{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,6,13]],"date-time":"2026-06-13T07:20:57Z","timestamp":1781335257407,"version":"3.54.1"},"publisher-location":"New York, NY, USA","reference-count":78,"publisher":"ACM","content-domain":{"domain":["dl.acm.org"],"crossmark-restriction":true},"short-container-title":[],"published-print":{"date-parts":[[2025,10,26]]},"DOI":"10.1145\/3663547.3746396","type":"proceedings-article","created":{"date-parts":[[2025,10,22]],"date-time":"2025-10-22T16:33:49Z","timestamp":1761150829000},"page":"1-15","update-policy":"https:\/\/doi.org\/10.1145\/crossmark-policy","source":"Crossref","is-referenced-by-count":2,"title":["Sonic Agency: A Group Autoethnography of Technology-mediated Performance Practice by Deaf and Hard of Hearing Musicians"],"prefix":"10.1145","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-0169-2945","authenticated-orcid":false,"given":"Doga","family":"Cavdir","sequence":"first","affiliation":[{"name":"IT University of Copenhagen, Copenhagen, Denmark and Stanford Universtiy, Stanford, USA"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0009-0003-9402-5814","authenticated-orcid":false,"given":"Dillion","family":"Simone","sequence":"additional","affiliation":[{"name":"CymaSpace, Portland, USA"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0009-0000-6474-6168","authenticated-orcid":false,"given":"Myles","family":"de Bastion","sequence":"additional","affiliation":[{"name":"CymaSpace, Portland, USA"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0009-0001-6714-3503","authenticated-orcid":false,"given":"Shawn","family":"Trail","sequence":"additional","affiliation":[{"name":"Confluence Recording Co., Portland, USA"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0009-0009-6134-5137","authenticated-orcid":false,"given":"Nate","family":"Hergert","sequence":"additional","affiliation":[{"name":"CymaSpace, Portland, USA"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"320","published-online":{"date-parts":[[2025,10,22]]},"reference":[{"key":"e_1_3_3_2_2_2","doi-asserted-by":"publisher","DOI":"10.1145\/3663548.3688543"},{"key":"e_1_3_3_2_3_2","doi-asserted-by":"publisher","DOI":"10.1145\/3441852.3476555"},{"key":"e_1_3_3_2_4_2","doi-asserted-by":"publisher","DOI":"10.1145\/3663548.3688483"},{"key":"e_1_3_3_2_5_2","doi-asserted-by":"publisher","unstructured":"Hugh Aynsley Tom Mitchell and Dave Meckin. 2023. Participatory Conceptual Design of Accessible Digital Musical Instruments using Generative AI. (May 2023). 10.5281\/ZENODO.11189302","DOI":"10.5281\/ZENODO.11189302"},{"key":"e_1_3_3_2_6_2","doi-asserted-by":"publisher","DOI":"10.1145\/3322276.3322376"},{"key":"e_1_3_3_2_7_2","unstructured":"Katelyn Best. 2018. Musical Belonging in a Hearing-Centric Society: Adapting and Contesting Dominant Cultural Norms through Deaf Hip Hop. Journal of American Sign Languages and Literatures (2018)."},{"key":"e_1_3_3_2_8_2","doi-asserted-by":"publisher","unstructured":"Virginia Braun and Victoria Clarke. 2006. Using thematic analysis in psychology. Qualitative Research in Psychology 3 2 (Jan. 2006) 77\u2013101. 