","location":"Milan Italy"},"container-title":["Proceedings of the 10th International Conference on Digital Libraries for Musicology"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3625135.3625155","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3625135.3625155","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,8,23]],"date-time":"2025-08-23T02:22:33Z","timestamp":1755915753000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3625135.3625155"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2023,11,10]]},"references-count":15,"alternative-id":["10.1145\/3625135.3625155","10.1145\/3625135"],"URL":"https:\/\/doi.org\/10.1145\/3625135.3625155","relation":{},"subject":[],"published":{"date-parts":[[2023,11,10]]},"assertion":[{"value":"2023-11-10","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}