10.1191\/1478088706qp063oa","DOI":"10.1191\/1478088706qp063oa"},{"key":"e_1_3_3_2_9_2","unstructured":"Richard Burn. 2016. Music-making for the Deaf: Exploring new ways of enhancing musical experience with visual and haptic feedback systems. Proceedings of International Conference on Live Interfaces (2016)."},{"key":"e_1_3_3_2_10_2","first-page":"1","volume-title":"Proceedings of the Second Workshop on Resources and Representations for Under-Resourced Languages and Domains (RESOURCEFUL-2023)","author":"B\u00f6rstell Carl","year":"2023","unstructured":"Carl B\u00f6rstell. 2023. Ableist Language Teching over Sign Language Research. In Proceedings of the Second Workshop on Resources and Representations for Under-Resourced Languages and Domains (RESOURCEFUL-2023), Nikolai Ilinykh, Felix Morger, Dana Dann\u00e9lls, Simon Dobnik, Be\u00e1ta Megyesi, and Joakim Nivre (Eds.). Association for Computational Linguistics, T\u00f3rshavn, the Faroe Islands, 1\u201310. https:\/\/aclanthology.org\/2023.resourceful-1.1\/"},{"key":"e_1_3_3_2_11_2","doi-asserted-by":"publisher","DOI":"10.1145\/3663548.3675624"},{"key":"e_1_3_3_2_12_2","doi-asserted-by":"publisher","DOI":"10.21428\/92fbeb44.b24043e8"},{"key":"e_1_3_3_2_13_2","doi-asserted-by":"publisher","unstructured":"Doga Cavdir. 2024. Development of embodied listening studies with multimodal and wearable haptic interfaces for hearing accessibility in music. Frontiers in Computer Science 5 (Jan. 2024) 1162758. 10.3389\/fcomp.2023.1162758","DOI":"10.3389\/fcomp.2023.1162758"},{"key":"e_1_3_3_2_14_2","doi-asserted-by":"publisher","unstructured":"Doga Cavdir and Ge Wang. 2020. Felt Sound: A Shared Musical Experience for the Deaf and Hard of Hearing. (June 2020). 10.5281\/ZENODO.4813305","DOI":"10.5281\/ZENODO.4813305"},{"key":"e_1_3_3_2_15_2","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-540-87883-48"},{"key":"e_1_3_3_2_16_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642017"},{"key":"e_1_3_3_2_17_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642665"},{"key":"e_1_3_3_2_18_2","doi-asserted-by":"publisher","unstructured":"Youjin Choi ChungHa Lee Songmin Chung Eunhye Cho Suhyeon Yoo and Jin-Hyuk Hong. 2025. Enhancing collaborative signing songwriting experience of the d\/Deaf individuals. International Journal of Human-Computer Studies 193 (Jan. 2025) 103382. 10.1016\/j.ijhcs.2024.103382","DOI":"10.1016\/j.ijhcs.2024.103382"},{"key":"e_1_3_3_2_19_2","doi-asserted-by":"publisher","unstructured":"Warren\u00a0N. Churchill. 2015. Deaf and hard-of-hearing musicians: Crafting a narrative strategy. Research Studies in Music Education 37 1 (June 2015) 21\u201336. 10.1177\/1321103X15589777","DOI":"10.1177\/1321103X15589777"},{"key":"e_1_3_3_2_20_2","doi-asserted-by":"publisher","unstructured":"Robin Cooper and Bruce Lilyea. 2022. I\u2019m Interested in Autoethnography but How Do I Do It? The Qualitative Report (2022). 10.46743\/2160-3715\/2022.5288","DOI":"10.46743\/2160-3715\/2022.5288"},{"key":"e_1_3_3_2_21_2","doi-asserted-by":"publisher","unstructured":"Lyall Crawford. 1996. Personal ethnography. Communication Monographs 63 2 (June 1996) 158\u2013170. 10.1080\/03637759609376384","DOI":"10.1080\/03637759609376384"},{"key":"e_1_3_3_2_22_2","doi-asserted-by":"publisher","unstructured":"Teodoro Dannemann. 2023. Music jamming as a participatory design method. A case study with disabled musicians. (May 2023). 10.5281\/ZENODO.11189108","DOI":"10.5281\/ZENODO.11189108"},{"key":"e_1_3_3_2_23_2","doi-asserted-by":"publisher","DOI":"10.1145\/3334480.3383046"},{"key":"e_1_3_3_2_24_2","doi-asserted-by":"publisher","unstructured":"Audrey Desjardins Oscar Tomico Andr\u00e9s Lucero Marta\u00a0E. Cecchinato and Carman Neustaedter. 2021. Introduction to the Special Issue on First-Person Methods in HCI. ACM Transactions on Computer-Human Interaction 28 6 (Dec. 2021) 1\u201312. 10.1145\/3492342","DOI":"10.1145\/3492342"},{"key":"e_1_3_3_2_25_2","unstructured":"Carolyn Ellis Tony\u00a0E. Adams and Arthur\u00a0P. Bochner. 2011. Autoethnography: An Overview. Historical Social Research \/ Historische Sozialforschung 36 4 (138) (2011) 273\u2013290. https:\/\/www.jstor.org\/stable\/23032294"},{"key":"e_1_3_3_2_26_2","doi-asserted-by":"publisher","unstructured":"David\u00a0W. Fourney and Deborah\u00a0I. Fels. 2009. Creating access to music through visualization. 2009 IEEE Toronto International Conference Science and Technology for Humanity (TIC-STH) (2009) 939\u2013944. 10.1109\/TIC-STH.2009.5444364","DOI":"10.1109\/TIC-STH.2009.5444364"},{"key":"e_1_3_3_2_27_2","doi-asserted-by":"publisher","unstructured":"Emma Frid. 2019. Accessible Digital Musical Instruments\u2014A Review of Musical Interfaces in Inclusive Music Practice. Multimodal Technologies and Interaction 3 3 (July 2019) 57. 10.3390\/mti3030057","DOI":"10.3390\/mti3030057"},{"key":"e_1_3_3_2_28_2","doi-asserted-by":"publisher","unstructured":"Robert Fulford Jane Ginsborg and Juliet Goldbart. 2011. Learning not to listen: the experiences of musicians with hearing impairments. Music Education Research 13 4 (Dec. 2011) 447\u2013464. 10.1080\/14613808.2011.632086","DOI":"10.1080\/14613808.2011.632086"},{"key":"e_1_3_3_2_29_2","doi-asserted-by":"publisher","DOI":"10.1145\/3517428.3551354"},{"key":"e_1_3_3_2_30_2","doi-asserted-by":"publisher","unstructured":"Andreas F\u00f6rster Alarith Uhde Mathias Komesker Christina Komesker and Irina Schmidt. 2023. LoopBoxes - Evaluation of a Collaborative Accessible Digital Musical Instrument. (May 2023). 10.5281\/ZENODO.11189094","DOI":"10.5281\/ZENODO.11189094"},{"key":"e_1_3_3_2_31_2","doi-asserted-by":"publisher","DOI":"10.1145\/3656156.3658382"},{"key":"e_1_3_3_2_32_2","doi-asserted-by":"publisher","DOI":"10.1145\/3313831.3376406"},{"key":"e_1_3_3_2_33_2","doi-asserted-by":"publisher","unstructured":"Steven\u00a0M. Goodman Ping Liu Dhruv Jain Emma\u00a0J. McDonnell Jon\u00a0E. Froehlich and Leah Findlater. 2021. Toward User-Driven Sound Recognizer Personalization with People Who Are d\/Deaf or Hard of Hearing. Proceedings of the ACM on Interactive Mobile Wearable and Ubiquitous Technologies 5 2 (June 2021) 1\u201323. 10.1145\/3463501","DOI":"10.1145\/3463501"},{"key":"e_1_3_3_2_34_2","doi-asserted-by":"publisher","unstructured":"Michael\u00a0S. Grierson. 2011. Making music with images: interactive audiovisual performance systems for the deaf. 10 1 (March 2011) 37\u201341. 10.1515\/ijdhd.2011.009","DOI":"10.1515\/ijdhd.2011.009"},{"key":"e_1_3_3_2_35_2","doi-asserted-by":"publisher","DOI":"10.1145\/3373625.3416996"},{"key":"e_1_3_3_2_36_2","doi-asserted-by":"publisher","unstructured":"Kristina H\u00f6\u00f6k Baptiste Caramiaux Cumhur Erkut Jodi Forlizzi Nassrin Hajinejad Michael Haller Caroline Hummels Katherine Isbister Martin Jonsson George Khut and others. 2018. Embracing first-person perspectives in soma-based design. Informatics 5 1 (2018) 8. 10.3390\/informatics5010008Publisher: Multidisciplinary Digital Publishing Institute.","DOI":"10.3390\/informatics5010008"},{"key":"e_1_3_3_2_37_2","doi-asserted-by":"publisher","DOI":"10.1145\/3517428.3544828"},{"key":"e_1_3_3_2_38_2","doi-asserted-by":"publisher","DOI":"10.1145\/3308561.3353800"},{"key":"e_1_3_3_2_39_2","doi-asserted-by":"publisher","DOI":"10.1145\/3373625.3416986"},{"key":"e_1_3_3_2_40_2","doi-asserted-by":"publisher","DOI":"10.1145\/3643834.3661509"},{"key":"e_1_3_3_2_41_2","doi-asserted-by":"publisher","unstructured":"Quinn\u00a0D Jarvis\u00a0Holland Crystal Quartez Francisco Botello and Nathan Gammill. 2020. EXPANDING ACCESS TO MUSIC TECHNOLOGY- Rapid Prototyping Accessible Instrument Solutions For Musicians With Intellectual Disabilities. (June 2020). 10.5281\/ZENODO.4813286","DOI":"10.5281\/ZENODO.4813286"},{"key":"e_1_3_3_2_42_2","doi-asserted-by":"publisher","DOI":"10.1093\/oxfordhb\/9780199331444.013.3"},{"key":"e_1_3_3_2_43_2","volume-title":"Sonic agency: sound and emergent forms of resistance (paperback edition ed.)","author":"LaBelle Brandon","year":"2020","unstructured":"Brandon LaBelle. 2020. Sonic agency: sound and emergent forms of resistance (paperback edition ed.). Goldsmiths Press, London."},{"key":"e_1_3_3_2_44_2","doi-asserted-by":"publisher","DOI":"10.1145\/3517428.3566096"},{"key":"e_1_3_3_2_45_2","doi-asserted-by":"publisher","DOI":"10.1145\/3308561.3353784"},{"key":"e_1_3_3_2_46_2","doi-asserted-by":"publisher","DOI":"10.1145\/3663548.3675604"},{"key":"e_1_3_3_2_47_2","doi-asserted-by":"publisher","unstructured":"Alex\u00a0Michael Lucas Miguel Ortiz and Dr.\u00a0Franziska Schroeder. 2019. Bespoke Design for Inclusive Music: The Challenges of Evaluation. (June 2019). 10.5281\/ZENODO.3672884","DOI":"10.5281\/ZENODO.3672884"},{"key":"e_1_3_3_2_48_2","doi-asserted-by":"publisher","DOI":"10.1145\/3196709.3196731"},{"key":"e_1_3_3_2_49_2","doi-asserted-by":"publisher","DOI":"10.1007\/978-3-030-67322-25"},{"key":"e_1_3_3_2_50_2","doi-asserted-by":"publisher","DOI":"10.1145\/3301019.3319996"},{"key":"e_1_3_3_2_51_2","doi-asserted-by":"publisher","DOI":"10.1145\/3441852.3471199"},{"key":"e_1_3_3_2_52_2","doi-asserted-by":"publisher","unstructured":"Francesco Manenti and Francesco\u00a0Ardan Dal\u00a0R\u00ec. 2024. Accessibility of Graphic Scores: Design and Exploration of Tactile Supports for Blind People. (Oct. 2024). 10.5281\/ZENODO.13904941","DOI":"10.5281\/ZENODO.13904941"},{"key":"e_1_3_3_2_53_2","doi-asserted-by":"publisher","unstructured":"Brendan McCloskey Brian Bridges and Frank Lyons. 2015. Accessibility And Dimensionalty: Enhanced Real-Time Creative Independence For Digital Musicians With Quadriplegic Cerebral Palsy. (June 2015). 10.5281\/ZENODO.1179132","DOI":"10.5281\/ZENODO.1179132"},{"key":"e_1_3_3_2_54_2","doi-asserted-by":"publisher","unstructured":"Andrew McMillan and Fabio Morreale. 2023. Designing accessible musical instruments by addressing musician-instrument relationships. Frontiers in Computer Science 5 (May 2023) 1153232. 10.3389\/fcomp.2023.1153232","DOI":"10.3389\/fcomp.2023.1153232"},{"key":"e_1_3_3_2_55_2","volume-title":"Sound teaching: a research-informed approach to inspiring confidence, skill, and enjoyment in music performance","author":"Meissner Henrique","year":"2022","unstructured":"Henrique Meissner, Renee Timmers, and Stephanie Pitts (Eds.). 2022. Sound teaching: a research-informed approach to inspiring confidence, skill, and enjoyment in music performance. Routledge, Abingdon, Oxon ; New York, NY. OCLC: 1273728171."},{"key":"e_1_3_3_2_56_2","doi-asserted-by":"publisher","DOI":"10.4324\/9780203981139"},{"key":"e_1_3_3_2_57_2","doi-asserted-by":"publisher","unstructured":"S.C. Nanayakkara L. Wyse S.\u00a0H. Ong and E.\u00a0A. Taylor. 2013. Enhancing Musical Experience for the Hearing-Impaired Using Visual and Haptic Displays. Human\u2013Computer Interaction 28 3 (2013) 115\u2013160. 10.1080\/07370024.2012.697006","DOI":"10.1080\/07370024.2012.697006"},{"key":"e_1_3_3_2_58_2","doi-asserted-by":"publisher","DOI":"10.13140\/2.1.2184.8644"},{"key":"e_1_3_3_2_59_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642454"},{"key":"e_1_3_3_2_60_2","doi-asserted-by":"publisher","unstructured":"Panayotis Panopoulos. 2021. Deaf voices \/ Deaf art: Vocality through and beyond sound and sign1. Journal of Interdisciplinary Voice Studies 6 1 (April 2021) 9\u201326. 10.1386\/jivs000341","DOI":"10.1386\/jivs000341"},{"key":"e_1_3_3_2_61_2","doi-asserted-by":"publisher","DOI":"10.1145\/3517428.3544825"},{"key":"e_1_3_3_2_62_2","doi-asserted-by":"publisher","unstructured":"William\u00a0C Payne Matthew Kaney Yuhua Cao Eric Xu Xinran Shen Katrina Lee and Amy Hurst. 2023. Live Coding Ensemble as Accessible Classroom. (May 2023). 10.5281\/ZENODO.11189248","DOI":"10.5281\/ZENODO.11189248"},{"key":"e_1_3_3_2_63_2","doi-asserted-by":"publisher","unstructured":"William\u00a0C Payne Ann Paradiso and Shaun Kane. 2020. Cyclops: Designing an eye-controlled instrument for accessibility and flexible use. (June 2020). 10.5281\/ZENODO.4813204","DOI":"10.5281\/ZENODO.4813204"},{"key":"e_1_3_3_2_64_2","unstructured":"Claire Petitmengin and Michel Bitbol. 2009. Listening from within. Journal of Consciousness studies 16 10-11 (2009) 363\u2013404. Publisher: Imprint Academic."},{"key":"e_1_3_3_2_65_2","unstructured":"Claire Petitmengin and others. 2009. The validity of first-person descriptions as authenticity and coherence. Journal of Consciousness studies 16 10-11 (2009) 252\u2013284. Publisher: Imprint Academic."},{"key":"e_1_3_3_2_66_2","doi-asserted-by":"publisher","DOI":"10.1145\/2982142.2982213"},{"key":"e_1_3_3_2_67_2","doi-asserted-by":"publisher","DOI":"10.1037\/0000222-000"},{"key":"e_1_3_3_2_68_2","doi-asserted-by":"publisher","unstructured":"Byron Remache-Vinueza Andr\u00e9s Trujillo-Le\u00f3n Mireya Zapata Fabi\u00e1n Sarmiento-Ortiz and Fernando Vidal-Verd\u00fa. 2021. Audio-Tactile Rendering: A Review on Technology and Methods to Convey Musical Information through the Sense of Touch. Sensors 21 19 (Sept. 2021) 6575. 10.3390\/s21196575","DOI":"10.3390\/s21196575"},{"key":"e_1_3_3_2_69_2","doi-asserted-by":"publisher","unstructured":"Claire Richards Roland Cahen and Nicolas Misdariis. 2022. Designing the Balance between Sound and Touch: Methods for Multimodal Composition. (June 2022). 10.5281\/ZENODO.6573461","DOI":"10.5281\/ZENODO.6573461"},{"key":"e_1_3_3_2_70_2","doi-asserted-by":"publisher","unstructured":"Elizabeth B.-N. Sanders and Pieter\u00a0Jan Stappers. 2008. Co-creation and the new landscapes of design. CoDesign 4 1 (March 2008) 5\u201318. 10.1080\/15710880701875068","DOI":"10.1080\/15710880701875068"},{"key":"e_1_3_3_2_71_2","doi-asserted-by":"publisher","unstructured":"Amble H\u00a0C Skuse and Shelly Knotts. 2020. Creating an Online Ensemble for Home Based Disabled Musicians: Disabled Access and Universal Design - why disabled people must be at the heart of developing technology. (June 2020). 10.5281\/ZENODO.4813266","DOI":"10.5281\/ZENODO.4813266"},{"key":"e_1_3_3_2_72_2","doi-asserted-by":"publisher","DOI":"10.1145\/2513383.2513412"},{"key":"e_1_3_3_2_73_2","doi-asserted-by":"publisher","DOI":"10.1145\/3373625.3417011"},{"key":"e_1_3_3_2_74_2","unstructured":"Francisco\u00a0J Varela and Jonathan Shear. 1999. First-person methodologies: What why how. Journal of Consciousness studies 6 2-3 (1999) 1\u201314. Publisher: Citeseer."},{"key":"e_1_3_3_2_75_2","doi-asserted-by":"publisher","DOI":"10.1145\/3613904.3642746"},{"key":"e_1_3_3_2_76_2","doi-asserted-by":"publisher","DOI":"10.1145\/3663548.3688546"},{"key":"e_1_3_3_2_77_2","doi-asserted-by":"publisher","DOI":"10.1145\/3544548.3581287"},{"key":"e_1_3_3_2_78_2","doi-asserted-by":"publisher","DOI":"10.21428\/92fbeb44.2b8ce9a4"},{"key":"e_1_3_3_2_79_2","doi-asserted-by":"publisher","DOI":"10.1145\/3663548.3688544"}],"event":{"name":"ASSETS '25: The 27th International ACM SIGACCESS Conference on Computers and Accessibility","location":"Denver Colorado USA","acronym":"ASSETS '25","sponsor":["SIGACCESS ACM Special Interest Group on Accessible Computing"]},"container-title":["Proceedings of the 27th International ACM SIGACCESS Conference on Computers and Accessibility"],"original-title":[],"link":[{"URL":"https:\/\/dl.acm.org\/doi\/pdf\/10.1145\/3663547.3746396","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2026,1,9]],"date-time":"2026-01-09T17:51:54Z","timestamp":1767981114000},"score":1,"resource":{"primary":{"URL":"https:\/\/dl.acm.org\/doi\/10.1145\/3663547.3746396"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2025,10,22]]},"references-count":78,"alternative-id":["10.1145\/3663547.3746396","10.1145\/3663547"],"URL":"https:\/\/doi.org\/10.1145\/3663547.3746396","relation":{},"subject":[],"published":{"date-parts":[[2025,10,22]]},"assertion":[{"value":"2025-10-22","order":3,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}}